Quotes about ideas and thoughts
page 28

Immanuel Kant photo
Hillary Clinton photo

“I think there are a lot of great ideas out in America, and I want you to have a say in your government. And that means we have to get unaccountable money out of our politics, overturn Citizens United, and expand voting rights, not restrict them.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), Speech in Warren, Michigan (August 11, 2016)

Ursula K. Le Guin photo
Antonio Negri photo

“The contemporary scene of labor and production, we will explain, is being transformed under the hegemony of immaterial labor, that is, labor that produces immaterial products, suchs as information, knoledges, ideas, images, relationships, and affects. This does not mean that there is no more industrial working class whose calloused hands toil with machines or that there ae no more agricultural workers who till the soil. It does not even mean that the numbers of such workers have decreased globally. In fact, workers involved primarily in immaterial production are a small minority of the gloval whole. What it means, rather, is that the qualities and characteristics of immaterial production are tending to transform the other forms of labor and indeed society as a whole. Some of these new characteristics are decidedly unwelcome. When our ideas and affects, or emotions, are put to work, for insance, and when they thus become subject in a way to the command of the boss, we often experience new and intense forms of violation or alienation. Furthermore, the contractual and material conditions of immaterial labor that tend to spread to the entire labor market are making the position of labor in general more precarious. The is one tendency, for example, in various forms of immaterial labor to blur the distinction between work time and nonwork time, extending the working day indefinietly to fill all of life, and another tendency for immaterial labor to function without stable long-term contracts, and thus to adopt the precarious position of becoming flexible (to accomplish several tasks) and mobile (to move continually among locations). […] The production of ideas, knowledges, and affects, for example, does not merely create means by which society is formed and maintained; such immaterial labor also directly produces social relationships. […] immaterial labor tends to take the social form of network based on communication.”

65-66
Multitude: War and Democracy in the Age of Empire

Bill Thompson photo
Jimmy Carter photo
Julien Offray de La Mettrie photo
Gaston Bachelard photo

“Ideas are invented only as correctives to the past. Through repeated rectifications of this kind one may hope to disengage an idea that is valid.”

Gaston Bachelard (1884–1962) French writer and philosopher

A Retrospective Glance at the Lifework of a Master of Books
Fragments of a Poetics of Fire (1988)

Giuseppe Peano photo
Alan Menken photo

“Collaboration is being open to each other's ideas and benefiting from each other's perspectives in an open way. Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work — it's easier to do it in a collaboration than on your own.”

Alan Menken (1949) American musical theatre and film composer and pianist.

BWW EXCLUSIVE: Alan Menken Talks TANGLED, SISTER ACT, LEAP OF FAITH, HUNCHBACK, ALADDIN & More" in Broadway World (15 November 2010) http://broadwayworld.com/article/BWW_EXCLUSIVE_Alan_Menken_Talks_TANGLED_SISTER_ACT_LEAP_HUNCHBACK_ALADDIN_More_20101115_page2#ixzz15WG7uJFs.

Jessica Mae Stover photo

“If crowdfunding has this idea of rebellion to it, and of circumventing the system, then these crowdfunding sites aren't really freedom. We're just creating another gatekeeper.”

Jessica Mae Stover American filmmaker

Source: Gordon Cox. " Crowdfunding draws crowds http://variety.com/2011/film/features/crowdfunding-draws-crowds-1118029893/," at variety.com, 2011

Stephen Fry photo
Mark Hertling photo
Kate DiCamillo photo

“That was the thing about tragedy. It was just sitting there, keeping you company, waiting. And you had absolutely no idea.”

Source: Flora & Ulysses (2013), Chapter Eight: Helpful Information, p. 20

Stephen King photo
Amir Taheri photo
Roberto Mangabeira Unger photo
Christopher Hitchens photo
Terence McKenna photo
William Burges photo

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

David McNally photo

“The Greek philosopher Plato may have rejected the idea that "might makes right" some 2,500 years ago, but America and its allies today make it the cornerstone of foreign policy.”

David McNally (1953) Canadian political scientist

Source: Another World Is Possible : Globalization and Anti-capitalism (2002), Chapter 4, The Colour Of Money, p. 147

Lew Rockwell photo
Paul Karl Feyerabend photo
Alfred North Whitehead photo

“With the sense of sight, the idea communicates the emotion, whereas, with sound, the emotion communicates the idea, which is more direct and therefore more powerful.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: Attributed from posthumous publications, Dialogues of Alfred North Whitehead (1954), Ch. 29, June 10, 1943.

Mike Tomlin photo

“People aren't very good listeners, by nature … Part of being a good communicator is recognizing and understanding that and trying to make the complex simple. I try to capture a concept, an idea or a moment in a few words. If they remember it, job done.”

Mike Tomlin (1972) head coach of the National Football League's Pittsburgh Steelers

As quoted in "Inside Tomlin's style: Humility, words matter for Steelers coach" by Jarrett Bell, in USA Today (31 January 2009)

Clarence Thomas photo
Kurt Lewin photo
Gail Dines photo
Clement Attlee photo

“We have absolutely abandoned any idea of nationalist loyalty. We are deliberately putting a world order before our loyalty to our own country.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Speech to the Labour Party Conference in Southport (2 October 1934) , quoted in Talus, Your Alternative Government (London: Eyre and Spottiswoode, 1945), p. 17 and D. M. Touche, Britain's Lost Victory (London: The Individualist Bookshop, 1941).
1930s

Oliver Wendell Holmes photo
Ivan Turgenev photo

“Bazarov drew himself up haughtily. "I don't adopt any one's ideas; I have my own."”

Ivan Turgenev (1818–1883) Russian writer

Source: Father and Sons (1862), Ch. 13.

Fred Phelps photo

“The very idea of putting a preacher on trial for what he preaches, the very idea, you ought to be ashamed of yourselves!”

Fred Phelps (1929–2014) American pastor and activist

2000s, Snyder v. Westboro Baptist Church (2007)

Vitruvius photo

“Apollo at Delphi, through the oracular utterance of his priestess, pronounced Socrates the wisest of men. Of him it is related that he said with sagacity and great learning that the human breast should have been furnished with open windows, so that men might not keep their feelings concealed, but have them open to the view. Oh that nature, following his idea, had constructed them thus unfolded and obvious to the view.”
Delphicus Apollo Socratem omnium sapientissimum Pythiae responsis est professus. Is autem memoratur prudenter doctissimeque dixisse, oportuisse hominum pectora fenestrata et aperta esse, uti non occultos haberent sensus sed patentes ad considerandum. Utinam vero rerum natura sententiam eius secuta explicata et apparentia ea constituisset!

Preface, Sec. 1
De architectura (The Ten Books On Architecture) (~ 15BC), Book III

Linus Torvalds photo

“The main reason there are no raw devices [in Linux] is that I personally think that raw devices are a stupid idea.”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Message, linux-kernel mailing list, 1996-10-17, IU, Torvalds, Linus, 2017-04-25 http://lkml.iu.edu/hypermail/linux/kernel/9610.2/0030.html,
1990s, 1995-99

Maria Edgeworth photo

“Man is to be held only by the slightest chains; with the idea that he can break them at pleasure, he submits to them in sport.”

Maria Edgeworth (1768–1849) Irish writer

Letters for Literary Ladies (1795), "Julia and Caroline", Letter 1; Tales and Novels, vol. 13, p. 225.

George Canning photo

“I for my part still conceive it to be the paramount duty of a British member of parliament to consider what is good for Great Britain…I do not envy that man's feelings, who can behold the sufferings of Switzerland, and who derives from that sight no idea of what is meant by the deliverance of Europe. I do not envy the feelings of that man, who can look without emotion at Italy – plundered, insulted, trampled upon, exhausted, covered with ridicule, and horror, and devastation – who can look at all this, and be at a loss to guess what is meant by the deliverance of Europe? As little do I envy the feelings of that man, who can view the peoples of the Netherlands driven into insurrection, and struggling for their freedom against the heavy hand of a merciless tyranny, without entertaining any suspicion of what may be the sense of the word deliverance. Does such a man contemplate Holland groaning under arbitrary oppressions and exactions? Does he turn his eyes to Spain trembling at the nod of a foreign master? And does the word deliverance still sound unintelligibly in his ear? Has he heard of the rescue and salvation of Naples, by the appearance and the triumphs of the British fleet? Does he know that the monarchy of Naples maintains its existence at the sword's point? And is his understanding, and his heart, still impenetrable to the sense and meaning of the deliverance of Europe?”

George Canning (1770–1827) British statesman and politician

Speech in 1798, quoted in Wendy Hinde, George Canning (London: Purnell Books Services, 1973), p. 66.

G. K. Chesterton photo
Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Edmund Burke photo
Gerald James Whitrow photo
W. H. Auden photo
John Moffat photo
Alain de Botton photo
Ai Weiwei photo
Frank Stella photo

“The idea in being a painter is to declare an identity. Not just my identity, an identity for me, but an identity big enough for everyone to share in. Isn't that what it's all about?!”

Frank Stella (1936) American artist

Quote, 1960's; as quoted in The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p. 307
Quotes, 1960 - 1970

Murray Leinster photo
Hermann Rauschning photo

“The nihilist foreign policy of the National Socialism of today uses ideas as a mask, and has no philosophical basis.”

Hermann Rauschning (1887–1982) German politician

Source: The Revolution of Nihilism: Warning to the West (1939), p. 253

Gary Gygax photo
Johannes Grenzfurthner photo
Mao Zedong photo

“Throughout history new and correct ideas have often failed at the outset to win recognition from the majority of people and have to develop by twists and turns in struggle. Often correct and good things have first been regarded not as fragrant flowers but poisonous weeds.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

VII: On "Let a Hundred Flowers Blossom Let a Hundred Schools of Thought Content" and "Long Term Coexistence and Mutual Supervision"
On the Correct Handling of Contradictions Among the People

Mick Mulvaney photo
Morrissey photo

“I could never really make the connection between Christian and Catholic. I always imagined that Christ would look down upon the Catholic church and totally disassociate himself from it. I went to severe schools, working class schools, where they would almost chop your fingers off for your own good, and if you missed church on Sunday and went to school on a Monday and they quizzed you on it, you'd be sent to the gallows. It was like 'Brush you teeth NOW or you will DIE IN HELL and you will ROT and all these SNAKES will EAT you'. And I remember all these religious figures, statues, which used to petrify every living child. All these snakes trodden underfoot and blood everywhere. I thought it was so morbid. I mean the very idea of just going to church anyway is really quite absurd. I always felt that it was really like the police, certainly in this country at any rate, just there to keep the working classes humble and in their place. Because of course nobody else but the working class pays any attention to it. I really feel quite sick when I see the Pope giving long, overblown, inflated lectures on nuclear weapons and then having tea with Margaret Thatcher. To me it's total hypocrisy. And when I hear the Pope completely condemning working class women for having abortions and condemning nobody else… to me the whole thing is entirely class ridden, it's just really to keep the working classes in perpetual fear and feeling total guilt.”

Morrissey (1959) English singer

from "All men have secrets and these are Morrissey’s", interview by Neil McCormick,Hot Press (4 May 1984)
In interviews etc., About life and death

Robert G. Ingersoll photo
Julius Streicher photo
Stéphane Mallarmé photo

“The poetic act consists in suddenly seeing that an idea splits into a number of motives of equal value and in grouping them; they rhyme.”

Stéphane Mallarmé (1842–1898) French Symbolist poet

L'acte poétique consiste à voir soudain qu'une idée se fractionne en un nombre de motifs égaux par valeur et à les grouper; ils riment.
"Crise de Vers", La Revue Blanche (September 1895) as translated in Mallarmé : The Poet and his Circle ([1999] 2005) by Rosemary Lloyd, p. 231.
Observations

“An excellent little book — highly informative, full of challenging and stimulating ideas, and teeming with shrewd clinical insights.”

British Journal of Psychiatry, review of Understanding the Alcoholic's Mind.

Rollo May photo
Mark Satin photo
Samuel P. Huntington photo

“All civilizations go though similar processes of emergence, rise, and decline. The West differs from other civilizations not in the way it has developed but in the distinctive character of its values and institutions. These include most notably its Christianity, pluralism, individualism, and rule of law, which made it possible for the West to invent modernity, expand throughout the world, and become the envy of other societies. In their ensemble these characteristics are peculiar to the West. Europe, as Arthur M. Schlesinger, Jr., has said, is “the source — the unique source” of the “ideas of individual liberty, political democracy, the rule of law, human rights, and cultural freedom. . . . These are European ideas, not Asian, nor African, nor Middle Eastern ideas, except by adoption.” They make Western civilization unique, and Western civilization is valuable not because it is universal but because it is unique. The principal responsibility of Western leaders, consequently, is not to attempt to reshape other civilizations in the image of the West, which is beyond their declining power, but to preserve, protect, and renew the unique qualities of Western civilization. Because it is the most powerful Western country, that responsibility falls overwhelmingly on the United States of America.
To preserve Western civilization in the face of declining Western power, it is in the interest of the United States and European countries … to recognize that Western intervention in the affairs of other civilizations is probably the single most dangerous source of instability and potential global conflict in a multicivilizational world.”

Samuel P. Huntington (1927–2008) American political scientist

Source: The Clash of Civilizations and the Remaking of World Order (1996), Ch. 12 : The West, Civilizations, and Civilization, § 2 : The West In The World, p. 311

Hermann Rauschning photo
Phillip Guston photo
Herbert Morrison photo
Piet Mondrian photo
Anish Kapoor photo

“The idea is that the object has a language unto itself.”

Anish Kapoor (1954) British contemporary artist of Indian birth

Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time

Rasheed Araeen photo
P. D. Ouspensky photo
Joel Mokyr photo
Jiddu Krishnamurti photo
Buckminster Fuller photo
John C. Wright photo
Ralph Vaughan Williams photo

“We are all ill; but even a universal sickness implies an idea of health.”

Art and Neurosis
The Liberal Imagination (1950)

Clarence Thomas photo
Werner Heisenberg photo

“In general, scientific progress calls for no more than the absorption and elaboration of new ideas — and this is a call most scientists are happy to heed.”

Werner Heisenberg (1901–1976) German theoretical physicist

Physics and Beyond : Encounters and Conversation (1971)

Isaiah Berlin photo
Max Beckmann photo

“We're continually poring over plans, and the decision is difficult, but it's definitely coming soon. The idea with Barr is not bad and might convince me to take your advice, if B. really does get involved.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

In a letter from Amsterdam 15 February 1937, to Hans Swarzenski in Princeton, the Max Beckmann Archive, Christian Lenz; as quoted on: arts in exile http://kuenste-im-exil.de
In February 1937, his last hopes of a life in Germany had clearly faded, as he wrote to Hanns Swarzenski in Princeton on the 15th of the month. This quote refers to an invitation from Alfred H. Barr, Jr., Director of the Museum of Modern Art in New York, and to the idea of emigrating to the USA, to escape Nazi-threat.
1930s

El Lissitsky photo
Herbert Marcuse photo
Andrei Tarkovsky photo
Tony Benn photo
Nick Clegg photo

“The home secretary and the Home Office – they can try to make the case as many times as they like but this idea, which was the idea of the heart of the snooper's charter, that every single website that you visit and every single website that anyone visits in this country is logged somewhere, that's just not going to happen while I'm in government.”

Nick Clegg (1967) British politician

Remarks on LBC 97.3 radio show on the Snooper Charters No revival of snooper's charter bill before election, says Nick Clegg http://www.theguardian.com/politics/2014/jun/26/nick-clegg-snoopers-charter-bill-election-theresa-may The Guardian (26 June 2014)
2014

Russell Brand photo
Jerome K. Jerome photo
William Edward Hartpole Lecky photo
Philip K. Dick photo

“Giving me a new idea is like handing a cretin a loaded gun, but I do thank you anyhow, bang, bang.”

Philip K. Dick (1928–1982) American author

Letter to Patricia Warrick (17 May 1978), published in Selected Letters of Philip K. Dick, 1977-1979 (1993)

Samuel Johnson photo
H. G. Wells photo