Quotes about work
page 44

Joseph Beuys photo

“Poets work upon and through each other.”

Elizabeth Jennings (1926–2001) poet

Every Changing Shape, Carcanet Press Ltd ISBN 978-1857542479

Pierre-Auguste Renoir photo
Henry Moore photo

“And for me Michelangelo's greatest work is one that was in his studio partly finished, partly unfinished when he died 'The Rondanini Pietà'. I don't know of any other single work of art by anyone that is more poignant, more moving. It isn't the most powerful of Michelangelo's works – it's a mixture, in fact, of two styles…. the changing became so drastic that I think he knocked the head off the sculpture… So the figure must originally have been a good deal taller. And if we see also the proportion of the length of the body of Christ compared with the length of the legs, there's no doubt that the whole top of the original sculpture has been cut away. Now this to me is a great question. Why should I and other sculptors I know, my contemporaries – I think that Giacometti feels this, I know Marino Marini feels it – find this work one of the most moving and greatest works we know of when it's a work which has such disunity in it?… But that's so moving, so touching: the position of the heads, the whole tenderness of the top part of the sculpture, is in my opinion more what it is by being in contrast with the rather finished, tough, leathery, typical Michelangelo legs. The top part is Gothic and the lower part is sort of Renaissance.”

Henry Moore (1898–1986) English artist

Quote of Henri Moore in his interview with David Silvester, in 'The Sunday Times Magazine', 16 Febr. 1964, pp. 18, 20-22
1955 - 1970

John Mayer photo
William John Macquorn Rankine photo
Thomas Carlyle photo
Daniel Tosh photo
Dorothy Parker photo

“Of course, there are many things to be said for the afternoon performance, chief among them being that it cuts in so generously on one’s work. p. 201”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 4: 1921

George Chakiris photo
Albert Einstein photo
William Trufant Foster photo
Alfred de Zayas photo

“Some observers compare elections in some countries with sports events, where people are but spectators. Moreover, elections must not be mere interludes for pushing a lever and then retreating to passivity, for democracy demands committed participation in the daily workings of society.”

Alfred de Zayas (1947) American United Nations official

United Nations General Assembly - Promotion of a democratic and equitable international order http://www.ohchr.org/Documents/Issues/IntOrder/A-68-284_en.pdf.
2013

Marc Chagall photo
George Pólya photo
Theodor Mommsen photo

“After Rome had acquired the undisputed mastery of the world, the Greeks were wont to annoy their Roman masters by the assertion, that Rome was indebted for her greatness to the fever, of which Alexander of Macedon died at Babylon on the 11th of June, 323. As it was not very agreeable for them to reflect on the actual past, they were fond of allowing their thoughts to dwell on what might have happened, had the great king turned his arms towards the west, and contested the Carthaginian supremacy by sea with his fleet, and the Roman supremacy by land with his phalanxes. It is not impossible that Alexander may have cherished such thoughts; nor is it necessary to resort for such an explanation of their origin to the mere difficulty which an autocrat provided with soldiers and ships experiences in setting limits to his warlike career. It was an enterprise worthy of a great Greek king to protect the siceliots against Carthage and the Tarentines against Rome.. and the Italian embassies from the Bruttians, Lucanians, and Etruscans, that long with numerous others made their appearance at Babylon, afforded him sufficient opportunities of becoming acquainted with the circumstances of the peninsula, and of contracting relations with it. Carthage with is many connections in the east could not but attract the attention of the mighty monarch, and it was probably part of his design to convert the nominal sovereignty of the Persian king over the Tyrian colony into a real one: the apprehensions of the Carthaginians are shown by the Phoenician spy in the suite of Alexander. Whether, however, those ideas were dreams or actual projects, the king died without having interfered in the affairs of the west, and his ideas were buried with him. For a few brief years a Grecian ruler had held in his hands the whole intellectual vigour of the Hellenic race combined with the whole material resources of the east. On his death the work to which his life had been devoted - the establishment of a Hellenism in the east - was by no means undone; but his empire had barely been united when it was again dismembered, and, admidst the constant quarrels of the different states that were formed out of its ruins, the object of world-wide interest which they were destined to promote - the diffusion of Greek culture in the east - though not abandoned, was prosecuted on a feeble and stunted scale.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 1., Page 394 - 395. Translated by W.P.Dickson.
The History of Rome - Volume 1

Arthur Schopenhauer photo

“Better than big business is clean business.
To an honest man the most satisfactory reflection after he has amassed his dollars is not that they are many but that they are all clean.
What constitutes clean business? The answer is obvious enough, but the obvious needs restating every once in a while.
"A clean profit is one that has also made a profit for the other fellow."
This is fundamental moral axiom in business. Any gain that arises from another's loss is dirty.
Any business whose prosperity depends upon damage to any other business is a menace to the general welfare.
That is why gambling, direct or indirect, is criminal, why lotteries are prohibited by law, and why even gambling slot-machine devices are not tolerated in civilized countries. When a farmer sells a housekeeper a barrel of apples, when a milkman sells her a quart of milk, or the butcher a pound of steak, or the dry-goods man a yard of muslin, the housekeeper is benefited quite as much as those who get her money.
That is the type of honest, clean business, the kind that helps everybody and hurts nobody. Of course as business becomes more complicated it grows more difficult to tell so clearly whether both sides are equally prospered. No principle is automatic. It requires sense, judgment, and conscience to keep clean; but it can be done, nevertheless, if one is determined to maintain his self-respect. A man that makes a habit, every deal he goes into, of asking himself, "What is there in it for the other fellow?" and who refuses to enter into any transaction where his own gain will mean disaster to some one else, cannot go for wrong.
And no matter how many memorial churches he builds, nor how much he gives to charity, or how many monuments he erects in his native town, any man who has made his money by ruining other people is not entitled to be called decent. A factory where many workmen are given employment, paid living wages, and where health and life are conserved, is doing more real good in the world than ten eleemosynary institutions.
The only really charitable dollar is the clean dollar. And the nasty dollar, wrung from wronged workmen or gotten by unfair methods from competitors, is never nastier than when it pretends to serve the Lord by being given to the poor, to education, or to religion. In the long run all such dollars tend to corrupt and disrupt society.
Of all vile money, that which is the most unspeakably vile is the money spent for war; for war is conceived by the blundering ignorance and selfishness of rulers, is fanned to flame by the very lowest passions of humanity, and prostitutes the highest ideal of men; zeal for the common good; to the business of killing human beings and destroying the results of their collective work.”

Frank Crane (1861–1928) American Presbyterian minister

Four Minute Essays Vol. 5 (1919), Clean Business

Jayant Narlikar photo
Emil M. Cioran photo
Paul Nurse photo
Olivier Blanchard photo
Slavoj Žižek photo
African Spir photo
Jack Kevorkian photo

“The American people are sheep. They're comfortable, rich, working. It's like the Romans, they're happy with bread and their spectator sports. The Super Bowl means more to them than any right.”

Jack Kevorkian (1928–2011) American pathologist, euthanasia activist

Quoted in "Between the dying and the dead: Dr. Jack Kevorkian's life and the battle to Legalize Euthanasia"‎ - Page 247 - by Neal Nicol, Harry Wylie - 2006
2000s, 2006

William Saroyan photo

“I have made a fiasco of my life, but I have had the right material to work with.”

William Saroyan (1908–1981) American writer

My Heart's in the Highlands (1939)

Jerry Coyne photo
Max Euwe photo

“Alekhine is a poet who creates a work of art out of something that would hardly inspire another man to send home a picture post card.”

Max Euwe (1901–1981) Dutch chess Grandmaster, mathematician, and author

Max Euwe, in: Fred Reinfeld (1956) Why You Lose at Chess, p. 180.

Theresa May photo
Jessica Lange photo
Howard S. Becker photo
Charles Darwin photo

“Man in his arrogance thinks himself a great work worthy the interposition of a deity. More humble, and I believe truer, to consider him created from animals.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

" Notebook C http://darwin-online.org.uk/EditorialIntroductions/vanWyhe_notebooks.html" (1838), pp. 196–197; also quoted in Charles Darwin: a scientific biography (1958) by Sir Gavin De Beer, p. 208
Other letters, notebooks, journal articles, recollected statements

Nicolas Bratza photo

“The UK can be proud of its real contribution to this unique system and its influence in bringing about effective human rights protection throughout the European continent. It would be deeply regrettable if it were to allow its commitment to that system to be called into question by a failure to defend it against its detractors or to offer its strong support for the vital work of the court.”

Nicolas Bratza (1945) British judge

"Britain should be defending European justice, not attacking it", The Independent, Tuesday 24 January 2012 http://www.independent.co.uk/opinion/commentators/nicolas-bratza-britain-should-be-defending-european-justice-not-attacking-it-6293689.html

Albert Einstein photo

“Certain it is that a conviction, akin to religious feeling, of the rationality or intelligibility of the world lies behind all scientific work of a higher order. … This firm belief, a belief bound up with deep feeling, in a superior mind that reveals itself in the world of experience, represents my conception of God.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

'Essays in Science (1934) p. 11. Reprinted in Ideas and Opinions On Scientific Truth (1954) p. 261, Crown Publishers, Inc. New York, New York, USA, 1954, ISBN 0679601058.
1940s

Wallace Stevens photo

“A diary is more or less the work of a man of clay whose hands are clumsy and in whose eyes there is no light.”

Wallace Stevens (1879–1955) American poet

Journal entry (26 July 1899); as published in Souvenirs and Prophecies: the Young Wallace Stevens (1977) edited by Holly Stevens, Ch. 3

Kazimir Malevich photo
Ibn Khaldun photo
Bill Evans photo
Robert T. Bakker photo

“A work can be as powerful as it can be thought to be. Actual space is intrinsically more powerful and specific than paint on a flat surface.”

Donald Judd (1928–1994) artist

Source: 1960s, "Specific Objects," 1965, p. 76; As quoted in: De gids, Vol. 131, Nr. 1-5, (1968), p. 262

André Maurois photo
Arshile Gorky photo
Harold Wilson photo
Margaret Thatcher photo
Russ Tice photo

“They went after–and I know this because I had my hands literally on the paperwork for these sort of things–they went after high-ranking military officers; they went after members of Congress, both Senate and the House, especially on the intelligence committees and on the armed services committees and some of the–and judicial. But they went after other ones, too. They went after lawyers and law firms. All kinds of–heaps of lawyers and law firms. They went after judges. One of the judges is now sitting on the Supreme Court that I had his wiretap information in my hand. Two are former FISA court judges. They went after State Department officials. They went after people in the executive service that were part of the White House–their own people. They went after antiwar groups. They went after U. S. international–U. S. companies that that do international business, you know, business around the world. They went after U. S. banking firms and financial firms that do international business. They went after NGOs that–like the Red Cross, people like that that go overseas and do humanitarian work. They went after a few antiwar civil rights groups. So, you know, don’t tell me that there’s no abuse, because I’ve had this stuff in my hand and looked at it. And in some cases, I literally was involved in the technology that was going after this stuff.”

Russ Tice (1961) former intelligence analyst

As told to Peter B. Collins on Boiling Frog Post News, which is the website of Sibel Edmonds, a high-level FBI whistle-blower NSA Whistleblower: NSA Spying On – and Blackmailing – Top Government Officials and Military Officers, Fox News, 2013-06-20 http://nation.foxnews.com/2013/06/20/nsa-whistleblower-nsa-spying-%E2%80%93-and-blackmailing-%E2%80%93-top-government-officials-and-military,

Philip Roth photo

“Each year she taught him the names of the flowers in her language and in his, and from one year to the next he could not even remember the English. For nearly thirty years Sabbath had been exiled in these mountains, and still he could name hardly anything. They didn't have this stuff where he came from. All these things growing were beside the point there. He was from the shore. There was sand and ocean, horizon and sky, daytime and nighttime - the light, the dark, the tide, the stars, the boats, the sun, the mists, the gulls. There were the jetties, the piers, the boardwalk, the booming, silent, limitless sea. Where he grew up they had the Atlantic. You could touch with your toes where America began. They lived in a stucco bungalow two short streets from the edge of America. The house. The porch. The screens. The icebox. The tub. The linoleum. The broom. The pantry. The ants. The sofa. The radio. The garage. The outside shower with the slatted wooden floor Morty had built and the drain that always clogged. In summer, the salty sea breeze and the dazling light; in September, the hurricanes; in January, the storms. They had January, February, March, April, May, June, July, August, September, November, December. And then January. And then again January, no end to the stockpile of Januaries, of Mays, of Marches. August, December, April - name a month, and they had it in spades. They'd had endlessness. He had grown up on endlessness and his mother - in the beginning they were the same thing. His mother, his mother, his mother, his mother, his mother… and then there was his mother, his father, Grandma, Morty, and the Atlantic at the end of the street. The ocean, the beach, the first two streets in America, then the house, and in the house a mother who never stopped whistlîg until December 1944. If Morty had come alive, if the endlessness had ended naturally instead of with the telegram, if after the war Morty had started doing electrical work and plumbing for people, had become a builder at the shore, gone into the construction business just as the boom in Monmouth County was beginning…Didn't matter. Take your pick. Get betrayed by the fantasy of endlessness or by the fact of finitude. No, Sabbath could only have wound up Sabbath, begging for what he was begging, bound to what he was bound, saying what he did not wish to stop himself from saying.”

Sabbath's Theater (1995)

Happy Rhodes photo
Eric R. Kandel photo
Clive Staples Lewis photo
Frank Bainimarama photo
Joe Barton photo
John Ralston Saul photo
Matt Dillahunty photo
Roger Nash Baldwin photo
Satyajit Ray photo

“Last, but not least -- in fact, this is most important -- you need a happy ending. However, if you can create tragic situations and jerk a few tears before the happy ending, it will work much better.”

Satyajit Ray (1921–1992) Indian author, poet, composer, lyricist, filmmaker

Satyajit Ray:Quotes: Quotable Quote, 13 December 2013, Goodreads http://www.goodreads.com/quotes/625702-last-but-not-least----in-fact-this-is-most,

Masaru Ibuka photo

“The lesson of Apollo demonstrates that no matter how big the goal, if you apply yourself diligently to the work, even the most difficult job can be be accomplished flawlessly.”

Masaru Ibuka (1908–1997) Japanese businessman

Masaru Ibuka in: Scott Robert Hays (1999), The Story of Sony, p. 14

Duncan Gregory photo
Manuel Rivera-Ortiz photo
Max Beckmann photo
Albert Pike photo
Donald J. Trump photo
Donald J. Trump photo
Piero Manzoni photo
Eliezer Yudkowsky photo

“If you want to build a recursively self-improving AI, have it go through a billion sequential self-modifications, become vastly smarter than you, and not die, you've got to work to a pretty precise standard.”

Eliezer Yudkowsky (1979) American blogger, writer, and artificial intelligence researcher

Question 12 in Less Wrong Q&A with Eliezer Yudkowsky (January 2010) http://lesswrong.com/lw/1lq/less_wrong_qa_with_eliezer_yudkowsky_video_answers/

Joseph Conrad photo
Baruch Spinoza photo

“In 1663 Spinoza published the only work to which he ever set his name… He had prepared a summary of the second part of Descartes' 'Principles of Philosophy' for the use of a pupil… Certain of Spinoza's friends became curious about this manual and desired him to treat the first part of Descartes' work also in the same manner. This was done within a fortnight and Spinoza was then urged to publish the book, which he readily agreed to do upon condition that one of his friends would revise the language and write a preface explaining that the author did not agree with all the Cartesian doctrine… The contents… [included] an appendix of 'Metaphysical Reflections,' professedly written from a Cartesian point of view, but often giving significant hints of the author's real divergence from Descartes….'On this opportunity,' he writes to Oldenburg, 'we may find some persons holding the highest places in my country… who will be anxious to see those other writings which I acknowledge for my own, and will therefore take such order that I can give them to the world without danger of any inconvenience. If it so happens, I doubt not that I shall soon publish something; if not, I will rather hold my peace than thrust my opinions upon men against the will of my country and make enemies of them.'… The book on Descartes excited considerable attention and interest, but the untoward course of public events in succeeding years was unfavourable to a liberal policy, and deprived Spinoza of the support for which he had looked….
If Spinoza had ever been a disciple of Descartes, he had completely ceased to be so… He did not suppose the geometrical form of statement and argument to be an infallible method of arriving at philosophical truth; for in this work he made use of it to set forth opinions with which he himself did not agree, and proofs with which he was not satisfied. We do not know to what extent Spinoza's manual was accepted or taken into use by Cartesians, but its accuracy as an exposition of Descartes is beyond question. One of the many perverse criticisms made on Spinoza by modern writers is that he did not understand the fundamental proposition cogito ergo sum. In fact he gives precisely the same explanation of it that is given by Descartes himself in the Meditations.”

Baruch Spinoza (1632–1677) Dutch philosopher

p, 125
Spinoza: His Life and Philosophy (1880)

Ursula K. Le Guin photo
Burkard Schliessmann photo
Benjamin Ricketson Tucker photo
Leszek Kolakowski photo

“In a tribal nation, he’s just one more partisan mobilizing his troops…. Mr. Shapiro has always been deeply conservative and does not pretend to be objective. But he says his market niche is giving cleareyed reads of current events, not purely partisan rants. He is often compared to his former colleague at, Milo Yiannopoulos. On the surface, they seem the same. Both speak on college campuses. Both draw protests. Both used to work for Mr. Bannon at Breitbart. Both are young. In fact, they are very different. Mr. Yiannopoulos, a protégé of Mr. Bannon, was good at shocking audiences, saying things like “feminism is cancer.” But critics say that he was empty of ideas, a kind of nihilistic rodeo clown who was not even conservative. Mr. Shapiro broke with Mr. Bannon last year, saying Breitbart had become a propaganda tool for Mr. Trump. Mr. Yiannopoulos’s act collapsed this year. But the fact that it lasted so long says a lot about the right’s fury against mainstream liberalism, Mr. Shapiro said…. But Mr. Shapiro does it too. He thinks it’s easy to provoke the left, which he says has become intellectually flabby after decades of cultural dominance. It’s not good at arguing and relies instead on taboos and punishing people who violate them. That is the essence of his stump speech…. Critics say that is great red meat for his audience, but it’s nonsense. Even if straight white males are low on the left’s pecking order, they have most of the power in Washington, in statehouses, in every corporate boardroom. They run America. Mr. Shapiro says he’s about more than tribal polemics.”

Sabrina Tavernise (1971) American journalist

Ben Shapiro, a Provocative ‘Gladiator,’ Battles to Win Young Conservatives https://www.nytimes.com/2017/11/23/us/ben-shapiro-conservative.html (November 23, 2017), '.

David Allen photo

“GTD supplies the reset button for all parts of life & work.”

David Allen (1945) American productivity consultant and author

19 May 2010 https://twitter.com/gtdguy/status/14255178696
Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

Lal Bahadur Shastri photo
Howard S. Becker photo

“A good work of art reveals something that is in reality. A new metaphor, a new myth, a new type of character, all these reveal a feature of reality for which we previously had no name.”

Michael Roberts (writer) (1902–1948) English schoolteacher and man of letters

Hulme and Modrern Poetry' in ' T E Hulme ',Carcanet Press,Manchester, 1982

Dietrich Bonhoeffer photo
Nigel Cumberland photo

“You might look at someone successful and think they got lucky – a case of being in the right place at the right time perhaps? The truth is, every piece of good fortune is the result of hours, or even years, of hard work and preparation.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Heather Brooke photo
Lawrence Weiner photo

“Once you know about a work of mine you own it. There's no way I can climb inside somebody's head and remove it.”

Lawrence Weiner (1942) American artist

Lawrence Weiner, cited in: Nika Knight. " Slowly Adapting Art: Moving with the Times: Re-installing Originals http://www.oberlin.edu/stupub/ocreview/2007/04/27/arts/Slowly_Adapting_Art_Moving.html," in: The Oberlin Review, April 27, 2007.

James Russell Lowell photo

“Bad work follers ye ez long's ye live.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

No. 2.
The Biglow Papers (1848–1866), Series II (1866)

Francis Escudero photo
Shane Black photo

“The cult surprised me. I didn't even realise it had been successful. I loved it, I had fun working on it and it was one of the first things I'd ever written. And it wasn't just that it wasn't a hit - it was a huge failure. No one saw it. I don't know how on earth it caught on years later.”

Shane Black (1961) American actor, screenwriter and film director

SHANE BLACK THINKS A MONSTER SQUAD SEQUEL “COULD BE FUN” https://www.ign.com/articles/2016/08/15/shane-black-thinks-a-monster-squad-sequel-acould-be-funa (August 15 2016)

Charles Krauthammer photo