“We started shooting the film before they'd even come up with a working model of King Kong, it wasn't unusual for the wardrobe to be decided on the day before a scene was going to be shot - usually those things are worked out months in advance. We had a veteran crew, and our cameraman, Harold Wellman, had actually worked on the original 'King Kong' in 1933. It was my first movie, of course, and people would take me aside and tell me that no matter how many more movies I made, I'd never make another one like this”

— Jessica Lange

Jessica Lange: Woman Behind the Ape http://www.rogerebert.com/interviews/jessica-lange-woman-behind-the-ape (December 17, 1976)

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Jessica Lange2

American actress 1949

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview III" http://www.davmil.org/www.kaijuconversations.com/satsum3.htm, Kaiju Conversations (December 1995)

“Working on GODZILLA RAIDS AGAIN was easier for me. The Godzilla costume that was built for the movie was made to fit me, whereas the one that had been built for GODZILLA - KING OF THE MONSTERS had not been made to fit me. The most difficult aspect of working on GODZILLA RAIDS AGAIN for me was shooting the ending. I had to stand in the middle of the set while a large amount of crushed ice came tumbling down on me.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

“King Kong was difficult only because of the hours we had to put in. At that time, there was no protection for actors about time or anything. We worked straight through for 22 hours once on Kong. It was really a wearying experience, because it was mechanics, really, as much as anything that we were dealing with. The technicality was transparency to transparency from the rear, and then re-photographing me in the foreground on the same level with that screen-so I couldn't really see what was happening at all! It had to be done many, many times to confirm that it was okay. So we worked for 22 hours!”

Fay Wray (1907–2004) actress

Rick McKay's Night on the Town with Fay Wray! http://www.rickmckay.com/Rick%20McKay%20-%20Fay%20Wray%20Interview.html (1998)

“I go into the make-up chair one hour before my call. I get make up, hair, and costume all done up and then I sometimes have a bit of breakfast. We start filming, and go until around lunchtime. I am not used in every shot so when I have breaks I go in my room and do schoolwork. After lunch we go back work, I go on and off set a normal day. When we wrap for the day I go home and relax or go swimming or maybe to the movies.”

Julianna Rose Mauriello (1991) Nieta de. Tesla

Nicksplat: "Exclusive Interview with Julianna Rose Mauriello" http://www.nicksplat.com/Whatsup/200603/20000156.html (20 March 2006)

“I always preferred those movies I would have a large role in. If I had to choose between a small movie with a big role and a big movie with a small role, I'd take the one with more screen time. It's not very satisfying for an actor to get work and then ending up on the cutting room floor.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

“Mr. Kurosawa would spend an entire day filming one shot. None of the other directors with whom I worked would do that. Working with Mr. Kurosawa was like working on a play instead of a movie. We would spend a great deal of time rehearsing. It was torturous.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

“.. so before I died I wanted to paint a large canvas that I had worked out in my head, and all month long I worked [on Tahiti] day and night at fever pitch... It's all done without a model.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

late quote about the start of his famous large painting 'Where do we come from? What are we? Where are we going'
Source: 1890s - 1910s, The Writings of a Savage (1996), pp. 159-160: in a letter from Tahiti to a friend, 1898

“Last year was no easy ride for Hong Kong. Our society was rife with differences and conflicts. In the coming year I hope that all people in Hong Kong will take inspiration from the sheep’s character and pull together in an accommodating manner to work for Hong Kong’s future.”

Leung Chun-ying (1954) Hong Kong politician

2015 <br class="br">Source: Hong Kong leader calls on residents to be like 'mild and gentle' sheep, Associated Press, 18 February 2015, The Guardian http://www.theguardian.com/world/2015/feb/18/hong-kong-leader-residents-mild-gentle-chinese-year-of-the-sheep, <br class="br">Source: Hong Kong's leader asks residents to be like 'sheep', Wilfred Chan, 18 February 2015, CNN http://edition.cnn.com/2015/02/18/asia/hong-kong-cy-leung-sheep/,

“I just decided to make a movie. I had no training, no film school, but I had been to a lot of movies.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

As quoted in "Wait Wait Don't Tell Me" (23 June 2007)
2009

“You know in childhood it is difficult to be different. I spent long times in hospitals and it was complicated, but it made me know how strong I can be, and it helped me to get my wills. A long time ago I started to shoot my little short with my own cam with friends, but in 2005 came my first professional work. I visited an FX make up workshop and took a look at what else the teacher was doing outside of classes. He was working for movies and then I offered myself for work and have them take benefit of my peculiar body.”

Javier Botet (1977) Spanish actor

Holy “Mama” – An Interview with Javier Botet https://thedodgy.com/2013/11/22/holy-mama-an-interview-with-javier-botet/ (November 22, 2013)

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Jessica Lange2

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