Quotes about beauty
page 45

“Bernard Shaw says that as long as men torture and slay animals and eat their flesh we shall have war. I think all sane, thinking people must be of his opinion. The children of my school were all vegetarians, and grew strong and beautiful on a vegetable and fruit diet. Sometimes during the war when I heard the cries of the wounded I thought of the cries of the animals in the slaughterhouse, and I felt that, as we torture these poor defenceless creatures, so the gods torture us. Who loves this horrible thing called war? Probably the meat-eaters, having killed, feel the need to kill—kill birds, animals—the tender stricken deer—hunt foxes. The butcher with his bloody apron incites bloodshed, murder. Why not? From cutting the throat of a young calf to cutting the throat of our brothers and sisters is but a step. While we are ourselves the living graves of murdered animals, how can we expect any ideal conditions on the earth?”

Isadora Duncan (1877–1927) American dancer and choreographer

My Life (1927), chapter 28; Liveright Publishing, 2013, p. 276 https://books.google.it/books?id=7bmj03oQH9IC&pg=PA276.

Love, Men, God, War

“We see many fine sunsets here, unique in the splendour of their colour. No doubt the surroundings in this fairyland of blue and white do much to increase their beauty.”

Roald Amundsen (1872–1928) Norwegian polar researcher, who was the first to reach the South Pole

Impressions around March 1911
Sydpolen (The South Pole) (1912)

“I think today 'beautiful', which is always a tricky word, but now it's become an incendiary word, because in many ways today beauty is obsolete and not the main concern of art. And you can't prove beauty, it's there as a fact.... and you know it, and you feel it, and it's real. But you can't say to somebody.. this has it. I might be able to say it and others might recognize it. But it gives no specific message, other than itself, which in turn should be able to move you in to some sort of truth and insight, and something beyond art. I mean initially it's pleasure that grows. But it isn't just the shock of a message that you can have and dismiss. Once you've had it, it's over.”

Helen Frankenthaler (1928–2011) American artist

Quote in 1993 from: 'Helen Frankenthaler interviewed by Charlie Rose', April 12, 1993, at 40:02 http://video.google.com/videoplay?docid=3385833841734265950# 1990s - 2000s

Pleasure, Truth, Art, Way

“The rejection of other Africans is a self-rejection, it is a self-hatred, it's because you don't know who you are. If you know who you are you will never reject people from DRC, you will never reject people from Nigeria, you will never reject people from Ghana, you will never reject people from Zimbabwe, because if you [ap]praise your history, your are actually Zimbabwean, if you [ap]praise your history, you are actually Nigerian. That is what makes us African. That is the beauty of Africa, we share history, we share culture, and all of that. Civilization started here.”

Julius Malema (1981) South African political activist

On 25 May 2017 to EFF supporters during Africa Day celebrations in Joubert Park, Johannesburg, Watch Malema On Land Grab: The Land And All That’s In It Belongs to Us https://buzzsouthafrica.com/watch-malema-on-land-grab/, Chika Udeh (26 May 2017)

People, History

“I am quite incapable of doing them [making landscapes], even the shadow. My trees look like spinach and my sea like heaven knows what.... [the Mediterranean landscape was] the devil to paint, precisely because it is so beautiful.”

Henri de Toulouse-Lautrec (1864–1901) French painter

young Lautrec comments his own paintings of the landscape, when he was c. 15 years old.
Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 46 - remark to his friend Etienne Devismes - in Nice, 1879

Tree, Painting, Sea

“I who am blind can give one hint to those who see - one admonition to those who would make full use of the gift of sight: Use your eyes as if tomorrow you would be stricken blind. And the same method can be applied to other senses. Hear the music of voices, the song of a bird, the mighty strains of an orchestra, as if you would be stricken deaf to-morrow. Touch each object you want to touch as if tomorrow your tactile sense would fail. Smell the perfume of flowers, taste with relish each morsel, as if tomorrow you could never smell and taste again. Make the most of every sense; glory in all the facets of pleasure and beauty which the world reveals to you through the several means of contact which Nature provides.”

Helen Keller (1880–1968) American author and political activist

Three Days to See (1933)

Pleasure, World, Music, Flowers

“I decided to take a calligraphy class to learn [the art of decorative or hand lettering]. I learned about serif and sans-serif typefaces, about varying the space between different letter combinations, about what makes great typography great. It was beautiful. Historical. Artistically subtle in a way that science can't capture. And I found it fascinating. None of this had any hope of any practical application in my life. But 10 years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would never have multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it's likely that no personal computer would have them.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

2000s, Address at Stanford University (2005)

Life, Hope, Art, Way

“What indeed is more beautiful than heaven, which of course contains all things of beauty.”

Nicolaus Copernicus book De revolutionibus orbium coelestium

Introduction to Book 1, as quoted/translated by Edward Rosen, Nicholas Copernicus on the Revolutions (1978) ed. Jerzy Dobrzycki, Edward Rosen.
De revolutionibus orbium coelestium (1543)

“If my soul could get away from this so-called prison, be granted all the list of attributes generally bestowed on spirits, my first ramble on spirit wings would not be among the volcanoes of the moon. Nor should I follow the sunbeams to their sources in the sun. I should hover about the beauty of our own good star. I should not go moping among the tombs, nor around the artificial desolation of men. I should study Nature's laws in all their crossings and unions; I should follow magnetic streams to their source and follow the shores of our magnetic oceans. I should go among the rays of the aurora, and follow them to their beginnings, and study their dealings and communions with other powers and expressions of matter. And I should go to the very center of our globe and read the whole splendid page from the beginning. But my first journeys would be into the inner substance of flowers, and among the folds and mazes of Yosemite's falls. How grand to move about in the very tissue of falling columns, and in the very birthplace of their heavenly harmonies, looking outward as from windows of ever-varying transparency and staining!”

John Muir (1838–1914) Scottish-born American naturalist and author

18 January 1870, pages 43-44
John of the Mountains, 1938

Men, Law, Soul, Star

“The infinite, absolute character of Virtue has passed into a finite, conditional one; it is no longer a worship of the Beautiful and Good; but a calculation of the Profitable.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Signs of the Times (1829)

“Art is apotheosis; often, the complaint of beauty.”

Dejan Stojanovic (1959) poet, writer, and businessman

Dancing of Sounds http://www.poetrysoup.com/famous/poem/21378/Dancing_of_Sounds From the poems written in English

Art

“I like my philosophy smothered in beauty and not the opposite.”

Wallace Stevens (1879–1955) American poet

As quoted in Wallace Stevens and the Limits of Reading and Writing (2002) by by Bart Eeckhout Ch. 12 "Poeticizing Epistemology", p. 268

“Hard to say whether personal immortality would be a good thing or not. Not for the masses, surely! Too many of them as it was. But a select few, like Terangi Maclaren—or was it worth the trouble? Even given boats, chess, music, the No Drama, beautiful women and beautiful spectroscopes, life could get heavy.”

Poul Anderson book The Enemy Stars

Source: The Enemy Stars (1959), Chapter 5 (p. 36)

Life, Women, Music, Personality

“So extravagant is Nature with her choicest treasures, spending plant beauty as she spends sunshine, pouring it forth into land and sea, garden and desert. And so the beauty of lilies falls on angels and men, bears and squirrels, wolves and sheep, birds and bees,….”

John Muir book My First Summer in the Sierra

Terry Gifford, EWDB, page 224
1860s, My First Summer in the Sierra, 1869

Men, Angels, Nature, Bird

“Maeterlinck says that compared with ordinary truths mystic truths have strange privileges—they can neither age nor die. Beauty is eternal and ugliness, thank God, is ephemeral. Can there be any question as to which should attract the poet?”

Florence Earle Coates (1850–1927) American writer and poet

The New York Times (10 December 1916) From "Godlessness Mars Most Contemporary Poetry." http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9A0CE2D7153BE233A25753C1A9649D946796D6CF

God, Truth, Age, Question

“O beauty of the midnight skies!
O mystery of each distant star!
O dreaming hours, whose magic lies
In rest and calm, with Day afar!
Thanks for the higher moods that wake
Our thoughtful and immortal part!—
Out on our life, could we not make
A spiritual temple of the heart?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Meditation
Heath's book of Beauty, 1833 (1832)

Life, Dreams, Star, Mood

“The characteristic feature of our modern mechanical improvements, is the introduction of self-acting tool machinery. What every mechanical workman has now to do, and what every boy can do, is not to work himself, but to superintend the beautiful labor of the machine. The whole class of workmen that depend exclusively on their skill is now done away with. Formerly I employed four boys to every mechanic. Thanks to these new mechanical combinations, I have reduced the number of grown-up men from 1.500 to 750. The result was a considerable increase in my profits.”

James Nasmyth (1808–1890) Scottish mechanical engineer and inventor

James Nasmyth in: 10th Report of Commissioners on Organisation and Rules of Trades Unions, 1868; Cited in: Robert Maynard Hutchins (1952), Great Books of the Western World: Marx. Engels. p. 214

Men, Boy, Dependency

““Sex,” Kiu said thoughtfully. “And Fear. Get that big old devil behind them with a stick, and my radiant beauty in front of them, and they’ll run right off a cliff, if I ask.”
“I’m a firm believer in Guilt, personally,” said Labienus.
“Works well on individuals,” Kiu conceded.
“Nothing like it for subtle motivation. Plant it deeply enough into a mortal’s psyche and it twists them endlessly.” Labienus sighed. “Get it in there young enough and it’ll do all your work for you. You’ll have only to prod the mortal along with a suggestion now and then.””

Kage Baker book The Children of the Company

Source: The Children of the Company (2005), Chapter 5, “The Angel of the Bottomless Deep” (p. 227)

Fear, Sex, Motivation, Personality

“The Poet had, who had made a show of attaching no importance to this literary game (though it gnawed at his heart that he himself had not written such beautiful letters, provoking replies even more beautiful), and having no one with whom to fall in love, had fallen in love with the letters themselves — which, as Niketas remarked with a smile — was not surprising, since in youth we are prone to fall in love with love.”

Umberto Eco book Baudolino

Source: Baudolino (2000), Chapter 7, "Baudolino makes the Poet write love letters and poems to Beatrice"

Love, Youth, Smile, Game

“The modern poet is above all things honest. He does not write for fame nor for money. He merely writes to vent his own spleen, his own bitterness. His own sense of disparity between the ugliness of the world that is and the beauty of the world that might be.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Phases in English Poetry (1928)

Money, World, Sense

“There can be no question of selecting in any direction, but of a penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life. From this it follows that one must know all in order to be able to express all. It is the abolition of the aesthetic principle. We are not disillusioned because we have no illusions; we have never had any. What we have and what is our strength, is our joy in life; our interest in life, in all its amoral aspects. That is also the basis of our contemporary art. We do not even know the laws of aesthetics. That old idea of selection according to the beauty-principle Beautiful — Ugly, like to ethical Noble — Sinful, is dead for us, for whom the beautiful is also ugly and everything ugly is endowed with beauty. Behind the comedy and the tragedy we find only life's dramas uniting both; not in noble heroes and false villains, but people.”

Asger Jorn (1914–1973) Danish artist

Variant translations:
What we possess and what gives us strength is our joy in life, our interest in life in all its amoral facets. This is also the foundation for today's art. We do not even know the aesthetic laws.
We are not disillusioned because we have no illusions; we have never had any. What we have, and what constitutes our strength, is our joy in life, in all of its moral and amoral manifestations.
1940 - 1948, Intimate Banalities' (1941)

Life, People, World, Law

“We get Bergdahl who was a traitor, and they get five of the greatest killers that they've wanted for eight years. We get Bergdahl — I call it the five for one trade. For the Iran deal, where we get nothing, we get nothing. They get ultimately, they have the path, beautiful path, they'll get way, way earlier than that. They'll get nuclear weapons, so if you get Trump you're going to see a lot of changes to that deal. That'll happen fast.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, August, Speech at rally in Wilmington, North Carolina (August 9, 2016)

Way, Change

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

War, Art, Intelligence, Communication

“Why should we do as those who do not have other joys than to believe, as night falls, in their double beds... that it is to be great and sanctified by love to jostle the companions of their bed. Our passion must be like our love – illusory and artistic, having no other end than the desire to be beautiful. To remain beautiful in unsated [unstated? ] passion…”

Marianne von Werefkin (1860–1938) expressionist painter

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

Love, Passion, Joy, Night

“Rather than programming children as if they were computers, parents should be something like art instructors. Because life is like a clump-of-clay, you can’t make it into an expression of beauty, unless you take it into your hands. While sprinkling their lives with painful and playful diversions, people wait their lives miserably into old age, for the skills to live-life, to–come as did life- itself.”

Eugene J. Martin (1938–2005) American artist

Annotated Drawings by Eugene J. Martin: 1977-1978

Life, Pain, Children, People

“I met Lindsey in high school in San Francisco. We had gone to some party and he was sitting in the middle of this gorgeous living room playing a song. I walked over and stood next to him, and the song was "California Dreaming," and I just started singing with him. And so I just threw in my Michelle Phillips harmony, and he was so beautiful. And then I didn't really see him again until two years later, when he called me and asked me if I wanted to be in his rock 'n' roll band, which I didn't even know existed. And within two or three months we were opening for Jimi Hendrix, Janis Joplin, all the San Francisco bands. Two years later, we packed up and moved to Los Angeles with about 12 demos.”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

"Blonde on Blonde", SPIN, Vol. 13, http://books.google.com/books?id=G-86CzNjg9cC No. 7 (October 1997), p. 92

School, Dreams, Angels, Singing

“'A woman's wisdom is her gift to women,'" Peggy quoted. "'Her beauty is her gift to men. Her love is her gift to God.'”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Prentice Alvin (1989), Chapter 10.

Love, Wisdom, Women, Men

“It’s a thing of beauty, the ability to spin the cloth of reality, and you’re a sucker for it: Isn’t story-telling what being human is all about?”

Charles Stross book Halting State

Source: Halting State (2007), Chapter 13, “Jack: In Hell” (p. 96)

Reality, Clothes

“My Song, I fear that thou wilt find but few
Who fitly shalt conceive thy reasoning,
Of such hard matter dost thou entertain;
Whence, if by misadventure, chance should bring
Thee to base company (as chance may do),
Quite unaware of what thou dost contain,
I prithee, comfort thy sweet self again,
My last delight! tell them that they are dull,
And bid them own that thou art beautiful.”

Percy Bysshe Shelley Epipsychidion

Dedication
Epipsychidion (1821)

Fear, Art, Chance

“His chapters inspire me with more enthusiasm than even poetry itself. And the noble canon, with what true chivalrous feeling he confines his beautiful expressions of sorrow to the death of the gallant and high-bred knight, of whom it was a pity to see the fall, such was his loyalty to his king, pure faith to his religion, hardihood towards his enemy, and fidelity to his lady-love! – Ah, benedicite! how he will mourn over the fall of such a pearl of knighthood, be it on the side he happens to favour, or on the other. But, truly, for sweeping from the face of the earth some few hundreds of villain churls, who are born but to plough it, the high-born and inquisitive historian has marvellous little sympathy.”

Jean Froissart (1337–1405) French writer

Claverhouse, in Walter Scott's Old Mortality (1816), ch. 35.
Criticism

Love, Death, Faith, Religion

“We are an endangered species, you and me. We fans of speed, we devotees of power, we lovers of performance and beauty, and mechanical soul. We dare not speak of cams or cranks or double wishbones. We fear for our love of roaring V8s and the smell of burnt rubber. We're told to think of the economy, the environment, and not excitement and enjoyment. In an age of hybrid-this and automatic-that, we are the odd ones out. Yet there is hope. There is a haven. A place that celebrates speed, grip, gears, and fun. And it's all here for you to explore.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Voice-over introduction to Forza Motorsport 4 (2011)

Love, Age, Fear, Hope

“All the beauty of the world, 'tis but skin deep.”

Ralph Venning (1621–1673) English minister

"The Triumph of Assurance", Orthodox Paradoxes, Or, A Believer Clearing Truth by Seeming Contradictions (1647), p. 41. Compare: "Many a dangerous temptation comes to us in fine gay colours that are but skin-deep", Mathew Henry, Commentaries. Genesis iii.

World

“I seek beauty, not character. For me portraiture and statuary are completely opposed to each other.”

Aristide Maillol (1861–1944) sculptor from France

remark to his biographer Judith Cladel (1939 - 1944); as quoted in Dictionary of artists’ models, Jill Berk Jiminez, Taylor and Francis 2001, p. 550

“This is just an ordinary day
Wipe the insecurities away
I can see that the darkness will erode
Looking out the corner of my eye
I can see that the sunshine will explode
Far across the desert in the sky
Beautiful girl
Won't you be my inspiration?
Beautiful girl
Don't you throw your love around
What in the world, what in the world
Could ever come between us?”

Dolores O'Riordan (1971–2018) Irish singer

"Ordinary Day"
Are You Listening? (2007)

Love, World, Girl

“When we were in the woods beyond Gowbarrow park we saw a few daffodils close to the water side…At last under the boughs of the trees, we saw that there was a long belt of them [deleted: the end we did not see] along the shore, about the breadth of a country turnpike road. I never saw daffodils so beautiful they grew among the mossy stones about and about them; some rested their heads upon these stones as on a pillow for weariness and the rest tossed and reeled and danced and seemed as if they verily laughed with the wind that blew upon them over the lake, they looked so gay ever glancing ever changing.”

Dorothy Wordsworth (1771–1855) English author, poet and diarist

April 15, 1802
Wordsworth's "I Wandered Lonely as a Cloud" is based on this description.
Diaries

Tree, Water, Change, Dance

“Among today's directors I'm of course impressed by Steven Spielberg and Scorsese, and Coppola, even if he seems to have ceased making films, and Steven Soderbergh — they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic is amazing. Another great couple of examples of the strength of American cinema is American Beauty and Magnolia.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jan Aghed interview (2002)

Passion

“I have to say, Mr. Deputy Speaker, the Ministers are like fraudsters in the fairy tale, telling gullible Liberal Democrat MPs about the beautiful progressive clothes that the emperor is wearing, if only they are clever enough and loyal enough to see them. And desperately, we have Liberal Democrats clinging to shreds of invisible cloth, reaching deep into their Liberal and Conservative history to pretend that they can be progressive now. They are claiming that Keynes might have backed the Budget. They are calling on Beveridge for support, kidding themselves that they can call on their history and that they are following in the footsteps of great liberal Conservatives like Winston Churchill, who supported the minimum wage, but the truth is that the emperor has no clothes.
The truth is that if you look at the detail, the Budget is nastier than any brought in by Margaret Thatcher. Instead of Churchill, Keynes or the founders of the welfare state, the Liberal Democrats have signed up, with the Right Honourable Member for Chingford and his Chancellor, to cut support for the poor. It is perhaps apt that in this week of World Cup disappointments, it was actually a footballer who got it right. In 2002, after England were defeated in the World Cup by Brazil, Gareth Southgate reflected ruefully on England's performance and said:
"We were expecting Winston Churchill and instead got Iain Duncan Smith."
That is the reality for the Liberal Democrats now. With all their high hopes, they have betrayed the poor and the vulnerable, whom they stood up to defend.
[The Minister of State, Department for Work and Pensions (Steve Webb) rose]
I will give way to the hon. Gentleman because I know he has a history of supporting people on low incomes and I do not know why he is betraying it now.”

Yvette Cooper (1969) British politician

During a budget response debate http://www.publications.parliament.uk/pa/cm201011/cmhansrd/cm100628/debtext/100628-0012.htm, 28 July, 2010. Link to the video http://www.youtube.com/watch?v=NtORBuxY0MU.

People, Truth, World, Hope

“In order to create an image almost similar to that of a pencil case standing up and walking, I try to eliminate all excess by cutting. I have the feeling that this process (of "cutting off") is linked in some way to "elegance". Elegance and so-called "eliminating excess", or the beauty that remains after excess has beeen eliminated…”

Yohji Yamamoto (1943) Japanese fashion designer

Kiyokazu Washida. The Past, the Feminine, the Vain in Talking to Myself (2002), Ch. 3: Feedom or the Vain.

Way, Feeling

“He who desires a lifetime of happiness with a beautiful woman desires to enjoy the taste of wine by keeping his mouth always full of it.”

George Bernard Shaw (1856–1950) Irish playwright

#105
1900s, Maxims for Revolutionists (1903)

Wine, Happiness

“We Earth Men have a talent for ruining big beautiful things. The only reason we didn’t set up hot-dog stands in the midst of the Egyptian temple of Karnak is because it was out of the way and served no large commercial purpose.”

Ray Bradbury book The Martian Chronicles

—And the Moon Be Still as Bright (1948)
The Martian Chronicles (1950)

Men, Dogs, Way

“He had enormous and poetic admiration, though very little understanding, of all mechanical devices. They were his symbols of truth and beauty. Regarding each new intricate mechanism—metal lathe, two-jet carburetor, machine gun, oxyacetylene welder—he learned one good realistic-sounding phrase, and used it over and over, with a delightful feeling of being technical and initiated.”

Sinclair Lewis book Babbitt

Babbitt (1922), Ch. 6

Truth, Feeling, Understanding, Learning

“It may be true that death is a large empty hole and that sorrow is knowing just how deep the hole is, but it is only true when one is sober. If one has snaps one can fill up the hole with all the beautiful thoughts one can think of, and all the fine words one can hit on. One can fill it right up to the brink, and then put a stone there.He loved her because she loved him, and if one is loved, one loves in return, otherwise one is a fool.”

Stig Dagerman book A Burnt Child

Source: A Burnt Child (1948), p. 30

Love, Death, Fools, Thinking

“Vanquished in life, his death
By beauty made amends:
The passing of his breath
Won his defeated ends.”

Lionel Johnson (1867–1902) English poet

By the Statue of King Charles at Charing Cross (1895)

Life, Death

“Whoever visits some estates there, and witnesses the good-humored indulgence of some masters and mistresses, and the affectionate loyalty of some slaves, might be tempted to dream the oft-fabled poetic legend of a patriarchal institution, and all that; but over and above the scene there broods a portentous shadow — the shadow of law. So long as the law considers all these human beings, with beating hearts and living affections, only as so many things belonging to a master — so long as the failure, or misfortune, or imprudence, or death of the kindest owner, may cause them any day to exchange a life of kind protection and indulgence for one of hopeless misery and toil — so long it is impossible to make anything beautiful or desirable in the best regulated administration of slavery.”

Harriet Beecher Stowe book Uncle Tom's Cabin

Source: Uncle Tom's Cabin (1852), Ch. 1.

Life, Death, Law, Dreams

“How innocent, how beautiful thy sleep!
Sweet one, 'tis peace and joy to gaze on thee!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Sleeping Child
The Fate of Adelaide (1821)

Peace, Sleep, Joy

“A beautiful and ineffectual angel, beating in the void his luminous wings in vain.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

On Percy Bysshe Shelley, Byron
Essays in Criticism, second series (1888)

Angels

“Deemest thou labor
Only is earnest?
Grave is all beauty,
Solemn is joy.”

William Watson (poet) (1858–1935) English poet, born 1858

England my Mother, Part iv, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Joy

“He thought about spiders, twisting thread into beautiful symmetry, taming chaos with ordered nets that greeted the dawn, hung with globes of dew that caught and held cores of sunlight, and tiny images of the world.”

Nina Kiriki Hoffman (1955) American writer

Source: The Thread That Binds the Bones (1993), Chapter 21 (p. 297)

World

“So does he strive to rescue your shade from the pyre and wages a mighty contest with Death, wearying the efforts of artists and seeking to love you in every material. But beauty created by toil of cunning hand is mortal.”
Sic auferre rogis umbram conatur et ingens certamen cum Morte gerit, curasque fatigat artificum inque omni te quaerit amare metallo. Sed mortalis honos, agilis quem dextra laborat.

Statius Silvae

i, line 7
Silvae, Book V

Love, Death, Effort

“But the beauty is not the madness
Tho’ my errors and wrecks lie about me.
And I am not a demigod,
I cannot make it cohere.”

Ezra Pound The Cantos

Canto CXVI
The Cantos

Lie, Error, Madness

“A light is gone from yonder sky,
A star has left its sphere;
The beautiful--and do they die
In yon bright world as here?
Will that star leave a lonely place,
A darkness on the night?—
No; few will miss its lovely face,
And none think heaven less bright!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Lost Star from The Literary Souvenir, 1828
The Vow of the Peacock (1835)

Love, World, Star, Thinking

“An epidemic of destruction sweeps the world today. The mind of civilized man is set to stop it. What the enemy would destroy, however, he must first see. To confuse and paralyze this vision is the role of camouflage. Here the artist and more particularly the modern artist can fulfill a vital function for opposed to this vision of destruction is the vision of creation. Historically, it has been the artist's role to make manifest the beautiful inherent in all the objects of nature and man. In the study of the object, as a thing seen, he has acquired a profound understanding and sensibility concerning its visual aspects..”

Arshile Gorky (1904–1948) Armenian-American painter

Gorky's quote refers to the heavy swift in modern art because of the appearance of Cubism
1942 - 1948
Source: 'Camouflage', 1942; an announcement for a teaching program [set up by Gorky and the director of the Grand Central School of Art, Edmund Greasen]

World, Understanding, Nature, Study

“It is because we are predominantly purposeful beings that we are perpetually correcting our immediate sensations. But men are free not to be utilitarianly purposeful. They can sometime be artists, for example. In which case they may like to accept the immediate sensation uncorrected, because it happens to be beautiful.”

Aldous Huxley (1894–1963) English writer

“One and Many,” p. 11
Do What You Will (1928)

Men

“Every minute everything is different everywhere. It is all flowing... The duty or beauty of a painting is that there is no reason to do it nor any reason not to. It can be done as a direct act or contact with the moment and that is the moment you are awake and moving. It all passes and is never true literally as the present again leaving more work to be done.”

Robert Rauschenberg (1925–2008) American artist

Quote of Rauschenberg (1961), as cited in Introduction, Roberta Bernstein, from catalog 'The White and Black Paintings'
from a recording of a symposium in 1961, Larry Gagosian Gallery, New York, 1986
1960's

Painting

“I think a woman who's confident, who's aware of her own abilities and her own limitations and who accepts gracefully failure as part of her life. All this combination makes a beautiful woman.”

Mallika Sherawat (1976) Indian actress

[The Quest for beauty, http://edition.cnn.com/2005/WORLD/europe/10/01/quest/index.html, June 16 2006]

Life, Confidence, Failure, Thinking

“When the true principles of design are forgotten; when, in art, the bizarre and novel is the aim rather than the beautiful; when complication and mystery take the place of what should be as simple and clear as the atmosphere, design runs amuck, and becomes so helplessly involved in difficulties that such manifestations as cubism, impressionism, futurism, and art nouveau shoe their ugly heads and pose as art.”

Ernest Flagg (1857–1947) American architect

Introduction
Small Houses: Their Economic Design and Construction (1922)

Art, Shoe, Future

“The sound was essentially background sound, myself, and Carl, Dennis and Al Jardine, Mike was our lead singer. The four of us put our voices together. We had done it really beautifully. We had a beautiful blend. We really did.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

CNN interview (2004)

“Translation:
That fount of mercy, whence we all exist,
Every beauty seen here [on earth] resembles,
More than anything else to knowing persons;”

Michelangelo Buonarroti (1475–1564) Italian sculptor, painter, architect and poet

A quel pietoso fonte, onde siam tutti, S'assembra ogni beltà che qua si vede, Più c'altra cosa alle persone accorte; from sonnet "Veggio nel tuo bel viso, Signor mio" Translated by Luciano Rebay, Invitation to Italian Poetry http://books.google.com/books?id=zAnjAbsgY0gC&pg=PA77 (1969), p. 77 Variant translations: To those who are wise, nothing more resembles that merciful spring whence all derive than every beauty to be found here; Translated by Christopher Ryan, The poetry of Michelangelo: An Introduction http://books.google.com/books?id=Iot1KpxQJpsC&pg=PA103 (1988), p. 103 Every beauty which is seen here below by persons of perception resembles more than anything else that celestial source from which we all are come.

Personality

“Our jobs are fleeing the country. They're going to Mexico. They're going to many other countries. You look at what China is doing to our country in terms of making our product. They're devaluing their currency, and there's nobody in our government to fight them. And we have a very good fight. And we have a winning fight. Because they're using our country as a piggy bank to rebuild China, and many other countries are doing the same thing. … We have to stop our jobs from being stolen from us. We have to stop our companies from leaving the United States and, with it, firing all of their people. … We cannot let it happen. Under my plan, I'll be reducing taxes tremendously, from 35 percent to 15 percent for companies, small and big businesses. That's going to be a job creator like we haven't seen since Ronald Reagan. It's going to be a beautiful thing to watch. Companies will come. They will build. They will expand. New companies will start. And I look very, very much forward to doing it. We have to renegotiate our trade deals, and we have to stop these countries from stealing our companies and our jobs.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, September, First presidential debate (September 26, 2016)

People, Business, Fight, Country

“He who needs something to rebel against is less of a social anarchist than he who seeks to create something against which there is no need to rebel. There may be no end to the ugly, sordid, and horrifying things against which an honest man cannot help but revolt, but there are also things that are beautiful, joyful, and pure. If it were wrong to attend to the latter while the former still thrive, then a hopeless perpetual struggle would become the only meaning of life.”

Giovanni Baldelli (1914–1986) Anarchist theorist

Source: Social Anarchism (1971), p. 7

Life, Help

“Beautiful things may be admired, if not loved," asserted the Tin Man. "Flowers are beautiful, for instance, but we are not inclined to marry them. Duty, on the contrary, is a bugle call to action, whether you are inclined to act, or not. In this case, I obey the bugle call of duty.”

L. Frank Baum book The Tin Woodman of Oz

The Tin Woodman of Oz (1918), Ch. 2 : The Heart of the Tin Woodman
Later Oz novels

Love, Flowers

“What is really beautiful must always be true.”

Stendhal book Armance

Ce qui est fort beau est nécessairement toujours vrai.
Source: Armance (1827), Ch. 6

“I would not be standing here today if my skin were white or my religion were Presbyterian. I am here today only because my skin is yellow and my religion is Unification Church. The ugliest things in this beautiful country of America are religious bigotry and racism.”

Sun Myung Moon (1920–2012) Korean religious leader

On the tax charges against him, in a speech at Foley Square in New York City (22 October 1981); published in a full page advertisement in the The New York Times (5 November 1981), as quoted in US Court of Appeals document U.S. v. Sun Myung Moon 718 F.2d 1210 (1983)

Religion, Country

“Never mind failures; they are quite natural, they are the beauty of life, these failures. What would life be without them? It would not be worth having if it were not for struggles. Where would be the poetry of life? Never mind the struggles, the mistakes. I never heard a cow tell a lie, but it is only a cow—never a man. So never mind these failures, these little backslidings; hold the ideal a thousand times, and if you fail a thousand times, make the attempt once more.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

Life, Lie, Failure, Nature

“Even in that pale light I could see that she was more beautiful than ever, the black shadow of her hair framing a face I had seen every night in the misery of sleep for so long. Those deep brown eyes still had that hungry look when they watched mine and the lush fullness of her mouth glistened with a damp warmth of invitation.”

Mickey Spillane book The Snake

The Snake (1964)

Sleep, Light, Night

“Whatever the virtue may be, from whatever source it may come, it is worthy of esteem… Mind, beauty, wealth, nobility, although the children of chance, all have their own value, as skill, learning and virtue have theirs.”

Julien Offray de La Mettrie book Man a Machine

p, 125
Man a Machine (1747)

Children, Learning, Chance, Wealth

“On this day by God's grace I resolved to give up all beauty until I had His leave for it.”

Gerard Manley Hopkins (1844–1889) English poet

Journal entry (6 November 1865), as reported in In Extremity: A Study of Gerard Manley Hopkins (1978) by John Robinson, p. 1

God

“It is to be hoped—I mean, I hope—that the poetry I have been writing since 1992 squares up to, takes the measure of, weighs up, the violent evasions and stock affronts of the oligarchy of fraud. I don't, even so, write poems to be polemical; I write to create a being of beautiful energy.”

Geoffrey Hill (1932–2016) English poet and professor

A matter of timing: The Guardian, Saturday 21 September 2002 http://www.guardian.co.uk/books/2002/sep/21/featuresreviews.guardianreview28/print

Hope, Fraud

“Morning View is I think collectively probably our favorite record that we have made as a band because it was the most effortless… um… in its conception… you know? It was a lot less slaving over parts and trying to just get together in this big beautiful room with a view of the ocean and parts and sounds and melodies and lyrics would just happen… they would just sort of spill out of us without us really trying… so to me that's sort of the most amazing way to write music or do any kind of art, which is by letting it happen… but one of the most important parts in any sort of.. uh… journey so to speak.. Is uh… the ride… and we've had a really good time riding to where ever it is we are going… and I don't even think any of us know particularly where it is going to take us… But it's been really fun sort of chasing it.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Discussing Morning View on Boogie TV interview was done the day of their concert at Vega, Copenhagen

Art, Music, Way, Thinking

“Despite the awfulness of what was happening, the backdrop was a scene of beauty: a clear sky, a bright moon, clearly visible stars, flat undisturbed water, and an immense liner blazing with pinholes of light.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 142

Star, Light, Water

“Yesterday I visited Rotterdam for a while... It is a beautiful city. Always turbulent, dirty and picturesque, especially the vest and the harbor-neighborhoods. For the newer city I don't care at all.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Gisteren was ik nog even in Rotterdam.. ..'t is toch een mooie stad. Altijd woelig, smerig en schilderachtig, vooral de vest en de havenbuurten, voor 't nieuwe gedeelte geef ik geen duit. Quote from Breitner's letter to A. P. van Stolk, The Hague, 8 Febr. 1882; as cited in Breitner en Parijs' – master-thesis 9928758 https://dspace.library.uu.nl/handle/1874/8382], by Jacobine Wieringa, Faculty of Humanities Theses, Utrecht, (translation from the original Dutch, Fons Heijnsbroek), p. 10 before 1890

“But I find, because of modern painting, that things which couldn't be seen in terms of painting, things you couldn't paint.... it is not that you paint them, bit is the connection. I imagine that Cézanne, when he painted a ginger pot with apples, must have been very grotesque in his day, because a still life was something set up of beautiful things. It may be very difficult, for instance, to put a Rheingold bottled beer on the table and a couple of glasses and a package of Lucky Strike [cigarets]. I mean, you know, there are certain things you cannot paintat a particular time, and it takes a certain attitude how to see those things, in terms of art.”

Willem de Kooning (1904–1997) Dutch painter

In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Location', Spring 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 54
1960's

Life, Art, Imagination, Beer

“So I walk like I'm on a mission cuz that's the way I groove.
I got more and more to do, I got less and less to prove.
It took me too long to realize that I don't take good pictures
Cuz I have the kind of beauty that moves.”

Ani DiFranco (1970) musician and activist

Evolve
Song lyrics

Way

“Wallace's emotions on discovering such marvels must surely be echoed by all of us who follow him. This is what he wrote:
"I thought of the long ages of the past during which the successive generations of these things of beauty had run their course. Year by year being born and living and dying amid these dark gloomy woods with no intelligent eye to gaze upon their loveliness, to all appearances such a wanton waste of beauty. It seems sad that on the one hand such exquisite creatures should live out their lives and exhibit their charms only in these wild inhospitable regions. This consideration must surely tell us that all living things were not made for man, many of them have no relation to him, their happiness and enjoyment's, their loves and hates, their struggles for existence, their vigorous life and early death, would seem to be immediately related to their own well-being and perpetuation alone."”

David Attenborough (1926) British broadcaster and naturalist

Closing lines, quoting from The Malay Archipelago (1869) by Alfred Russel Wallace.
Attenborough in Paradise (1996)

Love, Life, Death, Hate

“T is beauty calls, and glory shows the way.”

Nathaniel Lee The Rival Queens

Act iv., Sc. 2. In stage editions, it is "Leads the way" with various interpolations, among them—
See the conquering hero comes!
Sound the trumpet, beat the drums!—
which was first used by Handel in "Joshua," and afterwards transferred to "Judas Maccabæus." The text of both oratorios was written by Dr. Thomas Morell, a clergyman.
The Rival Queens, or the Death of Alexander the Great (1677)

Way

“Now, gentlemen, there will be a beautiful story: what is the role, in the overall scheme of creation, of some of these little beings who are the agents of fermentation, the agents of putrefaction, of disorganization of everything that life has had in the surface of the globe. This role is immense, marvelous, really moving. Maybe one day maybe I will be given [the opportunity] to explain here some of these results. May God grant it to be still in the presence of such a brilliant assembly!”

Louis Pasteur (1822–1895) French chemist and microbiologist

Original in French: Maintenant, messieurs, il y aurait un beau sujet à traiter : c’est celui du rôle, dans l’économie générale de la création, de quelques-uns de ces petits êtres qui sont les agents de la fermentation, les agents de la putréfaction, de la désorganisation de tout ce qui a eu vie il la surface du globe. Ce rôle est immense, merveilleux, vraiment émouvant. Un jour peut-être me sera-t-il donné de vous exposer ici quelques-uns de ces résultats. Dieu veuille que ce soit encore en présence à une aussi brillante assemblée!
Soirées scientifiques de la Sorbonne (1864)

Life, God

“Gross National Product counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country, it measures everything in short, except that which makes life worthwhile. And it can tell us everything about America except why we are proud that we are Americans.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

Speech at the University of Kansas at Lawrence http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/RFK-Speeches/Remarks-of-Robert-F-Kennedy-at-the-University-of-Kansas-March-18-1968.aspx (18 March 1968)

Life, Wisdom, Marriage, Children

“The beauty of the world consists wholly of sweet mutual consents, either within itself or with the supreme being.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

"The Beauty of the World" (c.1725), from the notebook The Images of Divine Things, The Shadows of Divine Things, The Language and Lessons of Nature (published 1948).

World

“There is nothing more beautiful than seeing a person being themselves. Imagine going through your day being unapologetically you.”

Steve Maraboli (1975)

Source: Life, the Truth, and Being Free (2010), p. 60

Imagination, Personality

“There is something beautiful about virtue, Captain. But I am just a poor guy.”

Georg Büchner (1813–1837) German dramatist and writer of poetry and prose

Scene VI.
Woyzeck (1879)

Guy

“They draw back into themselves, and are thrown back on their own bodies for gratification. The men become narcissistic and uncertain of the power of any woman, no matter how strange and beautiful, to arouse their desire, but the women remain continually receptive to male advances.”

Margaret Mead (1901–1978) American anthropologist

Source: 1940s, Balinese Character (1942), p. 26

Women, Men, Drawing

“Yes. Basically, I can read your photography [of Wolfgang Tillmans, who is interviewing her] and see what moves you. What really moves you and not just faked emotion. I don't think it's good when it's like that in art – but unfortunately it often is. That's why I like Bruce Nauman, for example, as a sculptor. With his work, sometimes I have really thought to myself, that's simply beautiful... Above all, it is difficult enough to depict something that moves you deep down inside. But that's ultimately what art is all about, and that's also what appeals to people – if an artist can do it.”

Isa Genzken (1948) German sculptor

2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

People, Art, Thinking, Reading

“It has become this really beautiful network of people, both professional and amateur, that just come together to have a good time depending on what city we're in.”

Brian Viglione (1979) American musician

October 2005 - Recoil Interview

People, Time, Dependency

“Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty," — that is all
Ye know on earth, and all ye need to know.”

John Keats Ode on a Grecian Urn

Stanza 5. The final lines of this poem have been rendered in various ways in different editions, some placing the entire last two lines within quotation marks, others only the statement "Beauty is truth, truth beauty," and others without any quotation marks. The poet's final intentions upon the matter before his death are unclear.
Poems (1820), Ode on a Grecian Urn

Truth, Age

“The bond of sympathy, like the artist's eye for beauty, may stretch across many divisions.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

Source: The Gendered Atom: Reflections on the Sexual Psychology of Science (1999), Ch.11 Only Connect

“It's difficult to believe in yourself because the idea of self is an artificial construction. You are, in fact, part of the glorious oneness of the universe. Everything beautiful in the world is within you. No-one really feels self-confident deep down because it's an artificial idea. Really, people aren't that worried about what you're doing or what you're saying, so you can drift around the world relatively anonymously. You must not feel persecuted and examined. Liberate yourself from that idea that people are watching you.”

Russell Brand (1975) British comedian, actor, and author

Radio 2 Show (2007–2008)

People, World, Feeling, Confidence

“To see the earth as it truly is, small and blue and beautiful in that eternal silence where it floats, is to see ourselves as riders on the earth together, brothers on that bright loveliness in the eternal cold — brothers who know now they are truly brothers.”

Archibald Macleish (1892–1982) American poet and Librarian of Congress

As quoted in Richard Nixon's First Inaugural Address (20 January 1969)
Attributed

Silence

“The very thought of this Alaska garden is a joyful exhilaration. … Out of all the cold darkness and glacial crushing and grinding comes this warm, abounding beauty and life to teach us that what we in our faithless ignorance and fear call destruction is creation finer and finer.”

John Muir (1838–1914) Scottish-born American naturalist and author

Travels in Alaska http://www.sierraclub.org/john_muir_exhibit/writings/travels_in_alaska/ (1915), chapter 16: Glacier Bay 1910s

Life, Fear

“Art, moreover, is taste. It is the reflection of the artist's heart upon all the objects that he creates. It is the smile of the human soul upon the house and on the furnishing. It is the charm of thought and of sentiment embodied in all that is of use to man. But how many of our contemporaries fed the necessity of taste in house or furnishing? Formerly, in old France, Art was everywhere. The smallest bourgeois, even the peasant, made use only of articles which pleased the eye. Their chairs, their tables, their pitchers and their pots were beautiful. Today Art is banished from daily life. People say that the useful need not be beautiful. All is ugly, all is made in haste and without grace by stupid machines. The artist is regarded as an antagonist. Ah, my dear Gsell, you wish to jot down an artist's musings. Let me look at you! You really are an extraordinary man!”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Preface, p. 8-9

Life, People, Stupidity, Smile

“How beautiful, how buoyant, and glad is morning! The first sunshine on the leaves: the first wind, laden with the first breath of the flowers-that deep sigh with which they seem to waken from sleep; the first dew, untouched even by the light foot of the early hare; the first chirping of the rousing birds, as if eager to begin song and flight; all is redolent of the strength given by rest, and the joy of conscious life.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Life, Flowers, Bird, Sleep

“To the wild deep-hearted man all was yet new, not veiled under names or formulas; it stood naked, flashing in on him there, beautiful, awful, unspeakable. Nature was to this man, what to the Thinker and Prophet it forever is, preternatural. This green flowery rock-built earth, the trees, the mountains, rivers, many-sounding seas;—that great deep sea of azure that swims overhead; the winds sweeping through it; the black cloud fashioning itself together, now pouring out fire, now hail and rain.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

Mountain, Fashion, Nature, Tree

“As a painter, cursed or blessed with a terrible and vital sensuousness, I must look for wisdom with my eyes. I repeat, with my eyes, for nothing could be more ridiculous or irrelevant than a 'philosophical conception' painted purely intellectually without the terrible fury of the senses grasping each visible form of beauty and ugliness.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

1930s, On my Painting (1938)

Wisdom, Sense, Painting

“Mark Tobey fills his canvases with elliptical, calligraphic lines, beautiful whirls that seem at first glance to be completely abstract and to come from nowhere at all except his own subjective musing. But I shall never forget how struck I was, on visiting Tobey's studio one day, to see strewn around books on astronomy and photographs of the Milky Way. I knew then that Tobey experiences the movement of the stars and solar constellations as the external pole of his encounter.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 4 : Creativity and the Encounter, p. 80

Books, Way, Star, Forgetting

“Nature is richer than I represent it... Nature is so beautiful that when I am not tortured by poverty I am tortured by her splendor. How fortunate we are to be able to see and admire the glories of the sky and earth; if only I could be content just to admire them. But there is always the torment of struggling to reproduce them, the impossibility of creating anything within the narrow limits of painting.”

Eugène Boudin (1824–1898) French painter

Quote from Boudin's Journal, March 1854; as cited in Eugène Boudin, G. Jean-Aubrey & Robert Schmit, Greenwich, New York graphic society, 1968, p. 24
1850s - 1870s

Nature, Painting

“Let children love Allah, let them love the Qur’an. Let us protect them from the dissension of Darwinism, from the dissension of materialism, communism, from the dissension of godless and Bookless mentalities. With all our might, let us teach them the beauty of holy values and the beauty of the Qur’an. Let the hearts of those beautiful beings be filled with the love of Allah.”

Harun Yahya (1956) Turkish author

20 April 2013.
A9 TV addresses, 2013

Love, Children, Communication, Heart

“I think it right to warn my reader, that there are more passages than one in the book, which are of that nature, which will be perfectly understood by my Masonic friends, but which my engagements prevent me explaining to the world at large. My Masonic friends will find their craft very often referred to. I believe, however that they will not find any of their secrets betrayed; but I trust they will find it proved, that their art is the remains of a very fine ancient system, or, perhaps, more properly, a branch of the fine and beautiful system of WISDOM which, in this work, I have developed.”

Godfrey Higgins book Anacalypsis

Preface to Vol. I.
Anacalypsis (published 1833)

Wisdom, Secret, Books, World

“Nevertheless I like being in Norway [to escape the Nazi threat Schwitters fled to Norway, c. 1937], for it is a country of unparalleled beauty... I paint landscapes and portraits, model portrait, glue and paint abstract pictures and glue abstract plastic art; besides, I write poetry in German... What distresses me most of all is that I cannot live in my 'Merzraum' [a sculptured studio-space, Schwitters had built in Germany in the 1920's, but bomb-damaged in the war] and that it may be given up to destruction. For that reason I ask you once more, can you keep your ear to the ground again, to see if anyone in America is willing to give me an opportunity to shape a three-dimensional room?”

Kurt Schwitters (1887–1948) German artist

In a letter to w:Galka Scheyer, 24 July 1937; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, Stedelijk Museum Amsterdam, NAI Publishers, Rotterdam 2000, p. 41.
1930s
Source: http://www.sprengel-museum.de/bilderarchiv/sprengel_deutsch/fotos/merzbau1933_530.jpg

War, Art, Painting, Country

“You can look at any painting ever done of Jesus over the centuries, and you can spot immediately that he's not English, 'cos he's very often shown wearing sandals, but never with socks. I think that would be an English Messiah's look, wouldn't it? - socks, sandals, khaki shorts skimming the knee, little Fair Isle slipover - in case it turns, 'cos it's deceptive, the desert - and I think, instead of all that camp and rather beautiful 'Oh Lord, why hast thou forsaken me?' business - instead of all that - I think he'd be up there trying to make the best of it - 'cos moping doesn't help, does it? I think he'd be up there going, 'Cor, here's a pretty pickle. No, I didn't do it either, but you don't like to say, do you?' (Wrap Up Warm tour, May 2004)”

Linda Smith (1958–2006) comedian

Stand-up

Business, Thinking, Help, Painting