Hermann Hesse cytaty

Źródło: Myślę, więc jestem: aforyzmy, maksymy, sentencje, oprac. Czesława i Joachim Glenskowie, Antyk, Kęty 1993, ISBN 8386482001, s. 159.

Wilk stepowy

Rosshalde

motto wiersza Pawła Barańskiego.
Źródło: neurokultura.pl http://www.neurokultura.pl/poezja/32-pawe-baraski-wiersze.html

Źródło: Collin Wilson, Outsider-artysta (van Gogh), „Życie Literackie” nr 9, 2 marca 1958, s. 10 http://mbc.malopolska.pl/dlibra/doccontent?id=14903.

Klingsor w rozmowie z Louisem
Źródło: Ostatnie lato Klingsora s. 290 [w:] W słońcu dawnych dni

Źródło: Namysł

Demian

Rosshalde

Wilk stepowy

Źródło: Siddhartha, tłum. Małgorzata Łukasiewicz

Rosshalde

Mistrz gry szklanych paciorków (magister ludi) do Józefa Knechta podczas wizyty w domu mistrza po ukończeniu kastalskiej szkoły średniej.
Gra szklanych paciorków
Źródło: Gra szklanych paciorków (rozdz. Powołanie), tłum. Maria Kurecka, Wydawnictwo Poznańskie 1971, s. 81

Jedna z reguł Zakonu Kastalskiego, którą wstępujący do niego Józef Knecht otrzymał jako zadanie, przedmiot medytacji.
Gra szklanych paciorków
Źródło: Gra szklanych paciorków (rozdz. Lata studiów), tłum. Maria Kurecka, Wydawnictwo Poznańskie 1971, s. 140

Narcyz i Złotousty
Źródło: tłum. Marceli Tarnowski, Oficyna Wydawnicza Most, Warszawa 1991, s. 65

Demian

Wilk stepowy

Mistrz gry szklanych paciorków (magister ludi) do Józefa Knechta podczas wizyty w kastalskiej szkole drugiego stopnia w Waldzell.
Gra szklanych paciorków
Źródło: Gra szklanych paciorków (rozdz. Waldzell), tłum. Maria Kurecka, Wydawnictwo Poznańskie 1971, s. 102

Źródło: Ostatnie lato Klingsora, s. 288 w: W słońcu dawnych dni

Demian

Rosshalde

Rosshalde

Źródło: Demian (1919), p. 147
Kontekst: Certainly you shouldn't go kill somebody or rape a girl, no! But you haven't reached the point where you can understand the actual meaning of "permitted" and "forbidden." You've only sensed part of the truth. You will feel the other part, too, you can depend on it. For instance, for about a year you have had to struggle with a drive that is stronger than any other and which is considered "forbidden." The Greeks and many other peoples, on the other hand, elevated this drive, made it divine and celebrated it in great feasts. What is forbidden, in other words, is not something eternal; it can change. Anyone can sleep with a woman as soon as he's been to a pastor with her and has married her, yet other races do it differently, even nowadays. Each of us has to find out for himself what is permitted and what is forbidden — forbidden for him. It's possible for one never to transgress a single law and still be a bastard. And vice versa. Actually it's only a question of convenience. Those who are too lazy and comfortable to think for themselves and be their own judges obey the laws. Others sense their own laws within them; things are forbidden to them that every honorable man will do any day in the year and other things are allowed to them that are generally despised. Each person must stand on his own feet.

Źródło: Demian (1919), p. 146
Kontekst: Only the ideas that we actually live are of any value. You knew all along that your sanctioned world was only half the world and you tried to suppress the second half the same way the priests and teachers do. You won't succeed. No one succeeds in this once he has begun to think.

H. Rosner, trans. (Bantam: 1971), p. 140
Siddhartha (1922)
Kontekst: What could I say to you that would be of value, except that perhaps you seek too much, that as a result of your seeking you cannot find. … When someone is seeking, it happens quite easily that he only sees the thing that he is seeking; that he is unable to find anything, unable to absorb anything, because he is only thinking of the thing he is seeking, because he has a goal, because he is obsessed with his goal. Seeking means: to have a goal; but finding means: to be free, to be receptive, to have no goal. You, O worthy one, are perhaps indeed a seeker, for in striving towards your goal, you do not see many things that are under your nose.

Steppenwolf (1927)

H. Rosner, trans. (Bantam: 1971), pp. 76-79
Siddhartha (1922)
Kontekst: The world had caught him; pleasure, covetousness, idleness, and finally also that vice he had always despised and scorned as the most foolish—acquisitiveness. Property, possessions and riches had also finally trapped him. They were no longer a game and a toy. They had become a chain and a burden.

The Glass Bead Game (1943)
Kontekst: "If only there were a dogma to believe in. Everything is contradictory, everything tangential; there are no certainties anywhere. Everything can be interpreted one way and then again interpreted in the opposite sense. The whole of history can be explained as development and progress and can also be seen as nothing but decadence and meaninglessness. Isn't there any truth? Is there no real and valid doctrine?"
The Master had never heard him speak so fervently. He walked on in silence for a little, then said, "There is truth, my boy. But the doctrine you desire, absolute, perfect dogma that alone provides wisdom, does not exist. Nor should you long for a perfect doctrine, my friend. Rather, you should long for the perfection of yourself. The deity is within you, not in ideas and books. Truth is lived, not taught. Be prepared for conflicts, Joseph Knecht — I can see they have already begun."

Siddhartha (1922)
Kontekst: Listen my friend! I am a sinner and you are a sinner, but someday the sinner will be Brahma again, will someday attain Nirvana, will someday become a Buddha. Now this "someday" is illusion; it is only a comparison. The sinner is not on his way to a Buddha-like state; he is not evolving, although our thinking cannot conceive things otherwise. No, the potential Buddha already exists in the sinner; his future is already there. The potential hidden Buddha must be recognized in him, in you, in everybody. The world, Govinda, is not imperfect or slowly evolving along a path to perfection. No, it is perfect at every moment; every sin already carries grace within it, all small children are potential old men, all sucklings have death within them, all dying people — eternal life. It is not possible for one person to see how far another is on the way; the Buddha exits in robber and the dice player; the robber exists in the Brahmin. During deep meditation it is possible to dispel time, to see simultaneously all the past, present, and future, and then everything is good, everything is perfect, everything is Brahman.

The Glass Bead Game (1943)
Kontekst: "If only there were a dogma to believe in. Everything is contradictory, everything tangential; there are no certainties anywhere. Everything can be interpreted one way and then again interpreted in the opposite sense. The whole of history can be explained as development and progress and can also be seen as nothing but decadence and meaninglessness. Isn't there any truth? Is there no real and valid doctrine?"
The Master had never heard him speak so fervently. He walked on in silence for a little, then said, "There is truth, my boy. But the doctrine you desire, absolute, perfect dogma that alone provides wisdom, does not exist. Nor should you long for a perfect doctrine, my friend. Rather, you should long for the perfection of yourself. The deity is within you, not in ideas and books. Truth is lived, not taught. Be prepared for conflicts, Joseph Knecht — I can see they have already begun."

The Glass Bead Game (1943)
Kontekst: Under the shifting hegemony of now this, now that science or art, the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical and mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.

Źródło: Steppenwolf (1927), p. 16
Kontekst: Wait a moment, here I have it. This: 'Most men will not swim before they are able to.' Is not that witty? Naturally, they won't swim! They are born for the solid earth, not for the water. And naturally they won't think. They are made for life, not for thought. Yes, and he who thinks, what's more, he who makes thought his business, he may go far in it, but he has bartered the solid earth for the water all the same, and one day he will drown.

The Glass Bead Game (1943)
Kontekst: It is a pity that you students aren't fully aware of the luxury and abundance in which you live. But I was exactly the same when I was still a student. We study and work, don't waste much time, and think we may rightly call ourselves industrious — but we are scarcely conscious of all we could do, all that we might make of our freedom. Then we suddenly receive a call from the hierarchy, we are needed, are given a teaching assignment, a mission, a post, and from then on move up to a higher one, and unexpectedly find ourselves caught in a network of duties that tightens the more we try to move inside it. All the tasks are in themselves small, but each one has to be carried out at its proper hour, and the day has far more tasks than hours. That is well; one would not want it to be different. But if we ever think, between classroom, archives, secretariat, consulting room, meetings, and official journeys — if we ever think of the freedom we possessed and have lost, the freedom for self-chosen tasks, for unlimited, far-flung studies, we may well feel the greatest yearning for those days, and imagine that if we ever had such freedom again we would fully enjoy its pleasures and potentialities.

Źródło: Demian (1919), p. 123
Kontekst: People with courage and character always seem sinister to the rest. It was a scandal that a breed of fearless and sinister people ran around freely, so they attached a nickname and a myth to these people to get even with them, to make up for the many times they had felt afraid.

Źródło: Demian (1919), p. 162
Kontekst: One of the aphorisms occurred to me now and I wrote it under the picture: "Fate and temperament are two words for one and the same concept." That was clear to me now.

The Glass Bead Game (1943)
Kontekst: To be capable of everything and do justice to everything, one certainly does not need less spiritual force and èlan and warmth, but more. What you call passion is not spiritual force, but friction between the soul and the outside world. Where passion dominates, that does not signify the presence of greater desire and ambition, but rather the misdirection of these qualities toward an isolated and false goal, with a consequent tension and sultriness in the atmosphere. Those who direct the maximum force of their desires toward the center, toward true being, toward perfection, seem quieter than the passionate souls because the flame of their fervor cannot always be seen.

Źródło: Gertrude (1910), p. 164
Kontekst: The south winds roars at night,
Curlews hasten in their flight,
The air is damp and warm.
Desire to sleep has vanished now,
Spring has arrived in the night
In the wake of a storm.

Siddhartha (1922)
Kontekst: Everything that is thought and expressed in words is one-sided, only half the truth; it all lacks totality, completeness, unity. When the Illustrious Buddha taught about the world, he had to divide it into Samsara and Nirvana, illusion and truth, into suffering and salvation. One cannot do otherwise, there is no other method for those who teach. But the world itself, being in and around us, is never one-sided. Never is a man or a deed wholly Samsara or wholly Nirvana; never is a man wholly a saint or a sinner. This only seems so because we suffer the illusion that time is something real.

Sometimes quoted in grammatically corrected form as "They always become a little different immediately after they are expressed..." but the apparent editing error here is retained in the published versions of this translation.
Siddhartha (1922)
Kontekst: Words do not express thoughts very well. They always become a little different immediately after they are expressed, a little distorted, a little foolish. And yet it also pleases me and seems right that what is of value and wisdom to one man seems nonsense to another.

Źródło: Gertrude (1910), p. 236
Kontekst: It was no different with my own life, and with Gertrude's and that of many others. Fate was not kind, life was capricious and terrible, and there was no good or reason in nature. But there is good and reason in us, in human beings, with whom fortune plays, and we can be stronger than nature and fate, if only for a few hours. And we can draw close to one another in times of need, understand and love one another, and live to comfort each other. And sometimes, when the black depths are silent, we can do even more. We can then be gods for moments, stretch out a commanding hand and create things which were not there before and which, when they are created, continue to live without us. Out of sounds, words, and other frail and worthless things, we can construct playthings — songs and poems full of meaning, consolation and goodness, more beautiful and enduring than the grim sport of fortune and destiny. We can keep the spirit of God in our hearts and, at times, when we are full of Him, He can appear in our eyes and our words, and also talk to others who do no know or do not wish to know Him. We cannot evade life's course, but we can school ourselves to be superior to fortune and also to look unflinchingly upon the most painful things.

Źródło: Demian (1919), p. 147
Kontekst: Certainly you shouldn't go kill somebody or rape a girl, no! But you haven't reached the point where you can understand the actual meaning of "permitted" and "forbidden." You've only sensed part of the truth. You will feel the other part, too, you can depend on it. For instance, for about a year you have had to struggle with a drive that is stronger than any other and which is considered "forbidden." The Greeks and many other peoples, on the other hand, elevated this drive, made it divine and celebrated it in great feasts. What is forbidden, in other words, is not something eternal; it can change. Anyone can sleep with a woman as soon as he's been to a pastor with her and has married her, yet other races do it differently, even nowadays. Each of us has to find out for himself what is permitted and what is forbidden — forbidden for him. It's possible for one never to transgress a single law and still be a bastard. And vice versa. Actually it's only a question of convenience. Those who are too lazy and comfortable to think for themselves and be their own judges obey the laws. Others sense their own laws within them; things are forbidden to them that every honorable man will do any day in the year and other things are allowed to them that are generally despised. Each person must stand on his own feet.

As translated by Ejvind Haas
Siddhartha (1922)
Kontekst: When you throw a rock into the water, it will speed on the fastest course to the bottom of the water. This is how it is when Siddhartha has a goal, a resolution. Siddhartha does nothing, he waits, he thinks, he fasts, but he passes through the things of the world like a rock through water, without doing anything, without stirring; he is drawn, he lets himself fall. His goal attracts him, because he doesn't let anything enter his soul which might oppose the goal. This is what Siddhartha has learned among the Samanas. This is what fools call magic and of which they think it would be effected by means of the daemons. Nothing is effected by daemons, there are no daemons. Everyone can perform magic, everyone can reach his goals, if he is able to think, if he is able to wait, if he is able to fast.

Źródło: Demian (1919), p. 9 Prologue
Kontekst: I do not consider myself less ignorant than most people. I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teachings my blood whispers to me. My story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams — like the lives of all men who stop deceiving themselves.
Each man's life represents the road toward himself, and attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself. Yet each one strives to become that — one in an awkward, the other in a more intelligent way, each as best he can.

Źródło: Demian (1919), p. 94
Kontekst: You must find your dream, then the way becomes easy. But there is no dream that lasts forever, each dream is followed by another, and one should not cling to any particular one.

As translated by Ejvind Haas
Siddhartha (1922)
Kontekst: When you throw a rock into the water, it will speed on the fastest course to the bottom of the water. This is how it is when Siddhartha has a goal, a resolution. Siddhartha does nothing, he waits, he thinks, he fasts, but he passes through the things of the world like a rock through water, without doing anything, without stirring; he is drawn, he lets himself fall. His goal attracts him, because he doesn't let anything enter his soul which might oppose the goal. This is what Siddhartha has learned among the Samanas. This is what fools call magic and of which they think it would be effected by means of the daemons. Nothing is effected by daemons, there are no daemons. Everyone can perform magic, everyone can reach his goals, if he is able to think, if he is able to wait, if he is able to fast.

Wenn wir einen Menschen hassen, so hassen wir in seinem Bild etwas, was in uns selber sitzt. Was nicht in uns selber ist, das regt uns nicht auf.
Źródło: Demian (1919), p. 182

Siddhartha (1922)
Kontekst: Wisdom is not communicable. The wisdom which a wise man tries to communicate always sounds foolish... Knowledge can be communicated, but not wisdom. One can find it, live it, do wonders through it, but one cannot communicate and teach it.

Źródło: Steppenwolf (1927), p. 32

Źródło: Gertrude (1910), p. 217