Quotes about flowers
page 12
Talking about his Ninja Gaiden II game in the Wall Street Journal, June 5, 2008, p. B8, "The Game Turns Serious".
“I cannot help thinking that it is more natural to have flowers grow out of the head than fruit.”
Letter to Cassandra (1799-06-11) on decorating her hat [Letters of Jane Austen -- Brabourne Edition]
Letters
Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 452.
Letter (1811-04-30) [Letters of Jane Austen -- Brabourne Edition]
Letters
The Golden Violet - The Broken Spell
The Golden Violet (1827)
Source: Table Talk (1782), Line 690.
“The little wind-flower, whose just opened eye
Is blue as the spring heaven it gazes at.”
A Winter Piece http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page24, st. 3 (1821)
Creation seminars (2003-2005), The Hovind theory
The Yosemite http://www.sierraclub.org/john_muir_exhibit/writings/the_yosemite/ (1912), chapter 1: The Approach to the Valley
1910s
“Her heart was a passion-flower, bearing within it the crown of thorns and the cross of Christ.”
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 397.
The Nymph's Reply to the Shepherd (1599), st. 1–2
Inspired by Christopher Marlowe's The Passionate Shepherd to his Love
Cheon Il Guk is the Ideal Heavenly Kingdom of Eternal Peace http://www.unification.net/2006/20060613_1.html (2006-06-13)
Epilogue
The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan
“Let others laugh flower-burial to see:
Another year who will be burying me?”
Dream of the Red Chamber (c. 1760)
Canadian MP Lorne Nystrom comments on Lafleur's retirement, in the House of Commons.
Quoted in Kevin Shea, "One on One with Guy Lafleur," http://www.legendsofhockey.net/html/spot_oneononep198802.htm Legends of Hockey.net (2003-03-16)
About
After visiting Hitler. Quoted in "The Psychopathic God: Adolf Hitler" - Page 215 - by Robert George Leeson Waite - History - 1993
”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)
Source: 1950's, Interview by William Wright, Summer 1950, pp. 139-140
Rewards of Passion (Sheer Poetry) (1981)
Part Eleven “The Dream Season”, Chapter ii “Representations”, Section 2 (p. 479)
(1987), BOOK THREE: OUT OF THE EMPTY QUARTER
Source: 1930s, On my Painting (1938), p. 14
"Extreme Human Behavior"
Life Is Worth Losing (2005)
Book I, Canto VIII, III The Spirit's Epochs.
The Angel In The House (1854)
On the Correct Handling of Contradictions Among the People
Source: (zh-CN) 百花齐放、百家争鸣的方针,是促进艺术发展和科学进步的方针,是促进我国的社会主义文化繁荣的方针。艺术上不同的形式和风格可以自由发展,科学上不同的学派可以自由争论。利用行政力量,强制推行一种风格,一种学派,禁止另一种风格,另一种学派,我们认为会有害于艺术和科学的发展。艺术和科学中的是非问题,应当通过艺术界科学界的自由讨论去解决,通过艺术和科学的实践去解决,而不应当采取简单的方法去解决。
“No star from above
nor flower in the field
seems to me as fair
as the one I love.”
Nem no campo flores,
Nem no céu estrelas
Me parecem belas
Como os meus amores.
"Aquela cativa" (trans. Richard Zenith)
Lyric poetry, Songs (redondilhas)
(15th March 1823) Poetical Catalogue of Pictures. Hope, from a design by a Lady.
The London Literary Gazette, 1823
In a letter to William Milliken (1930), quoted in Portrait of an Artist: A Biography of Georgia O'Keeffe, Laurie Lisle (1981), p. 128
1930s
The Writings of Marguerite Bourgeoys, p. 205
“The sweetest flowers in all the world—
A baby's hands.”
Étude Réaliste.
Undated
“A thing which fades
With no outward sign—
Is the flower
Of the heart of man
In this world!”
trans. Arthur Waley, p. 78
Donald Keene's Anthology of Japanese Literature (1955)
On This Day I Complete My Thirty-Sixth Year http://readytogoebooks.com/LP14.htm, st. 2 (1824).
Prologue
The Rehearsal (1671)
Save the Children, co-written with Al Cleveland and Renaldo Benson.
Song lyrics, What's Going On (1971)
Source: The Foundation series (1951–1993), Second Foundation (1953), Chapter 11 “Stowaway”
As quoted in Seeds of Peace : A Catalogue of Quotations (1986) by Jeanne Larson and Madge Micheels, p. 265
You Don't Bring Me Flowers, co-written with Alan Bergman and Marilyn Bergman
Song lyrics, I'm Glad You're Here with Me Tonight (1977)
"When First the Poets Sung", line 47.
These lines were repeatedly drawn on by Sitwell in his later works.
“As a flower springs up secretly in a fenced garden, unknown to the cattle, torn up by no plough, which the winds caress, the sun strengthens, the shower draws forth, many boys, many girls, desire it.”
Ut flos in saeptis secretus nascitur hortis,
Ignotus pecori, nullo contusus aratro,
Quem mulcent aurae, firmat sol, educat imber;
Multi illum pueri, multae optavere puellae.
LXII
Carmina
(1837 1) (Vol. 49) Necessity
The Monthly Magazine
Os Brâmanes, p. 474
Os Brâmanes (1866)
Quote of Vincent van Gogh in his letter to Horace Mann Livens, from Paris, September or October 1886; from letter 569 - vangoghletters online http://vangoghletters.org/vg/letters/let569/letter.html
1880s, 1886
The Fast of Ramadan: The Inner Heart Blossoms (2005)
“The bloom fell off my branches and joy did cast off its flower”
Letter 185 (to Marion M' Naught) Aberdeen , 1837
Letters of Samuel Rutherford (Andrew Bonar)
(on the inspiration for "Gypsy") Leah Greenblatt, "Stevie Nicks On Her Favorite Songs: A Music Mix Exclusive", http://music-mix.ew.com/2009/03/31/stevie-nicks-in/ Entertainment Weekly, 31 March 2009
Book I, lines 417–430 (pp. 23–24)
The Lusiad; Or, The Discovery of India: an Epic Poem (1776)
Prelude (1910).
Garden of Tortures
"Vegetarianism" (2000), from his website http://www.vegsource.com/berry/veg.html.
Interview with Luxemburger Wort (2015)
“Flowers are immortal. You cut them in autumn and they grow again in spring—somewhere.”
the organist
Atómstöðin (The Atom Station) (1948)
Lemon
Because I Can
Me gusta el sol, Alicia
y las palomas, el buen cigarro
y la guitarra española,
saltar paredes y abrir las ventanas
y cuando llora una mujer.
Me gusta el vino tanto como las flores
y los conejos pero no los tractores,
el pan casero y la voz de Dolores
y el mar mojándome los pies,
no soy de aqui ni soy de allá
no tengo edad mi porvenir y ser felíz
es mi color de identidad.
No soy de aqui ni soy de allá (1970
The Problems of Pediatrics in Israel. Child Health in Israel, pp. 9-13, 1971.
. . . . . . o grande Cavaleiro,
Que ao vento velas deu na ocídua parte,
E lá, onde infante o Sol dá luz primeiro,
Fixou das Quinas santas o Estandarte.
E com afronta do infernal guerreiro,
(Mercê do Céu) ganhou por força, e arte
O áureo Reino, e trocou com pio exemplo
A profana mesquita em sacro templo.
* * * *
O tempo chega, Afonso, em que a santa
Sião terá por vós a liberdade,
A Monarquia, que hoje o Céu levanta,
Devoto consagrando à eternidade.
Ó bem nascida generosa planta,
Que em flor fruto há-de dar à Cristandade,
E matéria a mil cisnes, que, cantando
De vós, se irão convosco eternizando.<p>De Cristo a injusta morte vingou Tito
Na de Jerusalém total ruína:
E a vós, a quem Deus deu um peito invito,
Ser vingador de sua Fé destina.
Extinguir do Agareno o falso rito
É de vosso valor a empresa dina:
Tomai pois o bastão da empresa grande
Para o tempo que o Céu marchar vos mande.
Malaca Conquistada pelo grande Afonso de Albuquerque (1634) — quoted in The Commentaries of the Great Afonso Dalboquerque, Vol. III (London, 1880) https://archive.org/stream/no62works01hakluoft#page/n13/mode/2up, and translated by Edgar C. Knowlton Jr. http://www.sabrizain.org/malaya/library/conquestofmalacca.pdf
Song Red Roses for a Blue Lady
“These are thy bridal flowers
I am now wreathing;
This is thy marriage hymn
I am now breathing.”
12th January 1822) Sketch the first ("There are dark yew-trees gathered round, beneath"
The London Literary Gazette, 1821-1822
Love is Enough (1872), Song III: It Grew Up Without Heeding
Blessings (1998)
Context: When I listen to love, I am listening to my true nature. When I express love, I am expressing my true nature. All of us love. All of us do it more and more perfectly. The past has brought us both ashes and diamonds. In the present we find the flowers of what we've planted and the seeds of what we are becoming. I plant the seeds of love in my heart. I plant the seeds of love in the hearts of others.
“Euryalus
In death went reeling down,
And blood streamed on his handsome length, his neck
Collapsing let his head fall on his shoulder—
As a bright flower cut by a passing plow
Will droop and wither slowly, or a poppy
Bow its head upon its tired stalk
When overborne by a passing rain.”
Volvitur Euryalus leto, pulchrosque per artus
It cruor inque umeros cervix conlapsa recumbit:
Purpureus veluti cum flos succisus aratro
Languescit moriens; lassove papavera collo
Demisere caput, pluvia cum forte gravantur.
Compare:
Μήκων δ' ὡς ἑτέρωσε κάρη βάλεν, ἥ τ' ἐνὶ κήπῳ
καρπῷ βριθομένη νοτίῃσί τε εἰαρινῇσιν,
ὣς ἑτέρωσ' ἤμυσε κάρη πήληκι βαρυνθέν.
He bent drooping his head to one side, as a garden poppy
bends beneath the weight of its yield and the rains of springtime;
so his head bent slack to one side beneath the helm's weight.
Homer, Iliad, VIII, 306–308 (tr. R. Lattimore)
Source: Aeneid (29–19 BC), Book IX, Lines 433–437 (tr. Fitzgerald)
“In the midst of the fountain of wit there arises something bitter, which stings in the very flowers.”
Medio de fonte leporum
surgit amari aliquid quod in ipsis floribus angat.
Book IV, lines 1133–1134 (reported in Bartlett's Familiar Quotations)
Variant translation: From the midst of the fountain of delights rises something bitter that chokes them all amongst the flowers.
Compare: "Still from the fount of joy's delicious springs / Some bitter o'er the flowers its bubbling venom flings", Lord Byron, Childe Harold's Pilgrimage, Canto I, stanza 82
De Rerum Natura (On the Nature of Things)
“With equal sweetness the commissioned hours
Shed light and dew upon both weeds and flowers.”
Life Without and Life Within (1859), The Thankful and the Thankless
Context: With equal sweetness the commissioned hours
Shed light and dew upon both weeds and flowers.
The weeds unthankful raise their vile heads high,
Flaunting back insult to the gracious sky;
While the dear flowers, wht fond humility,
Uplift the eyelids of a starry eye
In speechless homage, and, from grateful hearts,
Perfume that homage all around imparts.
"Flower in the Crannied Wall" (1869)
Context: Flower in the crannied wall,
I pluck you out of the crannies,
I hold you here, root and all, in my hand,
Little flower — but if I could understand
What you are, root and all, and all in all,
I should know what God and man is.
“A simple maiden in her flower
Is worth a hundred coats-of-arms.”
Stanza 2
Lady Clara Vere de Vere (1832)
What Is Anarchism? (1929), Ch. 26: "Preparation" http://libcom.org/library/what-is-anarchism-alexander-berkman-26
Context: If your object is to secure liberty, you must learn to do without authority and compulsion. If you intend to live in peace and harmony with your fellow-men, you and they should cultivate brotherhood and respect for each other. If you want to work together with them for your mutual benefit, you must practice cooperation. The social revolution means much more than the reorganization of conditions only: it means the establishment of new human values and social relationships, a changed attitude of man to man, as of one free and independent to his equal; it means a different spirit in individual and collective life, and that spirit cannot be born overnight. It is a spirit to be cultivated, to be nurtured and reared, as the most delicate flower it is, for indeed it is the flower of a new and beautiful existence.
"Thoughts During An Air Raid"
The Still Centre (1939)
Context: Yet supposing that a bomb should dive
Its nose right through this bed, with me upon it?
The thought is obscene. Still, there are many
To whom my death would only be a name,
One figure in a column. The essential is
That all the 'I's should remain separate
Propped up under flowers, and no one suffer
For his neighbour. Then horror is postponed
For everyone until it settles on him
And drags him to that incommunicable grief
Which is all mystery or nothing.
The Flower; reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Song 20: "Against Idleness and Mischief". Parodied by Lewis Carroll in Alice's Adventures in Wonderland.
1710s, Divine Songs Attempted in the Easy Language of Children (1715)
St. 1
Hymn to Intellectual Beauty (1816)
Context: The awful shadow of some unseen Power
Floats though unseen among us; visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower;
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening,
Like clouds in starlight widely spread,
Like memory of music fled,
Like aught that for its grace may be
Dear, and yet dearer for its mystery.
The Wild Flag (1943)
Context: Each delegate brought the flag of his homeland with him-each, that is, except the delegate from China. When the others asked him why he had failed to bring a flag, he said that he had discussed the matter with another Chinese survivor, an ancient and very wise man, and that between them they had concluded that they would not have any cloth flag for China anymore.
'What kind of flag do you intend to have?' asked the delegate from Luxembourg. The Chinese delegate blinked his eyes and produced a shoebox, from which he drew a living flower which looked very like an iris. 'What is that?' they all inquired, pleased with the sight of so delicate a symbol.
'That,' said the Chinese, 'is a wild flag, Iris tectorum. In China we have decided to adopt this flag, since it is a convenient and universal device and very beautiful and grows everywhere in the moist places of the earth for all to observe and wonder at. I propose all countries adopt it, so that it will be impossible for us to insult each other's flag.
The Spiritual Espousals (c. 1340)
Context: You should watch the wise bee and do as it does. It dwells in unity, in the congregation of its fellows, and goes forth, not in the storm, but in calm and still weather, in the sunshine, towards all those flowers in which sweetness may be found. It does not rest on any flower, neither on any beauty nor on any sweetness; but it draws from them honey and wax, that is to say, sweetness and light-giving matter, and brings both to the unity of the hive, that therewith it may produce fruits, and be greatly profitable. Christ, the Eternal Sun, shining into the open heart, causes that heart to grow and to bloom, and it overflows with all the inward powers with joy and sweetness. So the wise man will do like the bee, and he will fly forth with attention and with reason and with discretion, towards all those gifts and towards all that sweetness which he has ever experienced, and towards all the good which God has ever done to him. And in the light of love and with inward observation, he will taste of the multitude of consolations and good things; and will not rest upon any flower of the gifts of God, but, laden with gratitude and praise, will fly back into the unity, wherein he wishes to rest and to dwell eternally with God.
We the People interview (1996)
Context: While once friendship in our western tradition was the supreme flower of politics, I think that if community life exists at all today, it is in some way the consequence of friendship cultivated by each one who initiates it. This goes beyond anything which people usually talk about, saying each one of you is responsible for the friendships he/she can develop, because society will only be as good as the political result of these friendships.
As quoted in "Who I'd Like To Be In My Next Life"] featuring celebrity responses to that question, Eye magazine Vol. 2 No. 1 (January 1969) - online text and images http://www.badmags.com/bmtate.html
Context: I'd like to be a fairy princess — a little golden doll with gossamer wings, in a voile dress, adorned with bright, shiny things. I see that as something totally pure and beautiful. Everything that's realistic has some sort of ugliness in it. Even a flower is ugly when it wilts, a bird when it seeks its prey, the ocean when it becomes violent. I'm very sensitive to ugly situations. I'm quick to read people, and I pick up if someone's reacting to me as just a sexy blonde. At times like that, I freeze. I can be very alone at a party, on the set, or in general, if I'm not in harmony with things around me.
O interview (2003)
Context: It's nice to have a relationship, but women have become addicted. You can have a relationship with God. With nature. With dogs. With yourself. And yes, you can also have a relationship with a man, but if it's going to be a shitty one, it's better to have a relationship with your flowers. I know so many lonely women who are married! You have to know the worth of your existence regardless of a man, regardless of an emotional love affair, even regardless of a career. Why should these things validate you as a human being?