Quotes about working
page 37

Immanuel Jakobovits photo
Robert T. Kiyosaki photo

“When it comes to money, the only skill most people know is to work hard.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Jonas Salk photo
Kurien Kunnumpuram photo
Carrie Fisher photo
Yves Klein photo
Caspar David Friedrich photo

“The artist's feeling is his law. Genuine feeling can never be contrary to nature; it is always in harmony with her. But another person's feelings should never be imposed on us as law. Spiritual affinity leads to similarity in work, but such affinity is something entirely different from mimicry. Whatever people may say of Y's paintings and how they often resemble Z's, yet they proceed from Y and are his sole property.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's writings Thoughts on Art, Caspar David Friedrich; as cited in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 32
Variant translation:
The artist's feeling is his law. Pure sensibility can never be Unnatural; it is always in harmony with nature. But the feelings of another must never be imposed on us as our law. Spiritual relationship produces artistic resemblance, but this relationship is very different from imitation. Whatever one may say about X.'s paintings, and however much they may resemble Y.'s, they originated in him and are his own. (** In: 'Caspar David Friedrich's Medieval Burials', Karl Whittington - http://www.19thc-artworldwide.org/spring12/whittington-on-caspar-david-friedrichs-medieval-burials)
undated

Tim McGraw photo
Trey Gowdy photo
Chris Cornell photo

“RockNet: Were you terribly uncomfortable at the recent Grammy Award Show?
Cornell: I don't know. It's just a strange subject. It's almost as if the music industry is patting itself on the back in a way. This was the seventh Grammy nomination for us and had we won one for our first nomination I would have had a really cool attitude about it because it would have meant that the people who were actually voting were paying attention to music for music's sake as opposed to some other reason.
I was happy that we were nominated because it was an independent record company and it was a low-profile record. We didn't win a Grammy until we'd sold several millions and it seems that what sells a lot is what wins, even though the record may or may not be any good, but that seems to be the requirement.
I'm not critical of the people who work in the music industry, and I appreciate the Grammy. (But) to me it's their party and it's not really mine. It's not for the musicians. It has more to do with the industry. You can tell after a Grammy period all the record labels and artists who won a bunch take out full-page ads in the trades gloating. That's fine. That's what they do, they sell records and they work really hard to develop careers. If they're into it, I'm not going to be disrespectful, but I'd hate for anyone to think that it's something that was a necessity for me or the rest of the band, or that it was a benchmark to us of legitimacy for us because it's not. It doesn't really matter that much to us. It seems like it's for someone else. I'd never get up and say that. If I was totally not into it, the best thing to do is to not show up.
Maybe ten years from now I'll reflect and say "wow, that happened and it was pretty unusual. Not every kid on the block gets to go up and pick up a Grammy Award."”

Chris Cornell (1964–2017) American singer-songwriter, musician

It's just one more thing to take the focus away from what we like to do, which is to write music and make records and try not to think about anything whether it's how many records we sell or what people think of us.
For us, I think the key to success for being a band and always making good records is always going to be forgetting about everything else outside our own little band.
RockNet Interview: Chris Cornell of Soundgarden, May 1, 1996 https://web.archive.org/web/19961114054327/http://www.rocknet.com/may96/soundgar.html,
Soundgarden Era

Everett Dean Martin photo
Linus Torvalds photo
Roger Ebert photo
Ginger Rogers photo

“Ginger was brilliantly effective. She made everything work for her. Actually she made things very fine for both of us and she deserves most of the credit for our success.”

Ginger Rogers (1911–1995) American actress and dancer

Fred Astaire to Raymond Rohauser, Film Curator of the New York Gallery of Modern Art, at the San Francisco Film Festival, in 1966.
About

Jozef Israëls photo

“You cannot know at all what will comes out of you because all your knowledge is running otherwise. What you do not know and what you thought that there would not come at all, that comes out and appears at once, sometimes with a curse and a sigh, and there you have it. - Everything ends well. I made things that I had forgotten for twenty five years. At first I knew them too well, but then I forgot them, I 'had to' forget them. And then I made them. - If some work does not becomes beautiful, well, then you go back to do something else. Worrying doesn't help at all. It will be better later? No, you should not say such things, because you don't know anything about 'becoming better'. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls in Nederlands): Je kunt er niets van weten wat er uit je komt: al je weten komt verkeerd uit: wat je niet weet en heelemaal niet dacht dat er komen zou, dat komt er in eenen, soms met een vloek en een zucht, en daar heb je 't. - Alles komt terecht. Ik heb dingen gemaakt, die ik vergeten had van voor vijf en twintig jaar. Eerst wist ik ze te goed, maar toen vergat ik ze, ik moest ze vergeten en toen maakte ik ze. - Als iets niet mooi wordt, dan ga je maar weer aan wat anders. Tobben geeft niet. Straks beter? Neen, straks beter, dat moet men ook niet meer zeggen. Je weet niet of het straks beter wordt. (translation from the original Dutch: Fons Heijnsbroek)
Quote of Israels, as cited in a letter of A. Verwey, The Hague 28 August 1888, to his wife K. van Vloten; as cited in Briefwisseling 1 juli 1885 tot 15 december 1888 (1995)–Albert Verwey http://www.dbnl.org/tekst/verw008brie01_01/verw008brie01_01_0580.php, pp. 497-98
Quotes of Jozef Israels, 1871 - 1900

Richard Cobden photo
Franklin D. Roosevelt photo
Theresa May photo

“We need a bold, new, positive vision for the future of our country – a vision of a country that works not for a privileged few but for every one of us.”

Theresa May (1956) Prime Minister of the United Kingdom

Speech declaring bid for the Conservative Party leadership http://www.independent.co.uk/news/uk/politics/theresa-mays-tory-leadership-launch-statement-full-text-a7111026.html (30 June 2016)
Variant: We have a mission to make Britain a country that works not for the privileged and not for the few but for every one of our citizens.

Isaac Leib Peretz photo

“With the same bricks one may erect… a palace or a prison…. The same letters are used in Holy Writ and heretical works.”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

A Gilgul fun a Nign, 1901. Alle Verk, vi. 33.

“But it is not time for me to die; I have not yet finished my life's work.”

Jan Burgers (1895–1981) Dutch physicist

Source: a little time before his death, as quoted by A. J. Q. Alkemade, in [Biografisch Woordenboek van Nederland, 1982, http://www.inghist.nl/Onderzoek/Projecten/BWN/lemmata/bwn5/burgers]

Thomas Hardy photo

“What of the Immanent Will and Its designs?
It works unconsciously, as heretofore,
Eternal artistries in Circumstance.”

Pt. I, forescene, Shade of the Earth & Spirit of the Years
The Dynasts (1904–1908)

Nicholas Sparks photo
Nicholas Serota photo
James Burke (science historian) photo

“But patience can't be acquired overnight. It's just like building up a muscle. Every day you need to work on it, to push its limits.”

Eknath Easwaran (1910–1999) spiritual teacher, author of books on meditation and spiritual practice, and translator and interpreter of …

[Your life is your message: Finding harmony with yourself, others, and the earth, Easwaran, Eknath, w:Eknath Easwaran, 1997, Hyperion, New York, 0786882662, http://books.google.com/books?id=xKlCo3suzTkC&pg=PA42&dq=Patience+can%27t+be+acquired+overnight.+It+is+just+like+building+up+a+muscle.+Every+day+you+need+to+work+on+it+inauthor:eknath+inauthor:easwaran&hl=en&ei=9UCVTqyUKuKsiAKB1oy6CQ&sa=X&oi=book_result&ct=result&resnum=1&ved=0CDEQ6AEwAA#v=onepage&q=Patience%20can%27t%20be%20acquired%20overnight.%20It%20is%20just%20like%20building%20up%20a%20muscle.%20Every%20day%20you%20need%20to%20work%20on%20it%20inauthor%3Aeknath%20inauthor%3Aeaswaran&f=false] (p. 42) (work originally published 1992)

Patrick Henry photo
François Viète photo

“Gordon Tullock, on the other hand, might be characterized as the somewhat cynical pragmatist, who set out to understand the world, not to change it. This side of Tullock is visible in his early paper on simple majority rule, and is perhaps most apparent in his work on rent seeking. These differences should not be pushed too far, however. Buchanan (1980) also contributed to the rent-seeking literature, and often has described public choice as “politics without romance.” One of the most dispiriting contributions to the public choice literature has to be Kenneth Arrow’s (1951) famous impossibility theorem. In a too little appreciated article, Tullock (1967b) demonstrated with the help of a somewhat torturous geometrical analysis, that the cycling that underlies the impossibility theorem is likely to be constrained to a rather small subset of Pareto-optimal outcomes, and thus Arrow’s theorem was “irrelevant,” a rather happy result, and one which anticipated work appearing more than a decade later on the uncovered set. In Chap. 10 of Toward a Mathematics of Politics, Tullock (1967a) engages in a bit of wishful thinking about constitutional design by describing how one could achieve an ideal form of proportional representation in a legislative body. He also was an early enthusiast of the potential for using a demand-revelation process to reveal individual preferences for public goods”

Dennis Mueller (1940) American economist

Tideman and Tullock 1976
James Buchanan, Gordon Tullock, and The Calculus (2012)

Toni Morrison photo
Viktor Schauberger photo

“Wherever we look the dreadful disintegration of the bridges of life, the capillaries and the bodies they have created, is evident, which has been caused by the mechanical and mindless work of man, who has torn away the soul from the Earth's blood - water. The more the engineer endeavors to channel water, of whose spirit and nature he is today still ignorant, by the shortest and straightest route to the sea, the more the flow of water weighs into the bends, the longer its path and the worse the water will become. The spreading of the most terrible disease of all, of cancer, is the necessary consequence of such unnatural regulatory works. These mistaken activities - our work - must legitimately lead to increasingly widespread unemployment, because our present methods of working, which have a purely mechanical basis, are already destroying not only all of wise Nature's formative processes, but first and foremost the growth of the vegetation itself, which is being destroyed even as it grows. The drying up of mountain springs, the change in the whole pattern of motion of the groundwater, and the disturbance in the blood circulation of the organism - Earth - is the direct result of modern forestry practices. The pulse-beat of the Earth was factually arrested by the modern timber production industry. Every economic death of a people is always preceded by the death of its forests. The forest is the habitat of water and as such the habitat of life processes too, whose quality declines as the organic development of the forest is disturbed. Ultimately, due to a law which functions with awesome constancy, it will slowly but surely come around to our turn. Our accustomed way of thinking in many ways, and perhaps even without exception, is opposed to the true workings of Nature. Our work is the embodiment of our will. The spiritual manifestation of this work is its effect. When such work is carried out correctly, it brings happiness, but when carried out incorrectly, it assuredly brings misery.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Viktor Schauberger: Our Senseless Toil (1934)

Naum Gabo photo
Jean-Baptiste Say photo
Bertolt Brecht photo
Jean-Baptiste Say photo
Nguyen Khanh photo

“According to a stagist conception of progressive history (which is usually blind to its implicit teleology), the work of figures like Foucault, Derrida and other cutting-edge French theorists is often intuitively affiliated with a form of profound and sophisticated critique that presumably far surpasses anything found in the socialist, Marxist or anarchist traditions. It is certainly true and merits emphasis that the Anglophone reception of French theory, as John McCumber has aptly pointed out, had important political implications as a pole of resistance to the false political neutrality, the safe technicalities of logic and language, or the direct ideological conformism operative in the McCarthy-supported traditions of Anglo-American philosophy. However, the theoretical practices of figures who turned their back on what Cornelius Castoriadis called the tradition of radical critique—meaning anti-capitalist and anti-imperialist resistance—surely contributed to the ideological drift away from transformative politics. According to the spy agency itself, post-Marxist French theory directly contributed to the CIA’s cultural program of coaxing the left toward the right, while discrediting anti-imperialism and anti-capitalism, thereby creating an intellectual environment in which their imperial projects could be pursued unhindered by serious critical scrutiny from the intelligentsia.”

Gabriel Rockhill (1972) philosopher

"The CIA reads French Theory: On the Intellectual Labor of Dismantling the Cultural Left" (2017)

Thorstein Veblen photo
Xenophanes photo
Roger Ebert photo
Cormac McCarthy photo
David Hume photo

“That original intelligence, say the MAGIANS, who is the first principle of all things, discovers himself immediately to the mind and understanding alone; but has placed the sun as his image in the visible universe; and when that bright luminary diffuses its beams over the earth and the firmament, it is a faint copy of the glory which resides in the higher heavens. If you would escape the displeasure of this divine being, you must be careful never to set your bare foot upon the ground, nor spit into a fire, nor throw any water upon it, even though it were consuming a whole city. Who can express the perfections of the Almighty? say the Mahometans. Even the noblest of his works, if compared to him, are but dust and rubbish. How much more must human conception fall short of his infinite perfections? His smile and favour renders men for ever happy; and to obtain it for your children, the best method is to cut off from them, while infants, a little bit of skin, about half the breadth of a farthing. Take two bits of cloth, say the Roman catholics, about an inch or an inch and a half square, join them by the corners with two strings or pieces of tape about sixteen inches long, throw this over your head, and make one of the bits of cloth lie upon your breast, and the other upon your back, keeping them next your skin: There is not a better secret for recommending yourself to that infinite Being, who exists from eternity to eternity.”

Part VII - Confirmation of this doctrine
The Natural History of Religion (1757)

Jean Chrétien photo
Donald J. Trump photo
Vincent Van Gogh photo

“All my work is in a way founded on Japanese art... Japanese art, in decadence in its own country, takes root again among the French impressionist artists.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, Summer 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 510) p. 32
1880s, 1888

Martin Luther King, Jr. photo
Suze Robertson photo

“Dear Richard, I just received your letter; I will send the money order f 10 [10 guilders] immediately for the swimming of Saar [their daughter, 10 years old]. She seems to be going well ahead, I think, at least if she can jump off the springboard by herself. Her letter was nice and cheerful. Yes I would have liked her to come here [in Heeze] but I am just afraid that I may not be able to work regularly or that she will get rather bored.”

Suze Robertson (1855–1922) Dutch painter

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Suze Robertson's brief:) Lieve Richard [ nl:Richard Bisschop ], Zo even ontving ik je brief; ik zal de postwissel zenden f 10 [10 gulden] meteen voor het zwemmen van Saar [hun dochter, 10 jaar oud]. Ze schijnt me nogal goed vooruit te gaan, tenminste als ze alleen van de plank af springt. Aardig was haar briefje en opgewekt. Ja wel graag had ik dat ze hier [Heeze] kwam maar ik ben alleen bang dat ik misschien niet geregeld zal kunnen werken òf dat zij zich nogal zal vervelen.
In a letter of Suze Robertson from Heeze, Summer 1904, to her husband Richard Bisschop in The Hague; as cited in Suze Robertson 1855-1922 – Schilderes van het harde en zware leven, exhibition catalog, ed. Peter Thoben; Museum Kemperland, Eindhoven, 2008, p. 10
1900 - 1922

George Soros photo

“How can we escape from the trap that the terrorists have set us? Only by recognizing that the war on terrorism cannot be won by waging war. We must, of course, protect our security; but we must also correct the grievances on which terrorism feeds. Crime requires police work, not military action.”

George Soros (1930) Hungarian-American business magnate, investor, and philanthropist

Address at the University of Pennsylvania (2002); quoted in "White House playing into Soros' hands?" by J. Michael Waller, in WorldNetDaily (1 December 2003) http://www.worldnetdaily.com/news/article.asp?ARTICLE_ID=35893

Corneliu Zelea Codreanu photo
Pope John Paul II photo

“Not all are called to be artists in the specific sense of the term. Yet, as Genesis has it, all men and women are entrusted with the task of crafting their own life: in a certain sense, they are to make of it a work of art, a masterpiece.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

Letter to artists, 4 April 1999
Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/letters/documents/hf_jp-ii_let_23041999_artists_en.html

Bernie Sanders photo
Boutros Boutros-Ghali photo
Vincent Van Gogh photo
Vladimir Lenin photo

“It is stupid to tolerate "Nikola;" all Chekists have to be on alert to shoot anyone who doesn't turn up to work because of "Nikola."”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

Nikola" here is St. Nickolas' Day, as quoted in Autopsy for an Empire (1998) by Dmitri Volkogonov, p. 74.
Attributions

John Mayer photo
Isa Genzken photo
Mark Tobey photo

“I have sought a unified world in my work and use a movable vortex to achieve it.”

Mark Tobey (1890–1976) American abstract expressionist painter

as quoted in Abstract Expressionism, Barbara Hess, Taschen, Köln, 2006, p. 60
posthumous Quotes

Edgar Bronfman, Sr. photo
Michael Swanwick photo
Pope Benedict XVI photo
Edouard Manet photo

“I beg you, if I die, don't let me go piecemeal into the public collections, my work would not be fairly judged. I want to get in complete or not at all... Please, please, promise me one thing, never let my things go into a museum piecemeal.”

Edouard Manet (1832–1883) French painter

remark to his friend Antonin Proust; as cited in: Manet by Himself, p. 304; as quoted in The private lives of the Impressionists Sue Roe; Harpen Collins Publishers, New York 2006, p. 241
Antonin Proust had recently become minister of Arts in France
1876 - 1883

Thomas Love Peacock photo
Bell Hooks photo

“While I expected serious, rigorous evaluation of my work, I was totally unprepared for the hostility and contempt shown me by women whom I did not and do not see as enemies. Despite their responses I share with them an ongoing commitment to feminist struggle. To me this does not mean that we must approach feminism from the same perspective. It does mean we have a basis for communication, that our political commitments should lead us to talk and struggle together. Unfortunately it is often easier to ignore, dismiss, reject, and even hurt one another rather than engage in constructive confrontation. Were it not for the overwhelmingly positive responses to the book from black women who felt it compelled them to either re-think or think for the first time about the impact of sexism on our lives and the importance of feminist movement, I might have become terribly disheartened and disillusioned. Thanks to them and many other women and men this book was not written in isolation. … Such encouragement renews my commitment to feminist politics and strengthens my conviction that the value of feminist writing must be determined not only by the way a work is received among feminist activists but by the extent to which it draws women and men who are outside feminist struggle inside.”

Acknowledgments https://books.google.com/books?id=ClWvBAAAQBAJ&pg=PT8.
Feminist Theory: From Margin to Center (1984)

Werner Erhard photo
Maurice Glasman, Baron Glasman photo
Ossip Zadkine photo
Jules Payot photo
John James Audubon photo
John Ruskin photo

“Of human work none but what is bad can be perfect in its own bad way.”

Volume II, chapter VI, section 24 http://books.google.com/books?id=AwICAAAAYAAJ&q=%22Of+human+work+none+but+what+is+bad+can+be+perfect+in+its+own+bad+way%22&pg=PA189#v=onepage.
The Stones of Venice (1853)

Maurice Wilkes photo
Pauline Kael photo
Eric Foner photo
Akio Morita photo
Neal Stephenson photo
Dave Barry photo
Maurice Wilkes photo
Jeffrey Moussaieff Masson photo
Jacques Ellul photo
Lupe Fiasco photo
Ingrid Newkirk photo
Henrik Ibsen photo
Ralph Waldo Emerson photo
Gustav Stresemann photo
Charles Mingus photo
Robert Benchley photo

“I am more the inspirational type of speller. I work on hunches rather than mere facts, and the result is sometimes open to criticism by purists.”

Robert Benchley (1889–1945) American comedian

My Ten Years in a Quandary and How They Grew (1936)

Sienna Guillory photo

“After six years of working on low-budget independent films of the too-weird-to-watch variety, being asked by DreamWorks to come and play with the big boys, it was like finding an unicorn in your sock drawer.”

Sienna Guillory (1975) British actress

Sienna Guillory Interview http://community.livejournal.com/siennagfan/20449.html#cutid1. Vanity Fair. December 2001.
Guillory speaks about her role in The Time Machine.

El Lissitsky photo

“Two aspects of this work process are of critical importance.”

Charles Perrow (1925–2019) American sociologist

1960s, "Hospitals: technology, structure and goals", 1965

Tom Petty photo

“It just seems so useless to have to work so hard,
And nothin' ever really seems to come from it.”

Tom Petty (1950–2017) American musician

Here Comes My Girl
Lyrics, Damn The Torpedoes (1979)

Martin Harris photo

“BE IT KNOWN unto all nations, kindreds, tongues, and people, unto whom this work shall come: That we, through the grace of God the Father, and our Lord Jesus Christ, have seen the plates which contain this record, which is a record of the people of Nephi, and also of the Lamanites, their brethren, and also of the people of Jared, who came from the tower of which hath been spoken. And we also know that they have been translated by the gift and power of God, for his voice hath declared it unto us; wherefore we know of a surety that the work is true. And we also testify that we have seen the engravings which are upon the plates; and they have been shown unto us by the power of God, and not of man. And we declare with words of soberness, that an angel of God came down from heaven, and he brought and laid before our eyes, that we beheld and saw the plates, and the engravings thereon; and we know that it is by the grace of God the Father, and our Lord Jesus Christ, that we beheld and bear record that these things are true. And it is marvelous in our eyes. Nevertheless, the voice of the Lord commanded us that we should bear record of it; wherefore, to be obedient unto the commandments of God, we bear testimony of these things. And we know that if we are faithful in Christ, we shall rid our garments of the blood of all men, and be found spotless before the judgment-seat of Christ, and shall dwell with him eternally in the heavens. And the honor be to the Father, and to the Son, and to the Holy Ghost, which is one God. Amen. OLIVER COWDERY DAVID WHITMER MARTIN HARRIS”

Martin Harris (1783–1875) Book of Mormon witness

Book of Mormon, 1830 Edition, p. 585 (1830)

Isa Genzken photo