“The one thing that the public dislike is novelty. Any attempt to extend the subject matter of art is extremely distasteful to the public; and yet the vitality and progress of art depend in a large measure on the continual extension of subject-matter. The public dislike novelty because they are afraid of it. It represents to them a mode of Individualism, an assertion on the part of the artist that he selects his own subject, and treats it as he chooses.”

—  Oscar Wilde, book The Soul of Man under Socialism

The Soul of Man Under Socialism (1891)

Adopted from Wikiquote. Last update Sept. 27, 2023. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The one thing that the public dislike is novelty. Any attempt to extend the subject matter of art is extremely distaste…" by Oscar Wilde?
Oscar Wilde photo
Oscar Wilde812
Irish writer and poet 1854–1900

Related quotes

“The public examination of homosexuality in our contemporary life is still so coated with distasteful moral connotations that even a reviewer is bound to wonder uneasily why he was selected to evaluate a book on the subject, and to assert defensively at the outset that he is happily married, the father of four children and the one-time adornment of his college boxing, track and tennis teams.”

Sydney J. Harris (1917–1986) American journalist

On Jess Stearn’s The Sixth Man, Saturday Review (April 22, 1961)

Preston Manning photo

“Nothing disturbs me more than superficiality and mere sloganizing on matters of public policy, and the suspicion that what the speaker is saying represents the full extent of his knowledge on the subject.”

Preston Manning book The New Canada

Source: The New Canada (1992), Chapter Fifteen, A New National Party, p. 281

Alberto Giacometti photo

“In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist's obsession with his subject; the form is always in proportion to the obsession.”

Alberto Giacometti (1901–1966) Swiss sculptor and painter (1901-1966)

Alberto Giacometti (1945), as cited in: Joel Shatzky, ‎Michael Taub (1999), Contemporary Jewish-American Dramatists and Poets. p. 302

Leonardo Da Vinci photo

“When you wish to represent a man speaking to a number of people, consider the matter of which he has to treat and adapt his action to the subject.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
Context: When you wish to represent a man speaking to a number of people, consider the matter of which he has to treat and adapt his action to the subject. Thus, if he speaks persuasively, let his action be appropriate to it. If the matter in hand be to set forth an argument, let the speaker, with the fingers of the right hand hold one finger of the left hand, having the two smaller ones closed; and his face alert, and turned towards the people with mouth a little open, to look as though he spoke; and if he is sitting let him appear as though about to rise, with his head forward. If you represent him standing make him leaning slightly forward with body and head towards the people. These you must represent as silent and attentive, all looking at the orator's face with gestures of admiration; and make some old men in astonishment at the things they hear, with the corners of their mouths pulled down and drawn in, their cheeks full of furrows, and their eyebrows raised, and wrinkling the forehead where they meet.

Fernando Botero photo

“My subject matter is Colombia and it has always been Colombia; I lived many years in New York, in Paris, and I have never had the feeling to paint an American or a French subject matter. The thing is that the art - and the artist - must have roots in his own land, in his own life: my life is in Colombia, and my land is Colombia. Now, of course, the language that you use to express the subject matter must be universal: the composition, the colour, the balance, etc. In this sense, subject must be local, but the language must be universal, in order to touch any human being in the world…”

Fernando Botero (1932–2023) Colombian artist

On staying with Colombia as his subject matter in “Interview: Fernando Botero” http://www.timeoutshanghai.com/features/Art-Art_Features/34176/Interview-Fernando-Botero.html in TimeOut Shanghai (2016 Feb 25)

“We never have any understanding of any subject matter except in terms of our own mental constructs of "things" and "happenings" of that subject matter.”

Douglas T. Ross (1929–2007) American computer scientist

Source: Structured analysis (SA): A language for communicating ideas (1977), p. 19.

Lloyd Kenyon, 1st Baron Kenyon photo

“All Governments rest mainly on public opinion, and to that of his own subjects every wise Sovereign will look. The opinion of his subjects will force a Sovereign to do his duty, and by that opinion will he be exalted or depressed in the politics of the world.”

Lloyd Kenyon, 1st Baron Kenyon (1732–1802) British Baron

Trial of John Vint and others (1799), 27 How. St. Tr. 640.

William Empson photo

“To produce pure proletarian art the artist must be at one with the worker; this is impossible, not for political reasons, but because the artist never is at one with any public.”

William Empson (1906–1984) English literary critic and poet

Some Versions of Pastoral (London: Chatto & Windus, 1935) p. 15.
Other

Maimónides photo

“He who thinks he can have flesh and bones without being subject to any external influence, or any accidents of matter, unconsciously wishes to reconcile two opposites, viz., to be at the same time subject and not subject to change. If man were never subject to change there could be no generation; there would be one single being, but no individuals forming a species.”

Maimónides book The Guide for the Perplexed

Compare Galileo, "...for my part I consider the earth very noble and admirable precisely because of the diverse alterations, changes, generations, etc. that occur in it incessantly. If, not being subject to any changes... I should deem it a useless lump in the universe, devoid of activity and, in a word, superfluous and essentially non-existent." Dialogue Concerning the Two Chief World Systems (1632)
Source: Guide for the Perplexed (c. 1190), Part III, Ch.12

Edmund Burke photo

“Their own approbation of their own acts has to them the appearance of a public judgment in their favor. A perfect democracy is, therefore, the most shameless thing in the world. As it is the most shameless, it is also the most fearless. No man apprehends in his person that he can be made subject to punishment.”

Edmund Burke book Reflections on the Revolution in France

Reflections on the Revolution in France (1790)
Context: Where popular authority is absolute and unrestrained, the people have an infinitely greater, because a far better founded, confidence in their own power. They are themselves, in a great measure, their own instruments. They are nearer to their objects. Besides, they are less under responsibility to one of the greatest controlling powers on the earth, the sense of fame and estimation. The share of infamy that is likely to fall to the lot of each individual in public acts is small indeed; the operation of opinion being in the inverse ratio to the number of those who abuse power. Their own approbation of their own acts has to them the appearance of a public judgment in their favor. A perfect democracy is, therefore, the most shameless thing in the world. As it is the most shameless, it is also the most fearless. No man apprehends in his person that he can be made subject to punishment.

Related topics