The Cornerstone Speech (1861)
Quotes about mountains
page 6
1995 and later, interview in Kirkeby’s home studio, Copenhagen (2012)
From a letter to Robert W. Gordon (February 4, 1925)
Letters
Íslandsklukkan (Iceland's Bell) (1946), Part I: Iceland's Bell
As quoted in Plans, Sections and Elevations : Key Buildings of the Twentieth Century (2004) by Richard Weston
Variant translations:
It is not the right angle that attracts me,
Nor the hard, inflexible straight line, man-made.
What attracts me are free and sensual curves.
The curves in my country’s mountains,
In the sinuous flow of its rivers,
In the beloved woman’s body.
As quoted in "Architect of Optimism" http://www.ft.com/cms/s/0/db740a7a-e897-11db-b2c3-000b5df10621.html?nclick_check=1, Angel Gurria-Quintana, Financial Times (2007-04-13)
It is not the right angle that attracts me.
nor the straight line, tough, inflexible,
created by man.
what attracts me is the free, sensual curve.
the curve I find in the mountains of my country,
in the sinuous course of its rivers,
in the waves of the sea,
in the clouds of the sky,
in the body of the favourite woman.
Of curves is made all the universe.
As quoted on a Photo page on the Museum of Contemporary Art over Baia da Guanabara http://app.tabblo.com/studio/stories/view/122423/?nextnav=favs&navuser=1
She's Gonna Make It, written by Kent Blazy, Kim Williams, and G. Brooks.
Song lyrics, Sevens (1997)
Los Angeles Times Home Magazine (Feb. 20, 1977)
"The Ancient Greeks: A Critical History", Harvard University Press, 1983, pgs 605-608
“out of the mountain of his soul
comes a keen pure silence”
19
XAIPE (1950)
“Cloud-made mountains towered,
Beckoning to me;
Visionary triremes
Talked about the sea…”
The Janitor's Boy And Other Poems (1924)
Letter to George Washington (31 October 1776)
Interview with Conrad Bodman, curator at the Barbican Arts Centre (2001)
Creation seminars (2003-2005), The Garden of Eden
"12th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=2TkY7HrJOhc Youtube (April 19, 2008)
Youtube, Foundational Falsehoods of Creationism
Some Men are More Perfect Than Others (1973)
On flying over the Rocky Mountains, as quoted in Lindbergh (1978) by Leonard Mosley
Believer
Source: Argonautica (3rd century BC), Book III. Jason and Medea, Lines 66–74; spoken by Hera.
The Drowning Pool (1952)
Source: The Geological Evidences of the Antiquity of Man (1863), Ch.21, p. 423
About I Don't Know What It Is,
Captain Cool. That's the name we've given him because of the ease with which he seems to cope with pressure. Here's his take on handling the hopes of 1.2 billion people. https://www.scoopwhoop.com/sports/ms-dhoni/
Source: First We Read, Then We Write: Emerson on the Creative Process (2009), p. 19
Interview in OutSmart magazine https://web.archive.org/web/20080727021104/http://home.houston.rr.com/blase/Root%20Folder/ritamae.html (January 1998)
"Foreword to a book of poems", in An Anthology of Vietnamese Poems, trans. Huỳnh Sanh Thông (Yale University Press, 1996), <small>ISBN 978-0300064100</small>
Opening narration
The Living Planet (1984)
Source: Argonautica (3rd century BC), Book III. Jason and Medea, Lines 948–972
“The most distant mountains, like himself, just stood there and gazed.”
p, 125
The Discovery of Slowness (1983, 1987)
Source: Willa Cather in Europe (1956), Ch. 14 (16 September 1902)
Source: The Keys to the Kingdom series, Superior Saturday (2008), p. 106.
p 234, describing his swim on Mt Everest (2010)
21 Yaks And A Speedo (2013)
An Appeal to the Young (1880)
Describing the countryside around Chesapeake Bay (1606); reported in The Generall Historie of Virginia, New England & The Summer Isles (1907), vol. 2, pp. 44–45.
The Indian Emperor (1667), Act III, scene ii.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 493.
"On the Stork Tower" (《登鹳雀楼》), trans. Yuanchong Xu
Herzog on Herzog (2002)
"The Snows of Kilimanjaro," first published in Esquire (August 1936); later published in The Fifth Column and the First Forty-Nine Stories (1938)
Treadmill to Oblivion http://books.google.com/books?id=8IC6ZSGPAAYC&q="A+molehill+man+is+a+pseudo+busy+executive+who+comes+to+work+at+9+am+and+finds+a+molehill+on+his+desk+He+has+until+5+pm+to+make+this+molehill+into+a+mountain+An+accomplished+molehill+man+will+often+have+his+mountain+finished+even+before+lunch"&pg=PA27#v=onepage (1954).
Letter to Nele van de Velde ((daughter of Henry van de Velde), from Frauenkirch, 13 October 1918; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 223-224
1916 - 1919
“[Description of Britain] Its plains are spacious, its hills are pleasantly situated, adapted for superior tillage, and its mountains are admirably calculated for the alternate pasturage of cattle, where flowers of various colours, trodden by the feet of man, give it the appearance of a lovely picture. It is decked, like a man's chosen bride, with divers jewels, with lucid fountains and abundant brooks wandering over the snow white sands; with transparent rivers, flowing in gentle murmurs, and offering a sweet pledge of slumber to those who recline upon their banks, whilst it is irrigated by abundant lakes, which pour forth cool torrents of refreshing water.”
[Descriptio Britanniae] Campis late pansis collibusque amoeno situ locatis, praepollenti culturae aptis, montibus alternandis animalium pastibus maxime covenientibus, quorum diversorum colorum flores humanis gressibus pulsati non indecentem ceu picturam eisdem imprimebant, electa veluti sponsa monilibus diversis ornata, fontibus lucidis crebris undis niveas veluti glareas pellentibus, pernitidisque rivis leni murmure serpentibus ipsorumque in ripis accubantibus suavis soporis pignus praetendentibus, et lacubus frigidum aquae torrentem vivae exundantibus irrigua.
Section 3.
De Excidio Britanniae (On the Ruin of Britain)
In his Foreword to Myth, Symbol, and Meaning in Mary Poppins: The Governess as Provocateur (2007) by Giorgia Grilli, p. xiii
Ansel Adams: An Autobiography (1985)
"Jesus For A Day" (co-written with Jeremy Ruzumna, Justin Meldal-Johnsen, Bobby Ross Avila, Issiah J. Avila)
The Trouble with Being Myself (2003)
[Peter Haldeman, w:Peter Haldeman, The Return of Werner Erhard, Father of Self-Help, The New York Times, November 28, 2015, http://www.nytimes.com/2015/11/29/fashion/the-return-of-werner-erhard-father-of-self-help.html?ref=fashion&_r=0]
July 27, 1800
Cf. Wordsworth's The Excursion, Book 4, lines 1175-87 http://www.bartleby.com/145/ww401.html.
Diaries
Song lyrics, 50 Words for Snow (2011)
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 273.
A Language Older Than Words (2000)
In Robert Rauschenberg, Works, Writings and Interviews, Sam Hunter; as quoted in Ediciones Poligrafa, Barcelona, Spain, 2006, p. 37
1950's
History of the Indies (1561)
From the Bull Ritual, Book VI, line 197
The Odyssey : A Modern Sequel (1938)
“Dicko: The mountain was too high, the river too deep. Cabaret.”
Australian Idol, Final Performances, Final 5
Sun Stone (1957)
Source: Take The Risk (2008), p. 48
“When I die, I will see the lining of the world.
The other side, beyond bird, mountain, sunset.”
"Meaning" (1991)
“I was going to be lynched. I had to go into hiding in the mountains for two weeks.”
When The Prisoner had an inconclusive ending
Daily Mail, 15th January 2009 http://www.dailymail.co.uk/tvshowbiz/article-1116243/How-star-stage-Patrick-McGoohan-Prisoner-success-switching-screen.html
Wallenstein, part i. Act ii, scene 4 (translated from Schiller)
Bartlett's Familiar Quotations, 10th ed. (1919)
Ecco altre isole insieme, altre pendíci
Scoprian alfin men erte ed elevate.
Ed eran queste l'isole felici;
Così le nominò la prisca etate,
A cui tanto stimava i Cieli amici,
Che credea volontarie, e non arate
Quì partorir le terre, e in più graditi
Frutti, non culte, germogliar le viti.<p>Quì non fallaci mai fiorir gli olivi,
E 'l mel dicea stillar dall'elci cave:
E scender giù da lor montagne i rivi
Con acque dolci, e mormorio soave:
E zefiri e rugiade i raggj estivi
Temprarvi sì, che nullo ardor v'è grave:
E quì gli Elisj campi, e le famose
Stanze delle beate anime pose.
Canto XV, stanzas 35–36 (tr. Fairfax)
Gerusalemme Liberata (1581)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 124.
Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 3 Introduction
“Nobody ever stubs his toe against a mountain. It's the little temptations that bring a man down.”
All for a Pinch of Snuff, c. 1910. Quoted in M. Samuel. Prince of the Ghetto. Alfred A. Knopf, 1948, p. 64.
Source: Mathematical Lectures (1734), p. 27-30
Archetypal Dimensions of the Psyche (1994), The Animus, a Woman's Inner Man
"Edgar Lee Masters and Carl Sandburg," Tendencies in Modern American Poetry http://books.google.com/books?id=UgZaAAAAMAAJ (1917).
Das war meine Sehnsucht: nach göttlicher Einsamkeit und Ruhe der Berge, nach unberührtem, weißen Schnee. Ich war der großen Stadt müde geworden.
Ich bin wieder zu Hause in den Bergen. Da sitze ich viele Stunden in ihrer weißen Jungfräulichkeit und finde mich selbst wieder.
Michael: a German fate in diary notes (1926)
“That's where we have to go," said Kestrel, looking at the mountain. "Into the fire.”
Source: The "Wind on Fire" Trilogy (2000-2003), The Wind Singer (Book 1), p. 265
Answer given when he was asked if he was afraid of losing his mind in prison. Interview with Ted Kaczynski http://web.archive.org/web/20061003044754/www.spiritoffreedom.org.uk/profiles/ted.html
Interviews
Source: 1890s, The Mountains of California (1894), chapter 1: The Sierra Nevada