Quotes about young
page 18

Charles Dodgson (archdeacon) photo
John Dryden photo
Colin Moulding photo
Jonathan Edwards photo

“They say there is a young lady in [New Haven] who is beloved of that Great Being, who made and rules the world, and that there are certain seasons in which this Great Being, in some way or other invisible, comes to her and fills her mind with exceeding sweet delight; and that she hardly cares for any thing, except to meditate on him— that she expects after a while to be received up where he is, to be raised up out of the world and caught up into heaven; being assured that he loves her too well to let her remain at a distance from him always. There she is to dwell with him, and to be ravished with his love and delight for ever. Therefore, if you present all the world before her, with the richest of its treasures, she disregards it and cares not for it, and is unmindful of any pain or affliction. She has a strange sweetness in her mind, and singular purity in her affections; is most just and conscientious in all her conduct; and you could not persuade her to do any thing wrong or sinful, if you would give her all the world, lest she should offend this Great Being. She is of a wonderful sweetness, calmness, and universal benevolence of mind; especially after this Great God has manifested himself to her mind. She will sometimes go about from place to place, singing sweetly; and seems to be always full of joy and pleasure; and no one knows for what. She loves to be alone, walking in the fields and groves, and seems to have some one invisible always conversing with her.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

Written in 1723; from The Works of President Edwards, vol. I, ed. Sereno B. Dwight, 1830.
The young woman described here was Sarah Pierrepont, who became Edwards' wife in 1727.

Pan Wen-chung photo

“English proficiency opens up opportunities for young (Taiwanese) people. We must do this for the next generation.”

Pan Wen-chung (1962) Taiwanese educator and politician

Pan Wen-chung (2018) cited in " Premier to set goals in 2019 for making English official language http://focustaiwan.tw/news/aipl/201808270018.aspx" on Focus Taiwan, 27 August 2018

Democritus photo

“Of all things the worst to teach the young is dalliance, for it is this that is the parent of those pleasures from which wickedness springs.”

Democritus Ancient Greek philosopher, pupil of Leucippus, founder of the atomic theory

Source Book in Ancient Philosophy (1907), The Golden Sayings of Democritus

Ilana Mercer photo
Bear Bryant photo

“Recruiting is the one thing I hate. I won't do it unless my coaches tell me I've just got to. The whole process is kind of undignified for me and the young man.”

Bear Bryant (1913–1983) American college football coach

Source: Football's Supercoach, B.J., Phillips, Sep. 29, 1980, Time, 6, 2008-12-11 http://www.time.com/time/magazine/article/0,9171,952802-6,00.html,

Robert Hunter photo
Sri Aurobindo photo
Jorge Luis Borges photo

“Of course, like all young men, I tried to be as unhappy as I could — a kind of Hamlet and Raskolnikov rolled into one.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Autobiographical Notes (1970)

Fred Astaire photo

“Of all the actors and actresses I've ever worked with, the hardest worker is Fred Astaire. He behaved like he was a young man whose whole destiny depended on being successful in his first film. He rehearses between takes, after takes - there's no limit to his professionalism.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Rouben Mamoulian in Lecture and discussion at University of Southern California, December 7, 1975. Tape recording, Special Collections, University of Southern California. (M).

Halldór Laxness photo

“There are three ways of trying to win the young. You can preach at them—that is a hook without a worm. You can say, "You must volunteer"—that is of the devil. And you can tell them, "You are needed"—that appeal hardly ever fails.”

Kurt Hahn (1886–1974) German educator

John Gookin, NOLS Wilderness Wisdom: Quotes for Inspirational Exploration (2003), ISBN 0811726460, p. 45.
Attributed

Letitia Elizabeth Landon photo
A. James Gregor photo
Henry Adams photo
Pierre Corneille photo

“True, I am young, but for souls nobly born
Valor doesn’t await the passing of years.”

Je suis jeune, il est vrai; mais aux âmes bien nées
La valeur n’attend point le nombre des années.
Don Rodrigue, act II, scene ii.
Le Cid (1636)

Camille Paglia photo
Common (rapper) photo

“Let the truth be told from young souls that become old
From days spent in the jungle, where must one go
To find it, time is real, we can't rewind it
Out of everybody I met, who told the truth?
Time did”

Common (rapper) (1972) American rapper, actor and author from Illinois

"The Truth", Pharoahe Monch Internal Affairs (1999)
Albums, Compilations, Singles, and Cameos

Sherwood Anderson photo
George Burns photo
Letitia Elizabeth Landon photo
Anthony Burgess photo
Balasaraswati photo

“When asked why she thought there was deterioration in standards and expectations of art, she suggested it was the result of the fuss generated around young dancers, the pressures to perform at an early debut, and the indiscriminate acclaim given to young dancers before they had found their feet.”

Balasaraswati (1918–1984) Indian dancer

On her abhinaya (the art of expression'). Dance readings and musings Balasaraswati: Her Art and Life, 1 December 2013, Narthaki.com http://www.narthaki.com/info/bookrev/bkrev1a.html,
Quote

John Wallis photo
Umberto Boccioni photo

“To the Young Artists of Italy!
The cry of rebellion that we launch, linking our ideals with those of the Futurist poets, does not originate in an aesthetic clique. It expresses the violent desire that stirs in the veins of every creative artist today.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Original text:
Agli artisti giovani d'Italia!
Il grido di ribellione che noi lanciamo, associando i nostri ideali a quelli dei poeti futuristi, non parte già da una chiesuola estetica, ma esprime il violento desiderio che ribolle oggi nelle vene di ogni artista creatore.
Source: 1910, Manifesto of Futurist Painters', Feb. 1910, p. 24: Lead paragraph

Peter Kropotkin photo
Jerome K. Jerome photo
Aldo Leopold photo

“There're so many young guys, you know — young Americans and, yes, young men everywhere — a whole generation of people younger than me who have grown up feeling inadequate as men because they haven't been able to fight in a war and find out whether they are brave or not. Because it is in an effort to prove this bravery that we fight — in wars or in bars — whereas if a man were truly brave he wouldn't have to be always proving it to himself. So therefore I am forced to consider bravery suspect, and ridiculous, and dangerous. Because if there are enough young men like that who feel strongly enough about it, they can almost bring on a war, even when none of them want it, and are in fact struggling against having one. (And as far as modern war is concerned I am a pacifist. Hell, it isn't even war anymore, as far as that goes. It's an industry, a big business complex.) And it's a ridiculous thing because this bravery myth is something those young men should be able to laugh at. Of course the older men like me, their big brothers, and uncles, and maybe even their fathers, we don't help them any. Even those of us who don't openly brag. Because all the time we are talking about how scared we were in the war, we are implying tacitly that we were brave enough to stay. Whereas in actual fact we stayed because we were afraid of being laughed at, or thrown in jail, or shot, as far as that goes.”

James Jones (1921–1977) American author

The Paris Review interview (1958)

Vincent Gallo photo
François de La Rochefoucauld photo

“It is useless to be young without being beautiful, or beautiful without being young.”

Il ne sert à rien d'être jeune sans être belle, ni d'être belle sans être jeune.
Maxim 497.
Reflections; or Sentences and Moral Maxims (1665–1678)

William Saroyan photo

“Now, if Mr. Shaw and Mr. Saroyan are poles apart, no comparison between the two, one great and the other nothing, one a genius and the other a charlatan, let me repeat that if you must know which writer has influenced my writing when influences are real and for all I know enduring, then that writer has been George Bernard Shaw. I shall in my own day influence a young writer or two somewhere or other, and no one need worry about that.
Young Shaw, hello out there.”

William Saroyan (1908–1981) American writer

In the The Bicycle Rider In Beverly Hills (1952) Saroyan additionally wrote of Shaw:
He was a gentle, delicate, kind, little man who had established a pose, and then lived it so steadily and effectively that the pose had become real. Like myself, his nature has been obviously a deeply troubled one in the beginning. He had been a man who had seen the futility, meaninglessness and sorrow of life but had permitted himself to thrust aside these feelings and to perform another George Bernard Shaw, which is art and proper.
Hello Out There (1941)

John Banville photo
Mary Wollstonecraft Shelley photo

“I shall thus give a general answer to the question, so frequently asked me—"How I, then a young girl, came to think of, and to dilate upon, so very hideous an idea?"”

Mary Wollstonecraft Shelley (1797–1851) English novelist, short story writer, dramatist, essayist, biographer, and travel writer

Introduction http://www.rc.umd.edu/editions/frankenstein/1831v1/intro.html to the 1831 edition of Frankenstein

Martin Firrell photo

“The bodily strength, the fierceness and beauty of young women.”

Martin Firrell (1963) British artist and activist

"Complete Hero" (2009)

Errol Flynn photo
Alexis Bledel photo
Phil Ochs photo

“So do your duty, boys, and join with pride
Serve your country in her suicide
Find the flags so you can wave goodbye
But just before the end even treason might be worth a try
This country is too young to die
I declare the war is over
It's over, it's over.”

Phil Ochs (1940–1976) American protest singer and songwriter

"The War Is Over" http://web.cecs.pdx.edu/~trent/ochs/lyrics/war-is-over.html from Tape from California (1968)
Lyrics

John Updike photo

“[Harry listening to car radio] …he resents being made to realise, this late, that the songs of his life were as moronic as the rock the brainless kids now feed on, or the Sixties and Seventies stuff that Nelson gobbled up – all of it designed for empty heads and overheated hormones, an ocean white with foam, and listening to it now is like trying to eat a double banana split the way he used to. It's all disposable, cooked up to turn a quick profit. They lead us down the garden path, the music manufacturers, then turn around and lead the next generation down with a slightly different flavour of glop.
Rabbit feels betrayed. He was reared in a world where war was not strange but change was: the world stood still so you could grow up in it. He knows when the bottom fell out. When they closed down Kroll's, Kroll's that had stood in the centre of Brewer all those years, bigger than a church, older than a courthouse, right at the head of Weiser Square there,… […] So when the system just upped one summer and decided to close Kroll's down, just because shoppers had stopped coming in because the downtown had become frightening to white people, Rabbit realised the world was not solid and benign, it was a shabby set of temporary arrangements rigged up for the time being, all for the sake of money. You just passed through, and they milked you for what you were worth, mostly when you were young and gullible. If Kroll's could go, the courthouse could go, the banks could go. When the money stopped, they could close down God himself.”

Rabbit at Rest (1990)

James Robert Flynn photo
Paul Weller (singer) photo

“Life is a drink and you get drunk when you're young.”

Paul Weller (singer) (1958) English singer-songwriter, Guitarist

When You're Young (1979)

Roger Waters photo
Robert Jordan photo

“When a young woman's cheeks redden for no apparent reason, there is usually a man involved.”

Robert Jordan (1948–2007) American writer

Sorilea to Egwene al'Vere
(15 October 1994)

Muammar Gaddafi photo

“When I met Nasser, he said to me, "I see myself when I was young in you. You are the future for the Arab revolution." This meant very, very much to me.”

Muammar Gaddafi (1942–2011) Libyan revolutionary, politician and political theorist

The Pittsburgh Press (3 August 1986) "Gadhafi, the man the world loves to hate" by Marie Colvin (UPI)

Thomas Moore photo

“But there's nothing half so sweet in life
As love's young dream.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Love's Young Dream', st. 1.
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

Ernest Hemingway photo

“The faces that were young once were old as mine but everyone remembered how we were. The eyes had not changed and nobody was fat. No mouths were bitter no matter what the eyes had seen. Bitter lines around the mouth are the first sign of defeat. Nobody was defeated.”

Ernest Hemingway (1899–1961) American author and journalist

It is July 1959 and Hemingway is in Marceliano's bar in Pamplona, where he has not been since before the Spanish Civil War. In the following paragraph Hemingway mentions for contrast an unpleasant American journalist in his early twenties whose 'handsome young face already showed the traced lines of bitterness around the upper lips.'
Source: The Dangerous Summer (1985), Ch. 9

Fidel Castro photo

“They corrupt the morals of young girls and destroy posters of Che! What do they think? That this is a bourgeois liberal regime? NO! There is nothing liberal in us! We are collectivists! We are communists! There will be no Prague Spring here!”

Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba

As quoted in Exposing the Real Che Guevara: And the Useful Idiots Who Idolize Him http://archive.li/OvPcZ (August 2008), by Humberto Fontova

Letitia Elizabeth Landon photo
André Maurois photo

“The friendship of two young people," says Goethe somewhere, "is delightful when the girl likes to learn and the boy to teach.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Friendship

Nancy Reagan photo
Chuck Berry photo
Neil Diamond photo

“Shilo when I was young,
I used to call your name.
When no one else would come,
Shilo you always came and we'd play.”

Neil Diamond (1941) American singer-songwriter

Shiloh
Song lyrics, Just for You (1967)

Max Stirner photo
Willie Mays photo

“Engineers and certified pilots may be expensive but talented young men with a teenager's grasp of risk are surprisingly affordable.”

James Nicoll (1961) Canadian fiction reviewer

[lsllrn$2m3$1@reader1.panix.com, 2014-08-15]
Reviewing Robert Heinlein's Rocket Ship Galileo
2010s

“Masculine process has at its foundation externalization. The young boy is focused away from his inner and personal self and into achievement, performance, competition, success, emotional control (being "cool"), autonomy (not being dependent or needy), fearlessness, action, and an ethic that only values time spent in doing. Anything else is suspect and viewed as lazy, worthless, time-wasting, or meaningless.Externalization, or the process of being pushed outside of oneself, amplifies and eventually becomes disconnection. Personal relationships are then objectified and founded on the role another can play in his life. Relationships are based on doing and are therefore fairly readily interchangeable with anyone else who can do.Disconnection leads men to the experience of being loners, where it's "lonely at the top," and freedom, space, and "doing one's thing," are the rationalized values. Disconnection transforms a man into someone who has everything he wanted externally, but has nothing that is bonded or connected on a personal level. He is "out of touch," so he doesn't know why he's unhappy, and may conclude that the cause of his malaise is that he needs "more." He sets out to get it, but when he gets it he feels deader and more isolated than ever.The end stage of this journey of masculine process is personal oblivion, which can occur early in his life or may not appear full blown until he's an older man, depending on how extreme his externalized process is. At this point, personal connection becomes impossible. He doesn't know he rationalizes his personal emptiness with cynical philosophies and escapes painful awareness through non-relationships he can control by buying. In the end state of oblivion, he is beyond personal reach and can only relate in abstract, depersonalized, intellectualized ways. The only way he is "loved" is in return for providing or taking care of others.”

Herb Goldberg (1937–2019) American psychologist

The Personal Journey of Masculinity: From Externalization to Disconnection to Oblivion, pp. 10–11
What Men Still Don't Know About Women, Relationships, and Love (2007)

Koichi Tohei photo
Oksana Shachko photo
Lucy Lawless photo

“Up until I came here this week, and I met so many women and young girls who feel, to use their word - and I'm a bit embarrassed, but it's a good word - empowered, by watching. I realized this isn't a burden, this is an honor.”

Lucy Lawless (1968) New Zealand actress

Christy Slewinski, New York Daily News (September 29, 1996) "Lucy Lawless is a Star on the Strength of 'Xena'", The Seattle Times, p. 21.

T. B. Joshua photo

“Whether you are young or old, what matters is the grace to continue living hereafter. A man may die young yet be satisfied with living but a wicked man is not satisfied even with long life.”

T. B. Joshua (1963) Nigerian Christian leader

On death - "Atta Mills Died A Martyr" http://ukzambians.co.uk/home/2012/08/01/atta-mills-died-a-martyr-tb-joshua/ UK Zambians" (August 1 2012)

Auguste Rodin photo
Gloria Estefan photo

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Tom Petty photo

“People come, people go.
Some grow young, some grow cold.”

Tom Petty (1950–2017) American musician

You Don't Know How It Feels
Lyrics, Wildflowers (1994)

Anu Partanen photo
William S. Burroughs photo
Orson Scott Card photo
Leo Ryan photo

“Mr. Speaker, the activities of the Rev. Sun Myung Moon's Unification Church continue to cause distress for many of us. As you know, the House Subcommittee on International Organizations, chaired by my distinguished colleague, Donald Fraser, is investigating allegations of close ties between the Reverend Moon and some of his organizations and the South Korean government, including the KCIA. As a member of the subcommittee, I am, of course, disturbed over such allegations. My greatest concern, however, is for those young people who have been converted by these religious cults and for their parents, who have suffered the loss of their children. One of these parents, Mrs. Ida Watson Camburn of Sunnyvale, Calif., brought to my attention the testimony of John G. Clark, Jr., M. D., assistant professor of psychiatry at the Harvard Medical School, before a Vermont Senate committee, which was investigating religious cults. Dr. Clark's remarks, based on 2 ½ years of research, deal with the effects of some religious cults on the mental and physical health and welfare of their converts. I highly recommend his conclusions to my colleagues.”

Leo Ryan (1925–1978) American teacher and politician

Statement read into the United States Congressional Record (3 November 2007), "The Effects of Religious Cults on the Health and Welfare of Their Converts", United States Congressional Record, Vol. 123 Part 29, No. 181 Proceedings and Debates of 95th Congress (First Session).

Anthony Burgess photo
Naomi Wolf photo
Martin Luther King, Jr. photo
Fred Hoyle photo

“When I was young, the old regarded me as an outrageous young fellow, and now that I'm old the young regard me as an outrageous old fellow.”

Fred Hoyle (1915–2001) British astronomer

As quoted in Scientific American (March 1995)

Alison Lohman photo
Charles Kingsley photo
Jim Morrison photo

“The old get older
And the young get stronger
May take a week
And it may take longer
They got the guns
But we got the numbers
Gonna win, yeah
We're takin' over
Come on!”

Jim Morrison (1943–1971) lead singer of The Doors

"Five to One" on the album Waiting for the Sun (1968)

Lyndon B. Johnson photo

“For tonight, as so many nights before, young Americans struggle and young Americans die in a distant land. Tonight, as so many nights before, the American Nation is asked to sacrifice the blood of its children and the fruits of its labor for the love of its freedom. How many times—in my lifetime and in yours—have the American people gathered, as they do now, to hear their President tell them of conflict and tell them of danger? Each time they have answered. They have answered with all the effort that the security and the freedom of this nation required. And they do again tonight in Vietnam. Not too many years ago Vietnam was a peaceful, if troubled, land. In the North was an independent Communist government. In the South a people struggled to build a nation, with the friendly help of the United States. There were some in South Vietnam who wished to force Communist rule on their own people. But their progress was slight. Their hope of success was dim. Then, little more than six years ago, North Vietnam decided on conquest. And from that day to this, soldiers and supplies have moved from North to South in a swelling stream that is swallowing the remnants of revolution in aggression. As the assault mounted, our choice gradually became clear. We could leave, abandoning South Vietnam to its attackers and to certain conquest, or we could stay and fight beside the people of South Vietnam. We stayed. And we will stay until aggression has stopped.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Murray Bookchin photo
Konrad Heiden photo
Patrick Buchanan photo
Dylan Thomas photo
Allen C. Guelzo photo
Ambrose Bierce photo
Regina E. Dugan photo
Thomas Dunn English photo

“Your eyes were filled with love, Kate Vane;
Ah, would that we were young again!”

Thomas Dunn English (1819–1902) American state and federal politician

Kate Vane, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Robert Graves photo
Anthony Trollope photo
Georg Brandes photo

“The educator shall help the young to educate themselves in opposition to the age.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: An Essay on Aristocratic Radicalism (1889), p. 11