Quotes about colors
page 8

“Publicy says that each self exists in a particular social context, and all such contracts are independent. (…) It’s as if we are gaining the ability to see into the ultraviolet and infrared ends of the social spectrum when we are online, and in some contexts we are dropping out yellows or reds. To those tied to the visible color spectrum we are habituated to, this new sort of vision will be 'irreal.' But ultraviolet has always existed: we just couldn't see it before. (…) This will be a fracturing of the premises of privacy, and a slow rejection of the metaphors of shared space. The principles of publicy are derived from the intersection of infinite publics and our shared experience of time online, through media like Facebook, Twitter and Tumblr. The innate capability we have to shift in a heartbeat from a given public, and our corresponding persona, to another, is now being accelerated by streaming social tools. This will be the decade when publicy displaces privacy, online and off.”

Stowe Boyd (1953) information technologist

The Decade Of Publicy http://www.stoweboyd.com/message/2010/1/2/the-decade-of-publicy.html, January 2, 2010.

Time

“If in looking at a picture you have been profoundly moved by it, but have not noticed the color or drawing, you may be sure that they are technically perfect.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Drawing, Perfection

“I believe that the United States as a government, if it is going to be true to its own founding documents, does have the job of working toward that time when there is no discrimination made on such inconsequential reason as race, color, or religion.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

Presidential news conference http://www.eisenhower.archives.gov/all_about_ike/quotes.html (13 May 1959) 1950s

Religion, Time

“Fruit trees in this world are ancient and exhausted sticks coming out of poor soil; the people of the village are worn down to their skulls, caricatures of some ultimate grotesque typology of basic human feature types. How is it, then, that in Van Gogh such things as apple trees explode into a hallucinatory surface of color, while his village stereotypes are suddenly and garishly overlaid with hues of red and green?”

Fredric Jameson (1934) American academic

Source: Postmodernism: Or, The Cultural Logic of Late Capitalism (1991), Chapter 1: The Cultural Logic of Late Capitalism

People, World, Tree

“A structure-less painting is, to me, a painting that does not matter. Structure mirrors your degree of responsibility toward the work. You can’t just let it float around in pretty colors. It needs a kind of core. But this is an inner structure. It does correspond to being a geologist — the metaphor may be trite, but it works. Like when you see these breathtaking mountains in strange colors in eastern Greenland. As a geologist, you want to know what exactly they’re doing.”

Per Kirkeby (1938–2018) Danish artist

1995 and later, interview in Kirkeby’s home studio, Copenhagen (2012)

Mountain, Painting

“Perhaps she was not really so perfect, but he had made her so in his mind. People did this; he had seen it. As though the world of humans was created from their desires as much as their perception—an issue the empiricists tried to deal with in their natural philosophy.
Although he realized this was a trivial truth, still, trying to comprehend the reality of a situation was his constant activity. He could not necessarily trust the word of ministers, who all had their own purposes; nor what his mother might think, for her own perception was colored by her desire to see people in certain ways. One did not trust the periodicals, certainly, and pamphleteers were never disinterested. Everyone seemed to see the world and events a little differently, depending on their own personal mixture of desire and pragmatism. In history there were any number of rulers whose perception of events was so far removed from reality that it led to calamity. Prince Wilam did not want to be one of those—at any cost. Even if it meant giving up the world as he desired it to be.”

Sean Russell (1952) author

Source: Sea Without a Shore (1996), Chapter 26 (p. 352)

People, Truth, World, Way

“To conclude, if we call light, those rays which illuminate objects, and radiant heat, those which heat bodies, it may be inquired whether light be essentially different from radiant heat? In answer to which I would suggest that we are not allowed, by the rules of philosophizing, to admit two different causes to explain certain effects, if they may be accounted for by one. …If this be a true account of the solar heat, for the support of which I appeal to my experiments, it remains only for us to admit that such of the rays of the sun as have the refrangibility of those which are contained in the prismatic spectrum, by the construction of the organs of sight, are admitted under the appearance of light and colors, and that the rest, being stopped in the coats and humors of the eye, act on them, as they are known to do on all the other parts of our body, by occasioning a sensation of heat.”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works" on his discovery of the infrared light.

Support, Light, Appearance, Sun

“The opposition between structure and sonority in music is almost as misleading as that between line and color in the visual arts. Baudelaire insisted, correctly, that Delacroix was one of the three greatest draftsmen of the century, and emphasized his mastery of line. In the same way, a study of Chopin demonstrates the intimate relation between line and color in music.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style

Art, Music, Way, Study

“I've always liked to go down a different path. Being a woman of color, I never followed a cookie cutter way.”

Halle Berry (1966) American actress

Cindy Pearlman (November 17, 2002) "Female Bonding - Hot on the Heels of her Academy-Award Winning Turn in 'Monster's Ball,' Halle Berry Shares the Screen With 007", Chicago Sun-Times, p. 1.

Way

“I sank Atlantis," he said, "personally. It was about three years ago. And God! it was lovely! It was all ivory towers and golden minarets and silver balconies. There were bridges of opal, and crimson pennants and a milk-white river flowing between lemon-colored banks. There were jade steeples, and trees as old as the world tickling the bellies of clouds, and ships in the great sea-harbor of Xanadu, as delicately constructed as musical instruments, all swaying with the tides. The twelve princes of the realm held court in the dozen-pillared Coliseum of the Zodiac, to listen to a Greek tenor sax play at sunset.”

Roger Zelazny book He Who Shapes

He Who Shapes (1965)

Love, God, World, Music

“. I don't love less the gray waters of my Holland, their serious and somewhat sad color, which corresponds so well with the similar gray skies and vapors that are hanging there. (translation from the Dutch original: Fons Heijnsbroek)”

Gerard Bilders (1838–1865) painter from the Netherlands

(version in original Dutch / citaat van Bilders' brief, in het Nederlands:) ..niet minder bemin ik toch de graauwe wateren van mijn Holland, hunne ernstige, eenigsinds droeve kleur, die zoo goed overeenkomt met de even grijze luchten en dampen, dier er overeen hangen. as cited in The land of Mauve: utopia or a reality? / Het land van Mauve: utopie of werkelijkheid? https://www.rug.nl/research/kenniscentrumlandschap/mscripties/christina_vlasma-het_land_van_mauve-masterscriptie.pdf; master-scriptie by Christina van Staats-Vlasma; Rijksuniversiteit Groningen, La Broquerie, Manitoba Canada, Nov. 2010, p. 97 undated quotes

Love, Sadness, Water

“I mixed [early 1950's] funny shades of colors and used them but I used them because they made the drawing in my picture move. It wasn't because I was in love with the idea of putting color down. But these colors were the expedient things to use for the way I drew and I say 'draw' not meaning line, though it might have included line. But the way I drew or envisioned or made my work. And it happened that it came out stressing color. But I did not have a vision or a notion about color per se being the thing that would make me or my pictures work or operate.”

Helen Frankenthaler (1928–2011) American artist

quote about shades and drawing
1960s, Interview with Barbara Rose', Archives - American Art, 1968

Love, Way, Idea, Drawing

“Light is something like raindrops — each little lump of light is called a photon — and if the light is all one color, all the "raindrops" are the same.”

Richard Feynman book QED: The Strange Theory of Light and Matter

Source: QED: The Strange Theory of Light and Matter (1985), p. 14

Light

“She had no desire for accuracy, no desire for precise information. Innate sensuousness rarely has. It basks in sunshine, bathes in color, dwells in a sense of the impressive and the gorgeous, and rests there. Accuracy is not necessary except in the case of aggressive, acquisitive natures, when it manifests itself in a desire to seize. True controlling sensuousness cannot be manifested in the most active dispositions, nor again in the most accurate.”

Theodore Dreiser book The Financier

Source: The Financier (1912), Ch. XIII

Nature, Sense

“Nature has color-coded groups of individuals so that statistically reliable predictions of their adaptability to intellectual rewarding and effective lives can easily be made and profitably used by the pragmatic man-in-the street.”

William Shockley (1910–1989) American physicist and inventor

As quoted in "Shockley's Race View called 'Senile, Fascist'" in St. Petersburg Times (8 September 1971) http://news.google.com/newspapers?nid=888&dat=19710908&id=sewNAAAAIBAJ&sjid=vnUDAAAAIBAJ&pg=4930,1230689

Nature

“I agree completely with your remark that in the struggle against nature lies already a part of art, and really pleasant is for me already the feeling of returning as a victor from small skirmishes, although in the great battle one always feels still defeated. As you advised me, I have made sketches of skies, indicating the effect in them, and making a note for the important colors; I also did better in making a small sky; at least people think so.”

Gerard Bilders (1838–1865) painter from the Netherlands

translation from the Dutch original: Fons Heijnsbroek version in original Dutch / citaat van Gerard Bilders' brief, in het Nederlands: Uwe opmerking, dat in den strijd tegen de natuur reeds een gedeelte der kunst ligt, vind ik volkomen juist, en regt aangenaam is reeds het gevoel, waarmede men als overwinnaar terugkeert uit kleine schermutselingen, hoewel men zich in den grooten slag toch steeds als verslagen gevoelt. Zoo als u mij aanraadt, heb ik schetsen van luchten gemaakt, het effect er in aangeduid en de voornaamste kleuren er bij geschreven; ik ben dan nu ook in een klein luchtje wat beter geslaagd; men vindt het ten minste. Quote of Gerard Bilders, in a letter to his maecenas Johannes Kneppelhout, 5 Feb. 1858; from an excerpt of this letter https://rkd.nl/nl/explore/excerpts/526, in the RKD-Archive, The Hague 1850's

People, Art, Feeling, Nature

“If any-thing, there's a difference in working with color in England and the color in the U. S.”

Jim Henson (1936–1990) American puppeteer

Page 68.
Interview with Judy Harris (1982)

“Home from Guatemala, back at the Waldorf.
This arrival in the wild country of the soul,
All approaches gone, being completely there,
Where the wild poem is a substitute
For the woman one loves or ought to love,
One wild rhapsody a fake for another.You touch the hotel the way you touch moonlight
Or sunlight and you hum and the orchestra
Hums and you say "The world in a verse,A generation sealed, men remoter than mountains,
Women invisible in music and motion and color,"
After that alien, point-blank, green and actual Guatemala.”

Wallace Stevens (1879–1955) American poet

"Arrival at the Waldorf"
Parts of a World (1942)

Love, Women, Men, World

“Like the disposition of planes, the proportion of these planes and their colors seemed to depend only upon chance, and I declared that these works were ordered 'according to the law of chance', just like in the order of nature.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 307

Law, Nature, Chance, Dependency

“In August 2009, MSNBC's Contessa Brewer was discussing a tea party rally in Arizona, where it's legal to carry an unconcealed weapon. She said: "A man at a pro-health care rally… wore a semiautomatic assault rifle on his shoulder and a pistol on his hip… There are questions about whether this has racial overtones, I mean, here you have a man of color in the presidency and white people showing up with guns." All that her audience was shown were a rifle and pistol strapped to a man's back. MSNBC concealed the fact that the armed man was black and did not show the interview he gave to the reporter. Brewer knowingly deceived her audience because an armed black man didn't fit the racial narrative.”

Walter E. Williams (1936) American economist, commentator, and academic

"Leftist race-baiters stir up animosity" (9 May 2012)
2010s

People, Health, Question, Tea

“As we all know, the singularity in the art of Bach is the fusion of both levels and lines, the horizontal and vertical line. It’s a real wonder to see that the creation and forming of the horizontal line, the polyphonic structure, also results in this perfect, beautiful vertical line, the harmonic line. As we also know, Bach already used the full harmonic range and radius as no composer before him. My artistic aim of course is to point out the horizontal line in soloistic manner in a dynamically elastic way, but in the same breath to form the harmonic line in a bright field of color (I would call it “harmonic articulation”), to achieve a particular atmosphere of emotions and moods, drama, velocity, vividness, and so on. As we can imagine, these are high demands …”

Burkard Schliessmann classical pianist

Talkings on Bach

Beauty, Art, Way, Imagination

“Last night I couldn't sleep till after four in the morning – I had been out to the canyon all afternoon – till late at night – wonderful color – I wish I could tell you how big – and with the night the colors deeper and darker – cattle on the pastures in the bottom looked line little pinheads. I can understand Pa Dow painting his pretty colored canyons – it must have been a great temptation – no wonder he fell. Then the moon rose right up out of the ground after we got out on the plains again – battered a little where he bumped his head but enormous – There was no wind – it was just big and still – so very big and still – long legged jack rabbits hopping across in front of the light as we passed – A great place to see the night time because there is nothing else.”

Georgia O'Keeffe (1887–1986) American artist

then I came home – not sleepy so I made a pattern of some flowers I had picked – They were like waterlilies – white ones – with the quality of smoothness gone.
Canyon, Texas, (September 14, 1916), pp. 186, 187
1915 - 1920, Letters to Anita Pollitzer' (1916)

Home, Flowers, Understanding, Sleep

“There's a human race, and different skin colors, and different racial, what we call racial characteristics. There's several theories about where those come in. Probably the best theory is that the Tower of Babel, which would have been a few hundred years after the flood, is where the races began. When god confused the languages, they went off into their small groups, all speakin' the same language. And if you get a small in-breeding group, you know, 2000 years after the creation, you're gonna get genetic disorders, and racial traits could be a result of this Tower of Babel incident. But I think that there's no question from scripture and from science that all humans are the same race, and have the same genetic code, and certainly can interbreed. So there's no reason scripturally to be a racist. You know, we all came from Adam and Eve, and then later from Noah and his family.”

Kent Hovind (1953) American young Earth creationist

Coast-to-Coast AM interview (August 2-3, 2000)

God, Family, Question, Thinking

“And as the moon rises he sits by his fire
Thinking about women and glasses of beer.
And closing his eyes as the dogies retire,
He sings out a song which is soft but it's clear,
As if maybe someone could hear.Goodnight you moonlight ladies.
Rockabye sweet baby James.
Deep greens and blues are the colors I choose.
Won't you let me go down in my dreams?
And rockabye sweet baby James.”

James Taylor (1948) American singer-songwriter and guitarist

"Sweet Baby James"
Song lyrics, Sweet Baby James (1970)

Women, Dreams, Beer, Thinking

“The family ties between hundreds of thousands of German families and their American relatives led many to think that America would never join a second war against Germany. Now that that has happened, many Germans still believe that America will never allow Bolshevism to conquer and destroy Germany. Recent events have proven how false and dangerous this idea is. One has to be foolish or irredeemably stupid to believe that anything good can come to Europe from the land of presumed opportunity. That that did not happen after the First World War, and will not happen after the second. The Jews have made America what it is today: a nation raped by the Jews, a nation whose 130,000,000 people of many colors and races have been forced into helping the Jews achieve world domination! The descendants of European immigrants do not govern the United States of America today. The foreign and domestic policies of the country are made by the Jews and their lackeys. The American people wanted peace, but were maneuvered into war by Delano Roosevelt, a tool of World Jewry who himself has Jewish blood in his veins. It was the same in World War I, when Woodrow Wilson, also a tool of the Jews, maneuvered it into the war.”

Julius Streicher (1885–1946) German politician

Der Stürmer, 1944

War, People, Stupidity, World

“Whether the color of your skin is black, white, yellow, brown or purple -- the extent of this tragedy is so incredibly devastating that we had to do something.”

Bert McCracken (1982) American musician

Statement about Hurricane Katrina on website of The Used, reported in L. Martinez (September 10, 2005) "Rockers plug in for Katrina", Ventura County Star, p. 1.

“Artists encounter the landscape they propose to paint — they look at it, observe it from this angle and that. They are, as we say, absorbed in it. Or, in the case of abstract painters, the encounter may be with an idea, an inner vision, that in turn may be led off by the brilliant colors on the palette or the inviting rough whiteness of the canvas.”

Rollo May (1909–1994) US psychiatrist

Ch 2 : The Nature of Creativity, p. 41
The Courage to Create (1975)

Idea, Painting

“Multitude is a class concept. … Class is determined by class struggle. There are, of course, in infinite number of ways that humans can be grouped into classes - hair color, blood type, and so forth - but the classes that matter are those defined by the lines of collective struggle. Race is just as much a political concept as economic class is in this regard. … Class is a political concept, in short, in that a class is and can only be a collectivity that stuggles in common.”

Antonio Negri book Multitude: War and Democracy in the Age of Empire

104
Multitude: War and Democracy in the Age of Empire

Way

“I had auditory sensory problems and touch sensitivity problems, I had no problems with my vision. Other people absolutely cannot stand fluorescent lighting and they're sometimes helped by a thing called the Irlen colored glasses where you try on all kinds of different pale colored glasses until it's easier to read. It stops the problem of the print jiggling on the page.”

Temple Grandin (1947) USA-american doctor of animal science, author, and autism activist

in "A Conversation with Temple Grandin" January 20, 2006 http://www.npr.org/templates/story/story.php?storyId=5165123

People, Problem, Light, Reading

“I've always been told that I was a painter's painter... What does that mean?... That painters like my painting and the big wide world overlooks it, I suppose?... Well, I know... To me, it would have meant that - this is pre this new rage in buying and selling paintings - that, I think, that the formal values, like light, space, color, all those things that a painting is made up of, as well as the Jacob going up the ladder or Venus on the half shell or something [chuckles] would be what interested the painter. And perhaps the public would want the picture of the Christ child, so to speak. You know what I mean.”

Joan Mitchell (1925–1992) American painter

Tape number two, side A
1975 - 1992, Oral history interview with Joan Mitchell, 1986

World, Thinking, Light, Rage

“My friends, the Republican Party did not win the midterm election in November: We lost that election. We lost because voter turnout was abysmally, embarrassingly low, and millions of working people, young people and people of color gave up on politics as usual and they stayed home. That’s a fact. In my view, Democrats will not retain the White House, will not regain the Senate or the U. S. House, will not be successful in dozens of governor races across the country, unless we generate excitement and momentum and produce a huge voter turnout. With all due respect – and I do not mean to insult anyone here – that turnout, that enthusiasm, will not happen with politics as usual. The people of our country understand that given the collapse of the American middle class, and given the grotesque level of income and wealth inequality we are experiencing, we do not need more establishment politics or establishment economics.”

Bernie Sanders (1941) American politician, senator for Vermont

Address to the Democratic National Committee’s Summer Meeting, Bernie Sanders Warns Democrats They May Not Win in 2016 Without Him http://www.nytimes.com/politics/first-draft/2015/08/28/bernie-sanders-warns-democrats-they-may-not-win-in-2016-without-him/, The New York Times (28 August 2015) https://www.youtube.com/embed/NU4iNAtg6W0?start=275&end=421 2010s, 2015

People, Home, Understanding, Success

“Children wear their natures like brightly-colored clothes; that’s why they lie so transparently. Adulthood is the art of deceit.”

Robert Charles Wilson book The Chronoliths

Source: The Chronoliths (2001), Chapter 13 (p. 156)

Children, Lie, Art, Nature

“One day Pierre Loeb said to me that the ideal picture is one which is completely clear in the artist's mind before he puts a mark on the canvas, and this was, at any rate in this period.... Léger's opinion. It is the basis on which classical art is built. Therefore the setting-down of the picture on the canvas is in itself something quite unimportant. This is connected with [Fernand] Léger's hatred of textural effects in painting. But I love these effects. I remember that I was once told off because I had applied a thick layer of color instead of the thin and even layer that Léger wanted. To him that was not painting but mere color. If he could have got a machine instead of a brush to apply the color, he would have done so.”

Asger Jorn (1914–1973) Danish artist

Quote in Jorn's letter, 1952; as cited on the website of the Jorn Museum 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255, his critical comment on the art teachings of Fernand Léger, which Jorn started to follow circa 1936, in Paris. 1949 - 1958, Various sources

Love, Art, Painting

“I am in this same river. I can't much help it. I admit it: I'm racist. The other night I saw a group (or maybe a pack?) or white teenagers standing in a vacant lot, clustered around a 4x4, and I crossed the street to avoid them; had they been black, I probably would have taken another street entirely. And I'm misogynistic. I admit that, too. I'm a shitty cook, and a worse house cleaner, probably in great measure because I've internalized the notion that these are woman's work. Of course, I never admit that's why I don't do them: I always say I just don't much enjoy those activities (which is true enough; and it's true enough also that many women don't enjoy them either), and in any case, I've got better things to do, like write books and teach classes where I feel morally superior to pimps. And naturally I value money over life. Why else would I own a computer with a hard drive put together in Thailand by women dying of job-induced cancer? Why else would I own shirts made in a sweatshop in Bangladesh, and shoes put together in Mexico? The truth is that, although many of my best friends are people of color (as the cliche goes), and other of my best friends are women, I am part of this river: I benefit from the exploitation of others, and I do not much want to sacrifice this privilege. I am, after all, civilized, and have gained a taste for "comforts and elegancies" which can be gained only through the coercion of slavery. The truth is that like most others who benefit from this deep and broad river, I would probably rather die (and maybe even kill, or better, have someone kill for me) than trade places with the men, women, and children who made my computer, my shirt, my shoes.”

Derrick Jensen book The Culture of Make Believe

Source: The Culture of Make Believe (2003), p. 69

Life, Women, Men, Money

“If I were black and young, no steamer could revolve its wheels fast enough to convey me to the dark continent. I should go where my color was the correct thing, and leave these pale faces to work out their own destiny.”

Frances Willard (1839–1898) American suffragist

October 1890 interview "The Race Problem: Frances Willard on the Political Puzzle of the South", per 2015 book Beyond the Pale: White Women, Racism, and History https://books.google.ca/books?id=SKXjDAAAQBAJ&pg=PA200

“There is, I venture to think, no ground for the ordinarily accepted statement of the relation of philosophy to theology and religion. It is usually said that while^hilosophy is the creation of an individual mind, theology or religion is, like folk-lore and language, the product of the collective mind of a people or a race. This is to confuse philosophy with philosophies, a conmion and, it must be admitted, a not unnatural confusion. But while a philosophy is the creation of a Plato, an Aristotle, a Spinoza, a Kant, or a Hegel, ^hilosophy itself is, like religion, folk-lore and language, a product of the collective mind of humanity. It is advanced, as these are, by individual additions, interpretations and syntheses, but it is none the less quite istinct from such individual contributions. philosophy is humanity's hold on Totality, and it becomes richer and more helpful as man's intellectual horizon widens, as his intellectual vision grows clearer, and as his insights become more numerous and more sure. Theology is philosophy of a particular type. It is an interpretation of Totality in terms of God and His activities. In the impressive words of Principal Caird, that philosophy which is theology seeks "to bind together objects and events in the links of necessary thought, and to find their last ground and reason in that which comprehends and transcends all— the nature of God Himself." Religion is the apprehension and the adoration of the Grod Whom theology postulates.
If the whole history of philosophy be searched for material with which to instruct the beginner in what philosophy really is and in its relation to theology and religion, the two periods or epochs that stand out above all others as useful for this purpose are Greek thought from Thales to Socrates, and that interpretation of the teachings of Christ by philosophy which gave rise, at the hands of the Church Fathers, to Christian theology. In the first period we see the simple, clear-cut steps by which the mind of Europe was led from explanations that were fairy-tales to a natural, well-analyzed, and increasingly profound interpretation of the observed phenomena of Nature. The process is so orderly and so easily grasped that it is an invaluable introduction to the study of philosophic thinking. In the second period we see philosophy, now enriched by the literally huge contributions of Plato, Aristotle and the Stoics, intertwining itself about the simple Christian tenets and building the great system of creeds and thought which has immortalized the names of Athanasius and Hilary, Basil and Gregory, Jerome and Augustine, and which has given color and form to the intellectual life of Europe for nearly two thousand years. For the student of today both these developments have great practical value, and the astonishing neglect and ignorance of them both are most discreditable.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

" Philosophy" (a lecture delivered at Columbia University in the series on science, philosophy and art, March 4, 1908) https://archive.org/details/philosophyalect00butlgoog"

Life, God, People, Religion

“It is fit and proper to raise the question sharply, what is this rigid color-bar in the administration of justice? Why is it that in this courtroom I face a white magistrate, am confronted by a white prosecutor, and escorted into the dock by a white orderly? Can anyone honestly and seriously suggest that in this type of atmosphere the scales of justice are evenly balanced?
Why is it that no African in the history of this country has ever had the honor of being tried by his own kith and kin, by his own flesh and blood?
I will tell Your Worship why: the real purpose of this rigid color-bar is to ensure that the justice dispensed by the courts should conform to the policy of the country, however much that policy might be in conflict with the norms of justice accepted in judiciaries throughout the civilised world.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

1960s, First court statement (1962)

World, Justice, History, Question

“That's what really interested me about India, the religious aspect-and the extravagance of it. There was so much of it; the temples had all these things crawling all over them. It was so alive and complicated compared to the relative austerity that I saw in Jewish and especially Protestant ceremonies. Not so much Catholic ceremonies, though. I always loved Catholicism for the same reason that I love Hinduism, they're so much alike: the kitsch, the colors, the incense, the saints and the pageantry.”

Wendy Doniger (1940) American Indologist

Q&A with Wendy Doniger, the Mircea Eliade Distinguished Service Professor and author of The Hindus

Love

“Instrumentation is to music precisely what color is to painting.”

Hector Berlioz (1803–1869) French Romantic composer

Cette face de l’instrumentation est exactement, en musique, ce que le coloris est en peinture. A travers chants (1862), ch. 1 http://www.hberlioz.com/Writings/ATC01.htm; Elizabeth Csicsery-Rónay (trans.) The Art of Music and Other Essays (Bloomington: Indiana University Press, 1994) p. 5.

Music, Painting

“The truth is, Homo sapiens sapiens is pretty much the same the world over, regardless of skin color or technological development. Racists and provincial types have problems with this fact, but it is a fact. All mortals have the same potential, and only chance determines who’s playing a spinet or who’s clubbing dinner to death with a big rock. And, you know what? Mortals adapt to the environment in which they’re placed. Switch babies between savages and technologicals, and nobody notices! I know, because I’ve seen it done. I’ve seen the son of a club-carrying cave dweller fuming because his accounting software wasn’t quite adequate for his needs. All humans have the same brain package.”

Kage Baker book Sky Coyote

Source: Sky Coyote (1999), Chapter 11 (p. 72)

Death, Truth, World, Problem

“The time has passed for argument. Nothing more need be said. For a long time it has been clear that colored persons must be senators.”

Charles Sumner (1811–1874) American abolitionist and politician

As quoted in "First African American Senator" http://www.senate.gov/artandhistory/history/minute/First_African_American_Senator.htm, United States Senate

Time, Personality

“Silence brings us new names
new feelings and new knowledge.
Dreams dress us carefully
in the colors of power and faith.”

Aberjhani (1957) author

(In a Quiet Place on a Quiet Street, p. 98).
Book Sources, ELEMENTAL, The Power of Illuminated Love (2008)

Faith, Dreams, Feeling, Knowledge

“Don't lose sight of the essential objectives of painting, which are expression, emotion, delectation; to understand the means, to paint decoratively, to exalt form and color.”

Maurice Denis (1870–1943) French painter

Quote from Denis' Journal, 1930; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [43] 1921 and later

Understanding, Painting

“Part of the unknown reality, then, is hidden beneath language and the enforced pattern of accustomed words-so, for an exercise, look about your environment. Make up new, different 'words' for the objects that you see about you. Pick up any object, for example. Hold it for a few seconds, feel its texture, look at its color, and spontaneously give it a new name by uttering the sounds that come into your mind. See how the sounds bring out certain aspects of the object that you may not have noticed before. The new word will fit as much as the old one did. It may, in fact, fit better. Do this with many objects, following the same procedure. You can instead say the name of any object backwards. In such ways you break up to some extent the automatic patterning of familiar phrases, so that you can perceive the individuality that is within each object.”

Jane Roberts (1929–1984) American Writer

Session 726, p. 460
The “Unknown” Reality: Volume Two, (1979)

Way, Feeling, Exercises, Reality

“If I dared, I should say that your [ Camille Pissarro ] letter is imprinted with sadness. The picture business isn't going well; I fear that your morale may be colored a little grey, but I'm sure that it's only a passing phase… I imagine that you would be delighted with the country where I am now…. in ', who had talked to me about it. It's like a playing card. Red roofs against the blue sea. If the weather turns favorable perhaps I'll be able to finish them off.”

Paul Cézanne (1839–1906) French painter

Quote from Cezanne's letter to Camille Pissarro, from L'Estaque 2 July 1876, taken from Alex Danchev, The Letters of Paul Cézanne, 2013; as quoted in the 'Daily Beast' online, 13 Oct. 2013 https://www.thedailybeast.com/cezannes-letter-to-pissarro-picture-business-isnt-going-well Quotes of Paul Cezanne, 1860s - 1870s

Sadness, Fear, Imagination, Business

“I do [like being a redhead]... I do... because lighter is better as you get older... It's nice... I can't be a blonde. I'm definitely not a blonde... So, that doesn't leave too many other colors available.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Style Network (December 15, 2006)
2007, 2008

“The Republican Party is strong enough to dare to do right and cannot afford to shirk a duty. The colored men North and South were loyal to the Government in the days of its greatest peril. There was not a rebel or a traitor to be found among them. They ask the privilege of citizenship now that slavery has been forever banished from our country. Why should the great freedom-loving State of Iowa longer deny them this right? No one reason can be given that has not been used to bolster up slavery for the last hundred years. The war that has just closed has swept that relic of barbarism from our land; let the Republican Party have the courage to do justice…I have no fear of the result in a contest of this kind. We shall carry the election and have the satisfaction of wiping out the last vestige of the black code that has long been a disgrace to our State.”

Hiram Price (1814–1901) American politician

As quoted in History of Iowa from the Earliest Times to the Beginning of the Twentieth Century https://books.google.com/books?id=gTdAAAAAYAAJ&pg=PA1&lpg=PA1&dq=%22With+proper+safeguards+to+the+purity+of+the+ballot+box,+the+elective+franchise+should+be+based+upon+loyalty+to+the+Constitution+and+the+Union+recognizing+and+affirming+the+equality+of+all+men+before+the+law%22&source=bl&ots=z_M1ul7IWl&sig=8CNmDX4D9Q3cLBaZ1hxR_MgATZE&hl=en&sa=X&ved=0ahUKEwjI7_W07L7UAhVMcT4KHT1uDXAQ6AEIJzAA#v=onepage&q=%22With%20proper%20safeguards%20to%20the%20purity%20of%20the%20ballot%20box%2C%20the%20elective%20franchise%20should%20be%20based%20upon%20loyalty%20to%20the%20Constitution%20and%20the%20Union%20recognizing%20and%20affirming%20the%20equality%20of%20all%20men%20before%20the%20law%22&f=false (1903), by Benjamin F. Gue, Volume III, Chapter 1

Love, Men, War, Fear

“This Don Giovanni had heat, passion and total commitment from everyone involved under dynamic, dramatic direction of conductor Metodi Matakiev. The Don was Lithuanian baritone Vytautas Juozapaitis, a highly physical, Douglas Fairbanks / Errol Flynn kind of Don. Tall, dark, quite handsome, a really sexy beast possessed of a bronze colored voice of power and some suavity, completely at ease on stage, and finally a Don who actually ENJOYS to the hilt the life of a promiscuous hedonist. He was close to irresistible.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

William Fregosi, Opera - L (September 24, 2003) http://www.opera.lt/DesktopDefault.aspx?tabID=538-

Life, Passion

“As always, when the opportunity arose, Joe took a long, astute look at the girl whom, if he could have managed it, he would have had as his mistress, or, even better, his wife. It did not seem possible that Wendy Wright had been born out of blood and internal organs like other people. In proximity to her he felt himself to be a squat, oily, sweating, uneducated nurt whose stomach rattled and whose breath wheezed. Near her he became aware of the physical mechanisms which kept him alive; within him machinery, pipes and valves and gas-compressors and fan belts had to chug away at a losing task, a labor ultimately doomed. Seeing her face, he discovered that his own consisted of a garish mask; noticing her body made him feel like a low-class windup toy. All her colors possessed a subtle quality, indirectly lit. Her eyes, those green and tumbled stones, looked impassively at everything; he had never seen fear in them, or aversion, or contempt. What she saw she accepted. Generally she seemed calm. But more than that she struck him as being durable, untroubled and cool, not subject to wear, or to fatigue, or to physical illness and decline. Probably she was twenty-five or -six, but he could not imagine her looking younger, and certainly she would never look older. She had too much control over herself and outside reality for that.”

Philip K. Dick book Ubik

Source: Ubik (1969), Chapter 5 (pp. 58-59)

People, Fear, Feeling, Imagination

“I wanted work that didn't involve incredible assumptions about everything. I couldn't begin to think about the order of the universe or, the nature of American society. I didn't want work that was general or universal in the usual sense. I didn't want it to claim too much. Obviously the means and the structure couldn't be separate and couldn't even be thought of as two things joined. Neither word meant anything. A shape, a volume, a color, a surface is something itself. It shouldn't be concealed as part of a fairly different whole. The shapes and materials shouldn't be altered by their context.”

Donald Judd (1928–1994) artist

Donald Judd (1967), in: Perspecta 11 (1967), p. 44; Quoted in: James Fitzsimmons (1979) Art International. Vol 23. p. 69
1960s

Nature, Thinking, Sense, Universe

“The mirror by the door was not a mirror by the door, it was an altar where he stood for only a moment to put on his cap before going out. The red rocking chair was a rocking of his own hips as he sat in the kitchen. Still, there was nothing of his — his own — that she could find. It was as if she were afraid she had hallucinated him and needed proof to the contrary. His absence was everywhere, stinging everything, giving the furnishings primary colors, sharp outlines to the corners of rooms and gold light to the dust collecting on table tops. When he was there he pulled everything toward himself. Not only her eyes and all her senses but also inanimate things seemed to exist because of him, backdrops to his presence. Now that he had gone, these things, so long subdued by his presence, were glamorized in his wake.”

Toni Morrison book Sula

Sula (1973)

Sense, Light

“Roger: No I don’t collect stem variations – the different colored bottom part – cause you can have one Pez dispenser that has a head and there will be the same head but the bottom will have a different color. I don’t collect those at all so mine are all different Pez dispensary heads, because the head is really the most collectible part. I’m trying to give you lessons on Pez dispensers… How dare you suggest I collect stem variations? Are they all duplicates? NO THEY’RE NOT DUPLICATES! That would be cheating.”

Roger Manganelli (1973) American musician

Parting, Cheating

“There is a fatality, a feeling so irresistible and inevitable that it has the force of doom, which almost invariably compels human beings to linger around and haunt, ghostlike, the spot where some great and marked event has given the color to their lifetime; and still the more irresistibly, the darker the tinge that saddens it.”

Nathaniel Hawthorne book The Scarlet Letter

Source: The Scarlet Letter (1850), Chapter V: Hester at Her Needle

Feeling

“There is nothing there. What you see is not what you see. What you see is nothing. Nothing but shapes, lines, colors. What you see is whats in your mind. What you see is something somebody told you to look for. Look out for anything you see! Watch it! Watch out! Take care! Don’t leap before you look out.”

Ad Reinhardt (1913–1967) American painter

1956 - 1967
Source: the 'Ad Reinhardts Papers', Archives of American Art, microfilm no. N/69-103, frame no. 268

“I am never in a hurry to reach details. First and above all I am interested in the large masses and the general character of a picture; when these are well established, then I try for subtleties of form and color. I rework the painting constantly and freely, and without any systematic method.”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Quote from Corot's 'Notebooks', ca. 1850, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 240-241
1850s

Painting

“In the first piece that you Beckett wrote about me [circa 1946], you never once used the word color. That was important. I was struck by it.”

Bram van Velde (1895–1981) Dutch painter

1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

“Amice, be so good, if it is not too late, to scrape the title 'l'Aprês-Midi' ['Afternoon', title of the work submitted for the exhibition] and simply put on it 'Paysage', for the simple reason.... because I chose the moment [in the work] that the sun starts to color and (sic) because there is vapor - many people will wrongly see it as a 'morning'. Mauve will send another aquarelle..”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek version in original Dutch / citaat van Paul Gabriël, in Nederlands: Amice, Wees zoo goed, indien het niet te laat is, de titel 'l'Aprês-Midi' ['Namiddag' titel van een ingezonden werk voor een expositie] uit te schrabben en eenvoudig maar Paysage te zetten om den eenvoudige reden.. ..daar ik het moment genomen heb [in het werkje] dat de zon begint te kleuren en (sic) doordien er damp is - door velen voor een morgen aangezien zal worden. Mauve zal een anderen aquarelle zenden.. Quote of Gabriël, in his letter to Henry Hymans (Secr. de Societé des Aquarellistes Bruxelles, from Schaerbeek 14 April, 1867; taken from an excerpt in the Collection RKD: Letters, Manuscripts and small Archives https://rkd.nl/explore/excerpts/158, The Hague 1860's + 1870's

People, Sun

“Every day I make more progress in technique: understanding of color, the material and the line. [I] can even give better theoretical explanations. And moreover, gradually I live more and more connected with the matter of the profession. What I mean is that my thinking and feeling are more directly, more fundamentally connected with painting itself. No longer so much thinking and feeling get lost.”

Roger Raveel (1921–2013) painter

Steeds ga ik vooruit wat betreft tecniek: begrip van kleur, matérie, lijnen. Kan zelfs beter téoretisch uitleggingen geven. En wat meer is ik leef langs om meer méé met de materie van de stiel. Ik wil zeggen dat mijn denken en voelen directer, en wezenlijker in kontakt staat met schilderen. Er gaat niet meer zoveel denken en voelen verloren.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, 5 March 1950; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 118 (translation: Fons Heijnsbroek)
1945 - 1960

Feeling, Understanding, Thinking, Painting

“U walked in (I walked in)
I woke up (U woke up)
I never seen a pretty girl look so tough' baby (baby)
U got that look, yes U do (yes U do)
Color U peach and black
Color me takin' aback, baby
Crucial, I think I wantcha.”

Prince (1958–2016) American pop, songwriter, musician and actor

U Got the Look
Song lyrics, Sign O' the Times (1987)

Girl, Thinking, Baby

“A free society will abide unofficial, private discrimination, even when that means allowing hate-filled groups to exclude people based on the color of their skin. It is unenlightened and ill-informed to promote discrimination against individuals based on the color of their skin. It is likewise unwise to forget the distinction between public (taxpayer-financed) and private entities.”

Rand Paul (1963) American politician, ophthalmologist, and United States Senator from Kentucky

Letter to the editor, Bowling Green Daily News, 2002-05-30
Rand Paul in '02: I may not like it, but 'a free society' will allow 'hate-filled groups to exclude people based on the color of their skin'
Right Now
Washington Post
2010-05-20
http://voices.washingtonpost.com/right-now/2010/05/rand_paul_in_2002_i_may_not_li.html

Hate, People, Forgetting

“It ain't only the colored folks has the blues; there's many a white man that's had 'em.”

Bill Monroe (1911–1996) American bluegrass musician

Can't You Hear Me Calling: The Life of Bill Monroe, Father of Bluegrass (2009) by Richard Smith

“There’s an emptiness inside her
And she’d do anything to fill it in.
And though it’s red blood bleeding from her now,
It’s more like cold blue ice in her heart.
She feels like kicking out all the windows,
And setting fire to this life.
She could change everything about her using colors bold and bright,
But all the colors mix together - to grey.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Grey Street
Busted Stuff (2002)

Life, Feeling, Change, Heart

“The Civil Rights Movement was not a mirage; it was not a documentary; it was not even a television special; it was live and in living color.”

Yolanda King (1955–2007) American actress

1980s, A Dream Deferred (1989)
Context: The Civil Rights Movement was not a mirage; it was not a documentary; it was not even a television special; it was live and in living color. It should not surprise us that it was a woman who sparked the movement. If Rosa Parks had not chosen to stand up that day in December 1955 by remaining seated on that bus in Montgomery, we would not be here today celebrating the life of Martin Luther King Jr. But that was the incident that propelled him into leadership and ultimately triggered the ending of segregation in the South. The doors of educational and employment opportunities were opened and blacks, Hispanics, and women of all races streamed in on an unprecedented basis.

“She spent the afternoon staring at their front door. "Waiting for someone?" Yankel asked. "What color is this?" He stood very close to the door, letting the end of his nose touch the peephole. He licked the wood and joked, "It certainly tastes like red." "Yes, it is red, isn't it?" "Seems so." She buried her head in her hands. "But couldn’t it be just a bit more red?"”

Jonathan Safran Foer book Everything Is Illuminated

Source: Everything Is Illuminated (2002), pp. 79-80

Waiting

“As far as women are concerned, they seem always to have been more clean than the men, except when men painted them in colors which men liked best. Perhaps society was actually cleaner in the thirteenth century than in the sixteenth, as Saint Louis was more decent than Francis I, and as the bath was habitual in the twelfth century and exceptional in the renaissance.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Women, Men, Painting

“If these Mount Everests of the financial world are going to labor and bring forth still more pictures with people being blown to bits with bazookas and automatic assault rifles with no gory detail left unexploited, if they are going to encourage anxious, ambitious actors, directors, writers and producers to continue their assault on the English language by reducing the vocabularies of their characters to half a dozen words, with one colorful but overused Anglo-Saxon verb and one unbeautiful Anglo-Saxon noun covering just about every situation, then I would like to suggest that they stop and think about this: making millions is not the whole ball game, fellows. Pride of workmanship is worth more. Artistry is worth more.”

Gregory Peck (1916–2003) American actor

Acceptance speech on receiving the American Film Institute's Life Achievement Award in 1989, as quoted in "Gregory Peck, a Star of Quiet Dignity, Dies at 87" by William Grimes in The New York Times (13 June 2003)

People, World, Game, Thinking

“The ladies of St. James’s!
They’re painted to the eyes;
Their white it stays forever
Their red it never dies:
But Phillida, my Phillida!
Her color comes and goes;
It trembles to a lily,—
It wavers to a rose.”

Henry Austin Dobson (1840–1921) English poet and essayist

At the Sign of the Lyre (1885).

Painting

“Let us labor to add all needful guarantees for the more perfect security of free thought, free speech, and free press, pure morals, unfettered religious sentiments, and of equal rights and privileges to all men, irrespective of nationality, color, or religion.”

Ulysses S. Grant (1822–1885) 18th President of the United States

1870s, Speech to the Society of the Army of Tennessee (1875)

Men, Religion, Perfection

“My countrymen, though not in any partisan sense, I must speak of the services of the men and women who rallied to the colors of the Republic in the World War. America realizes and appreciates the services rendered, the sacrifices made, and the sufferings endured. There shall be no distinctions between those who knew the perils and glories of the battlefront or the dangers of the sea, and those who were compelled to serve behind the lines, or those who constituted the great reserve of a grand army which awaited the call in camps at home. All were brave. All were self-sacrificing. All were sharers of those ideals which sent our boys twice armed to war.”

Warren G. Harding (1865–1923) American politician, 29th president of the United States (in office from 1921 to 1923)

1920s, The American Soldier (1920)

Women, Men, War, World

“Social equality does not necessarily follow from civil equality, and yet for the purpose of a hell black and damning prejudice, our papers still insist that the Civil Rights Bill is a Bill to establish social equality. If it is a Bill for social equality, so is the Declaration of Independence, which declares that all men have equal rights; so is the Sermon on the Mount, so is the Golden Rule, that commands us to do to others as we would that others should do to us; so is the Apostolic teaching, that of one blood God has made all nations to dwell on all the face of the earth; so is the Constitution of the United States, and so are the laws and customs of every civilized country in the world; for nowhere, outside of the United States is any man denied civil rights on account of his color.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech at the Civil Rights Mass-Meeting Held at Lincoln Hall (22 October 1883), as quoted in The Life and Times of Frederick Douglass https://archive.org/stream/lifetimesoffrede1881doug/lifetimesoffrede1881doug_djvu.txt (1881). 1880s, Speech at the Civil Rights Mass Meeting (1883)

Men, God, World, Law

“Oh who and oh who will sing Jesus down
to help with struggling and doing without and being colored
all through blue Monday?
Till way next Sunday?”

Robert Hayden (1913–1980) American writer and academic

Mourning Poem for the Queen of Sunday (lines 10-13), from Collected Poems (1985)

Way, Singing, Help

“America rejects bigotry. We reject every act of hatred against people of Arab background or Muslim faith. We reject the ancient evil of anti-Semitism, whether it is practiced by the killers of Daniel Pearl, or by those who burn synagogues in France. We reject every act of hatred against people of Arab background or Muslim faith. America values and welcomes peaceful people of all faiths; Christian, Jewish, Muslim, Sikh, Hindu and many others. Every faith is practiced and protected here, because we are one country. Every immigrant can be fully and equally American because we're one country. Race and color should not divide us, because America is one country.”

George W. Bush (1946) 43rd President of the United States

2000s, 2002, Compassionate Conservatism (April 2002)

People, Peace, Faith, Evil

“At night I wake up and think, What color will make me feel better when I soak in the bathtub for an hour? I want everyone who's dreaming of a glamorous life to know that I'd trade a good bath any day for the heels, the hair, the makeup, the tight dresses, the photographs, the small talk.”

Salma Hayek (1966) Mexican-American actress and producer

O interview (2003)

Life, Dreams, Feeling, Thinking

“The Tungans, more than the Han, are the enemy of our people. Today our people are already free from the oppression of the Han, but still continue under Tungan subjugation. We must still fear the Han, but cannot not fear the Tungans also. The reason we must be careful to guard against the Tungans, we must intensely oppose, cannot afford to be polite. Since the Tungans have compelled us, we must be this way. Yellow Han people have not the slightest thing to do with Eastern Turkestan. Black Tungans also do not have this connection. Eastern Turkestan belongs to the people of Eastern Turkestan. There is no need for foreigners to come be our fathers and mothers…From now on we do not need to use foreigners language, or their names, their customs, habits, attitudes, written language, etc. We must also overthrow and drive foreigners from our boundaries forever. The colors yellow and black are foul. They have dirtied our land for too long. So now it is absolutely necessary to clean out this filth. Take down the yellow and black barbarians! Long live Eastern Turkestan!”

Sabit Damulla Abdulbaki (1883–1934) First Prime Minister of the Turkish Islamic Republic of Eastern Turkistan, Uyghur statesman, politician,phi…

Zhang, Xinjiang Fengbao Qishinian [Xinjiang in Tumult for Seventy Years], 3393-4.

People, Fear, Way

“It makes me ashamed as a man, as a citizen, as a Christian, to see the prejudice that is acted against the colored citizens of America because of his colour. As to the substance, the colored man is equal to the white man; he has a like intellect, the same blood courses in their veins; they are both equally the children of a common Father, who is in heaven.”

John Ireland (bishop) (1838–1918) Catholic bishop

Sermon at St. Augustine Catholic Church (1890)

Children

“I lay under the buckthorn tree. My soul was enchanted. I looked up through its leaves. The sun was coloring them a briljant yellow. They stood out from their delicate red stems, laughing at the sky.
And the sky was deep blue with one small cloud. And the blue was a glorious contrast to the yellow of the leaves. And the wind came and played with them, turning them over so that I could see their shiny upper surfaces. And the wind came down to me, too, bringing me armfuls of sweet fragrance.
The buckthorn was in blossom and that was the prettiest thing about it. Its scenty filled the soft air and covered me in a dream, tenderly, ans sang to my soul a tale of times before I ever was, and of times when I shall be no more..”

Paula Modersohn-Becker (1876–1907) German artist

from her Journal, in Lilleon, June 1898; as quoted in Paula Modersohn-Becker – The Letters and Journals, ed: Günther Busch & Lotten von Reinken; (transl, A. Wensinger & C. Hoey; Taplinger); Publishing Company, New York, 1983, p. 105
1898

Dreams, Soul, Tree, Time

“In war we are all equal, but among a thousand good men, a bullet hit an irreplaceable one... We painters know well that with the loss of his harmony [ of August Macke ], the color in German art will become many shades paler..”

Franz Marc (1880–1916) German painter

Quote of Franz Marc, in exhibition-text 'Die Blaue Reiter', Gemeentemuseum the Hague, Netherlands 2010
c. 1914/15, on the death of his close friend August Macke, who fell in the first months of World War 1.
1915 - 1916

Men, War, Art, Loss

“Vertically striped sheets of paper, the bands of which are 8.7 cms wide, alternate white and colored, are stuck over internal and external surfaces: walls, fences, display windows, etc.; and/or cloth/canvas support, vertical stripes, white and colored bands each 8.7 cms, the two ends covered with dull white paint.
I record that this is my work for the last four years, without any evolution or way out. This is the past: it does not imply either that it will be the same for another ten or fifteen years or that it will change tomorrow.
The perspective we are beginning to have, thanks to these past four years, allows a few considerations of the direct and indirect implications for the very conception of art. This apparent break (no research, or any formal evolution for four years) offers a platform that we shall situate at zero level, when the observations both internal (conceptual transformation as regards the action/praxis of a similar form) and external (work/production presented by others) are numerous and rendered all the easier as they are not invested in the various surrounding movements, but are rather derived from their absence.”

Daniel Buren (1938) sculptor from France

" Beware!" ("Mise en garde!") http://web.mit.edu/allanmc/www/buren1.pdf, in Konzeption/Conception, translated by Charles Harrison and Peter Townsend (Leverkusen: Stadtischer Museum, 1969. 1960s

Art, Way, Support, Change

“Ryan and I took everything; though everything tasted the same, we could at least have some variety of colors on our plate.”

Chetan Bhagat (1974) Indian author, born 1974

Source: Five Point Someone - What not to do at IIT! (2004), P. 21

“The movie stars six teenage characters who have been marketed on TV and in toy stores. They have names, but no discernible personalities. None of them ever says anything more interesting than "You guys!" As teenagers, they are skilled in-line skaters and karate fighters, but they don't get their real powers until they turn into faceless clones in Power Rangers uniforms with plastic masks and helmets. Is that the message? Faceless conformity is the way to success? Certainly the Rangers are not individuals in or out of uniform, but I wonder if they don't represent a triumph of merchandising over creativity. Children's heroes have traditionally been individualistic and eccentric. The Rangers are not, properly speaking, even characters. They are color-coded products… Paging through the movie's press kit, I came across this quote attributed to Amy Jo Johnson, who plays Kimberly, the Pink Power Ranger: " `Mighty Morphin Power Rangers™: The Movie' is a mix between Star Wars and The Wizard of Oz. " I wonder if Amy Jo actually said "TM" when she was delivering that wonderfully fresh and spontaneous quote, which is so much more involved than anything she says in the movie. More to the point, I wonder if she has ever seen "Star Wars" or "The Wizard of Oz."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/mighty-morphin-power-rangers-the-movie-1995 of Mighty Morphin' Power Rangers: The Movie (30 June 1995) Reviews, Half-star reviews

War, Children, Way, Guy

“The rhythm of relations of color and size makes the absolute appear in the relativity of time and space.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Appearance, Time

“It is Fall. The leaves are being raked under the great elms darkening in the evening light. Slowly they become weighted with darkness. Across the river they are burning the grass on the Minnesota bluffs. Myriads of colored streamers reflect in the river blow..”

Mark Tobey (1890–1976) American abstract expressionist painter

Source: 1950's, In: Reminiscence and Reverie, 1951, p. 230

Light, Grass

“The Oriental heritage, due to the long sojourn of the Moors in Spain, had a profound influence on the taste of the people. From these Oriental invaders the Spaniards derived the great surfaces of blank wall with occasional spots of luxuriant ornament that characterize nearly all their work. From them also comes the love of bright color shown in the use of polychrome tiles and rich fabrics and in the painting and gilding of sculpture and ornamental motives. While the large constructive forms, particularly vaults and domes, are frankly and simply expressed, the ornament as in the work of the Orient, is rather an incrustation, a mere surface decoration, than a pretense at logical construction.”

Clarence Stein (1882–1975) American architect

A Triumph of Spanish Colonial Style (1916)

Love, People, Motivation, Painting

“The leaves of these [larch] trees are like those of the pine; timber from them comes in long lengths, is as easily wrought in joiner's work as is the clearwood of fir, and contains a liquid resin, of the color of Attic honey, which is good for consumptives.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 17

Tree

“I believe that there are things which humanity will never fully understand, for in the understanding of them, we will no longer be "human." One of these things is the Mr. Clean Magic Eraser. I don't know how it works, and I don't want to know. It's a big universe and even with our limited understanding of it, it's pretty clear that the universe is in no way equipped to keep up with the bureaucracy of its particles and/or strings. There are things lurking in the dark, unwatched, unguarded recesses of reality. Things as beyond you or I as we are beyond an amoeba. It is quite obvious that Mr. Clean Magic Erasers draw their power from these unknowable horrors. They probably found it in the core of a meteor still half buried in the Earth, hideously pulsing with a light not unlike the color of blood and hate. So use your Magic Erasers while you still can, before they run out of meteor or they discover it causes cervical cancer or testicular cancer in men and women respectively.”

Brian Clevinger (1978) writer

http://www.nuklearpower.com/daily.php?date=070106

Women, Men, Hate, Way

“Everything about Pee-Wee's Big Adventure, from its toy-box colors to its superb, hyper-animated Danny Elfman score to the butch-waxed hairdo and wooden-puppet walk of its star and mastermind is pure pleasure.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/dvd/review/2000/10/10/peewees_big_adventure/index.html of Pee-Wee's Big Adventure (1985)

Pleasure, Star, Animals, Box

“That's always seemed so ridiculous to me, that people would want to be around someone because they're pretty. It's like picking your breakfast cereals based on color instead of taste.”

John Green book Paper Towns

Margo Roth Spiegelman, p. 37
Paper Towns (2008)

People

“If you look at a tree and think of it as a design assignment, it would be like asking you to make something that makes oxygen, sequesters carbon, fixes nitrogen, distills water, provides habitat for hundreds of species, accrues solar energy's fuel, makes complex sugars and food, changes colors with the seasons, creates microclimates, and self-replicates.”

William McDonough (1951) American architect

"William McDonough: Godfather of Green", WNYC Studio 360 (18 March 2008).

Food, Thinking, Tree, Water

“As much as 70 percent of the sun's heat rays can be reflected from one's house by the installation of a white or light-colored roof.”

Ken Kern American writer

The Owner Built Home: A How-to-do-it Book (1972)

Light, Sun, Housing

“I didn't start with rock or jazz musicians. It was just my great dear friend whom I miss very much who is no more, Yehudi Menuhin, Lord Yehudi Menuhin. We got very friendly from the year 1952. And when I came to Europe and started performing, we cut three albums in those days, known as "West Meets East." And then I did many other things later on, of course. My student George Harrison, who is like my son, and a great friend of mine, whom I taught sitar initially but later on he was so interested he composed a lot of songs being influenced by our Indian music and Indian spiritual and religious teachings, things like that. And I've done a lot of experimentations, which I don't like to call fusion or trying to mix Indian music or Western music like a cocktail to make it interesting. Genuinely what I wanted to do is have the base as pure as possible Indian music within the framework of raga and tala, and use non-Indian musicians, non-Indian instruments for a special sound, for the range, for the volume, for the colors and all that. And I think some of them came out nice. Of course I was very much criticized also for it…”

Ravi Shankar (1920–2012) Indian musician and sitar player

Ravi Shankar during his talk with Gross.

Music, Thinking

“Most marijuana smokers are colored people, jazz musicians, and entertainers. Their satanic music is driven by marijuana, and marijuana smoking by white women makes them want to seek sexual relations with Negroes, entertainers, and others. It is a drug that causes insanity, criminality, and death — the most violence-causing drug in the history of mankind.”

Harry J. Anslinger (1892–1975) 1st Commissioner of the Federal Bureau of Narcotics

As quoted in Legalizing Marijuana : Drug Policy Reform and Prohibition Politics‎ (2004) by Rudolph Joseph Gerber, p. 9; also in Hawking Hits on the Information Highway : The Challenge of Online Drug Sales for Law Enforcement (2008) by Laura L. Finley , p. 28, and "The Emperor Wears No Clothes: The Authoritative Historical Record of Cannabis and the Conspiracy Against Marijuana" (1994) by Jack Herer, Jeanie Cabarga, and Jeanie Herer, p. 29.
Disputed

Death, Women, People, Music

“White was the most fashionable color among the nobility and the rich. Because, of course, white is so easily dirtied, and only the wealthy would do little enough that it could not be spoiled.”

Tanith Lee book The Birthgrave

Book One, Part IV “Ankurum”, Chapter 5 (p. 108)
The Birthgrave (1975)

Fashion

“The Futurists were the first painters, poets, and architects who exalted modern work with their art—
they painted speeding automobiles—
they painted lamps bursting with light—
they painted steaming locomotives and swift bicyclists—
the Futurists stylized their compositions, adopting a violently colored look; with synoptic and geometric shapes they multiplied and decomposed the rhythms of objects and landscapes in order to increase their dynamic qualities and to give an effective rendering of their swift ideas, the states of mind, their conceptions.”

Fortunato Depero (1892–1960) Italian painter, writer, sculptor and graphic designer

Depero (1931) "Futurism and Adverticing Art"; Republished in: Futurism : an anthology http://modernistarchitecture.files.wordpress.com/2011/09/ebooksclub-org__futurism__an_anthology__henry_mcbride_series_in_modernism_.pdf. edited by Lawrence Rainey, Christine Poggi, and Laura Wittman, (2011), p. 290

Art, Idea, Light, Painting

“We want a better America, an America that will give its citizens, first of all, a higher and higher standard of living so that no child will cry for food in the midst of plenty. We want to have an America where the inventions of science will be at the disposal of every American family, not merely for the few that can afford them. An America that will have no sense of insecurity and which will make it possible for all groups, regardless of race, creed, or color to live in friendship, to be real neighbors; an an America that will carry its great mission of helping other countries to help themselves, thinking not in terms of exploitation, but of creating plenty abroad so we can all enjoy it here in America.”

Sidney Hillman (1887–1946) American labor leader

Speech, reported in The New Republic, Vol. 115 (1946), p. 379

Friendship, Family, Food, Thinking

“When Henry Ford said, "The customer can have a car in any color as long as it's black," he was not joking.”

Peter F. Drucker (1909–2005) American business consultant

Source: 1960s - 1980s, MANAGEMENT: Tasks, Responsibilities, Practices (1973), Part 1, p. 209

Cars

“There is a park that is known
4 the face it attracts
colorful people whose hair
On 1 side is swept back
The smile on their faces
It speaks of profound inner peace
Ask where they're going
They'll tell U nowhere
They've taken a lifetime lease
On Paisley Park.”

Prince (1958–2016) American pop, songwriter, musician and actor

Paisley Park
Song lyrics, Around the World in a Day (1985)

People, Peace, Smile

“Instead of copying Nature, we [ Cubists ] create a 'milieu', of our own, wherein our sentiment can work itself out through a juxtaposition of colors. It is hard to explain it, but it may perhaps be illustrated by analogy of literature and music. Your [ Gelett Burgess is American] Edgar Poe did not attempt to reproduce Nature realistically. Some phase of life suggested an emotion, as that of horror in 'The Fall of the House of Ushur.”

Jean Metzinger (1883–1956) French painter

That subjective idea he translated into art. He made a composition of it. Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 413

Life, Art, Music, Literature

“I have said that President Lincoln was a white man, and shared the prejudices common to his countrymen towards the colored race. Looking back to his times and to the condition of his country, we are compelled to admit that this unfriendly feeling on his part may be safely set down as one element of his wonderful success in organizing the loyal American people for the tremendous conflict before them, and bringing them safely through that conflict. His great mission was to accomplish two things. First, to save his country from dismemberment and ruin; and, second, to free his country from the great crime of slavery. To do one or the other, or both, he must have the earnest sympathy and the powerful cooperation of his loyal fellow-countrymen. Without this primary and essential condition to success his efforts must have been vain and utterly fruitless. Had he put the abolition of slavery before the salvation of the Union, he would have inevitably driven from him a powerful class of the American people and rendered resistance to rebellion impossible. Viewed from the genuine abolition ground, Mister Lincoln seemed tardy, cold, dull, and indifferent; but measuring him by the sentiment of his country, a sentiment he was bound as a statesman to consult, he was swift, zealous, radical, and determined. Though Mister Lincoln shared the prejudices of his white fellow-countrymen against the Negro, it is hardly necessary to say that in his heart of hearts he loathed and hated slavery. The man who could say, 'Fondly do we hope, fervently do we pray, that this mighty scourge of war shall soon pass away, yet if God wills it continue till all the wealth piled by two hundred years of bondage shall have been wasted, and each drop of blood drawn by the lash shall have been paid for by one drawn by the sword, the judgments of the Lord are true and righteous altogether', gives all needed proof of his feeling on the subject of slavery. He was willing, while the south was loyal, that it should have its pound of flesh, because he thought that it was so nominated in the bond; but farther than this no earthly power could make him go.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

About Abraham Lincoln https://web.archive.org/web/20150302203311/http://www.lib.rochester.edu/index.cfm?PAGE=4071#_ftnref57. 1870s, Oratory in Memory of Abraham Lincoln (1876)

God, Hate, War, People

“The harbor and city.... were behind us [Klee's first glimpse of Tunis], slightly hidden. First, we passed down a long canal. On shore, very close, our first Arabs. The sun has a dark power. The colorful clarity on shore full of promise. Macke too feels it. We both know that we shall work well here.”

Paul Klee (1879–1940) German Swiss painter

Diary-note, 7 April 1914; as quoted by June Taboroff, on 'AramcoWorld', May, June 1991 http://archive.aramcoworld.com/issue/199103/travels.in.tunisia.htm 1911 - 1914, Diary-notes from Tunisia' (1914)

Feeling, Sun

“Throughout my adult life governments around the Western world have been propagating the gospel of multiculturalism, which tells us that immigrants, from whatever part of the world and whatever way of life, are a welcome part of our “multicultural” society. Differences of language, religion, custom, and attachment don’t matter, they have reassured us, since all can form part of the colorful tapestry of the modern state. Anybody who publicly disagreed with that claim invited the attentions of the thought police, always ready with the charge of racism, and never so scrupulous as to think it a sin to destroy the career of someone, provided he was white, indigenous, and male. To be quite honest, living through this period of organized mendacity has been one of the least agreeable ordeals that we conservatives have had to undergo. Keeping your head down is bad enough; but filling your head with official lies means sacrificing thought as well as freedom.”

Roger Scruton (1944–2020) English philosopher

"Multiculturalism, R.I.P." http://spectator.org/38473_multiculturalism-rip/ The American Spectator (December 2010).

Life, World, Religion, Way

Quotes about colors page 8

Quotes about colors
page 8