Quotes about beauty
page 45

Isadora Duncan photo
Roald Amundsen photo

“We see many fine sunsets here, unique in the splendour of their colour. No doubt the surroundings in this fairyland of blue and white do much to increase their beauty.”

Roald Amundsen (1872–1928) Norwegian polar researcher, who was the first to reach the South Pole

Impressions around March 1911
Sydpolen (The South Pole) (1912)

Julius Malema photo
Henri de Toulouse-Lautrec photo

“I am quite incapable of doing them [making landscapes], even the shadow. My trees look like spinach and my sea like heaven knows what.... [the Mediterranean landscape was] the devil to paint, precisely because it is so beautiful.”

Henri de Toulouse-Lautrec (1864–1901) French painter

young Lautrec comments his own paintings of the landscape, when he was c. 15 years old.
Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 46 - remark to his friend Etienne Devismes - in Nice, 1879

Helen Keller photo
Steve Jobs photo
Nicolaus Copernicus photo

“What indeed is more beautiful than heaven, which of course contains all things of beauty.”

Introduction to Book 1, as quoted/translated by Edward Rosen, Nicholas Copernicus on the Revolutions (1978) ed. Jerzy Dobrzycki, Edward Rosen.
De revolutionibus orbium coelestium (1543)

John Muir photo
Thomas Carlyle photo

“The infinite, absolute character of Virtue has passed into a finite, conditional one; it is no longer a worship of the Beautiful and Good; but a calculation of the Profitable.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Signs of the Times (1829)

Dejan Stojanovic photo

“Art is apotheosis; often, the complaint of beauty.”

Dejan Stojanovic (1959) poet, writer, and businessman

Dancing of Sounds http://www.poetrysoup.com/famous/poem/21378/Dancing_of_Sounds
From the poems written in English

Wallace Stevens photo

“I like my philosophy smothered in beauty and not the opposite.”

Wallace Stevens (1879–1955) American poet

As quoted in Wallace Stevens and the Limits of Reading and Writing (2002) by by Bart Eeckhout Ch. 12 "Poeticizing Epistemology", p. 268

Poul Anderson photo
John Muir photo
Florence Earle Coates photo

“Maeterlinck says that compared with ordinary truths mystic truths have strange privileges—they can neither age nor die. Beauty is eternal and ugliness, thank God, is ephemeral. Can there be any question as to which should attract the poet?”

Florence Earle Coates (1850–1927) American writer and poet

The New York Times (10 December 1916) From "Godlessness Mars Most Contemporary Poetry." http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9A0CE2D7153BE233A25753C1A9649D946796D6CF

Letitia Elizabeth Landon photo
James Nasmyth photo
Kage Baker photo
Umberto Eco photo
Herbert Read photo
Asger Jorn photo

“There can be no question of selecting in any direction, but of a penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life. From this it follows that one must know all in order to be able to express all. It is the abolition of the aesthetic principle. We are not disillusioned because we have no illusions; we have never had any. What we have and what is our strength, is our joy in life; our interest in life, in all its amoral aspects. That is also the basis of our contemporary art. We do not even know the laws of aesthetics. That old idea of selection according to the beauty-principle Beautiful — Ugly, like to ethical Noble — Sinful, is dead for us, for whom the beautiful is also ugly and everything ugly is endowed with beauty. Behind the comedy and the tragedy we find only life's dramas uniting both; not in noble heroes and false villains, but people.”

Asger Jorn (1914–1973) Danish artist

Variant translations:
What we possess and what gives us strength is our joy in life, our interest in life in all its amoral facets. This is also the foundation for today's art. We do not even know the aesthetic laws.
We are not disillusioned because we have no illusions; we have never had any. What we have, and what constitutes our strength, is our joy in life, in all of its moral and amoral manifestations.
1940 - 1948, Intimate Banalities' (1941)

Donald J. Trump photo
Alain de Botton photo

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

Marianne von Werefkin photo
Eugene J. Martin photo
Stevie Nicks photo
Orson Scott Card photo

“'A woman's wisdom is her gift to women,'" Peggy quoted. "'Her beauty is her gift to men. Her love is her gift to God.'”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Prentice Alvin (1989), Chapter 10.

Charles Stross photo
Percy Bysshe Shelley photo
Jean Froissart photo
Jeremy Clarkson photo
Ralph Venning photo

“All the beauty of the world, 'tis but skin deep.”

Ralph Venning (1621–1673) English minister

"The Triumph of Assurance", Orthodox Paradoxes, Or, A Believer Clearing Truth by Seeming Contradictions (1647), p. 41. Compare: "Many a dangerous temptation comes to us in fine gay colours that are but skin-deep", Mathew Henry, Commentaries. Genesis iii.

Aristide Maillol photo

“I seek beauty, not character. For me portraiture and statuary are completely opposed to each other.”

Aristide Maillol (1861–1944) sculptor from France

remark to his biographer Judith Cladel (1939 - 1944); as quoted in Dictionary of artists’ models, Jill Berk Jiminez, Taylor and Francis 2001, p. 550

Dolores O'Riordan photo
Dorothy Wordsworth photo
Ingmar Bergman photo
Yvette Cooper photo

“I have to say, Mr. Deputy Speaker, the Ministers are like fraudsters in the fairy tale, telling gullible Liberal Democrat MPs about the beautiful progressive clothes that the emperor is wearing, if only they are clever enough and loyal enough to see them. And desperately, we have Liberal Democrats clinging to shreds of invisible cloth, reaching deep into their Liberal and Conservative history to pretend that they can be progressive now. They are claiming that Keynes might have backed the Budget. They are calling on Beveridge for support, kidding themselves that they can call on their history and that they are following in the footsteps of great liberal Conservatives like Winston Churchill, who supported the minimum wage, but the truth is that the emperor has no clothes.
The truth is that if you look at the detail, the Budget is nastier than any brought in by Margaret Thatcher. Instead of Churchill, Keynes or the founders of the welfare state, the Liberal Democrats have signed up, with the Right Honourable Member for Chingford and his Chancellor, to cut support for the poor. It is perhaps apt that in this week of World Cup disappointments, it was actually a footballer who got it right. In 2002, after England were defeated in the World Cup by Brazil, Gareth Southgate reflected ruefully on England's performance and said:
"We were expecting Winston Churchill and instead got Iain Duncan Smith."
That is the reality for the Liberal Democrats now. With all their high hopes, they have betrayed the poor and the vulnerable, whom they stood up to defend.
[The Minister of State, Department for Work and Pensions (Steve Webb) rose]
I will give way to the hon. Gentleman because I know he has a history of supporting people on low incomes and I do not know why he is betraying it now.”

Yvette Cooper (1969) British politician

During a budget response debate http://www.publications.parliament.uk/pa/cm201011/cmhansrd/cm100628/debtext/100628-0012.htm, 28 July, 2010. Link to the video http://www.youtube.com/watch?v=NtORBuxY0MU.

Yohji Yamamoto photo
George Bernard Shaw photo
Ray Bradbury photo
Sinclair Lewis photo
Stig Dagerman photo

“Vanquished in life, his death
By beauty made amends:
The passing of his breath
Won his defeated ends.”

Lionel Johnson (1867–1902) English poet

By the Statue of King Charles at Charing Cross (1895)

Harriet Beecher Stowe photo
Letitia Elizabeth Landon photo

“How innocent, how beautiful thy sleep!
Sweet one, 'tis peace and joy to gaze on thee!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Sleeping Child
The Fate of Adelaide (1821)

Matthew Arnold photo

“A beautiful and ineffectual angel, beating in the void his luminous wings in vain.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

On Percy Bysshe Shelley, Byron
Essays in Criticism, second series (1888)

William Watson (poet) photo

“Deemest thou labor
Only is earnest?
Grave is all beauty,
Solemn is joy.”

William Watson (poet) (1858–1935) English poet, born 1858

England my Mother, Part iv, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Nina Kiriki Hoffman photo
Statius photo

“So does he strive to rescue your shade from the pyre and wages a mighty contest with Death, wearying the efforts of artists and seeking to love you in every material. But beauty created by toil of cunning hand is mortal.”
Sic auferre rogis umbram conatur et ingens certamen cum Morte gerit, curasque fatigat artificum inque omni te quaerit amare metallo. Sed mortalis honos, agilis quem dextra laborat.

i, line 7
Silvae, Book V

Ezra Pound photo
Letitia Elizabeth Landon photo
Arshile Gorky photo
Aldous Huxley photo
Robert Rauschenberg photo

“Every minute everything is different everywhere. It is all flowing... The duty or beauty of a painting is that there is no reason to do it nor any reason not to. It can be done as a direct act or contact with the moment and that is the moment you are awake and moving. It all passes and is never true literally as the present again leaving more work to be done.”

Robert Rauschenberg (1925–2008) American artist

Quote of Rauschenberg (1961), as cited in Introduction, Roberta Bernstein, from catalog 'The White and Black Paintings'
from a recording of a symposium in 1961, Larry Gagosian Gallery, New York, 1986
1960's

Mallika Sherawat photo
Ernest Flagg photo
Brian Wilson photo
Michelangelo Buonarroti photo

“Translation:
That fount of mercy, whence we all exist,
Every beauty seen here [on earth] resembles,
More than anything else to knowing persons;”

Michelangelo Buonarroti (1475–1564) Italian sculptor, painter, architect and poet

A quel pietoso fonte, onde siam tutti,
S'assembra ogni beltà che qua si vede,
Più c'altra cosa alle persone accorte;
from sonnet "Veggio nel tuo bel viso, Signor mio"
Translated by Luciano Rebay, Invitation to Italian Poetry http://books.google.com/books?id=zAnjAbsgY0gC&pg=PA77 (1969), p. 77
Variant translations:
To those who are wise, nothing more resembles that merciful spring whence all derive than every beauty to be found here;
Translated by Christopher Ryan, The poetry of Michelangelo: An Introduction http://books.google.com/books?id=Iot1KpxQJpsC&pg=PA103 (1988), p. 103
Every beauty which is seen here below by persons of perception resembles more than anything else that celestial source from which we all are come.

Donald J. Trump photo
L. Frank Baum photo
Stendhal photo

“What is really beautiful must always be true.”

Ce qui est fort beau est nécessairement toujours vrai.
Source: Armance (1827), Ch. 6

Sun Myung Moon photo

“I would not be standing here today if my skin were white or my religion were Presbyterian. I am here today only because my skin is yellow and my religion is Unification Church. The ugliest things in this beautiful country of America are religious bigotry and racism.”

Sun Myung Moon (1920–2012) Korean religious leader

On the tax charges against him, in a speech at Foley Square in New York City (22 October 1981); published in a full page advertisement in the The New York Times (5 November 1981), as quoted in US Court of Appeals document U.S. v. Sun Myung Moon 718 F.2d 1210 (1983)

Swami Vivekananda photo
Mickey Spillane photo
Julien Offray de La Mettrie photo
Gerard Manley Hopkins photo

“On this day by God's grace I resolved to give up all beauty until I had His leave for it.”

Gerard Manley Hopkins (1844–1889) English poet

Journal entry (6 November 1865), as reported in In Extremity: A Study of Gerard Manley Hopkins (1978) by John Robinson, p. 1

“It is to be hoped—I mean, I hope—that the poetry I have been writing since 1992 squares up to, takes the measure of, weighs up, the violent evasions and stock affronts of the oligarchy of fraud. I don't, even so, write poems to be polemical; I write to create a being of beautiful energy.”

Geoffrey Hill (1932–2016) English poet and professor

A matter of timing: The Guardian, Saturday 21 September 2002 http://www.guardian.co.uk/books/2002/sep/21/featuresreviews.guardianreview28/print

Brandon Boyd photo
George Hendrik Breitner photo

“Yesterday I visited Rotterdam for a while... It is a beautiful city. Always turbulent, dirty and picturesque, especially the vest and the harbor-neighborhoods. For the newer city I don't care at all.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Gisteren was ik nog even in Rotterdam.. ..'t is toch een mooie stad. Altijd woelig, smerig en schilderachtig, vooral de vest en de havenbuurten, voor 't nieuwe gedeelte geef ik geen duit.
Quote from Breitner's letter to A. P. van Stolk, The Hague, 8 Febr. 1882; as cited in Breitner en Parijs' – master-thesis 9928758 https://dspace.library.uu.nl/handle/1874/8382], by Jacobine Wieringa, Faculty of Humanities Theses, Utrecht, (translation from the original Dutch, Fons Heijnsbroek), p. 10
before 1890

Willem de Kooning photo
Ani DiFranco photo
David Attenborough photo
Nathaniel Lee photo

“T is beauty calls, and glory shows the way.”

Act iv., Sc. 2. In stage editions, it is "Leads the way" with various interpolations, among them—
See the conquering hero comes!
Sound the trumpet, beat the drums!—
which was first used by Handel in "Joshua," and afterwards transferred to "Judas Maccabæus." The text of both oratorios was written by Dr. Thomas Morell, a clergyman.
The Rival Queens, or the Death of Alexander the Great (1677)

Louis Pasteur photo

“Now, gentlemen, there will be a beautiful story: what is the role, in the overall scheme of creation, of some of these little beings who are the agents of fermentation, the agents of putrefaction, of disorganization of everything that life has had in the surface of the globe. This role is immense, marvelous, really moving. Maybe one day maybe I will be given [the opportunity] to explain here some of these results. May God grant it to be still in the presence of such a brilliant assembly!”

Louis Pasteur (1822–1895) French chemist and microbiologist

Original in French: Maintenant, messieurs, il y aurait un beau sujet à traiter : c’est celui du rôle, dans l’économie générale de la création, de quelques-uns de ces petits êtres qui sont les agents de la fermentation, les agents de la putréfaction, de la désorganisation de tout ce qui a eu vie il la surface du globe. Ce rôle est immense, merveilleux, vraiment émouvant. Un jour peut-être me sera-t-il donné de vous exposer ici quelques-uns de ces résultats. Dieu veuille que ce soit encore en présence à une aussi brillante assemblée!
Soirées scientifiques de la Sorbonne (1864)

Robert F. Kennedy photo

“Gross National Product counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country, it measures everything in short, except that which makes life worthwhile. And it can tell us everything about America except why we are proud that we are Americans.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

Speech at the University of Kansas at Lawrence http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/RFK-Speeches/Remarks-of-Robert-F-Kennedy-at-the-University-of-Kansas-March-18-1968.aspx (18 March 1968)

Jonathan Edwards photo

“The beauty of the world consists wholly of sweet mutual consents, either within itself or with the supreme being.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

"The Beauty of the World" (c.1725), from the notebook The Images of Divine Things, The Shadows of Divine Things, The Language and Lessons of Nature (published 1948).

Georg Büchner photo

“There is something beautiful about virtue, Captain. But I am just a poor guy.”

Georg Büchner (1813–1837) German dramatist and writer of poetry and prose

Scene VI.
Woyzeck (1879)

Margaret Mead photo
Isa Genzken photo
Brian Viglione photo
John Keats photo

“Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty," — that is all
Ye know on earth, and all ye need to know.”

Stanza 5. The final lines of this poem have been rendered in various ways in different editions, some placing the entire last two lines within quotation marks, others only the statement "Beauty is truth, truth beauty," and others without any quotation marks. The poet's final intentions upon the matter before his death are unclear.
Poems (1820), Ode on a Grecian Urn

Theodore Roszak photo

“The bond of sympathy, like the artist's eye for beauty, may stretch across many divisions.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

Source: The Gendered Atom: Reflections on the Sexual Psychology of Science (1999), Ch.11 Only Connect

Russell Brand photo
Archibald Macleish photo
John Muir photo

“The very thought of this Alaska garden is a joyful exhilaration. … Out of all the cold darkness and glacial crushing and grinding comes this warm, abounding beauty and life to teach us that what we in our faithless ignorance and fear call destruction is creation finer and finer.”

John Muir (1838–1914) Scottish-born American naturalist and author

Travels in Alaska http://www.sierraclub.org/john_muir_exhibit/writings/travels_in_alaska/ (1915), chapter 16: Glacier Bay
1910s

Auguste Rodin photo
Letitia Elizabeth Landon photo
Thomas Carlyle photo
Max Beckmann photo
Rollo May photo
Eugène Boudin photo
Harun Yahya photo
Godfrey Higgins photo
Kurt Schwitters photo
Prem Rawat photo