Marion Woodman (1928–2018) Canadian writer
On the Dark Goddess, p. 45
Dancing in the Flames (1997)
Source: Shantaram
Marion Woodman (1928–2018) Canadian writer
On the Dark Goddess, p. 45
Dancing in the Flames (1997)
Barack Obama (1961) 44th President of the United States of America
2015, Naturalization Ceremony speech (December 2015)
Rabindranath Tagore (1861–1941) Bengali polymath
Sādhanā : The Realisation of Life http://www.spiritualbee.com/spiritual-book-by-tagore/ (1916) <br class="br">Context: In love all the contradictions of existence merge themselves and are lost. Only in love are unity and duality not at variance. Love must be one and two at the same time.<br>Only love is motion and rest in one. Our heart ever changes its place till it finds love, and then it has its rest. But this rest itself is an intense form of activity where utter quiescence and unceasing energy meet at the same point in love.<br>In love, loss and gain are harmonised. In its balance-sheet, credit and debit accounts are in the same column, and gifts are added to gains. In this wonderful festival of creation, this great ceremony of self-sacrifice of God, the lover constantly gives himself up to gain himself in love. Indeed, love is what brings together and inseparably connects both the act of abandoning and that of receiving.
Shiro Amano (1976) Japanese manga artist
Source: Kingdom Hearts Chain of Memories, Vol. 1
“Reading gives us some place to go when we have to stay where we are.”
Mason Cooley (1927–2002) American academic
Variant: Reading gives us someplace to go when we have to stay where we are.
J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker
Quote from Turner's lectures, 1811; as cited in Life and Work of J.M.W. Turner, Andrew Wilton; London: Academy Editions, 1979; as quoted in 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 367-368
In 1811 already Turner gave his first lectures as Professor of Perspective; in one of his lectures he spoke of the advantages of the British climate for landscape artists
1795 - 1820