Ad Reinhardt (1913–1967) American painter
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 154
Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15
Ad Reinhardt (1913–1967) American painter
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 154
Fernand Léger (1881–1955) French painter
Fernand Léger - The Later Years, catalogue ed. Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, p. 12
Quotes of Fernand Leger, 1980's
Jean Dubuffet book Prospectus et tous écrits suivants
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 206
Barnett Newman (1905–1970) American artist
Source: 1940 - 1950, The Plasmic Image 1. 1943-1945, p. 139
Damien Hirst (1965) artist
Source: Elizabeth Day Damien Hirst: 'Art is childish and childlike' http://www.theguardian.com/theobserver/2010/sep/26/damien-hirst-art, The Guardian, 26 September 2010
Daniel Buren (1938) sculptor from France
Source: Art is no longer justifiable or setting the record straight, 2000, p. 66
“Pop Art is not painting because painting must have content and emotion.”
Grace Hartigan (1922–2008) American artist
As quoted in "Grace Hartigan, 86, Abstract Painter, Dies" in The New York Times (18 November 2008)
Marcel Duchamp (1887–1968) French painter and sculptor
1951 - 1968, The Creative Act', 1957
Context: I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.
Joan Mitchell (1925–1992) American painter
Quote of Joan Mitchell, in Abstract Expressionism, Barbara Hess, Taschen, Köln, 2006, p. 78
1975 - 1992