Quotes about birds
page 8

Dante Gabriel Rossetti photo
Wilfred Thesiger photo

“It is time for students of the evolutionary process, especially those who have been misquoted and used by the creationists, to state clearly that evolution is a fact, not theory, and that what is at issue within biology are questions of details of the process and the relative importance of different mechanisms of evolution. It is a fact that the earth, with liquid water, is more than 3.6 billion years old. It is a fact that cellular life has been around for at least half of that period and that organized multicellular life is at least 800 million years old. It is a fact that major life forms now on earth were not at all represented in the past. There were no birds or mammals 250 million years ago. It is a fact that major life forms of the past are no longer living. There used to be dinosaurs and Pithecanthropus, and there are none now. It is a fact that all living forms come from previous living forms. Therefore, all present forms of life arose from ancestral forms that were different. Birds arose from nonbirds and humans from nonhumans. No person who pretends to any understanding of the natural world can deny these facts any more than she or he can deny that the earth is round, rotates on its axis, and revolves around the sun. The controversies about evolution lie in the realm of the relative importance of various forces in molding evolution.”

Richard C. Lewontin (1929) American evolutionary biologist

" Evolution/Creation Debate: A Time for Truth http://bioscience.oxfordjournals.org/content/31/8/local/ed-board.pdf", BioScience volume 31 (1981), p. 559; Reprinted in J. Peter Zetterberg, editor, Evolution versus Creationism, Oryx Press, Phoenix, Arizona, 1983.

George Gordon Byron photo
Harriet Beecher Stowe photo

“Still, still with Thee, when purple morning breaketh,
When the bird waketh, and the shadows flee;
Fairer than morning, lovelier than the daylight,
Dawns the sweet consciousness, — I am with Thee.”

Harriet Beecher Stowe (1811–1896) Abolitionist, author

Reported in James Freeman Clarke, Book of Worship for the Congregation and the Home (1852), p. 431.

Florbela Espanca photo

“Kiss my hands, Love, make them feel caressed
Kiss them as if we two were only siblings,
Two birds singing in the sun and in the same nest.Kiss them, Love!… The wildest fantasy is at my fingertips
To hold those kisses locked within my hands
The kisses that I dreamed were for my lips!”

Florbela Espanca (1894–1930) Portuguese poet

Beija-me as mãos, Amor, devagarinho...
Como se os dois nascessemos irmãos,
Aves cantando, ao sol, no mesmo ninho...<p>Beija-mas bem!... Que fantasia louca
Guardar assim, fechados, nestas mãos,
Os beijos que sonhei pra minha boca!
Quoted in Presença literária (2001), p. 70
Translated by John D. Godinho
Book of Sorrows (1919), "Amiga"

Letitia Elizabeth Landon photo
Richard Henry Dana Jr. photo
Maya Angelou photo

“A bird doesn't sing because it has an answer, it sings because it has a song”

Maya Angelou (1928–2014) American author and poet

Although it appears on U.S. postage featuring Angelou, this is actually a variant quote from the work of poet Joan Walsh Anglund.
Misattributed
Source: Postal Service releases Maya Angelou stamp with quote from another author, Josh Hicks, 7 April 2015, Washington Post, 9 April 2015 http://www.washingtonpost.com/blogs/federal-eye/wp/2015/04/07/postal-serves-releases-maya-angelou-stamp-with-quote-from-another-author/,

Eugene Field photo

“When I demanded of my friend what viands he preferred,
He quoth: "A large cold bottle, and a small hot bird!"”

The Bottle and the Bird, st. 1
A Little Book of Western Verse (1889)

Ferdinand Hodler photo
Ogden Nash photo

“A wonderful bird is a pelican,
His bill will hold more than his belican.
He can take in his beak
Food enough for a week;
But I'm damned if I see how the helican.”

Ogden Nash (1902–1971) American poet

"The Pelican" (1910) by Dixon Lanier Merritt is another poem often misattributed to Nash.
Misattributed

Tom Regan photo
Sören Kierkegaard photo
Kalle Päätalo photo
John Muir photo
Amit Chaudhuri photo
Robert Herrick photo
Matt Ridley photo
William Julius Mickle photo
Thomas Bailey Aldrich photo

“There seems to be a general consensus among informed observers that genuine cases of predation are very rare birds.”

William J. Baumol (1922–2017) American economist

William J. Baumol. "Predation and the Logic of the Average Variable Cost Test." Journal of Law and Economics, Vol. XXXIX, April 1996, p. 51.

Robert Frost photo
Statius photo

“Then they invite her to join the dance and approach the holy rites, and make room for her in their ranks and rejoice to be near her. Just as Idalian birds, cleaving the soft clouds and long since gathered in the sky or in their homes, if a strange bird from some distant region has joined them wing to wing, are at first all filled with amaze and fear; then nearer and nearer they fly, and while yet in the air have made him one of them and hover joyfully around with favouring beat of pinions and lead him to their lofty resting-places.”
Dehinc sociare choros castisque accedere sacris hortantur ceduntque loco et contingere gaudent. qualiter Idaliae volucres, ubi mollia frangunt nubila, iam longum caeloque domoque gregatae, si iunxit pinnas diversoque hospita tractu venit avis, cunctae primum mirantur et horrent; mox propius propiusque volant, atque aere in ipso paulatim fecere suam plausuque secundo circumeunt hilares et ad alta cubilia ducunt.

Source: Achilleid, Book I, Line 370

George Bird Evans photo
Robert Burton photo

“Birds of a feather will gather together.”

Section 1, member 1, subsection 2, Love's Beginning, Object, Definition, Division.
The Anatomy of Melancholy (1621), Part III

Cat Stevens photo
Sennacherib photo

“(Hezekiah) himself, like a caged bird, I shut up in Jerusalem, his royal city.”

Sennacherib (-740–-681 BC) King of Assyria

From the Taylor prism http://www.kchanson.com/ANCDOCS/meso/sennprism3.html

Daniel Levitin photo
Joseph Conrad photo

“Coming in from the eastward, the bright colouring of the [Nore] lightship marking the part of the river committed to the charge of an Admiral (the Commander-in-Chief at the Nore) accentuates the dreariness and the great breadth of the Thames Estuary. But soon the course of the ship opens the entrance of the Medway, with its men-of-war moored in line, and the long wooden jetty of Port Victoria, with its few low buildings like the beginning of a hasty settlement upon a wild and unexplored shore. The famous Thames barges sit in brown clusters upon the water with an effect of birds floating upon a pond… [The inward-bound ships] all converge upon the Nore, the warm speck of red upon the tones of drab and gray, with the distant shores running together towards the west, low and flat, like the sides of an enormous canal. The sea-reach of the Thames is straight, and, once Sheerness is left behind, its banks seem very uninhabited, except for the cluster of houses which is Southend, or here and there a lonely wooden jetty where petroleum ships discharge their dangerous cargoes, and the oil-storage tanks, low and round with slightly-domed roofs, peep over the edge of the fore-shore, as it were a village of Central African huts imitated in iron. Bordered by the black and shining mud-flats, the level marsh extends for miles. Away in the far background the land rises, closing the view with a continuous wooded slope, forming in the distance an interminable rampart overgrown with bushes.”

The Nore to Hope Point
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Joseph Conrad photo
Ralph Waldo Emerson photo

“Whoso walketh in solitude,
And inhabiteth the wood,
Choosing light, wave, rock, and bird,
Before the money-loving herd,
Into that forester shall pass
From these companions power and grace.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Woodnotes II http://www.emersoncentral.com/poems/wood_notes_ii.htm, st. 4
1840s, Poems (1847)

Gregory Scott Paul photo
Eugene J. Martin photo

“The bird of truth would not be able to fly if it weren't for the air of lies we breathe.”

Eugene J. Martin (1938–2005) American artist

from E.J. Martin's website at http://morayeel.louisiana.edu/ejMARTIN/ejMARTIN-artist.html

J. M. Barrie photo
Robert T. Bakker photo
Cormac McCarthy photo
P.G. Wodehouse photo
Valerie Hobson photo

“The whole of time would not be long enough to tell you of my joy in being married to you. Joy is not measured just by lovely things: the birth of babies, the song of birds heard together, the fun of holidays — the lyrical-love of lying with you. Joy is to be found, too, in the relief after pain shared, in the good news following bad, in the knowledge of greater closeness after disaster.”

Valerie Hobson (1917–1998) actress

David Profumo, "Bringing the House Down", (John Murray, 2006), serialised in the Daily Telegraph, 2 September 2006.
In her 10th Wedding Anniversary letter to her husband John Profumo, written in 1965, two years after the scandal in which his adultery was revealed.

Anacreon photo

“Nature gave horns to the bull,
Hoofs gave she to the horse.
To the lion cavernous jaws,
And swiftness to the hare.
The fish taught she to swim,
The bird to cleave the air;
To man she reason gave;
Not yet was woman dowered.
What, then, to woman gave she?
The priceless gift of beauty.
Stronger than any buckler,
Than any spear more piercing.
Who hath the gift of beauty.
Nor fire nor steel shall harm her.”

Anacreon (-570–-485 BC) Greek lyric poet, notable for his drinking songs and hymns

Odes, XXIV.
Variant: The bull by nature hath his horns, The horse his hoofs, to daunt their foes; The light-foot hare the hunter scorns; The lion's teeth his strength disclose.The fish, by swimming, 'scapes the weel; The bird, by flight, the fowler's net; With wisdom man is arm'd as steel; Poor women none of these can get. What have they then?—fair Beauty's grace, A two-edged sword, a trusty shield; No force resists a lovely face, Both fire and sword to Beauty yield.

Tivadar Csontváry Kosztka photo
Donald Barthelme photo
Rachel Carson photo
Halldór Laxness photo
Truman Capote photo
Otto Lilienthal photo
Rosa Luxemburg photo
Isaac Rosenberg photo
John Muir photo
George Bird Evans photo
Aron Ra photo

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Ian Holloway photo

“"To put it in gentleman's terms if you've been out for a night and you're looking for a young lady and you pull one, some weeks they're good looking and some weeks they're not the best. Our performance today would have been not the best looking bird but at least we got her in the taxi. She wasn't the best looking lady we ended up taking home but she was very pleasant and very nice, so thanks very much, let's have a coffee"
- on the "ugly" win against Chesterfield.”

Ian Holloway (1963) English association football player and manager

Gordon Strachan v Ian Holloway: Sportsmail picks their top 10 funny quotes ahead of Middlesbrough's showdown with Blackpool, 2009-12-08, Mail Online, 2011-04-29 http://www.dailymail.co.uk/sport/football/article-1234084/Gordon-Strachan-v-Ian-Holloway-Sportsmail-picks-10-funny-quotes-ahead-Middlesbroughs-showdown-Blackpool.html,
Sourced quotes

Edmund Spenser photo
Charlotte Brontë photo
Letitia Elizabeth Landon photo

“A weight is on the air, for ev'ry breeze
Has, bird-like, folded up its wings for sleep.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Ancestress (Spoken by Bertha)
The Venetian Bracelet (1829)

Tom Baker photo
Sawao Yamanaka photo
Philip K. Dick photo
Josiah Gilbert Holland photo
Homér photo

“Bird-signs!
Fight for your country—that is the best, the only omen!”

XII. 243 (tr. Robert Fagles).
Iliad (c. 750 BC)

Peter Greenaway photo
Adelaide Anne Procter photo
Prem Rawat photo
Rachel Carson photo
Taliesin photo
Frank Lloyd Wright photo
Thomas Fuller (writer) photo

“3739. One Bird in the Hand, is worth two in the Bush.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Letitia Elizabeth Landon photo

“Let the rose fall, another rose
Will bloom upon the self-same tree;
Let the bird die, ere evening close
Some other bird will sing for me.
It is for the beloved to love,
'Tis for the happy to be kind;
Sorrow will more than death remove
The associate links affections bind.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(2nd April 1831) Lines Supposed to be the Prayer of the Supplicating Nymph in Mr. Lawrence Macdonald’s Exhibition of Sculptures
The London Literary Gazette, 1831

Wolfram von Eschenbach photo

“You must never lose your sense of shame. If one is past all shame what is one fit for? One lives like a bird in moult, shedding good qualities like plumes all pointing down to Hell.”

Ir sult niemer iuch verschemn.
verschamter lîp, waz touc der mêr?
der wont in der mûze rêr,
dâ im werdekeit entrîset.
Bk. 3, st. 170, line 16; p. 95.
Parzival

Rachel Carson photo

“6 AM. The sky glows. Somewhere a bird chirps. I want to shoot it.”

Jonathan Larson (1960–1996) American composer and playwright

tick, tick... BOOM! (1990)

Pablo Casals photo
Toni Morrison photo
Bill Mollison photo
Jacques Barzun photo
Will Cuppy photo
Democritus photo

“In the weightiest matters we must go to school to the animals, and learn spinning and weaving from the spider, building from the swallow, singing from the birds,—from the swan and the nightingale, imitating their art.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Source Book in Ancient Philosophy (1907), The Golden Sayings of Democritus

Edward Grey, 1st Viscount Grey of Fallodon photo

“Though I know something about British birds I should have been lost and confused among American birds, of which unhappily I know little or nothing. Colonel Roosevelt not only knew more about American birds than I did about British birds, but he knew about British birds also. What he had lacked was an opportunity of hearing their songs, and you cannot get a knowledge of the songs of birds in any other way than by listening to them.
We began our walk, and when a song was heard I told him the name of the bird. I noticed that as soon as I mentioned the name it was unnecessary to tell him more. He knew what the bird was like. It was not necessary for him to see it. He knew the kind of bird it was, its habits and appearance. He just wanted to complete his knowledge by hearing the song. He had, too, a very trained ear for bird songs, which cannot be acquired without having spent much time in listening to them. How he had found time in that busy life to acquire this knowledge so thoroughly it is almost impossible to imagine, but there the knowledge and training undoubtedly were. He had one of the most perfectly trained ears for bird songs that I have ever known, so that if three or four birds were singing together he would pick out their songs, distinguish each, and ask to be told each separate name; and when farther on we heard any bird for a second time, he would remember the song from the first telling and be able to name the bird himself.”

Edward Grey, 1st Viscount Grey of Fallodon (1862–1933) British Liberal statesman

Recreation (1919)

Ellsworth Kelly photo
Shulgi photo

“To strut about in the E-kur is a glory for Bird, as its singing is sweet. … It shall utter its cries in the temple of the great gods. The Anuna gods rejoice at its voice. It is suitable for banquets in the great dining hall of the gods.”

In Debate between Bird and Fish, early 2nd millennium BCE. Text online http://etcsl.orinst.ox.ac.uk/section5/tr535.htm at The Electronic Text Corpus of Sumerian Literature.

Meher Baba photo
Margaret Cho photo
Murasaki Shikibu photo

“Does it not move you strangely, the love-bird's cry, tonight when, like the drifting snow, memory piles up on memory?”

Source: Tale of Genji, The Tale of Genji, trans. Arthur Waley, Ch. 20: Asagao

William Cowper photo

“I shall not ask Jean Jacques Rousseau
If birds confabulate or no.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Pairing Time Anticipated.
Bartlett's Familiar Quotations, 10th ed. (1919)

Barbara Hepworth photo
Zainab Salbi photo
Eli Siegel photo
Bernard Cornwell photo
William Carlos Williams photo
Omar Khayyám photo
Otto Lilienthal photo

“The sailing flight of birds is the only form of flight which is carried on for some length of time without the expenditure of power.”

Otto Lilienthal (1848–1896) German aviation pioneer

The Romance of Aeronautics (1912)

Bill Mollison photo