Quotes about light
page 35

“The Elements has been considered as offering models of scrupulously rigorous demonstrations. It is certainly true that in point of rigour it compares favourably with its modern rivals; but when examined in the light of strict mathematical logic, it has been pronounced by C. S. Peirce to be "riddled with fallacies." The results are correct only because the writer's experience keeps him on his guard.”

Florian Cajori book A History of Mathematics

Source: A History of Mathematics (1893), p. 37. Reported in Moritz (1914)

Mathematics

“I was thrilled to find America so rich with so many new motives to be translated into a new art. Steel and electricity had created a new world. A new drama had surged from the unmerciful violation of darkness at night, by the violent blaze of electricity and a new polyphony was ringing all around with the scintillating, highly colored lights. The steel had leaped to hyperbolic altitudes and expanded to vast latitudes with the skyscrapers and with bridges made for the conjunction of worlds. A new architecture was created, a new perspective.”

Joseph Stella (1877–1946) American artist

Joseph Stella (1912); As cited in: Metropolitan Museum of Art (1965) American Painting in the Twentieth Century. p. 69

World, Art, Color, Motivation

“Between going and staying the day wavers,
in love with its own transparency.
The circular afternoon is now a bay
where the world in stillness rocks.
All is visible and all elusive,
all is near and can't be touched.
Paper, book, pencil, glass,
rest in the shade of their names.
Time throbbing in my temples repeats
the same unchanging syllable of blood.
The light turns the indifferent wall
into a ghostly theater of reflections.
I find myself in the middle of an eye,
watching myself in its blank stare.
The moment scatters. Motionless,
I stay and go: I am a pause.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Between Going and Staying

Love, Books, World, Time

“In response to the plummeting popularity of the Administration itself, revealed at Newbury and in the shire county elections, we have the Prime Minister's botched reshuffle. If we were to offer that tale of events to the BBC light entertainment department as a script for a programme, I think that the producers of "Yes, Minister" would have turned it down as hopelessly over the top. It might have even been too much for "Some Mothers Do 'Ave 'em". The tragedy for us all is that it is really happening— it is fact, not fiction. The man with the non-Midas touch is in charge. It is no wonder that we live in a country where the Grand National does not start and hotels fall into the sea.”

John Smith (1938–1994) Labour Party leader from Scotland (1938-1994)

Hansard http://www.publications.parliament.uk/pa/cm199293/cmhansrd/1993-06-09/Debate-1.html, House of Commons, 6th series, vol. 226, col. 292. House of Commons speech, 9 June 1993. That year's Grand National horse race had been declared void after a start-line mishap. The Holbeck Hall Hotel in Scarborough began to fall into the sea on 3 June 1993 due to coastal erosion.

Thinking, Sea, Country

“Whosoever is really earnest for Divine direction, more anxious to know what the Lord would have him do than to know what is for his own present ease or worldly interest, and who confides the case to Him who giveth wisdom liberally, and upbraideth not, may count on it very confidently that the Lord will send forth His light.”

James Hamilton (1814–1867) Scottish minister and a prolific author of religious tracts

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 263.

Wisdom, Confidence

“Mountcastle discovered that tactile sensation is made up of several distinct modalities; for example, touch includes… hard pressure on the skin as well as a light brush… He found that each distinct submodality has its own private pathway within the brain and that this segregation is maintained at each relay…”

Eric R. Kandel (1929) American neuropsychiatrist

In Search of Memory (2006)

“The subtlety of Brazilian rhythms comes from the type of instruments used. Afro-Cuban music has a scraper called the güiro which is played with a solid stick producing a loud scraping noise. This same instrument is paralleled in Braziliam music with the reco-reco, the difference being that the reco-reco is much smaller, less resonant, and played with something like a brush. The cabasa is a gourd wrapped in beads that is incapable of extremely loud noise. The same is true of the chocalho or cylinder, and the tambourine. A regular set of drums contrasts this. The result is a light rhythm that, unlike the conga, bongos and timbales of Afro-Cuban music, does not engulf the listener but permeates him. To this is usually added the guitar (unamplified) played finger-style, which completes the subtlety.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

From "Clare Fischer on Bossa Nova" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#3f6344g3cshffpj in Downbeat (November 8, 1962), p. 23

Music

“I dream of cloisters of marble
where in divine silence
the heroes, standing, rest;
at night, in light of the soul,
I speak with them: at night!
They are in a row: I walk
among the rows: the stone hands
I kiss them;
the stone eyes open;
the stone lips move;
the stone beards tremble;
they seize the sword of stone; they cry:
place the sword in the sheath!
Mute, I kiss their hand.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Sueño con claustros de mármol
donde en silencio divino
los héroes, de pie, reposan;
¡de noche, a la luz del alma,
hablo con ellos: de noche!
Están en fila: paseo
entre las filas: las manos
de piedra les beso: abren
los ojos de piedra: mueven
los labios de piedra: tiemblan
las barbas de piedra: empuñan
la espada de piedra: lloran:
¡viba la espade en la vaina!
Mudo, les beso la mano.
Simple Verses (1891), I dream of cloisters of marble

Dreams, Soul, Kiss, Silence

“There’s no way to please everyone, because that mythical book with the ending that every single person wants can’t exist—you want different things, each one of you. The only thing I can do, in light of that fact, is write an honest story as best I can.”

Veronica Roth (1988) American author

About the End of Allegiant (SPOILERS), Roth, Veronica, Veronica Roth, October 28, 2013, November 3, 2013 http://veronicarothbooks.blogspot.com/2013/10/about-end-of-allegiant-spoilers.html, Quoted at: Veronica Roth offers huge explanation for 'Allegiant's' big twist – will it appease you?, Sims, Andrew, Hypable, October 28, 2013, November 6, 2013 http://www.hypable.com/2013/10/28/allegiant-review-tris-dies-veronica-roth-response/,

Books, Way, Personality

“Remember the storm, the lighthouse
That brought us together
Another storm, a different light
Drove us asunder again
Even though morning or evening
Sky and ocean stand between us
You are always on my voyage
I am always in your sight”

Shu Ting (1952) Chinese writer

"Two-Masted Ship" (27 August 1979), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin (University of Hawaii Press, 1990), p. 101

“Every advantage in the past is judged in the light of the final issue.”

Démosthenés (-384–-322 BC) ancient greek statesman and orator

Olynthiacs; Philippics (1930) as translated by James Herbert Vince, p. 11

Past

“The light through the stained glass was cobalt and red.
And the frayed cuffs and collars were mended by halos of golden thread.
The choir sang, "Once Upon a Time There Was An Ocean."
And all the old hymns and family names came fluttering down as leaves of emotion.
As nothing is different, but everything's changed.”

Paul Simon (1941) American musician, songwriter and producer

Once Upon a Time There Was an Ocean
Song lyrics, Surprise (2006)

Family, Change, Time

“Rebellion, revolution don't need dollars
They need this instead
Imagination, suffering, light and love
And care for every human being
You never steal, you never kill
You are a part of hope and life
The revolution goes from man to man
And heart to heart
And I sense when I look at the stars
That we are children of life
Death is small”

Joan Baez (1941) American singer

"The Ballad of Sacco and Vanzetti, Part Two"
Sacco e Vanzetti (1971)

Love, Life, Death, Children

“No more useful inquiry can be proposed than that which seeks to determine the nature and the scope of human knowledge. … This investigation should be undertaken once at least in his life by anyone who has the slightest regard for truth, since in pursuing it the true instruments of knowledge and the whole method of inquiry come to light. But nothing seems to me more futile than the conduct of those who boldly dispute about the secrets of nature … without yet having ever asked even whether human reason is adequate to the solution of these problems.”

René Descartes (1596–1650) French philosopher, mathematician, and scientist

Rules for the Direction of the Mind in Key Philosophical Writings (1997), pp. 29-30 http://books.google.com/books?id=jjWPe-9NPoEC&pg=PA29

Life, Truth, Secret, Nature

“I heard a heavy step approaching behind the great door, and saw through the chinks the gleam of a coming light. Then there was the sound of rattling chains and the clanking of massive bolts drawn back. A key was turned with the loud grating noise of long disuse, and the great door swung back.
Within, stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere. He held in his hand an antique silver lamp, in which the flame burned without a chimney or globe of any kind, throwing long quivering shadows as it flickered in the draught of the open door. The old man motioned me in with his right hand with a courtly gesture, saying in excellent English, but with a strange intonation.
"Welcome to my house! Enter freely and of your own free will!"”

Bram Stoker book Dracula

Jonathan Harker's journal
Dracula (1897)

Housing

“I'm no reformer; for I see more light
Than darkness in the world; mine eyes are quick
To catch the first dim radiance of the dawn,
And slow to note the cloud that threatens storm.”

Ella Wheeler Wilcox (1850–1919) American author and poet

Optimism
Poetry quotes, Poems of Pleasure (1900)

World

“Oh! for a closer walk with God,
A calm and heav'nly frame;
A light to shine upon the road
That leads me to the Lamb!”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

No. 1, "Walking With God".
Olney Hymns (1779)

God

“Who is that goddess to whom men should pray
But her from whom their hearts have turned away,
Out of whose virgin being they were born,
Whose mother nature they have named in scorn
Calling its holy substance common clay.
Yet from this so despised earth was made
The milky whiteness of those queens who swayed
Their generations with a light caress,
And from some image of whose loveliness
The heart built up high heaven when it prayed.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

By Still Waters (1906)

Men, Nature, Heart

“Gaiety of tone is the luminous dominant, of tint, the warm dominant, of line, lines above the horizontal
Calmness of tone is the equality of dark and light; of tint, of warm and cool, and the horizontal for line.
Sadness of tone is the dark dominant; of tint, the cool dominant, and of line, downward directions.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

Sadness

“Everything is really about lighting.”

Robert Denning (1927–2005) American interior designer

Cynthia Zarin, , "The More the Merrier — Robert Denning's Extravagance of Color and Pattern", Architectural Digest (April 2002), v. 59 #4, pp. 146-152.

“He has married me with a ring, a ring of bright water
Whose ripples spread from the heart of the sea,
He has married me with a ring of light, the glitter
Broadcast on the swift river.”

Kathleen Raine (1908–2003) poet, critic, translator

Source: Poem The Marriage of Psyche

Water, Heart, Sea

“Comets, earthquakes, volcanoes, and northern lights (in the night,) with many other extraordinary phenomena or appearances intimidate weak minds, and are by them thought to be miraculous, although they undoubtedly have their proper natural causes, which have been in a great measure discovered. Jack-with-a-lantern is a frightful appearance to some people, but not so much as the imaginary specter. But of all the scarecrows which have made human nature tremble, the devil has been chief; his family is said to be very numerous, consisting of "legions," with which he has kept our world in a terrible uproar.”

Ethan Allen (1738–1789) American general

Source: Reason: The Only Oracle Of Man (1784), Ch. VI Section III - Rare and Wonderful Phenomena no evidence of Miracles, nor are Diabolical Spirits able to effect them, or Superstitious Traditions to confirm them, nor can Ancient Miracles prove Recent Revelations

People, World, Family, Nature

“It is impossible to describe to the conditions under which the Jews of the ghetto are now living. Only a few will be able to hold out. The remainder will die sooner or later. Their fate is decided. In almost at all the hiding places in which thousands are concealing themselves it is not possible to light a candle for lack of air.”

Mordechai Anielewicz (1919–1943) Leader of the Jewish Combat Organization

Fate

“I am hard at work, at least I work as much as the weather permits. - I began a work the motif of which is the river bank in the direction of St. Paul's Church. Looking towards Rouen I have before me all the houses on the quays lighted by the morning sun, in the background the stone bridge, to the left the island with its houses, factories, boats, launches, to the right a mass of pinnaces of all colors… Yesterday, not having the sun, I began another work on the same motif in grey weather, only I looked more to the right [603]. I must leave you for my motif. I have a room on the street. I shall start on a view of the street in fog for it has been foggy every morning until eleven o'clock—noon. It should be interesting, the square in the fog, the tramways, the goings and comings..”

Camille Pissarro (1830–1903) French painter

Quote in a letter, Rouen 11 October 1883, to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 40
1880's

Color, Sun, Housing, Weather

“He saw the light gradually approaching him until it rested upon the tops of the trees. He beheld that the leaves of the trees were not consumed by it, although its brightness, apparently, was sufficient, as he at first thought, to consume everything before it. But the trees were not consumed by it, and it continued to descend until it rested upon him and enveloped him in its glorious rays. When he was thus encircled about with this pillar of fire his mind was caught away from every object that surrounded him, and he was filled with the visions of the Almighty, and he saw, in the midst of this glorious pillar of fire, two glorious personages, whose countenances shone with an exceeding great lustre. One of them spoke to him, saying, while pointing in the other, "This is my beloved Son in whom I am well pleased, hear ye him."”

Orson Pratt (1811–1881) Apostle of the LDS Church

Journal of Discourses 12:354 (February 24, 1869).
Joseph Smith Jr.'s First Vision

Tree

“I have endowed everyone with a temperament of his own, given everyone an idiom of his own; so that what is praise for him is blame for thee, what is honey for him is poison for thee, what is light for him is fire for thee, what is rose for him is thorn for thee, what is good for him is evil for thee, what is beautiful for him is ugly for thee. In the people of Hindustan the idiom of Hindustan is praiseworthy; in the people of Sind, the idiom of Sind is praiseworthy. I do not see the outward and the speech; I see the inward and the state [of feeling]. For the heart is the substance and speech an accident. So, the accident is subservient, the substance is the [real] object. The religion of love stands apart from all religions. For lovers the [only] religion and creed is God.”

Rumi (1207–1273) Iranian poet

Rumi, quoted from Harsh Narain, Myths of Composite Culture and Equality of Religions (1990) p. 20-21 https://archive.org/details/MythOfCompositeCultureHarshNarain

Love, God, People, Religion

“Organic systems are adapted to unstable conditions, when problems and requirements for action arise which cannot be broken down and distributed among specialist roles within a clearly defined hierarchy. Individuals have to perform their special tasks in the light of their knowledge of the tasks of the firm as a whole. Jobs lose much of their formal definition in terms of methods, duties, and powers, which have to be re¬defined continually by interaction with others participating in a task. Interaction runs laterally as much as vertically. Communication between people of different ranks tends to resemble lateral consultation rather than vertical command. Omniscience can no longer be imputed to the head of the concern.”

Tom Burns (1913–2001) British sociologist

Source: The Management of Innovation, 1961, p. 5-6

People, Communication, Knowledge, Problem

“I sometimes think a mighty lover
Takes every burning kiss we give:
His lights are those which round us hover:
For him alone our lives we live.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

By Still Waters (1906)

Lovers, Kiss, Thinking

“On a traffic light green means 'go' and yellow means 'yield', but on a banana it's just the opposite. Green means 'hold on,' yellow means 'go ahead,' and red means, 'where the hell did you get that banana at?”

Mitch Hedberg (1968–2005) American stand-up comedian

Strategic Grill Locations

Hell

“[The spider of sin] sleeps quietly, unseen by the human eye. How do we then bring him into the light? The answer is the stick of God's Law. It is the only means of revealing him. If we open up the Moral Law, it will cause his ugly head to appear… Later, if you are willing, we will lure him out into the open and with the help of God, spray him with the 'gospel spray' of the blood of Jesus Christ.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

God doesn't believe in atheists (2002)

God, Law, Sleep, Appearance

“Citizenship is no light trifle to be jeopardized any moment Congress decides to do so under the name of one of its general or implied grants of power.”

Hugo Black (1886–1971) U.S. Supreme Court justice

Afroyim v. Rusk, 387 U.S. 267–68 (1967)

“It has been observed here this morning that we are called fanatics. Bless me! That is nothing. Who has not been called a fanatic who has discovered anything new in philosophy or science? We have all read of Galileo the astronomer who, contrary to the system of astronomy that had been received for ages before his day, taught that the sun, and not the earth, was the centre of our planetary system? For this the learned astronomer was called "fanatic," and subjected to persecution and imprisonment of the most rigorous character. So it has been with others who have discovered and explained new truths in science and philosophy which have been in opposition to long-established theories; and the opposition they have encountered has endured until the truth of their discoveries has been demonstrated by time. The term "fanatic" is not applied to professors of religion only…I will tell you who the real fanatics are: they are they who adopt false principles and ideas as facts, and try to establish a superstructure upon a false foundation. They are the fanatics; and however ardent and zealous they may be, they may reason or argue on false premises till doomsday, and the result will be false. If our religion is of this character we want to know it; we would like to find a philosopher who can prove it to us. We are called ignorant; so we are: but what of it? Are not all ignorant? I rather think so. Who can tell us of the inhabitants of this little planet that shines of an evening, called the moon? When we view its face we may see what is termed "the man in the moon," and what some philosophers declare are the shadows of mountains. But these sayings are very vague, and amount to nothing; and when you inquire about the inhabitants of that sphere you find that the most learned are as ignorant in regard to them as the most ignorant of their fellows. So it is with regard to the inhabitants of the sun. Do you think it is inhabited? I rather think it is. Do you think there is any life there? No question of it; it was not made in vain. It was made to give light to those who dwell upon it, and to other planets; and so will this earth when it is celestialized. Every planet in its first rude, organic state receives not the glory of God upon it, but is opaque; but when celestialized, every planet that God brings into existence is a body of light, but not till then. Christ is the light of this planet. God gives light to our eyes.”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses, 13:271 (July 24, 1870)
1870s

Life, God, Truth, Age

“We must not, then, as Christians, assume an attitude of antagonism toward the truths of reason, or the truths of philosophy, or the truths of science, or the truths of history, or the truths of criticism. As children of the light, we must be careful to keep ourselves open to every ray of light. Let us, then, cultivate an attitude of courage as over against the investigations of the day. None should be more zealous in them than we. None should be more quick to discern truth in every field, more hospitable to receive it, more loyal to follow it, whither soever it leads.”

Benjamin Breckinridge Warfield (1851–1921) American theologian

Selected Shorter Writings (Phillipsburg: PRR Publishing, 1970), p. 463

Children, Truth, History, Courage

“What vain weathercocks we are! I, who had determined to hold myself independent of all social intercourse, and thanked my stars that at length I had lighted on a spot where it was next to impracticable. I, weak wretch, after maintaining till dusk a struggle with low spirits and solitude, was finally compelled to strike my colours; and under pretence of gaining information concerning the necessities of my establishment, I desired Mrs. Dean.”

Emily Brontë book Wuthering Heights

Mr. Lockwood (Ch. IV).
Wuthering Heights (1847)

Star, Solitude

“When a man sets out upon any course of inquiry, the object of his search may be either light or fruit — either knowledge for its own sake or knowledge for the sake of good things to which it leads. In various fields of study these two ideals play parts of varying importance. In the appeal made to our interest by nearly all the great modern sciences some stress is laid both upon the light-bearing and upon the fruit-bearing quality, but the proportions of the blend are different in different sciences. At one end of the scale stands the most general science of all, metaphysics, the science of reality. Of the student of that science it is, indeed, true that "he yet may bring some worthy thing for waiting souls to see"; but it must be light alone, it can hardly be fruit that he brings. Most nearly akin to the metaphysician is the student of the ultimate problems of physics. The corpuscular theory of matter is, hitherto, a bearer of light alone. Here, however, the other aspect is present in promise; for speculations about the structure of the atom may lead one day to the discovery of practical means for dissociating matter and for rendering available to human use the overwhelming resources of intra-atomic energy.”

Arthur Cecil Pigou (1877–1959) British economist

Source: The Economics of Welfare (1920), Ch. 1 : Welfare and Economic Welfare, § 1; First lines, p. 3

Soul, Search, Knowledge, Problem

“It was possible at last to hear the silence—to appreciate that there was a silence, deep and potent, out there beyond the pretension of the light.”

Robert Charles Wilson book The Chronoliths

Source: The Chronoliths (2001), Chapter 23 (p. 272)

Silence

“We know that these challenges can be overcome because history moves in the direction of justice. The evils of slavery were accepted and unchanged for centuries, yet eventually the human heart would not abide them. There is a voice of conscience and hope in every man and woman that will not be silenced, what Martin Luther King called a certain kind of fire that no water could put out. That flame could not be extinguished at the Birmingham jail. It could not be stamped out at Robben Island prison. It was seen in the darkness here at Goree Island, where no chain could bind the soul. This untamed fire of justice continues to burn in the affairs of man, and it lights the way before us. May God bless you all.”

George W. Bush (1946) 43rd President of the United States

2000s, 2003, Hope and Conscience Will Not Be Silenced (July 2003)

God, Justice, Hope, Way

“Light shafted obliquely on it.’ ( The Steamer )”

Amit Chaudhuri (1962) contemporary Indian-English novelist

St Cyril Road and Other Poems (2005)

“When twilight dews are falling soft
Upon the rosy sea, love,
I watch the star whose beam so oft
Has lighted me to thee, love.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

When Twilight Dews.
Bartlett's Familiar Quotations, 10th ed. (1919)

Love, Star, Sea

““Once upon a time, there was a boy. He lived in a village that no longer exists, in a house that no longer exists, on the edge of a field that no longer exists, where everything was discovered, and everything was possible. A stick could be a sword, a pebble could be a diamond, a tree, a castle. Once upon a time, there was a boy who lived in a house across the field, from a girl who no longer exists. They made up a thousand games. She was queen and he was king. In the autumn light her hair shone like a crown. They collected the world in small handfuls, and when the sky grew dark, and they parted with leaves in their hair.”

Nicole Krauss The History of Love

The History of Love (2005)

World, Girl, Game, Boy

“If this myth of the harpies were a reality, what of the other legends—the Hydra, the centaurs, the chimera, Medusa, Pan and the satyrs? All those myths of antiquity—behind them did there lie and lurk nightmare realities with slavering fangs and talons steeped in shuddersome evil? Africa, the Dark Continent, land of shadows and horror, of bewitchment and sorcery, into which all evil things had been banished before the growing light of the western world!”

Robert E. Howard (1906–1936) American author

"Wings in the Night" (1932)

Lie, World, Reality, Evil

“So they set off up the hill arm-in-arm, the Saint, the Dragon, and the Boy. The lights in the little village began to go out; but there were stars, and a late moon, as they climbed to the Downs together. And, as they turned the last corner and disappeared from view, snatches of an old song were borne back on the night-breeze. I can't be certain which of them was singing, but I think it was the Dragon!”

Kenneth Grahame book The Reluctant Dragon

Dream Days (1898), The Reluctant Dragon

Star, Boy, Thinking, Singing

“Light in tone, the novel [Murphy] is Beckett’s response to the therapeutic orthodoxy that the patient should learn to engage with the larger world on the world’s terms.”

J.M. Coetzee (1940) South African writer

“The Making of Samuel Beckett,” New York Review of Books, vol. LVI, no. 7 (April 30, 2009), p. 14

World, Learning

“You go down to the pick up station
Craving warmth and beauty
You settle for less than fascination
A few drinks later you're not so choosy
When the closing lights strip off the shadows
On this strange new flesh you've found
Clutching the night to you like a fig leaf
You hurry
To the blackness
And the blankets
To lay down an impression
And your loneliness.”

Joni Mitchell (1943) Canadian musician

"Down to You" from Court and Spark
Songs

Beauty, Drink, Loneliness, Night

“For I find that even those that have sought knowledge for itself and not for benefit, or ostentation, or any practical enablement in the course of their life, have nevertheless propounded to themselves a wrong mark, namely, satisfaction, which men call truth, and not operation. For as in the courts and services of princes and states, it is a much easier matter to give satisfaction than to do the business; so in the inquiring of causes and reasons it is much easier to find out such causes as will satisfy the mind of man, and quiet objections, than such causes as will direct him and give him light to new experiences and inventions.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

Source: Valerius Terminus: Of the Interpretation of Nature (ca. 1603) Works, Vol. 1; The Works of Francis Bacon (1857) p. 232, https://books.google.com/books?id=HloJAAAAQAAJ&pg=PA232 Vol. 3.

Life, Men, Truth, Business

“If present dangers were to be averted there must be loyal aid from the whole masses of the people; there must be voluntary and spontaneous comradeship; and there must even be a measure of self-imposed discipline. … was it not time that the free nations, great or small, here or across the Atlantic Ocean, should take measures necessary to place themselves in a state of security and in a state of adequate defence, not only for their own safety but also that they might hold aloft the beacon-lights of freedom which would carry their rays of encouragement to the thinker and toiler in every land?”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech at the Albert Hall, London (3 December 1936) at a cross-party meeting organised by the League of Nations Union "in defence of freedom and peace", quoted in The Times (4 December 1936), p. 18
The 1930s

People, Freedom, Time

“In fact, in the plantation areas conditions amounting to slavery were re‑established by the planters with the acquiescence of the Government. Some idea of the misery to which the population of these areas was reduced by this system of merciless exploitation in the interests of British capital may be gained from the Bengal Indigo Commission's Report and from some of the literature of the period. Nil Darpan or the Mirror of Indigo, a Bengali drama, created a sensation by throwing a little light on this dark corner of Britain's action in India, and the reaction in official circles was so great that a European missionary, Mr Long, who translated and published it in English, was fined and imprisoned. During the whole of this period, in fact till the rise of nationalism after the Great War, conditions in plantations were of a kind which showed the worst features of European relations with Asia.”

K. M. Panikkar (1895–1963) Indian diplomat, academic and historian

Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945

War, Literature, Idea

“O brave youth, how good for thee it were couldst thou be made to understand how infinitely precious are thy school years—years when thou hast leisure to grow, when new worlds break in upon thee, and thou fashionest thy being in the light of the ideals of truth and goodness and beauty! If now thou dost not fit thyself to become free and whole, thou shalt, when the doors of this fair mother-house of the mind, close behind thee, be driven into ways that lead to bondage, be compelled to do that which cripples and dwarfs; for the work whereby men gain a livelihood involves mental and moral mutilation, unless it be done in the spirit of religion and culture. Ah! well for thee, canst thou learn while yet there is time that it will profit thee nothing to become the possessor of millions, if the price thou payest is thy manhood.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), pp. 58-59

Men, Truth, Youth, World

“My father is so expressive that things he feels even before they are thoughts are visible on his skin. He heats up. What other people work on, he was born with. He's got eyes like the sky and like hell at the same time. They're so clear and blue and alert and serious, and then they're like hell. That's how he is. He is total light and pureness and then hell. He gives totally or he gives nothing. He is like the sun, then an iceberg, then nonexistent, and then the sun again. Which is fine. It's a lot better than most people are.”

Nastassja Kinski (1961) German actress

As quoted in Denise Worrell (1989), Icons: Intimate Portraits.

People, Feeling, Hell, Time

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Wisdom, Secret, Feeling, Thinking

“I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!”

Jerome K. Jerome book Idle Thoughts of an Idle Fellow

Idle Thoughts of an Idle Fellow (1886)

Love, Life, Women, God

“Love beyond all telling,
Goodness beyond imagining,
Light of infinite intensity
Glows in my heart.”

Jacopone da Todi (1236–1306) Italian Franciscan mystic

The Lauds

Love, Imagination, Heart

“I looked good, faster than light with a little money in my pocket. You know what I mean. I was the same as always: the clothes looked first-rate. That was fine, because most people only look at the clothes, anyway.”

George Alec Effinger book When Gravity Fails

Source: When Gravity Fails (1986), Chapter 16 (p. 226).

Money, People, Clothes

“The rugged old Norsemen spoke of death as Heimgang — home-going. So the snow-flowers go home when they melt and flow to the sea, and the rock-ferns, after unrolling their fronds to the light and beautifying the rocks, roll them up close again in the autumn and blend with the soil. Myriads of rejoicing living creatures, daily, hourly, perhaps every moment sink into death’s arms, dust to dust, spirit to spirit — waited on, watched over, noticed only by their Maker, each arriving at its own heaven-dealt destiny. All the merry dwellers of the trees and streams, and the myriad swarms of the air, called into life by the sunbeam of a summer morning, go home through death, wings folded perhaps in the last red rays of sunset of the day they were first tried. Trees towering in the sky, braving storms of centuries, flowers turning faces to the light for a single day or hour, having enjoyed their share of life’s feast — all alike pass on and away under the law of death and love. Yet all are our brothers and they enjoy life as we do, share heaven’s blessings with us, die and are buried in hallowed ground, come with us out of eternity and return into eternity. 'Our little lives are rounded with a sleep.”

John Muir (1838–1914) Scottish-born American naturalist and author

pages 439-440 ("Trees towering … into eternity" are the next-to-last lines of the documentary film " John Muir in the New World http://www.pbs.org/wnet/americanmasters/episodes/john-muir-in-the-new-world/watch-the-full-documentary-film/1823/" (American Masters), produced, directed, and written by Catherine Tatge.) John of the Mountains, 1938

Love, Life, Death, Law

“Complexity theory began with an interest u how order spring from chaos. According to complexity theory, adaption is most effective in systems that are only partially connected. The argument is that too much structure creates gridlock, while too little structure creates chaos. A good example would be the traffic lights in a city. If there are no lights, traffic is chaotic. If there are too many lights, traffic stops. A moderate number of lights creates structure, but still allows drivers to adapt their routes in surprising ways in response to changing traffic conditions. Consequently, the key to effective change is to stay poised on this edge of chaos. Complexity theory focuses managerial thinking on the interrelationships among different parts of an organization and on the trade-off of less control for greater adaptation.”

Shona Brown (1960) businessperson

Source: Competing on the Edge, 1998, p. 14

Way, Spring, Thinking, Change

“Verily God is able to convert light into fire whenever He pleaseth; surely He is potent over all things. And were He to declare a person whom ye regard alien to the truth as being akin thereto, err not by questioning His decision in your fancies, for He Who is the Sovereign Truth createth things through the power of His behest. Verily God transmuteth fire into light as He willeth, and indeed potent is He over all things. Consider ye how the truth shone forth as truth in the First Day and how error became manifest as error; so likewise shall ye distinguish them from each other on the Day of Resurrection.”

Báb (1819–1850) Iranian prophet; founder of the religion Bábism; venerated in the Bahá'í Faith

XVII, 4
The Kitáb-I-Asmá

God, Truth, Error, Question

“Come out into the broad light of day, come out from the little narrow paths, for how can the infinite soul rest content to live and die in small ruts?”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

Soul

“So his life has flowed
From its mysterious urn a sacred stream,
In whose calm depth the beautiful and pure
Alone are mirrored; which, though shapes of ill
May hover round its surface, glides in light,
And takes no shadow from them.”

Thomas Noon Talfourd (1795–1854) British politician

Act i. Sc. 1.
Ion (1835)

Life, Beauty

“On that far horizon the Sandia Mountains stand behind their outliers in receding gradations of gray or blue or violet, paper cutouts against the lighter sky, vanishing into night when the lights of the city come on. Then the stars look down and the air is sweet with piñon smoke as centuries-old nut-bearing trees are burned for the momentary pleasure of those who, unlike the native peoples, never think of the food the trees produce.”

Sheri S. Tepper (1929–2016) American fiction writer

Source: Gibbon's Decline & Fall (1996), Chapter 2 (p. 41)

People, Pleasure, Food, Mountain

“Atmosphere is the medium through which we see all things. In order, therefore, to see them in their true value on a photograph, as we do in Nature, atmosphere must be there. Atmosphere softens all lines; it graduates the transition from light to shade; it is essential to the reproduction of the sense of distance. That dimness of outline which is characteristic for distant objects is due to atmosphere. Now, what atmosphere is to Nature, tone is to a picture.”

Alfred Stieglitz (1864–1946) American photographer

Source: 'A Plea for Art Photography in America', Alfred Stieglitz, in 'Photographic Mosaics,' Vol 28, 1892: About Pictorialism.

Nature, Sense, Distant

“He had once felt light on the ground. He used to think his life was an open-ended adventure, he used to give things away, it amused him when the unexpected happened, benevolent coincidences used to bear him along. When had all that stopped?”

Ian McEwan book The Child in Time

Page 103
The Child in Time (1987)

Life, Thinking

“It is as useless for a person to want first of all to decide the externals and after that the fundamentals as it is for a cosmic body, thinking to form itself, first of all to decide the nature of its surface, to what bodies it should turn its light, which its dark side, without first letting the harmony of centrifugal and centripetal forces realize its existence and letting the rest come of itself. One must learn to know oneself before knowing anything else (gnothi seauton). Not until a person has inwardly understood himself and then sees the course he is to take does his life gain peace and meaning.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Journal entry, August 1, 1835
1830s, The Journals of Søren Kierkegaard, 1830s

Life, Peace, Nature, Thinking

“So my answer to why I wrote this book [about Pakistani textbooks] is: I have written for posterity. (Sometimes I feel that I have written all my books for the generations whom I will not see). In a hundred years' time; when the future historian sets out to contemplate the Pakistan off an age gone by and look for the causes that brought it low, he might find in this book of mine one small candle whose quivering flame will light his path.”

Khursheed Kamal Aziz (1927–2009) historian

Khursheed Kamal Aziz The Murder of History, critique of history textbooks used in Pakistan, 1993

Books, Age, Feeling, Time

“Sculpture should walk on the tips of its toes, unostentatious, unpretentious, and light as the spoor of an animal in snow. Art should melt into and even merge with nature itself. This is obviously contrary to painting and sculpture based on nature. By so doing, art will rid itself more and more of self-centredness, virtuosity and absurdity.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Arp on Arp: poems, essays, memories. p. 327 (1958)
1950s

Art, Nature, Animals, Painting

“Painting is very private and personal. There's an emotional content, but I'm more involved in the light and color and drawing of a painting. I don't set out to portray an emotion.”

Helen Frankenthaler (1928–2011) American artist

Quote from an interview in 'The Post', 1972; as cited in 'Helen Frankenthaler, noted abstract painter, dies at 83' https://www.washingtonpost.com/local/obituaries/helen-frankenthaler-noted-abstract-painter-dies-at-83/2011/12/27/gIQAwr0dLP_story.html?noredirect=on&utm_term=.08d9ecdb8773, Matt Schudel, December 27, 2011 1970s - 1980s

Color, Drawing, Painting, Personality

“One thing alone my heart requires, — one gleam of living light amid the ashes and the gloom; that into my cell of humiliation the flood of Divine pity should break, and keep aglow the openings of eternal hope, and sustain the hidden strength of an everlasting love.”

James Martineau (1805–1900) English religious philosopher

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 97.

Love, Hope, Heart

“I stepped inside. It was almost pitch dark, smelling of old underwear and the sleep of a sick body. A feeble light came from a crack in the window covered by a slice of sacking. Before I could stop him, Sammy had bolted the door…Vapors spilled from our mouths in the cold air. "Let her in, Sammy," I said. "What the hell."”

John Fante book Ask the Dust

Ask the Dust (1939)

Hell, Sleep

“A light snow, a snow so faint and small-bodied that it seems nothing more than a manifestation of the cold.”

James Salter book A Sport and a Pastime

A Sport and a Pastime (1967)

“How fleet is a glance of the mind!
Compared with the speed of its flight
The tempest itself lags behind,
And the swift-winged arrows of light.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Verses supposed to be written by Alexander Selkirk.
Bartlett's Familiar Quotations, 10th ed. (1919)

Speed

“The average man looks up at night And sees thousands and thousands, of twinkling stars, Each different from the others. But a man of wisdom and achievement, Perceives the one light, Behind the dark dome of the night-sky, Whose incandescence peeps at us, Through all the holes in the night-dome!!”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Wisdom, Star, Night

“Our mission is to advance a Culture of Life where everyone is welcomed in life and defended in law. Our objectives to that end are to reverse Roe and defeat Planned Parenthood. I believe both of these goals are achievable in our lifetime if we remain committed, focused, optimistic and strategic. Although of course, in the end, the battle is not ours -- our duty is to remain faithful to the calling before us. As you rightly say, we have to oppose the lie… and the best weapon in that effort is the light of truth.”

Charmaine Yoest (1964) American anti-abortion activist

Interview with AUL Action's Charmaine Yoest on 'Open Letter to Barack Obama' http://www.catholic.org/news/national/story.php?id=30332 (October 31, 2008)

Life, Truth, Lie, Faith

“Delusion will vanish as the light becomes more and more effulgent, load after load of ignorance will vanish, and then will come a time when all else has disappeared and the sun alone shines.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

Time, Sun

“So vivid is my recollection of the birth of Benjamin Black that surely, I feel, a cunning artificer has been at work, fashioning a surreally realistic picture of something that happened quite differently from what I seem to remember. Consider that light falling on the sea, how effulgent and steady it is; consider the trees, improbably full-leafed for the time of year – and look at those birds! Has Madam Memory really such a piercing eye for detail, are her powers of recall so comprehensive?”

John Banville (1945) Irish writer

John Banville on the birth of his dark twin, Benjamin Black (2011)

Feeling, Fashion, Birth, Bird

“It was one to three football fields in length. It was massive, about 300 feet above the ground. It had three lights on the points of its triangle and a large red light beneath.”

Steven M. Greer (1955) American ufologist

Greer describing a close encounter he had with a UFO.
Undated
Source: [Hawley, David, Reach Out And Touch ... An Extraterrestrial, St. Paul Pioneer Press, May 8, 1993, http://nl.newsbank.com/nl-search/we/Archives?p_product=PD&s_site=twincities&p_multi=SP&p_theme=realcities&p_action=search&p_maxdocs=200&p_topdoc=1&p_text_direct-0=0EB5DCD1EE3CE7FE&p_field_direct-0=document_id&p_perpage=10&p_sort=YMD_date:D&s_trackval=GooglePM, 2007-05-13, http://nbgoku23.googlepages.com/REACHOUTANDTOUCH...ANEXTRATERRESTRIA.htm, 2007-05-13]

Football

“At the same time we would most like to run the film back and see how the sanctuaries close again and the lights go out and the great powers of nature are once again met with deserved reverence. One can fell an oak in twenty seconds; but in order to become what it now is, it grew for a century.... Progress is but a word without sense, and the cow, which keeps the world alive, will not move faster than three kilometers per hour in the future, either.”

Fernand Léger (1881–1955) French painter

Quote, 1950, in: Fernand Léger - The Later Years, catalogue ed. Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, p. 15
Quotes of Fernand Leger, 1950's

World, Nature, Sense, Time

“Isn't a religion supposed to be like red and green lights, for people? I mean we're going to do what we want anyway, most of us. But at least you go and you feel bad for what you did… Now what? Now we can do anything, so why go to church at all? That's why Reform Judaism is dead; it doesn't stand for anything. There's got to be more to religion than coffee cake. Or let's say, yogurt and fruit now…”

Michael Savage book The Savage Nation

The Savage Nation
The Savage Nation (1995- ), 2015-09-09
Radio, 1:23:12
2015

People, Religion, Feeling, Coffee

“The elder Herschel, directing his wonderful tube towards the sides of our system, where stars are planted most rarely… was enabled with awe struck mind to see suspended in the vast empyrean astral systems, or, as he called them, firmaments, resembling our own. Like light cloudlets to a certain power of the telescope, they resolved themselves, under a greater power, into stars, though these generally seemed no larger than the finest particles of diamond dust. The general forms of these systems are various; but one at least has been detected as bearing a striking resemblance to the supposed form of our own. The distances are also various… The farthest observed by the astronomer were estimated by him as thirty-five thousand times more remote than Sirius, supposing its distance to be about twenty thousand millions of miles. It would thus appear, that not only does gravitation keep our earth in its place in the solar system, and the solar system in its place in our astral system, but it also may be presumed to have the mightier duty of preserving a local arrangement between that astral system and an immensity of others, through which the imagination is left to wander on and on without limit or stay, save that which is given by its inability to grasp the unbounded.”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 6-7

Imagination, Star, Appearance, Time

“Degrade first the arts if you'd mankind degrade,
Hire idiots to paint with cold light and hot shade.”

William Blake (1757–1827) English Romantic poet and artist

Annotations to Sir Joshua Reynolds's Discourses, title page (c. 1798–1809)
1790s

Art, Painting

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Life, People, Truth, Law

“As the paintings the 'Night Watch' and the 'Staalmeesters' [famous works of Rembrandt ] are showed now it is clear to everyone that they have searched but, indeed messed with it, to enable these paintings to do what they can do [visually]. But you see, they did not find a good solution just because they appreciated the museum itself [a rather new building, then! ] higher than the paintings themselves. I told at the very first opening of the Rijksmuseum [1885] already everyone who wanted to listen to me: in this room, where the Night Watch' is hanging now, it can never comes to its full right…. There must be built for the 'Night Watch' and for the 'Staalmeesters' a separate room each…. [with] standing light and the paintings positioned on an easel or standard behind…. I just want to add here, that my own studio can serve as a very special model…. concerning the sizes and the lighting.”

Jozef Israëls (1824–1911) Dutch painter

Quote from Israëls' letter to the Dutch Minister S. van Houten, 4 Nov. 1894; as cited in In het Rijksmuseum, Jan Veth (translation from the original Dutch: Fons Heijnsbroek); Holkema's Boekhandel http://docplayer.nl/42488824-In-het-rijksmuseum-door-jan-veth-met-twee-brieven-van-jozef-israels-holkema-s-boekhandel-i-4-november-mdcccxciv.html, Amsterdam, 1894, p. 10 During Israel's whole artistic life Rembrandt was his inspiration and had a strong impact on his own painting-style Quotes of Jozef Israels, 1871 - 1900

Search, Painting, Night

“It is a wary business, walking about a strange house you are to know well. Only cats and dogs with their more expressive bodies enact the tension we share with them at such times. The you inside you gathers up defensively: something is stealing upon you every moment; you will never be quite the same again. These new unsmiling lights, reflections and objects are to become your memories, riveted to you closer than friends or lovers, going with you, even, into the grave: worse, they may become dear and fasten like so many leeches on your heart.”

Elizabeth Bowen book The House in Paris

The House in Paris (1935)

Dogs, Cats, Lovers, Business

“The sky is grey
The road is grey
The building is grey
The rain is grey
Through this stretch of dead ash
Walked two children
One in bright red
One in light green.”

Gu Cheng (1956–1993) Chinese poet

"Feeling" [Ganjue]

Children, Dead

“I am here to plead his cause with you. I plead not for his life, but for his character — his immortal life; and so it becomes your cause wholly, and is not his in the least. Some eighteen hundred years ago Christ was crucified; this morning, perchance, Captain Brown was hung. These are the two ends of a chain which is not without its links. He is not Old Brown any longer; he is an angel of light.”

Henry David Thoreau book A Plea for Captain John Brown

A Plea for Captain John Brown (1859)

Life, Angels, Christ

“Enlightenment is terror; when you light up the world, you make its filth clearer.”

Karlheinz Deschner (1924–2014) German writer and activist

Aufklärung ist Ärgernis, wer die Welt erhellt, macht ihren Dreck deutlicher.
From "Die Haßberge" in Dornröschenträume und Stallgeruch: Über Franken, die Landschaft meines Lebens, Knesebech und Schuler, 1989.

World

“Thoughts that are light, clear, distinct, finished; and words that resemble their thoughts. Words that often retain their meaning even when they are detached from others and that please when isolated as sounds.”

Joseph Joubert (1754–1824) French moralist and essayist

“He was once our trumpeter, now his bugle's dumb,
Pile your arms beneath it, for the owlet light is come,
We'll wander through the roses where we marched of old with Peterkin,
We'll search the summer sunset where the Hybla beehives hum,
And — if we meet a fairy there — we'll ask for news of Peterkin.”

Alfred Noyes (1880–1958) English poet

The Flower of Old Japan and Other Poems (1907), Forest of Wild Thyme

Search, Summer

“In the light of the new knowledge various plausible, but frequently unsatisfying, suggestions put forward, especially by Wallace, Weismann, and their followers, as probable accounts of evolutionary progress, must be finally abandoned.”

William Bateson (1861–1926) British geneticist and biologist

Source: Mendel's Principles of Heredity (1913), Chapter XV, p. 289.

Knowledge

“Now hollow fires burn out to black,
And lights are guttering low:
Square your shoulders, lift your pack,
And leave your friends and go.

Oh never fear, man, nought's to dread,
Look not to left nor right:
In all the endless road you tread
There's nothing but the night.”

A.E. Housman book A Shropshire Lad

No. 60.
A Shropshire Lad (1896)

Fear, Night

“How soon country people forget. When they fall in love with a city it is forever, and it is like forever. As though there never was a time when they didn't love it. The minute they arrive at the train station or get off the ferry and glimpse the wide streets and the wasteful lamps lighting them, they know they are born for it. There, in a city, they are not so much new as themselves: their stronger, riskier selves.”

Toni Morrison book Jazz

Jazz (1991) Ch. 2

Love, People, Time, Training

“The touch, sure and light [is] fixing something of the passing moment.... memory is the true, imperishable life, that which has sunk without trace and been forgotten was not worth experiencing, the sweet hours, and the great and dread, are immutable. Dreams are life itself – and dreams are more true than reality; in them we behave as our true selves – if we have a soul it is there.”

Berthe Morisot (1841–1895) painter from France

Quote from her letter to her friend Mallarmé 1882; as cited in The Correspondence of Berthe Morisot, ed. Denis Rouart; Camden, London 1986 / Kinston, R. I. Moyer Bell, 1989, p. 160
after her visit to Italy
1881 - 1895

Life, Dreams, Soul, Reality

“Nothing is old, nothing is new, save the light of grace underneath which beats a human heart. The way of feeling, of understanding, of loving; the way of seeing the country, the faces that your father saw, that your mother knew. The rest is chimerical…”

Georges Rouault (1871–1958) French painter

Soliloques. (1944)
Quotes, 1940-1950

Love, Way, Feeling, Understanding

“.. that dizzy seething of forms and acoustic lights, rowdy and smelly [visible in the paintings at the Futurist exhibition, February 1912 in Paris].... to obtain this total painting which calls for the active cooperation of all the senses: painting of the plastic mood of the universal, you have to paint the way drunkards sing and vomit, sounds, noises and smells.”

Carlo Carrà (1881–1966) Italian painter

Quote in The painting of Sounds, Noises and Smells Carrà, in 'Lacerba' vol. 1. no. 17, 1,Florence, 1 September 1913, pp. 186-187
1910's

Way, Mood, Sense, Universe

“I testify that it is possible for believers to be so filled with the Holy Ghost that they can live many years on the earth conscious every day of a meetness for the inheritance of the saints in light, and of no shrinking back, because of a felt need of further inward cleansing, from an instant translation into the society of the holy angels and into the presence of the holy God.”

Daniel Steele (1824–1914) American Methodist pastor

Daniel Steele, Boston, March, 1888 in Forty Witnesses (1888) edited by S. Olin Garrison

God, Angels

“If an object is pleasant, repetition will increase its charm; if it expresses sorrow or pain, then repetition will intensify its melancholy. On the contrary, any subject that is peculiar or unpleasant will be made unbearable by repetition. So repetition always acts to increase intensity. Since the time that this principle of harmony was employed by the primitives, it has been visually lost, and so forgotten. One strove for the charm of variety, and so achieved the destruction of unity... Variety is just as much an element of beauty as parallelism, provided that one does not exaggerate it. For the structure of our eye itself demands that we introduce some variety into any absolutely unified object... To be simple is not always as easy as it seems... The work of art will bring to light a new order inherent in things, and this will be: the idea of unity.”

Ferdinand Hodler (1853–1918) Swiss artist

another source of his 'parallelism' concept is Hodler's letter, written in 1904 to de:Franz Servaes; in which Hodler explained his design principle of 'parallelism', later adopted by the Vienna Secession artists. The Leopold Museum in Vienna discovered and owns this letter
from: Die Kunst Ferdinand Hodlers, 1923

Pain, Beauty, Art, Idea