Quotes about writing
page 36

Abraham Pais photo

“Of course, relative citation frequencies are no measure of relative importance. Who has not aspired to write a paper so fundamental that very soon it is known to everyone and cited by no one?”

Abraham Pais (1918–2000) American Physicist

"Subtle is the Lord…" : The Science and the Life of Albert Einstein (1982), p. 90

Alex Kurtzman photo
Haruki Murakami photo
Ray Bradbury photo
Ben Jonson photo
Alain Badiou photo
William Faulkner photo
Camille Pissarro photo

“P. S. If you happen to see Seurat or if you write to Signac, tell them that I have tried the mixture of cadmium (well recommended by Contet), with red, white and Veronese green. It becomes black in four or five days from the Veronese green. Even blacker than the chrome yellow mixture. Tell this to Contet.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter, Paris, 31 May, 1887, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 114
1880's

Daniel Radcliffe photo
Rasmus Lerdorf photo

“I was really, really bad at writing parsers. I still am really bad at writing parsers.”

Rasmus Lerdorf (1968) Danish programmer and creator of PHP

Itconversations.com http://itc.conversationsnetwork.org/shows/detail3298.html

Calvin Coolidge photo
William Carlos Williams photo
Anthony Burgess photo
Charlotte Salomon photo

“Daberlohn writes: 'The creation of Adam is God's final act which He hurls from His heights into the depths. It is not the same God Who creates eve. This is the tragedy of the king who must hand over his dominion to his son…”

Charlotte Salomon (1917–1943) German painter

written text with brush, in her painting JHM no. 4687 https://charlotte.jck.nl/detail/M004687/part/character/theme/keyword/M004687: in 'Life? or Theater..', p. 569
Charlotte Salomon - Life? or Theater?

Robert Baden-Powell photo

“I do not know whether it was the will of God, or just an evolutionary accident, but as it happens I am Afrikaans. This is a circumstance with which I am normally perfectly content. The truth is that I actually do not think about it too much, just as I do not think about it too much that I have a liver. The current flutterings about Afrikaans, however, I find disturbing. It is not doing the image of Afrikaners, and hence also of Afrikaans, any good.A mere ten years after the end of apartheid (yes, there was such a thing, and it was evil) to beat one's chest in such a self-justificatory manner, is bad taste morally.…
We are … being called up by certain parties to mobilise for Afrikaans, to fight for the survival of Afrikaans, and for minority rights. The problem is, however, that I do not see myself currently as part of a minority. When, in the 1970s and 1980s, as an Afrikaner, I resisted apartheid – and not in the 1990s when it became fashionable – then I felt myself part of a minority. At present I mainly find myself with an enormous feeling of moral relief. I would now like to carry on with my life and make a constructive contribution at the level of content. I do not wish to have to write letters like this one.”

Paul Cilliers (1956–2011) South African philosopher

Paul Cilliers. A letter to The Burger, 10 October 2005; Cited in: Chris Brink (2006) No Lesser Place: The Taaldebat at Stellenbosch. p. 133

Molly Shannon photo

“If you're a woman who doesn't know how to write, you're going to cry every night. But if you do, no problem.”

Molly Shannon (1964) American actress

Interview on Cranky Critic http://www.crankycritic.com/qa/mollyshannon.html

Girish Raghunath Karnad photo

“The subject that interests most writers is, of course, themselves and it is easy subject to talk about. But you know it is always easier if you are a poet or a novelist because you are used to talking in your voice. You suspend your whole life talking as writer directly to the audience. The problem is being playwright is that everything that you write is for someone else to say.”

Girish Raghunath Karnad (1938–2019) Indian playwright

Expressed to R.K.Dhavan, quoted here [Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 116]

Julia Gillard photo
Frederick Douglass photo

“No loftier tribute can be paid to the most illustrious of all the benefactors of mankind than we pay to these unrecognized soldiers when we write above their graves this shining epitaph.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, The Unknown Loyal Dead (1871)

K. R. Narayanan photo
Rose Wilder Lane photo
Bruno Schulz photo
John Milton photo

“He who would not be frustrate of his hope to write well hereafter in laudable things ought himself to be a true poem.”

John Milton (1608–1674) English epic poet

Apology for Smectymnuus (1642)

Muhammad bin Tughluq photo

“During Muslim rule in India, foreign and Indian Muslims were freely bestowed jobs and gifts. Foreign Muslims were most welcome here. They came in large numbers and were well provided for. Muhammad Tughlaq was specially kind to them, as averred by Ibn Battutah. He writes that "the countries contiguous to India like Yemen, Khurasan and Fars are filled with anecdotes about… his generosity to the foreigners in so far as he prefers them to the Indians, honours them, confers on them great favours and makes them rich presents and appoints them to high offices and awards them great benefits". He calls them aziz or dear ones and has instructed his courtiers not to address them as foreigners. 'The sultan ordered for me," writes Ibn Battutah, "a sum of six thousand tankahs, and ordered a sum of ten thousand for Ibn Qazi Misr. Similarly, he ordered sums to be given to all foreigners (a'izza) who were to stay at Delhi, but nothing was given to the metropolitans."… There are scores of instances of Muhammad Tughlaq's generosity to foreigners…. The point to note here is that under Sultan Muhammad so much wealth was awarded to so many deserving and undeserving foreign Muslims that at the close of his reign the Delhi treasury had become bankrupt. There was also the loss of popularity because "the people of India hate the foreigners (Persians, Turks, Khurasanis) because of the favour the sultan shows them."”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Ibn Battutah, trs. Mahdi Husain, p. 105-140. quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5

Marianne Williamson photo
John Steinbeck photo

“The profession of book-writing makes horse-racing seem like a solid, stable business.”

The Acts of King Arthur and His Noble Knights (1976), but a statement he is first quoted as having made in Newsweek (24 December 1962)

Marcus Orelias photo
Patrick Rothfuss photo

“I’m just very careful with my words when I write. Obsessively careful. I’m the sort of person who worries about the difference between “slim” and “slender.””

Patrick Rothfuss (1973) American fantasy writer

Interview with Peter Hodges and Kate Baker http://www.peter-hodges.com/2008/03/21/author-qa-patrick-rothfuss/

“The best way to learn to write is to study the work of the men and women who are doing the kind of writing you want to do.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 13, Bits & Pieces, p. 136.

Dana Gioia photo
Jahangir photo
Pu Songling photo

“My talents are not those of Kan Pao, elegant explorer of the records of the Gods; I am rather animated by the spirit of Su Tung-P'o, who loved to hear men speak of the supernatural. I get people to commit what they tell me to writing, and subsequently I dress it up in the form of a story; thus in the lapse of time my friends from all quarters have supplied me with quantities of material, which, from my habit of collecting, has grown into a vast pile.”

Pu Songling (1640–1715) Chinese writer

"Author's Own Record", trans. Herbert Allen Giles in Gems of Chinese Literature (1922), p. 235 Variant translation: With time And my love of hoarding, The matter sent me by friends From the four corners Has grown into a pile. "Author's Preface", lines 28–32, trans. John Minford in Strange Tales from a Chinese Studio (Penguin, 2006), pp. 30–31
/ Strange Stories from a Chinese Studio (1740)

Hermann Ebbinghaus photo
Richard Brinsley Sheridan photo

“You write with ease to show your breeding,
But easy writing's curst hard reading.”

Richard Brinsley Sheridan (1751–1816) Irish-British politician, playwright and writer

Clio's Protest (1819).

“Just as you can practice three - word sentences or sentences that travel across time zones, so can you practice writing sentences that breathe unshakable conviction.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 5, The Subordinate Style, p. 48

Vanna Bonta photo

“For literary purposes, the art of writing poetry can be simply defined as: A creative act using language as a medium refined to an art.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

Doug Dorst photo
Sienna Guillory photo

“I really enjoy writing. Much more than other people enjoy reading it. What do I write? Nonsense. Diary stuff - when I want to have a conversation but need to clarify my thoughts first.”

Sienna Guillory (1975) British actress

THIS CULTURAL LIFE: SIENNA GUILLORY Article http://findarticles.com/p/articles/mi_qn4159/is_20040523/ai_n12754898. The Independent on Sunday. May 23, 2004.

Samuel Johnson photo
Jeff Flake photo
Langston Hughes photo

“The instructor said, Go home and write
a page tonight.
And let that page come out of you —
Then, it will be true.”

Langston Hughes (1902–1967) American writer and social activist

"Theme from English B"
Montage of a Dream Deferred (1951)

Jorge Luis Borges photo

“The event took place in the month of February of 1969, to the north of Boston, in Cambridge. I didn't write it down right away because my first intention was to forget it, so as not to lose my mind.”

El hecho ocurrió en el mes de febrero de 1969, al norte de Boston, en Cambridge. No lo escribí inmediatamente porque mi primer propósito fue olvidarlo, para no perder la razón.
"The Other" ["El Otro"], The Book of Sand (1975)

Mark Heard photo
Grant Morrison photo
Samuel R. Delany photo
Robert Harris photo
Alexis De Tocqueville photo
Donald A. Norman photo
Siegbert Tarrasch photo
Bobby Fischer photo
Thomas Carlyle photo

“At bottom, it is the Poet's first gift, as it is all men's, that he have intellect enough. He will be a Poet if he have: a Poet in word; or failing that, perhaps still better, a Poet in act. Whether he write at all; and if so, whether in prose or in verse, will depend on accidents: who knows on what extremely trivial accidents, — perhaps on his having had a singing-master, on his being taught to sing in his boyhood! But the faculty which enables him to discern the inner heart of things, and the harmony that dwells there (for whatsoever exists has a harmony in the heart of it, or it would not hold together and exist), is not the result of habits or accidents, but the gift of Nature herself; the primary outfit for a Heroic Man in what sort soever. To the Poet, as to every other, we say first of all, See. If you cannot do that, it is of no use to keep stringing rhymes together, jingling sensibilities against each other, and name yourself a Poet; there is no hope for you. If you can, there is, in prose or verse, in action or speculation, all manner of hope. The crabbed old Schoolmaster used to ask, when they brought him a new pupil, 'But are ye sure he's not a dunce?”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Why, really one might ask the same thing, in regard to every man proposed for whatsoever function; and consider it as the one inquiry needful: Are ye sure he's.
1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Jorge Luis Borges photo

“Reading … is an activity subsequent to writing: more resigned, more civil, more intellectual.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Universal History of Infamy [Historia universal de la infamia] (1935) Preface

“If I cared about what you thought, I'd be writing for National Geographic or something.”

Jim Goad (1961) Author, publisher

ANSWER Me!

Menno Simons photo
Joe Satriani photo

“Song ideas have come to me in the middle of interviews, in the shower, or while I'm writing another song.”

Joe Satriani (1956) American guitar player

As quoted in Guitar Magazine (March 1990).

Nakayama Miki photo
John Banville photo
Charlie Brooker photo
Roger Garrison photo

“Except for Marxian theories, nearly all modern theories of the business cycle have essential elements that trace back to Knut Wicksell's turn-of-the-century writings on interest and prices. Austrians, New Classicists, Monetarists, and even Keynesians can legitimately claim a kinship on this basis. Accordingly, the recognition, that both the Austrians and the New Classicists have a Swedish ancestry does not translate into a meaningful claim that the two schools are essentially similar. To the contrary, identifying their particular relationships to Wicksellian ideas, like comparing the two formally similar business-cycle theories themselves, reveals more differences than similarities. … [T]o establish the essential difference between the Austrians and the New Classicists, it needs to be added that the focus of the Austrian theory is on the actual market process that translates the monetary cause into the real phenomena and hence on the institutional setting in which this process plays itself out.The New Classicists deliberately abstract from institutional considerations and specifically deny, on the basis of empirical evidence, that the interest rate plays a significant role in cyclical fluctuations (Lucas 1981, p. 237 151–1). Thus, Wicksell's Interest and Prices is at best only half relevant to EBCT. … Taking the Wicksellian metaphor as their cue, the New Classicists are led away from the pre-eminent Austrian concern about the actual market process that transforms cause into effect and towards the belief that a full specification of the economy's structure, which is possible only in the context of an artificial economy, can shed light on an effect whose nature is fundamentally independent of the cause.”

Roger Garrison (1944) American economist

Pages 98–99.
"New Classical and Old Austrian Economics", 1991

Đorđe Balašević photo
Siddharth Katragadda photo

“Writing can only be as good as its subject matter.”

Siddharth Katragadda (1972) Indian writer

page 44
The Other Wife (2003)

Eduard Jan Dijksterhuis photo
Sueton photo

“Some characteristic expressions he used rather frequently in everyday speech can be seen in letters in his own hand, in which he sometimes writes, when he wants to say that certain men will never pay: "they'll pay on the Greek Kalends." And when he wants to encourage his addressee to put up with present circumstances whatever they are, he says: "Let us be satisfied with the Cato we have."”
Cotidiano sermone quaedam frequentius et notabiliter usurpasse eum, litterae ipsius autographae ostentant, in quibus identidem, cum aliquos numquam soluturos significare vult, "ad Kalendas Graecas soluturos" ait; et cum hortatur ferenda esse praesentia, qualiacumque sint: "contenti simus hoc Catone".

Source: The Twelve Caesars, Augustus, Ch. 87

David Wood photo

“What I would like to show is that there is a vital dimension of their writing, which I call performative reflexivity, which if ignored or misunderstood will impede an adequate response to it.”

David Wood (1946) British philosopher, born 1946

Source: Philosophy At The Limit (1990), Chapter 8, Performative Reflexivity, p. 134

Alain de Botton photo
Ivan Goncharov photo
Arun Shourie photo
Derren Brown photo
George Holyoake photo

“Mr. Owen looked upon men through the spectacles of his own good-nature. He seldom took Lord Brougham's advice "to pick his men." He never acted on the maxim that the working class are as jealous of each other as the upper classes are of them. The resolution he displayed as a manufacturer he was wanting in as a founder of communities…. No leader ever took so little care as Mr, Owen in guarding his own reputation. He scarcely protested when others attached his name to schemes which were not his. The failure of Queenwood was not chargeable to him. When his advice was not followed he would say : "Well, gentlemen, I tell you what you ought to do. You differ from me. Carry out your own plans. Experience will show you who is right." When the affair went wrong then it was ascribed to him. Whatever failed under his name the public inferred failed through him. Mr. Owen was a general who never provided himself with a rear guard. While he was fighting in the front ranks priests might come up and cut off his commissariat. His own troops fell into pits against which he had warned them. Yet he would write his next dispatch without it occurring to him to mention his own defeat, and he would return to his camp without missing his army. Yet society is not so well served that it need hesitate to forgive the omissions of its generous friends. To Mr. Owen will be accorded the distinction of being a philosopher who devoted himself to founding a Science of Social Improvement and a philanthropist who gave his fortune to advance it. Association, which was but casual before his day, he converted into a policy and taught it as an art. He substituted Co-operation for coercion in the conduct ot industry and the willing co-operation of intelligence certain of its own reward, for sullen labour enforced by the necessity of subsistence, seldom to be relied on and never satisfied.”

George Holyoake (1817–1906) British secularist, co-operator, and newspaper editor

George Jacob Holyoake in The History of Co-operation in England (1875; 1902).

Stanley Baldwin photo
Bill Hybels photo
Anthony Trollope photo
Dana Gioia photo
Martin Luther King, Jr. photo
Taylor Caldwell photo
Pearl S.  Buck photo
Ernest Hemingway photo
John Irving photo

“Writing a novel is actually searching for victims. As I write I keep looking for casualties. The stories uncover the casualties.”

John Irving (1942) American novelist and screenwriter

Interview in Writers at Work: The Paris Review Interviews (1988)

“Many poets…write as if they had been decerebrated, and not simply lobotomized, as a cure for their melancholia.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“A Verse Chronicle”, p. 149
Poetry and the Age (1953)

Benito Mussolini photo

“It is humiliating to remain with our hands folded while others write history. It matters little who wins. To make a people great it is necessary to send them to battle even if you have to kick them in the pants. That is what I shall do.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

Remark to Galeazzo Ciano (11 April 1940), quoted in Famous Lines : A Columbia Dictionary of Familiar Quotations (1997) by Robert Andrews. p. 330
1940s

“The secret of writing comedy is to know where it's all going, then get ahead of it.”

Robert Orben (1928) American magician and writer

Henry Allen (January 4, 1979) "Life in the Laugh Factory", The Washington Post, p. B1.

Raymond Chandler photo
Robert Graves photo
Christopher Monckton photo