Quotes about light
page 34

“Confidence in another man's virtue is no light evidence of a man's own, and God willingly favors such a confidence.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Book I, Ch. 14
Attributed
Variant: Confidence in the goodness of another is good proof of one's own goodness.

“The five great saints and many other leaders in the spirit world, including even Communist leaders such as Marx and Lenin, who committed all manner of barbarity and murders on earth, and dictators such as Hitler and Stalin, have found strength in my teachings, mended their ways and been reborn as new persons. Emperors, kings and presidents who enjoyed opulence and power on earth, and even journalists who had worldwide fame, have now placed themselves at the forefront of the column of the true love revolution. Together they have sent to earth a resolution expressing their determination in the light of my teaching of the true family ideal. They have declared to all Heaven and Earth that Reverend Sun Myung Moon is none other than humanity's Savior, Messiah, Returning Lord and True Parent. This resolution has been announced on every corner of the globe.”

Sun Myung Moon (1920–2012) Korean religious leader

Declaring the Era of the Peace Kingdom, Address to the United States Congress http://www.unification.net/2004/20040323_1.html (2004-03-23)

Love, World, Family, Way

“How wonderful the Doges' palace is! That pink and white marble must have been a bit cold at first, but it was magical for me, seeing it gilded by several centuries of sunlight! And the basilica of San Marco! That was what converted me from those cold Italian Renaissance churches.... as soon as one goes into San Marco one feels one is in a real place of worship – that gentle filtered light and those magnificent mosaics and the great Byzantine Christ with the grey aureole! If one hasn't been in San Marco it is impossible to imagine the beauty of heavy pillars and columns without any moulding!”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: 1880's, Renoir – his life and work, 1975, p. 161-162 : (1882), in a letter to Vollard

Beauty, Feeling, Imagination, Christ

“Only God singing this song of you… makes true light… somehow possible.”

Aberjhani (1957) author

(Angel of Mercy, p. 4).
Book Sources, The River of Winged Dreams (2010)

God, Singing

“Nature has put itself the problem of how to catch in flight light streaming to the Earth and to store the most elusive of all powers in rigid form. The plants take in one form of power, light; and produce another power, chemical difference.”

Robert Mayer (1814–1878) German physicist

in Die organische Bewegung in ihrem Zusammenhange mit dem Stoffwechsel, [Julius Robert von Mayer, Die Mechanik der Wärme in gesammelten Schriften, Cotta, 1867, 53-54]
Original: Die Natur hat sich die Aufgabe gestellt, das der Erde zuströmende Licht im Fluge zu erhaschen, und die beweglichste aller Kräfte, in starre Form umgewandelt, aufzuspeichern. Zur Erreichung dieses Zweckes hat sie die Erdkruste mit Organismen überzogen, welche lebend das Sonnenlicht in sich aufnehmen und unter Verwendung dieser Kraft eine fortlaufende Summe chemischer Differenzen erzeugen.

Nature, Problem

“One can find meaning in poetry as well as in science in the contemplations of a flower as well as in the grasp of an equation. We can be filled with wonder as we stand under the majestic dome of the night sky and see the myriad lights that twinkle and shine in its seemingly infinite depths. We can also be filled wit awe as we behold the meaning of the formulae that define the propagation of light in space, the formation of galaxies, the synthesis of chemical elements, and the relation of energy, mass and velocity in the physical universe. The mystical perception of oneness and the religious intuition of a Divine intelligence are as much a construction of meaning as the postulation of the universal law of gravitation.”

Ervin László (1932) Hungarian musician and philosopher

Source: Evolution: the general theory (1996), p. 3.

Law, Intelligence, Flowers, Universe

“span id=But_I_shall>But I shall let the little I have learnt go forth into the day in order that someone better than I may guess the truth, and in his work may prove and rebuke my error. At this I shall rejoice that I was yet a means whereby this truth has come to light.”

Albrecht Dürer (1471–1528) German painter, printmaker, mathematician, and theorist

The opening quotation of Introduction, Conjectures and refutations: The Growth of Scientific Knowledge by Karl Popper (1963).

Truth, Error

“villas with columns in different styles [in Louisiana, America] painted white, in gardens of magnolias, orange trees, banana trees, negroes in old clothes like characters from La Belle Jardiniere.... rosy white children in black [negro] arms.... a brilliant light which streams my eyes.... the Negresses of all shades, holding in their arms little white babies, so white, against white houses with columns of fluted wood and in gardens of orange trees.”

Edgar Degas (1834–1917) French artist

quote on his journey through America during 1872
Quote from his letter, Louisiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875

Children, Quotes, Tree, Baby

“A cigarette only takes a certain amount of time to smoke and though this takes time it seems to take less and less with each one and you can only smoke so many, there comes a time when you have to stop, when you just cant light the next one... at least not for a while.”

Hubert Selby Jr. book Last Exit to Brooklyn

Last Exit to Brooklyn (1964)

Time

“Here the wild will woke within her lighting up her flying dreams,
Round and round the planets whirling break in woods and flowers and streams,
And the winds are shaken from them as the leaves from off the rose,
And the feet of earth go dancing in the way that beauty goes,
And the souls of earth are kindled by the incense of her breath
As her light alternate lures them through the gates of birth and death.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Death, Beauty, Dreams, Way

“I was a little confused as a kid because I grew up with my mom, and my mom is black. So, I was cultured in a very 'black' way. But when I go to school, I'm getting called 'white.' They would look at me, and they would curse me out. I didn't understand. I just knew I saw people of all different shades, and I was light. Now, I'm in a much bigger world.”

Rihanna (1988) Barbadian singer, songwriter, and actress

Allure magazine, January 2008.

People, World, School, Way

“They wander in deep woods, in mournful light,
Amid long reeds and drowsy headed poppies
And lakes where no wave laps, and voiceless streams,
Upon whose banks in the dim light grow old
Flowers that were once bewailèd names of kings.”
Errantes silva in magna et sub luce maligna inter harundineasque comas gravidumque papaver et tacitos sine labe lacus, sine murmure rivos, quorum per ripas nebuloso lumine marcent fleti, olim regum et puerorum nomina, flores.

Ausonius (310–395) poet

Errantes silva in magna et sub luce maligna
inter harundineasque comas gravidumque papaver
et tacitos sine labe lacus, sine murmure rivos,
quorum per ripas nebuloso lumine marcent
fleti, olim regum et puerorum nomina, flores.
"Cupido Cruciator", line 5; translation from Helen Waddell Mediaeval Latin Lyrics ([1929] 1943) p. 31.

Flowers

“Stars of the summer night!
Far in yon azure deeps,
Hide, hide your golden light!
She sleeps!
My lady sleeps!”

Henry Wadsworth Longfellow (1807–1882) American poet

The Spanish Student http://www.readbookonline.net/title/3208/, Act I, sc. iii (serenade) (1843).

Star, Sleep, Summer, Night

“The past is the poet's,—that world is his own;
Thence hath his music its truth and its tone.
He calls up the shadows of ages long fled,
And light, as life lovely, illumines the dead.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Love, Life, Truth, Age

“The ordinary man casts a shadow. In a way we do not quite understand, the man of genius casts light. Instinctively, we flinch from this light. We assure ourselves that genius must pay a terrible price. Often history bears us out: the creator, the supreme artist, the master of politics carries the scars of his greatness.”

George Steiner (1929–2020) American writer

"Not a Preface, but a Word of Thanks," foreword to Unfinished Journey by Yehudi Menuhin (1977).

Way, History, Understanding

“In the first century and in the twentieth, the individual Christian must determine his own course of action in the light of the spirit and teaching of Jesus. He gave Peter, James and John no definite program or mechanism by which they could overcome slavery, idolatry, licentiousness, and militarism, and he gives the Christian of today no scheme of overcoming militarism and oppression. It is by lives lived in the spirit of human brotherhood and worship toward God that he seeks to overcome slavery and idolatry, and it is by lives of aggressive good-will and love at all times and under all circumstances that he seeks to overcome militarism and oppression.”

Kirby Page (1890–1957) American clergyman

Source: The Sword or the Cross, Which Should be the Weapon of the Christian Militant? (1921), Ch.6 p. 103

Love, God, Time

“In winter I get up at night
And dress by yellow candle-light.
In summer quite the other way,
I have to go to bed by day.”

Robert Louis Stevenson book A Child's Garden of Verses

Bed in Summer, st. 1.
A Child's Garden of Verses (1885)

Way, Winter, Summer, Night

“She stood breast-high amid the corn
Clasped by the golden light of morn,
Like the sweetheart of the sun,
Who many a glowing kiss had won.”

Thomas Hood Ruth

Ruth; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century

Kiss, Sun

“I hope this book will throw a little light on the nature of human coutage and its lack.. when the last argument of kings viz cannon or war pursues its loud & murderous course.”

Vernon Scannell (1922–2007) British boxer and poet

Argument of Kings, 1987

War, Books, Hope, Nature

“Sun-swept beaches with a light wind blowing
From the immense blue circle of the sea,
And the soft thunder where long waves whiten —
These were the same for Sappho as for me. Two thousand years — much has gone by forever,
Change takes the gods and ships and speech of men —
But here on the beaches that time passes over
The heart aches now as then.”

Sara Teasdale (1884–1933) American writer and poet

"The Unchanging"
Flame and Shadow (1920)

Men, God, Change, Time

“Bill [=Willem de Kooning ] was working on a huge canvas. It was black and white. And I said to him, 'It's very curious.' You know, I came into the studio. I had my separate studio and I walked in and I said, 'It's very curious. There are no treelike shapes in that painting. The forms are all like animals more or less and organic shapes that don't resemble the forest at all, but I get the feeling of Faulkner forest from that painting.' Bill said, 'That's extraordinary.' And he went over and lifted up a pile of papers and underneath was a book by Faulkner and later he named a painting 'Light in August”

Elaine de Kooning (1918–1989) American painter

he painted in 1946 1972 - 1989 Source: an tape-recorded interview with Elaine de Kooning on August 27, 1981 http://www.aaa.si.edu/collections/interviews/oral-history-interview-elaine-de-kooning-11999; conducted by Phyllis Tuchman, for the Archives of American Art, Smithsonian Institution: Oral Histories.

Books, Feeling, Animals, Painting

“Even with these dark eyes, a gift of the dark night
I go to seek the shining light.”

Gu Cheng (1956–1993) Chinese poet

"A Generation" [Yidai ren]

Night

“When love could teach a monarch to be wise,
And gospel-light first dawn'd from Bullen's eyes.”

Thomas Gray (1716–1771) English poet, historian

Education and Government; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Love

“Sunlight is one and the same wherever it falls; but only a bright surface like that of water, or of a mirror reflects it fully. So is the light Divine. It falls equally and impartially on all hearts, but the pure and pious hearts of holy men receive and reflect that light well.”

Ramakrishna (1836–1886) Indian mystic and religious preacher

Source: Sayings of Sri Ramakrishna (1960), p. 649

Men, Water, Heart

“Of nothing comes nothing: springs rise not above
Their source in the far-hidden heart of the mountains:
Whence then have descended the Wisdom and Love
That in man leap to light in intelligent fountains?”

John Townsend Trowbridge (1827–1916) American author

The missing Leaf.

Love, Wisdom, Mountain, Intelligence

“Beautify your inner dialogue. Beautify your inner world with love, light and compassion. Life will be beautiful.”

Amit Ray (1960) Indian author

Meditation:Insights and Inspirations (2010) https://books.google.com/books?id=s2ctBgAAQBAJ,

Love, Life, World, Beauty

“Terrorism is trying to paralyze and silence democracies fighting against it, exactly as was manifest in the world's reaction to Israel's counter-terrorist offensive Cast Lead in light of the Goldstone Report.”

Reuven Rivlin (1939) Israeli politician, 10th President of Israel

Israel national news http://www.israelnationalnews.com/News/News.aspx/136165#.U5g1Yfl_uch, 23 February 2010

World, Democracy, Silence, Fight

“Being nimble and light-footed, his father encouraged him to run in the Olympic race. "Yes," said he, "if there were any kings there to run with me."”

Plutarch (46–127) ancient Greek historian and philosopher

41 Alexander
Apophthegms of Kings and Great Commanders

“In a society, in a culture, which all too often make relativism its creed - relativism has become a sort of dogma - in such a society the light of truth is missing; indeed, it is considered dangerous and "authoritarian" to speak of truth, and the end result is doubt about the goodness of life - is it good to be a person? is it good to be alive? - and in the validity of the relationships and commitments in which it consists.Today, more than in the past, the education and formation of the person are influenced by the messages and general climate spread by the great means of communication and which are inspired by a mindset and culture marked by relativism, consumerism and a false and destructive exaltation, or rather, profanation, of the body and of sexuality.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

In a Speech of Benedict XVI at the Inauguration of the Convention of the Diocese of Rome http://www.vatican.va/holy_father/benedict_xvi/speeches/2007/june/documents/hf_ben-xvi_spe_20070611_convegno-roma_en.html, at the Basilica of Saint John Lateran (11 June 2007) 2007

Life, Truth, Education, Communication

“Lord Jason held up the great fleece in his arms. The shimmering wool threw a fiery glow on his fair cheeks and forehead; and he rejoiced in it, glad as a girl who catches on her silken gown the lovely light of the full moon as it climbs the sky and looks into her attic room.”

Apollonius of Rhodes book Argonautica

Source: Argonautica (3rd century BC), Book IV. Homeward Bound, Lines 167–173

Love, Girl

“Jaisi, Rahim, Raskhan and Dara Shukoh, though no conventional philosophers, are rare phenomenon. Recognized leading lights of Islamic philosophy like Shaikh Ahmad Sarhindi, Shah Waliullah and Shah Ismail Shahid, find no place in the histories of Indian philosophy.”

K. S. Lal book The Legacy of Muslim Rule in India

Source: The Legacy of Muslim Rule in India (1992), Chapter 8

History

“It is not yet the Millennium. We have not yet reached these pure heights of civilization, the ascent to which is the Good Fight. But are we no nearer the summit because we do not stand upon it? Has the Good Fight gained nothing by the war? If you sail from Boston to Calcutta, when you are off Madagascar you are not yet in India, but you have rounded the Cape of Good Hope, you are not yet in India, but at least you are outside Boston Light. I do not say the country is yet beyond Boston Light, but if not, it is only because Boston Light is the sun of liberty that shines all over the world.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

War, World, Hope, Sun

“God, Whose hand holds stars, as we lump earth
In our fingers, give us power, give us light
To hold all love within our breast's small space.”

Philip José Farmer (1918–2009) American science fiction writer

Sestina of the Space Rocket (1953)

Love, God, Star

“Mexico is a nineteenth-century country arranged for gaslight. Once brought into the harsh light of the twentieth-century media, Mexico can only seem false. In its male, in its public, its city aspect, Mexico is an arch-tranvestite, a tragic buffoon. Dogs bark and babies cry when Mother Mexico walks abroad in the light of day. The policeman, the Marxist mayor — Mother Mexico doesn't even bother to shave her mustachios. Swords and rifles and spurs and bags of money chink and clatter beneath her skirts. A chain of martyred priests dangles from her waist, for she is an austere, pious lady. Ay, how much — clutching her jangling bosoms; spilling cigars — how much she has suffered.”

Richard Rodríguez (1944) American journalist and essayist

"Night and Day" in Frontiers (1990)

Money, Dogs, Suffering, Baby

“We cannot use electric lights and radios and, in the event of illness, avail ourselves of modern medical and clinical means and at the same time believe in the spirit and wonder world of the New Testament.”

Rudolf Karl Bultmann (1884–1976) German theologian

Man kann nicht elektrisches Licht und Radioapparat benutzen, in Krankheitsfällen moderne medizinische und klinische Mittel in Anspruch nehmen und gleichzeitig an die Geister-und Wunderwelt des Neuen Testaments glauben.
Source: New Testament and Mythology and Other Basic Writings (1941), p. 4

World, Time

“Day was breaking on the world. Light, hope, and freedom pierced with vitalizing ray the clouds and the miasma that hung so thick over the prostrate Middle Age, once noble and mighty, now a foul image of decay and death. Kindled with new life, the nations gave birth to a progeny of heroes, and the stormy glories of the sixteenth century rose on awakened Europe. But Spain was the citadel of darkness,—a monastic cell, an inquisitorial dungeon, where no ray could pierce. She was the bulwark of the Church, against whose adamantine wall the waves of innovation beat in vain.”

Francis Parkman (1823–1893) American historian

Pt. I, Ch. 7
Pioneers of France in the New World (1865)

Life, Death, Age, World

“The heretics have not thought and suffered and died in vain. Every heretic has been, and is, a ray of light.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Heretics and Heresies (1874)

Suffering

“A candle throws its light into the darkness
In a nasty world, so shines the good deed
Make sure the fortune, that you seek
Is the fortune you need.”

Ben Harper (1969) singer-songwriter and musician

Diamonds On The Inside
Song lyrics, Diamonds on the Inside (2003)

World

“It may be that the Greeks had it easy, with their light and their mountains and their plains and their islands waiting around for tourists. It was easy for them to believe that man fit in rather well. This fittingness may have given them the idea that we are seemlier than other evidence suggests. The heads of Rameses II at Abu Simbel and, for that matter, the skyscrapers of New York, have another idea of man. So do the artifacts of Albert Speer. It is depressing to wonder whether the Greeks just happened to be lucky, and the dream they left us is a lie about ourselves.”

John Leonard (1939–2008) American critic, writer, and commentator

"The Caryatid" (p. 208)
Private Lives in the Imperial City (1979)

Lie, Dreams, Mountain, Idea

“One has been led to the conception of electrons, i. e. of extremely small particles, charged with electricity, which are present in immense numbers in all ponderable bodies, and by whose distribution and motions we endeavor to explain all electric and optical phenomena that are not confined to the free ether…. according to our modern views, the electrons in a conducting body, or at least a certain part of them, are supposed to be in a free state, so that they can obey an electric force by which the positive particles are driven in one, and the negative electrons in the opposite direction. In the case of a non-conducting substance, on the contrary, we shall assume that the electrons are bound to certain positions of equilibrium. If, in a metallic wire, the electrons of one kind, say the negative ones, are travelling in one direction, and perhaps those of the opposite kind in the opposite direction, we have to do with a current of conduction, such as may lead to a state in which a body connected to one end of the wire has an excess of either positive or negative electrons. This excess, the charge of the body as a whole, will, in the state of equilibrium and if the body consists of a conducting substance, be found in a very thin layer at its surface.
In a ponderable dielectric there can likewise be a motion of the electrons. Indeed, though we shall think of each of them as haying a definite position of equilibrium, we shall not suppose them to be wholly immovable. They can be displaced by an electric force exerted by the ether, which we conceive to penetrate all ponderable matter… the displacement will immediately give rise to a new force by which the particle is pulled back towards its original position, and which we may therefore appropriately distinguish by the name of elastic force. The motion of the electrons in non-conducting bodies, such as glass and sulphur, kept by the elastic force within certain bounds, together with the change of the dielectric displacement in the ether itself, now constitutes what Maxwell called the displacement current. A substance in which the electrons are shifted to new positions is said to be electrically polarized.
Again, under the influence of the elastic forces, the electrons can vibrate about their positions of equilibrium. In doing so, and perhaps also on account of other more irregular motions, they become the centres of waves that travel outwards in the surrounding ether and can be observed as light if the frequency is high enough. In this manner we can account for the emission of light and heat. As to the opposite phenomenon, that of absorption, this is explained by considering the vibrations that are communicated to the electrons by the periodic forces existing in an incident beam of light. If the motion of the electrons thus set vibrating does not go on undisturbed, but is converted in one way or another into the irregular agitation which we call heat, it is clear that part of the incident energy will be stored up in the body, in other terms [words] that there is a certain absorption. Nor is it the absorption alone that can be accounted for by a communication of motion to the electrons. This optical resonance, as it may in many cases be termed, can likewise make itself felt even if there is no resistance at all, so that the body is perfectly transparent. In this case also, the electrons contained within the molecules will be set in motion, and though no vibratory energy is lost, the oscillating particles will exert an influence on the velocity with which the vibrations are propagated through the body. By taking account of this reaction of the electrons we are enabled to establish an electromagnetic theory of the refrangibility of light, in its relation to the wave-length and the state of the matter, and to form a mental picture of the beautiful and varied phenomena of double refraction and circular polarization.
On the other hand, the theory of the motion of electrons in metallic bodies has been developed to a considerable extent…. important results that have been reached by Riecke, Drude and J. J. Thomson… the free electrons in these bodies partake of the heat-motion of the molecules of ordinary matter, travelling in all directions with such velocities that the mean kinetic energy of each of them is equal to that of a gaseous molecule at the same temperature. If we further suppose the electrons to strike over and over again against metallic atoms, so that they describe irregular zigzag-lines, we can make clear to ourselves the reason that metals are at the same time good conductors of heat and of electricity, and that, as a general rule, in the series of the metals, the two conductivities change in nearly the same ratio. The larger the number of free electrons, and the longer the time that elapses between two successive encounters, the greater will be the conductivity for heat as well as that for electricity.”

Hendrik Lorentz (1853–1928) Dutch physicist

Source: The Theory of Electrons and Its Applications to the Phenomena of Light and Radiant Heat (1916), Ch. I General principles. Theory of free electrons, pp. 8-10

Beauty, Way, Travel, Communication

“I have been here before,
But when or how I cannot tell:
I know the grass beyond the door,
The sweet, keen smell,
The sighing sound, the lights around the shore.”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

Sudden Light http://www.theotherpages.org/poems/roset03.html#1, st. 1 (1881).

Grass

“A mental shortcut becomes almost irresistible and maybe even rational by some lights. The two young black men on one side of the street look like so many others the officer has locked up. Two white men on the other side of the street—even in the same clothes—do not. The officer does not make the same association about the two white guys, whether that officer is white or black. And that drives different behavior. The officer turns toward one side of the street and not the other. We need to come to grips with the fact that this behavior complicates the relationship between police and the communities they serve.”

James Comey (1960) American lawyer and the seventh director of the Federal Bureau of Investigation (FBI)

2010s, Hard Truths: Law Enforcement (2015)

Men, Guy, Behavior, Communication

“I heard the voices of the trees; the surprises of their movements. Their varieties of form and even their peculiarity of attraction toward the light had suddenly revealed to me the language of the forest. All that world of flora lived as mutes, whose signs I divined, whose passions I discovered. I wished to converse with them and to be able to say to myself, through that other language, painting, that I had put my finger upon the secret of their grandeur.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

quote from a talk between Th. Rousseau and Alfred Sensier, 1850's; as cited in Barbizon days, Millet-Corot-Rousseau-Barye by Charles Sprague Smith, A. Wessels Company, New York, July 1902, p. 147
Alfred Sensier frequently visited the studio of Th. Rousseau (and Millet) and wrote later a book about both artists
1851 - 1867

Secret, World, Tree, Passion

“You can see the pains I take to hide the attachment [of the muscles] at the clavicles and sternum, to soften the modeling of the ribs where it seems that the breasts just begin to swell; I try to go about it entirely differently from the usual way, which is above all to show what one knows. As this is not an anatomy lesson, I must bind together as seen in nature everything covering the armatures that make up and support the body, in order to put down only what I experience faced with these tissues of flesh that let one sens the blood beneath, while they reflect the light of the sky. In a word, I must bring to the painting of that breast the same artlessness I would employ in painting a bottle of milk.”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Corot explains his making of the painting to his biographer Alfred Robaut, c. 1869; as quoted in Corot, Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p. 277
about his painting 'Landscape with Figures', also called 'La Toilette', Corot painted in 1859
1860s

Pain, Way, Support, Nature

“Have you never wanted to do anything that was dangerous? Where should we be if nobody tried to find out what lies beyond? You never wanted to look beyond the clouds and the stars, or to know what causes the trees to bud, and what changes a darkness into light? But if you talk like that, people call you crazy. Well, if I could discover just one of these things—what eternity is, for example—I wouldn't care if they did think I was crazy.”

Garrett Fort (1900–1945) screenwriter

Frankenstein, trying to explain to his fiancee why he experiments the way he does
Frankenstein (1931)

People, Star, Thinking, Tree

“There were no clouds, the sun was going down in a limpid, gold-washed sky. Just as the lower edge of the red disk rested on the high fields against the horizon, a great black figure suddenly appeared on the face of the sun. We sprang to our feet, straining our eyes toward it. In a moment we realized what it was. On some upland farm, a plough had been left standing in the field. The sun was sinking just behind it. Magnified across the distance by the horizontal light, it stood out against the sun, was exactly contained within the circle of the disk; the handles, the tongue, the share — black against the molten red. There it was, heroic in size, a picture writing on the sun.”

Willa Cather book My Ántonia

Book II, Ch. 14
My Antonia (1918)

Appearance, Sun

“Even so, one step from my grave,
I believe that cruelty, spite,
The powers of darkness will in time
Be crushed by the spirit of light.”

Borís Pasternak (1890–1960) Russian writer

Selected Poems (1983), Nobel Prize

Time

“Since light is best expressed through differences in color quality, color should not be handled as a tonal gradation, to produce the effect of light.”

Hans Hofmann (1880–1966) American artist

'Terms' p. 74
Search for the Real and Other Essays (1948)

Color

“If He [whom God shall manifest] shall appear in the number of Ghiyath and all shall enter in, not one shall remain in the Fire. If He tarry until [the number of] Mustaghath, all shall enter in, not one shall remain in the Fire, but all shall be transformed into His light.”

Báb (1819–1850) Iranian prophet; founder of the religion Bábism; venerated in the Bahá'í Faith

II, 17
The Persian Bayán

God, Appearance

“To man, that was in th' evening made,
Stars gave the first delight;
Admiring, in the gloomy shade,
Those little drops of light.”

Edmund Waller (1606–1687) English poet and politician

An Apology for Having Loved Before (1664).
Poetical Works of Edmund Waller and Sir John Denham (1857)

Star

“The history of humorous writing discloses everchanging trends. Our fast-paced modern living is too impatient for the lengthy light verse and the leisurely essays of our forefathers.”

Evan Esar (1899–1995) American writer

Humorous English, p266

History

“But no. Too soon I voun' my charm abroke.
Noo comely soul in white like her—
Noo soul a-steppen light like her—
An' nwone o' comely height like her—
Went by; but all my grief agean awoke.”

William Barnes (1801–1886) English writer, poet, clergyman, and philologist

The Wind at the Door, from Poets of the English Language, W. H. Auden and Norman Holmes Pearson (1950).

Soul

“Now the leap by which this reasoning lands us in labour as the sole constituent element of value appears to me so surprising that I am prepared to learn that the yet unpublished portions of Das Kapital contain supplementary or elucidatory matter which may set it in a new light. Meanwhile the analysis appears to be given as complete and adequate, so far as it goes, and I can, therefore, only take it as I find it and try to test its validity. But instead of directly confronting it with what seems to be the true analysis of the phenomenon of exchange, I will follow it out a little further, and we shall see that Marx himself introduces a modification into his result (or develops a half-latent implication in it), in such a way as to vitiate the very analysis on which that result is founded, and to lead us, if we work it out, to what I regard as the true solution of the problem.”

Philip Wicksteed (1844–1927) English economist

Page 712.
"The Marxian Theory of Value: Das Kapital: A Criticism" (1884)

Way, Problem, Learning, Appearance

“She too was standing in the lamp’s raw light. Her cheeks looked hollow, her lips too red, too bold.”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P. 84

“The role of the writer is not simply to arrange Being according to his own lights; he must also serve as a medium to Being and remain open to its often unfathomable dictates. This is the only way the work can transcend its creator and radiate its meaning further than the author himself can see or perceive.”

Václav Havel book Disturbing the Peace

Source: Disturbing the Peace (1986), Ch. 2 : Writing for the Stage

Way

“If you want to gain any man's good opinion, take particular care how you behave the first time you are in company with him; the light you appear in at first, to one who is neither inclinable to think well nor ill of you, will strongly prejudice him either for or against you.”

James Burgh (1714–1775) British politician

The Dignity of Human Nature (1754)

Thinking, Appearance, Time

“My light shall be the moon
And my path, the ocean.
My guide, the morning star
As I sail home to you.”

Enya (1961) Irish singer, songwriter, and musician

"Exile"
Song lyrics, Watermark (1988)

Home, Star

“Gazing into the golden rage of the sun shreds vision into scraps of light and darkness. A white sun is congealed from patches of light, floating ephemerally at the edge of blindness. This is the illuminating sun, giving what we can keep, the sun whose outpourings are acquired by the body as nutrition, and by the eye as (assimilable) sensation. (…) Mixed with this nourishing radiance, as its very heart, is the other sun, the deeper one, dark and contagious, provoking a howl from Bataille: ‘the sun is black’. From this second sun—the sun of malediction—we receive not illumination but disease, for whatever it squanders on us we are fated to squander in turn.”

Nick Land (1962) British philosopher

Source: The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (1992), Chapter 2: "The curse of the sun", p. 20

Fate, Disease, Rage, Sun

“I thought of the brutal truths so often borne on predawn light. I'd had a few in my time, and they'd all led to this. I was a stranger to myself. I'd gone to law school for my father, married for my father; and for that same man, and for the vile woman who shared my bed, I'd surrendered my dreams of family — my very soul. Now he was dead and all I had was this truth: My life was not my own. It belonged to an empty shell that wore my face, Yet I refused to pity myself.”

John Hart (1965) American author with multiple books and awards

Source: The King of Lies (2006), Ch. 10.

Life, Truth, School, Family

“I hope.... to paint some in a lighter gamut, more flesh and blood, but, at the same time, I am trying to get a still stronger soft soap and copper-like effect. In reality I daily see, in the gloomy huts, effects against the light or in the evening twilight.... which I compare to soft soap and brass color of a worn-out 10 centime piece.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Nuenen, The Netherlands, June 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 410) p. 31 1880s, 1885

Hope, Color, Reality, Time

“The tax here involved is bad not because it takes money from the pockets of the appellees. If that were all, a wholly different question would be presented. It is bad because, in the light of its history and of its present setting, it is seen to be a deliberate and calculated device in the guise of a tax to limit the circulation of information to which the public is entitled in virtue of the constitutional guaranties.”

George Sutherland (1862–1942) Associate Justice of the U.S. Supreme Court, United States Senator, member of the United States House of Re…

Grosjean v. American Press Co. (1936)

Money, History, Question

“I have not been able to relate the idea to the 'faster than light' neutrinos since there are no causality checks to decide if they are travelling in the past.”

Jayant Narlikar (1938) Indian physicist

Neutrino misbehaviour suggested 50 years ago

Travel, Idea, Past

“There isn't any division of time to express the marrow of our lives, the time between the explosion of lead from the muzzle and the meat impact, between the impact and the darkness. There's only barren instant replay that shows nothing new. I shot her; she fell; and there was an indescribable moment of silence, an infinite duration of time, and we all stepped back, watching the ball go around and around, ticking, bouncing, lighting for an instant, going on, heads and tails, red and black, odd and even…I think that moment ended. I really do. But sometimes, in the dark, I think that hideous random moment is still going on, that the wheel is even yet in spin, and I dreamed all the rest. What must it be like for a suicide coming down from a high ledge? I'm sure it must be a very sane feeling. That's probably why they scream all the way down.”

Stephen King book Rage

Rage (1977)

Dreams, Way, Feeling, Thinking

“Twin-sister of Religion, Selfishness!
Rival in crime and falsehood, aping all
The wanton horrors of her bloody play;
Yet frozen, unimpassioned, spiritless,
Shunning the light, and owning not its name,
Compelled by its deformity to screen
With flimsy veil of justice and of right
Its unattractive lineaments that scare
All save the brood of ignorance; at once
The cause and the effect of tyranny;
Unblushing, hardened, sensual and vile;
Dead to all love but of its abjectness;
With heart impassive by more noble powers
Than unshared pleasure, sordid gain, or fame;
Despising its own miserable being,
Which still it longs, yet fears, to disenthrall.”

Percy Bysshe Shelley Queen Mab

Canto V
Queen Mab (1813)

Love, Pleasure, Fear, Religion

“England become a feeble-lighted Moon of America…”

Anthony Burgess (1917–1993) English writer

Fiction, One Hand Clapping (1961)

“In Fall, October, November, I'm usually at work in Heeze, for interior studies. That is a beautiful, and the most quite time; the leaf of the trees [dropped! ], what gives in summer such a strong green light into the domestic interiors. It was in the lodging of the good Saskia [Ciska].... that I always got very special care.”

Suze Robertson (1855–1922) Dutch painter

(version in original Dutch / origineel citaat van Suze Robertson:) In 't najaar, october, November ben ik gemeenlijk in nl:Heeze aan 't werk, voor interieurstudies. Dat is een mooie, en de rustigste tijd; 't blad van de bomen [af!], waardoor zomers zoo'n groen licht in de binnenhuizen valt. In 't logement van de goede Saskia [Ciska].. ..ondervond ik dan altijd heel bizondere zorgen.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 34

Beauty, Tree, Study, Strong

“Is evolution a theory, a system or a hypothesis? It is much more: it is a general condition to which all theories, all hypotheses, all systems must bow and which they must satisfy henceforward if they are to be thinkable and true. Evolution is a light illuminating all facts, a curve that all lines must follow.”

Pierre Teilhard De Chardin book The Phenomenon of Man

The Phenomenon of Man (1955)

“The clouds, and not the stars, to them
The omen and the sign be given—
The clouds, the vapours of our soil,
Not stars, whose element is heaven.
The deepening shade, the flitting light,
Mark what each coming month will know—
The passing joy, the constant care,
Of life's sad pilgrimage below.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1833-1835

Life, Sadness, Star, Joy

“Then through the pallid rift that seemed at first
Hardly enough for a trickle from the suns,
Outpoured the revelation and the flame.
The brief perpetual sign recurred above.
A glamour from unreached transcendences
Iridescent with the glory of the Unseen,
A message from the unknown immortal Light
Ablaze upon creation's quivering edge,
Dawn built her aura of magnificent hues
And buried its seed of grandeur in the hours.”

Sri Aurobindo book Savitri: A Legend and a Symbol

Savitri (1918-1950), Book One : The Book Of Beginnings

Sun

“O’Hara was in his most non-stop way of talking, saying that the pictures put him in mind of Tiepolo [Spanish wall-painter, c. 1750]. Certain cupola frescoes. Suddenly I was working in an ancient building, a warehouse facing the Giudecca. The loft over the firehouse was transformed. It was filled with light reflected from the canal. [quote in 1955]”

Phillip Guston (1913–1980) American artist

Guston's quote; as cited in 'Ferguson', 1999, p. 18
1950 - 1960

Way, Quotes

“[the] circular rhythmic movement of a dancer, the folds of whose dress are held out by means of a hoop. These folds preserve their exterior form, modified in a uniform manner through the rotary movement. In order the better to convey the notion of relief, I have attempted to model the essential portions in a manner almost sculptural. Light and ambiance act simultaneously on the forms in movement.”

Gino Severini (1883–1966) Italian painter

from Severini's text, in the entry for the Marlborough Gallery exhibition; as cited by Daniela Fonti, Gino Severini Catalogo Ragionato, Milan: Edizione Phillipe Daverio, 1988, p. 130 Severine is describing here his painting 'Dancer at Pigalle' https://theartstack.com/artist/gino-severini-1/dancer-pigalle, 1912

“Maulana Muhammad Ali wrote:… Some Mussulman friends have been constantly flinging at me the charge of being a… Gandhi-worshipper… Since I hold Islam to be the highest gift of God, therefore, I was impelled by the love I bear towards Mahatmaji to pray to God that he might illumine his soul with the true light of Islam… As a follower of Islam I am bound to regard the creed of Islam as superior to that professed by the followers of any non-Islamic religion. And in this sense, the creed of even a fallen and degraded Mussulman is entitled to a higher place than that of any other non-Muslim irrespective of his high character, even though the person in question be Mahatma Gandhi himself”

Muhammad Ali (writer) (1874–1951) Pakistani scholar and leading figure of the Ahmadiyya Movement

Gandhi’s reaction was: “In my humble opinion the Maulana has proved the purity of his heart and his faith in his own religion by expressing his view. He merely compared two sets of religious principles and gave his opinion as to which was better” (Navajivan, 13.4.1924).
(Young India, 10.4.1924). Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 8

Love, God, Religion, Soul

“Before you, Bella, my life was like a moonless night. Very dark, but there were stars — points of light and reason. …And then you shot across my sky like a meteor. Suddenly everything was on fire; there was brilliancy, there was beauty. When you were gone, when the meteor had fallen over the horizon, everything went black. Nothing had changed, but my eyes were blinded by the light. I couldn't see the stars anymore. And there was no more reason for anything.”

Stephenie Meyer (1973) American author

Edward Cullen, p. 514
Twilight series, New Moon (2006)

Life, Beauty, Star, Change

“There are many for whom the Qualification of Desirelessness is a difficult one, for they feel that they are their desires — that if their distinctive desires, their likings and dislikings, are taken away from them, there will be no self left. But these are only they who have not seen the Master; in the light of His holy Presence all desire dies, but the desire to be like Him.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

§ II
1910s, At the Feet of the Master (1911)

Feeling

“Sometimes the light's all shining on me, Other times I can barely see, Lately it occurs to me, What a long strange trip it's been…”

Robert Hunter (1941–2019) American musician

"Truckin'"
Song lyrics, American Beauty (1970)

Time

“Just as a lamp waved in darkness creates a figure of light in the air, which remains for as long as the lamp repeats its motion exactly, so the universe retains its shape by repetition: the universe is Time's body. And how will we perceive this body? And how operate on it? Not by the means we perceive extension, relation, color, form — the qualities of Space. … No: but by the means we perceive duration and repetition and change: by Memory.”

John Crowley (1942) American writer

Bk. 4, Ch. 3
Little, Big: or, The Fairies' Parliament (1981)

Color, Universe, Memory, Change

“Many a head that down had lain,
Impatient with its twelve hours' pain,
And wishing that the bed it prest,
Were, as the grave's, a long last rest,
Has sprung again at morning's call,
Forgiving, or forgetting all;
Lighting the weary weight of thought
With colours from the day-break brought,
Reading new promise in the sky,
And hearing Hope, the lark on high.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Pain, Hope, Forgiveness, Reading

“A prison taint was on everything there. The imprisoned air, the imprisoned light, the imprisoned damps, the imprisoned men, were all deteriorated by confinement. As the captive men were faded and haggard, so the iron was rusty, the stone was slimy, the wood was rotten, the air was faint, the light was dim. Like a well, like a vault, like a tomb, the prison had no knowledge of the brightness outside; and would have kept its polluted atmosphere intact, in one of the spice islands of the Indian Ocean.”

Charles Dickens book Little Dorrit

Bk. I, Ch. 1
Little Dorrit (1855-1857)

Men, Knowledge

“The discovery of the art of Printing unbarred afresh the gates of Heaven, and let in that flood of light, of knowledge, and of wisdom, which enabled men to emancipate themselves again from the slavery of superstition—to take their proper place in the ranks of created beings—and in ennobling themselves, in gradually exalting their understandings and amending their hearts, to pay at length the worthiest homage to the goodness of their common Parent, and prove themselves to be—as the Almighty himself originally formed them—inferior only to the Angels.”

Sir William Hamilton, 9th Baronet (1788–1856) Scottish metaphysician (1788–1856)

The History of Medicine, Surgery, and Anatomy, from the Creation of the World, to the Commencement of the Nineteenth Century (1831), Vol. 1

Wisdom, Men, Art, Angels

“Proportion applies to sculpture as to painting; perspective determines the contour; chiaroscuro gives relief through the disposition of lights and shadows in their relationship with the background; color gives the appearance of life... The colorists, the men who unite all the phases of painting, have to establish, at once and from the beginning, everything that is proper and essential to their art. They have to mass things in with color, even as the sculptor does with clay, marble or stone; their sketch, like that of the sculptor, must also render proportion, perspective effect, and color.”

Eugène Delacroix (1798–1863) French painter

15 April 1851, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 230 – 231
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Life, Men, Art, Color

“Sometimes at night, I turn on the light so as not to see.”

Antonio Porchia (1885–1968) Italian Argentinian poet

A veces, de noche, enciendo una luz, para no ver.
Voces (1943)

Night

“When entering a studio the most pleasant thing to see is a blank canvas. It looks so inviting to make a start, you are fresh and hoping for the best. Then a terrible time follows when everything seems lost and ruined, you fear you will never get it done, than suddenly a ray of light! And it seems you get what you wanted to tell. My best works usually are going trough such a struggle.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018 (version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Het meest aangename te zien wanneer men een atelier betreedt is een leeg doek. Het oogt zo uitnodigend om een begin te maken, je bent fris en hoopt op het beste. Dan volgt een vreselijke tijd waarin alles verloren en verprutst lijkt, je vreest dat je het nooit zal maken, en plotseling een lichtstraal! En het lijkt alsof je krijgt dat wat je wilde vertellen. Mijn beste werken gaan doorgaans door zulk een strijd. Mauve's remark, later quoted by Mauve's student nl:Arina Hugenholtz, in her In memoriam mr. Anton Mauve, RKD Den Haag; as cited in The land of Mauve: utopia or a reality? / Het land van Mauve: utopie of werkelijkheid? https://www.rug.nl/research/kenniscentrumlandschap/mscripties/christina_vlasma-het_land_van_mauve-masterscriptie.pdf; master-scriptie by Christina van Staats-Vlasma; Rijksuniversiteit Groningen, La Broquerie, Manitoba Canada, Nov. 2010, p. 93 undated quotes

Fear, Hope, Time

“The advance from drawing to painting should be gradual, and no serious attempts in colour should be made until the student has obtained proficiency in outline and in light and shade. If the artist cannot draws objects in a rather masterly way there is no point in his attempting colour.”

Ogden Rood (1831–1902) American physicist

Students' Text-book of Color; Or, Modern Chromatics, with Applications to Art and Industry. New York: D. Appleton and Company. 1881.

Way, Drawing, Painting

“Seek the light
find the light
feel the light
be the light.”

Mike Scott (1958) songwriter, musician

"Seek the Light" (co-written with May East and Craig Gibsone)
Universal Hall (2003)

Feeling

“Back in the days (a later reflection on his early Parish years) when I was in Paris in my studio in 'La Ruche', through the partition I heard two Jewish emigrants arguing: 'Well, what would you say? Wasn't Antokolsky a Jewish artist? And Israels? And what about Liebermann?' The dim light of the lamp lit up my picture, which was upside down (that's the way I work – so consider yourself yourselves lucky!). As morning came, and the Parisian sky started to brighten up, I had to laugh about the futile comments of my neighbours on the fate of Jewish art: 'You two wind-backs can carry on – but I've got work to do'.”

Marc Chagall (1887–1985) French artist and painter

Quote from Bletlach (Leaflet - essay in Yiddish), Marc Chagall; published in 'Shtrom' No. 1, 1922
1920's

Fate, Art, Way

“It's light work for the gods who rule the skies
to exalt a mortal man or bring him low.”

Homér The Odyssey (Cowper)

XVI. 211–212 (tr. Robert Fagles).
Odyssey (c. 725 BC)

God

“He found he was a man who repented almost everything, regrets crowding in around him like moths to a light. This was actually the main difference between twenty-one and fifty-one, he decided, the sheer volume of regret.”

Emily St. John Mandel book Station Eleven

Source: Station Eleven (2014), Chapter 53 (p. 327)

“Van Gogh writing his brother for paints
Hemingway testing his shotgun
Celine going broke as a doctor of medicine
the impossibility of being human
Shakespeare a plagiarist
Beethoven with a horn stuck into his head against deafness
the impossibility the impossibility
Nietzsche gone totally mad
the impossibility of being human
all too human
this breathing
in and out
out and in
these punks
these cowards
these champions
these mad dogs of glory
moving this little bit of light toward us
impossibly.”

Charles Bukowski (1920–1994) American writer

"Beasts Bounding Through Time" (1986)

Dogs, Painting, Madness

“Though it's cold and lonely in the deep dark night
I can see paradise by the dashboard light.”

Jim Steinman (1947) American musician

Bat out of Hell (1977), Paradise by the Dashboard Light

Night

“I believe there is no permanent greatness to a nation except it be based upon morality. I do not care for military greatness or military renown. I care for the condition of the people among whom I live. There is no man in England who is less likely to speak irreverently of the Crown and Monarchy of England than I am; but crowns, coronets, mitres, military display, the pomp of war, wide colonies, and a huge Empire, are, in my view, all trifles light as air, and not worth considering, unless with them you can have a fair share of comfort, contentment, and happiness among the great body of the people. Palaces, baronial castles, great halls, stately mansions, do not make a nation. The nation in every country dwells in the cottage; and unless the light of your constitution can shine there, unless the beauty of your legislation and the excellence of your statesmanship are impressed there on the feelings and condition of the people, rely upon it you have yet to learn the duties of Government.”

John Bright (1811–1889) British Radical and Liberal statesman

Speech in Birmingham (29 October 1858), quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), pp. 274-275.
1850s

War, Happiness, People, Beauty

“It is of the nature of idea to be communicated: written, spoken, done. The idea is like grass. It craves light, likes crowds, thrives on crossbreeding, grows better for being stepped on.”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, (1974), Chapter 3 (p. 72)

Communication, Idea, Nature, Grass

“The feelings and images aroused by the visible world are very difficult to express or are perhaps inexpressible with words because they are determined by forms, colors, space and light.”

Giorgio Morandi (1890–1964) Italian painter

in an interview with L. Vitali, 1957; as quoted in Morandi 1894 – 1964, published by Museo d'Arte Moderna di Bologna, ed: M. C. Bandera & R. Miracco - 2008; p. 295
1945 - 1964

World, Color, Feeling

“A new poll of Iraqis shows that more than half of them believe they would be safer if U. S. troops left their country. In a related story, more than half of Americans believe we would be safer if Iraqis stopped answering poll questions and helped us get their damn lights back on, OK? I love that story, a poll of Iraqis want us to leave.”

Dennis Miller (1953) American stand-up comedian, television host, and actor

Dennis Miller

Love, Question, Help, Country

“Today the world is playing with fire. We have to be ready to face fire, water and great storms and not be shaken. We have to go beyond the hope of life and the fear of death. Whatever happens we must go ahead. Then only can we benefit the world. We have to bring the path of karma into the light. Now the world is in deep darkness. The Revolution spreading in this world can be controlled by karma alone.”

Haidakhan Babaji teacher in northern India

Maha Kranti
Source: The Teachings of Babaji, 19 September 1983.

Life, Death, World, Fear

“Or say it is Pentecost: the hawthorn-tree,
set with coagulate magnified flowers of may,
blooms in a haze of light; old chalk-pits brim
with seminal verdue from the roots of time.

Landscape is like revelation; it is both
singular crystal and the remotest things.
Cloud-shadows of seasons revisit the earth,
odourless myrrh bourne by the wandering kings.”

Geoffrey Hill (1932–2016) English poet and professor

The Mystery of the Charity of Charles Péguy 5.21-29.
Poetry

Flowers, Tree, Time, Season

“The old art depicted space as uniform and enclosed. The new art perceives space as organic and open. The old art was an object. The new art is a system. The configuration of the movement is more important than the shape of the object. The message of a kinetic and luminic work is the light and movement it produces. It has no other message. It has no meaning besides movement.”

Willoughby Sharp (1936–2008) American artist

Willoughby Sharp, "Luminism and Kineticism," in: Minimal Art.- A Critical Anthology, Gregory Battcock, ed. (New York: E.P. Dutton, 1968), p. 358

Art

“I don’t believe in western morality, i. e. don’t kill civilians or children, don’t destroy holy sites, don’t fight during holiday seasons, don’t bomb cemeteries, don’t shoot until they shoot first because it is immoral. The only way to fight a moral war is the Jewish way: "Destroy their holy sites. Kill men, women and children (and cattle)." The first Israeli prime minister who declares that he will follow the Old Testament will finally bring peace to the Middle East. First, the Arabs will stop using children as shields. Second, they will stop taking hostages knowing that we will not be intimidated. Third, with their holy sites destroyed, they will stop believing that G-d is on their side. Result: no civilian casualties, no children in the line of fire, no false sense of righteousness, in fact, no war. Zero tolerance for stone throwing, for rockets, for kidnapping will mean that the state has achieved sovereignty. Living by Torah values will make us a light unto the nations who suffer defeat because of a disastrous morality of human invention.”

Manis Friedman (1946) American rabbi

Answer for the question "How Should Jews Treat Their Arab Neighbors?" for the "Moment" magazine. http://www.momentmag.com/Exclusive/2009/2009-06/200906-Ask_Rabbis.html On the Israeli-Arab conflict

Women, Men, War, Children