Quotes about crying
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Napoleon I of France photo

“The people must not be counted upon; they cry indifferently : "Long live the King!" and "Long live the Conspirators!" a proper direction must be given to them, and proper instruments employed to effect it.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Source: Political Aphorisms, Moral and Philosophical Thoughts (1848), p. 246

Albert Camus photo

“O light! This is the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.”

Albert Camus (1913–1960) French author and journalist

Return to Tipasa (1954)
Variant translation: In the depths of winter, I finally learned that within me there lay an invincible summer.
As translated in Lyrical and Critical Essays (1968), p. 169; also in The Unquiet Vision : Mirrors of Man in Existentialism (1969) by Nathan A. Scott, p. 116

Bertrand Russell photo
Zhuangzi photo
Abraham Lincoln photo
Henri Barbusse photo
Buddy Holly photo

“Sometimes we'll sigh — sometimes we'll cry
And we'll know why just you and I know true love ways.”

Buddy Holly (1936–1959) American singer-songwriter

True Love Ways, written by Buddy Holly and Norman Petty (1958)
Song lyrics, Singles

Henri Barbusse photo
W.B. Yeats photo

“The brawling of a sparrow in the eaves,
The brilliant moon and all the milky sky,
And all that famous harmony of leaves,
Had blotted out man’s image and his cry.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Sorrow Of Love http://poetry.poetryx.com/poems/1691/, st. 1
The Rose (1893)

Henri Barbusse photo
Emile Zola photo
W.B. Yeats photo

“All things uncomely and broken, all things worn out and old,
The cry of a child by the roadway, the creak of a lumbering cart,
The heavy steps of the ploughman, splashing the wintry mould,
Are wronging your image that blossoms a rose in the deeps of my heart.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Lover Tells Of The Rose In His Heart http://poetry.poetryx.com/poems/1649/, st. 1
The Wind Among the Reeds (1899)

Ayumi Hamasaki photo
Mark Twain photo

“There has never been a just one, never an honorable one — on the part of the instigator of the war. I can see a million years ahead, and this rule will never change in so many as half a dozen instances. The loud little handful — as usual — will shout for the war. The pulpit will — warily and cautiously — object — at first; the great, big, dull bulk of the nation will rub its sleepy eyes and try to make out why there should be a war, and will say, earnestly and indignantly, "It is unjust and dishonorable, and there is no necessity for it." Then the handful will shout louder. A few fair men on the other side will argue and reason against the war with speech and pen, and at first will have a hearing and be applauded; but it will not last long; those others will outshout them, and presently the anti-war audiences will thin out and lose popularity. Before long you will see this curious thing: the speakers stoned from the platform, and free speech strangled by hordes of furious men who in their secret hearts are still at one with those stoned speakers — as earlier — but do not dare to say so. And now the whole nation — pulpit and all — will take up the war-cry, and shout itself hoarse, and mob any honest man who ventures to open his mouth; and presently such mouths will cease to open. Next the statesmen will invent cheap lies, putting the blame upon the nation that is attacked, and every man will be glad of those conscience-soothing falsities, and will diligently study them, and refuse to examine any refutations of them; and thus he will by and by convince himself that the war is just, and will thank God for the better sleep he enjoys after this process of grotesque self-deception.”

originally in The Chronicle of Satan (1905).
The Mysterious Stranger (1916)

W.B. Yeats photo

“O hurry to the ragged wood, for there
I will drive all those lovers out and cry—
O my share of the world, O yellow hair!
No one has ever loved but you and I.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Ragged Wood http://poetry.poetryx.com/poems/1673/
In The Seven Woods (1904)
Context: p>O hurry where by water among the trees
The delicate-stepping stag and his lady sigh,
When they have but looked upon their images--
Would none had ever loved but you and I!Or have you heard that sliding silver-shoed
Pale silver-proud queen-woman of the sky,
When the sun looked out of his golden hood?--
O that none ever loved but you and I!O hurry to the ragged wood, for there
I will drive all those lovers out and cry—
O my share of the world, O yellow hair!
No one has ever loved but you and I.</p

Epictetus photo
W.B. Yeats photo

“Crying amid the glittering sea,
Naming it with the ecstatic breath,
Because it had such dignity,
By the sweet name of Death.”

W.B. Yeats (1865–1939) Irish poet and playwright

His Dream http://poetry.poetryx.com/poems/1509/
The Green Helmet and Other Poems (1910)
Context: I swayed upon the gaudy stern
The butt-end of a steering-oar,
And saw wherever I could turn
A crowd upon a shore.
And though I would have hushed the crowd,
There was no mother's son but said,
'What is the figure in a shroud
Upon a gaudy bed?'
And after running at the brim
Cried out upon that thing beneath
--It had such dignity of a limb--
By the sweet name of Death.
Though I'd my finger on my lip,
What could I but take up the song?
And running crowd and gaudy ship
Cried out the whole night long,
Crying amid the glittering sea,
Naming it with the ecstatic breath,
Because it had such dignity,
By the sweet name of Death.

Aesop photo

“Don't cry over spilt milk.”

Aesop (-620–-564 BC) ancient Greek storyteller

The Milkmaid and Her Pail.

Anthony de Mello photo

“Wake up! That's what repent means. Not "weep for your sins.": Wake up! understand, stop all the crying. Understand! Wake up!”

Anthony de Mello (1931–1987) Indian writer

"The Illusion of Rewards", p. 43
Awareness (1992)
Context: Do you know what eternal life is? You think it's everlasting life. But your own theologians will tell you that that is crazy, because everlasting is still within time. It is time perduring forever. Eternal means timeless — no time. The human mind cannot understand that. The human mind can understand time and can deny time. What is timeless is beyond our comprehension. Yet the mystics tell us that eternity is right now. How's that for good news? It is right now. People are so distressed when I tell them to forget their past. They're crazy! Just drop it! When you hear "Repent for your past," realize it's a great religious distraction from waking up. Wake up! That's what repent means. Not "weep for your sins.": Wake up! understand, stop all the crying. Understand! Wake up!

Colette photo

“Sometimes in my very happiest moments, I feel like crying. My eyes grow dim, my heart seems to choke me. I would like to be sure, in such times of anguish, that everybody loves me; that there is nowhere in the world a sad dog behind a closed door, that no evil will ever come…”

Colette (1873–1954) 1873-1954 French novelist: wrote Gigi

Barks and Purrs
Context: Toby-Dog: It seems to me that of the two of us it's you they make the most of, and yet you do all the grumbling.
Kiki-The-Demure: A dog's logic, that! The more one gives the more I demand.
Toby-Dog: That's wrong. It's indiscreet.
Kiki-The-Demure: Not at all. I have a right to everything.
Toby-Dog: To everything? And I?
Kiki-The-Demure: I don't imagine you lack anything, do you?
Toby-Dog: Ah, I don't know. Sometimes in my very happiest moments, I feel like crying. My eyes grow dim, my heart seems to choke me. I would like to be sure, in such times of anguish, that everybody loves me; that there is nowhere in the world a sad dog behind a closed door, that no evil will ever come...
Kiki-The-Demure: And then what dreadful thing happens?
Toby-Dog: You know very well! Inevitably, at that moment She appears, carrying a bottle with horrible yellow stuff floating in it — Castor Oil!

Henri Barbusse photo

“I believe that the only thing which confronts the heart and the reason is the shadow of that which the heart and the reason cry for. I believe that around us there is only one word, the immense word which takes us out of our solitude, NOTHING. I believe that this does not signify our nothingness or our misfortune, but, on the contrary, our realisation and our deification, since everything is within us.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVII
Context: I have only one recourse, to remember and to believe. To hold on with all my strength to the memory of the tragedy of the Room.
I believe that the only thing which confronts the heart and the reason is the shadow of that which the heart and the reason cry for. I believe that around us there is only one word, the immense word which takes us out of our solitude, NOTHING. I believe that this does not signify our nothingness or our misfortune, but, on the contrary, our realisation and our deification, since everything is within us.

Samuel Taylor Coleridge photo

“Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.”

Kubla Khan (1797 or 1798)
Context: A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

Margaret Thatcher photo

“Socialists cry "Power to the people", and raise the clenched fist as they say it. We all know what they really mean—power over people, power to the State.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Conservative Central Council (15 March 1986) http://www.margaretthatcher.org/speeches/displaydocument.asp?docid=106348
Second term as Prime Minister
Context: Popular capitalism, which is the economic expression of liberty, is proving a much more attractive means for diffusing power in our society. Socialists cry "Power to the people", and raise the clenched fist as they say it. We all know what they really mean&mdash; power over people, power to the State. To us Conservatives, popular capitalism means what it says: power through ownership to the man and woman in the street, given confidently with an open hand.

Abraham Lincoln photo

“So long as we call Slavery wrong, whenever a slave runs away they will overlook the obvious fact that he ran because he was oppressed, and declare he was stolen off. Whenever a master cuts his slaves with the lash, and they cry out under it, he will overlook the obvious fact that the negroes cry out because they are hurt, and insist that they were put up to it by some rascally abolitionist.”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Allow the humblest man an equal chance (1860)
Context: These natural and apparently adequate means all failing, what will convince them? This, and this only; cease to call slavery wrong, and join them in calling it right. And this must be done thoroughly — done in acts as well as in words. Silence will not be tolerated — we must place ourselves avowedly with them. Douglas's new sedition law must be enacted and enforced, suppressing all declarations that Slavery is wrong, whether made in politics, in presses, in pulpits, or in private. We must arrest and return their fugitive slaves with greedy pleasure. We must pull down our Free State Constitutions. The whole atmosphere must be disinfected of all taint of opposition to Slavery, before they will cease to believe that all their troubles proceed from us. So long as we call Slavery wrong, whenever a slave runs away they will overlook the obvious fact that he ran because he was oppressed, and declare he was stolen off. Whenever a master cuts his slaves with the lash, and they cry out under it, he will overlook the obvious fact that the negroes cry out because they are hurt, and insist that they were put up to it by some rascally abolitionist.

Buenaventura Durruti photo

“How many times did I see our mother cry because she couldn't give us the bread that we asked for!”

Buenaventura Durruti (1896–1936) Spanish anarchist

Letter to his family (31 October 1931) http://www.skeptic.ca/Durruti.htm
Context: From my earliest years, the first thing that I saw was suffering. And if I couldn't rebel when I was a child, it was only because I was an unaware being then. But the sorrows of my grandparents and parents were recorded in my memory during those years of unawareness. How many times did I see our mother cry because she couldn't give us the bread that we asked for! And yet our father worked without resting for a minute. Why couldn't we eat the bread that we needed if our father worked so hard? That was the first question whose answer I found in social injustice. And, since that same injustice exists today, thirty years later, I don't see why, now that I'm conscious of this, that I should stop fighting to abolish it.
I don't want to remind you of the hardships suffered by our parents until we got older and could help out the family. But then we had to serve the so-called fatherland. The first was Santiago. I still remember mother weeping. But even more strongly etched in my memory are the words of our sick grandfather, who sat there, disabled and next to the heater, punching his legs in anger as he watched his grandson go off to Morocco, while the rich bought workers' sons to take their children's place …
Don't you see why I'll continue fighting as long as these social injustices exist?

Woody Guthrie photo

“Wherever little children are hungry and cry,
Wherever people ain't free.
Wherever men are fightin' for their rights,
That's where I'm a-gonna be, Ma.
That's where I'm a-gonna be.”

Woody Guthrie (1912–1967) American singer-songwriter and folk musician

"Tom Joad" (1940) http://web.archive.org/20020319170819/www.geocities.com/nashville/3448/tomjoad.html, a ballad based on the character Tom Joad in The Grapes of Wrath by John Steinbeck
Context: p>Ever'body might be just one big soul,
Well it looks that a-way to me.
Everywhere that you look, in the day or night,
That's where I'm a-gonna be, Ma,
That's where I'm a-gonna be.Wherever little children are hungry and cry,
Wherever people ain't free.
Wherever men are fightin' for their rights,
That's where I'm a-gonna be, Ma.
That's where I'm a-gonna be.</p

Henri Barbusse photo

“I shall not be able to listen any more, or look into the room, or hear anything distinctly. And I, who have not cried since my childhood, I cry now like a child because of all that I shall never have. I cry over lost beauty and grandeur. I love everything that I should have embraced.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVII
Context: I shall not be able to listen any more, or look into the room, or hear anything distinctly. And I, who have not cried since my childhood, I cry now like a child because of all that I shall never have. I cry over lost beauty and grandeur. I love everything that I should have embraced.
Here they will pass again, day after day, year after year, all the prisoners of rooms will pass with their kind of eternity. In the twilight when everything fades, they will sit down near the light, in the room full of haloes. They will drag themselves to the window's void. Their mouths will join and they will grow tender. They will exchange a first or a last useless glance. They will open their arms, they will caress each other. They will love life and be afraid to disappear. Here below they will seek a perfect union of hearts. Up above they will seek everlastingness among the shades and a God in the clouds.

Alan Watts photo
Norman Schwarzkopf photo
Richard Wagner photo

“... forced to flee, he imagines that he is hunting. He does not hear his own cry of pain when he claws into his own flesh; he thinks he is expressing pleasure!”

Richard Wagner (1813–1883) German composer, conductor

Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 3, Scene 1
Original: (de) "... in Flucht geschlagen,
wähnt er zu jagen;
hört nicht sein eigen Schmerzgekreisch,
wenn er sich wühlt ins eig'ne Fleisch,
wähnt Lust sich zu erzeigen!"

Mwanandeke Kindembo photo
Abraham Lincoln photo
Dmitry Yazov photo

“I cry only for joy. I can see something beautiful and cry. And I'm not ashamed of it. After all, crying from joy is much better than from weakness.”

Dmitry Yazov (1924–2020) Soviet minister of defence

"Дмитрий Язов рассказал "РГ" о жизни маршала на пенсии" https://rg.ru/2013/12/05/marshal.html (4 December 2013)

Holly Black photo
Anne Rice photo
Charles Bukowski photo

“I felt like crying but nothing came out. it was just a sort of sad sickness, sick sad, when you can’t feel any worse. I think you know it. I think everybody knows it now and then. but I think I have known it pretty often, too often.”

Variant: I felt like crying but nothing came out. it was just a sort of sad sickness, sick sad, when you can't feel any worse. I think you know it. I think everybody knows it now and then. but I think I have known it pretty often, too often.
Source: Tales of Ordinary Madness

Sherman Alexie photo
Libba Bray photo

“Did God ever cry over his lost angel, I wonder?”

Variant: Do you think they missed him terribly when he fell? Did God cry over his lost angel, I wonder?
Source: Rebel Angels

Suzanne Collins photo
Hugh Laurie photo
Francesca Marciano photo

“Inutile piangere sul latte versato. (No use crying over spilled milk.)”

Francesca Marciano (1955) Italian actor, film director, screenwriter and writer

Source: Casa Rossa

Will Rogers photo

“An onion can make people cry, but there has never been a vegetable invented to make them laugh.”

Will Rogers (1879–1935) American humorist and entertainer

As quoted in You Must Remember This (1975) by Walter Wagner, p. 175
As quoted in ...

Jack Kerouac photo
Maya Angelou photo
Suzanne Collins photo
Mark Z. Danielewski photo
Ambrose Bierce photo
Diana Gabaldon photo
Sören Kierkegaard photo
Suzanne Collins photo

“Never cry over anything that can't cry over you”

John Marsden (1950) author

Source: The Other Side of Dawn

F. Scott Fitzgerald photo
Nicholas Sparks photo
Stephen King photo

“… it was more like bleeding than crying.”

Source: Cujo

Pablo Neruda photo
Haruki Murakami photo
Gary D. Schmidt photo
Amy Tan photo
Leo Tolstoy photo
Ray Bradbury photo
Sherrilyn Kenyon photo
James Baldwin photo
Jonathan Safran Foer photo
Dorothy Koomson photo
Nick Hornby photo
Suzanne Collins photo

“Crying is not an option.”

Suzanne Collins (1962) American television writer and novelist
Philip Gourevitch photo

“Denouncing evil is a far cry from doing good.”

Source: We Wish to Inform You That Tomorrow We Will Be Killed with Our Families

Stephen King photo

“Crying was like pissing everything out on the ground.”

Source: 'Salem's Lot

Haruki Murakami photo
Jodi Picoult photo
Jack Kerouac photo

“It no longer makes me cry and die and tear myself to see her go because everything goes away from me like that now”

girls, visions, anything, just in the same way and forever and I accept lostness forever.
Visions of Cody (1960)

Melissa de la Cruz photo
Richelle Mead photo
Jodi Picoult photo
Edwin Arlington Robinson photo
Laurell K. Hamilton photo
Bob Newhart photo
Maya Angelou photo
Sebastian Junger photo

“How do men act on a sinking ship? Do they hold each other? Do they pass around the whisky? Do they cry?”

Sebastian Junger (1962) American author, journalist and documentarian

Source: The Perfect Storm: A True Story of Men Against the Sea

Amy Tan photo
James Joyce photo
Anaïs Nin photo
Jodi Picoult photo
Stephen King photo
Laurie Halse Anderson photo

“I cry to let everything out”

Source: Speak

Stephen Chbosky photo