Quotes about word

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On being informed that there were authorizations to kill him while he was a prisoner in San Antonio, prior to news of further instructions to transport him to Florida, as quoted in Geronimo and the End of the Apache Wars (1990), by Charles Leland Sonnichsen, p. 102; "Usen" is the Apache word for God, and "Nantan" their word for a leader, spokesman, or "chief".
Context: I will protect my people if I live. For myself I do not fear for I have the word of Usen. Who is the White Nantan to think he can pit his power against that of Usen?

Preface
Sādhanā : The Realisation of Life http://www.spiritualbee.com/spiritual-book-by-tagore/ (1916)
Context: The meaning of the living words that come out of the experiences of great hearts can never be exhausted by any one system of logical interpretation. They have to be endlessly explained by the commentaries of individual lives, and they gain an added mystery in each new revelation. To me the verses of the Upanishads and the teachings of Buddha have ever been things of the spirit, and therefore endowed with boundless vital growth; and I have used them, both in my own life and in my preaching, as being instinct with individual meaning for me, as for others, and awaiting for their confirmation, my own special testimony, which must have its value because of its individuality.

A part of this passage appeared in The Best Loved Poems of the American People (1936) with the title "Friendship":
A Life for a Life (1859)
Context: Thus ended our little talk: yet it left a pleasant impression. True, the subject was strange enough; my sisters might have been shocked at it; and at my freedom in asking and giving opinions. But oh! the blessing it is to have a friend to whom one can speak fearlessly on any subject; with whom one's deepest as well as one's most foolish thoughts come out simply and safely. Oh, the comfort — the inexpressible comfort of feeling safe with a person — having neither to weigh thoughts nor measure words, but pouring them all right out, just as they are, chaff and grain together; certain that a faithful hand will take and sift them, keep what is worth keeping, and then with the breath of kindness blow the rest away.
Somebody must have done a good deal of the winnowing business this afternoon; for in the course of it I gave him as much nonsense as any reasonable man could stand...

"Politics and the English Language" (1946)
Context: Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out, always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.

Canto III, line 16.
The Rape of the Lock (1712, revised 1714 and 1717)

"Politics and the English Language" (1946)
Context: The word Fascism has now no meaning except in so far as it signifies "something not desirable". The words democracy, socialism, freedom, patriotic, realistic, justice have each of them several different meanings which cannot be reconciled with one another. In the case of a word like democracy, not only is there no agreed definition, but the attempt to make one is resisted from all sides. It is almost universally felt that when we call a country democratic we are praising it: consequently the defenders of every kind of regime claim that it is a democracy, and fear that they might have to stop using that word if it were tied down to any one meaning. Words of this kind are often used in a consciously dishonest way. That is, the person who uses them has his own private definition, but allows his hearer to think he means something quite different. Statements like Marshal Petain was a true patriot, The Soviet press is the freest in the world, The Catholic Church is opposed to persecution, are almost always made with intent to deceive. Other words used in variable meanings, in most cases more or less dishonestly, are: class, totalitarian, science, progressive, reactionary, bourgeois, equality.

Lucretia, Part II, Chapter XII
Context: The most useless creature that ever yawned at a club, or counted the vermin on his rags under the suns of Calabria, has no excuse for want of intellect. What men want is not talent, it is purpose,—in other words, not the power to achieve, but the will to labour.

Taras Shevchenko Zapovit, 1845 (Shevchenko's "Testament"), Translated by John Weir, Toronto, 1961; Online at

Note to Stanza 28 part 3
Spiritual Canticle of The Soul and The Bridegroom, Notes to the Stanzas
Context: When the soul, then, in any degree possesses the spirit of solitary love, we must not interfere with it. We should inflict a grievous wrong upon it, and upon the Church also, if we were to occupy it, were it only for a moment, in exterior or active duties, however important they might be. When God Himself adjures all not to waken it from its love, who shall venture to do so, and be blameless? In a word, it is for this love that we are all created. Let those men of zeal, who think by their preaching and exterior works to convert the world, consider that they would be much more edifying to the Church, and more pleasing unto God — setting aside the good example they would give if they would spend at least one half their time in prayer, even though they may have not attained to the state of unitive love.

Sagredo
Variant translation: I cannot without great wonder, nay more, disbelief, hear it being attributed to natural bodies as a great honor and perfection that they are impassable, immutable, inalterable, etc.: as conversely, I hear it esteemed a great imperfection to be alterable, generable, and mutable. It is my opinion that the earth is very noble and admirable by reason of the many and different alterations, mutations, and generations which incessantly occur in it. And if, without being subject to any alteration, it had been one great heap of sand, or a mass of jade, or if, since the time of the deluge, the waters freezing which covered it, it had continued an immense globe of crystal, wherein nothing had ever grown, altered, or changed, I should have esteemed it a wretched lump of no benefit to the Universe, a mass of idleness, and in a word superfluous, exactly as if it had never been in Nature. The difference for me would be the same as between a living and a dead creature. I say the same concerning the Moon, Jupiter, and all the other globes of the Universe.
The more I delve into the consideration of the vanity of popular discourses, the more empty and simple I find them. What greater folly can be imagined than to call gems, silver, and gold noble, and earth and dirt base? For do not these persons consider that if there were as great a scarcity of earth as there is of jewels and precious metals, there would be no king who would not gladly give a heap of diamonds and rubies and many ingots of gold to purchase only so much earth as would suffice to plant a jessamine in a little pot or to set a tangerine in it, that he might see it sprout, grow up, and bring forth such goodly leaves, fragrant flowers, and delicate fruit? It is scarcity and plenty that makes things esteemed and despised by the vulgar, who will say that there is a most beautiful diamond, for it resembles a clear water, and yet would not part from it for ten tons of water. 'These men who so extol incorruptibility, inalterability, and so on, speak thus, I believe, out of the great desire they have to live long and for fear of death, not considering that, if men had been immortal, they would not have come into the world. These people deserve to meet with a Medusa's head that would transform them into statues of diamond and jade, that so they might become more perfect than they are.
Part of this passage, in Italian, I detrattori della corruptibilitá meriterebber d'esser cangiati in statue., has also ben translated into English as "Detractors of corruptibility deserve being turned into statues."
Dialogo sopra i due massimi sistemi del mondo. (PDF) http://www.liberliber.it/biblioteca/g/galilei/le_opere_di_galileo_galilei_edizione_nazionale_sotto_gli_etc/pdf/le_ope_p.pdf, Le Opere di Galileo Galilei vol. VII, pg. 58.
Compare Maimonides "If man were never subject to change there could be no generation; there would be one single being..." Guide for the Perplexed (c. 1190)
Dialogue Concerning the Two Chief World Systems (1632)
Context: I cannot without great astonishment — I might say without great insult to my intelligence — hear it attributed as a prime perfection and nobility of the natural and integral bodies of the universe that they are invariant, immutable, inalterable, etc., while on the other hand it is called a great imperfection to be alterable, generable, mutable, etc. For my part I consider the earth very noble and admirable precisely because of the diverse alterations, changes, generations, etc. that occur in it incessantly. If, not being subject to any changes, it were a vast desert of sand or a mountain of jasper, or if at the time of the flood the waters which covered it had frozen, and it had remained an enormous globe of ice where nothing was ever born or ever altered or changed, I should deem it a useless lump in the universe, devoid of activity and, in a word, superfluous and essentially non-existent. This is exactly the difference between a living animal and a dead one; and I say the same of the moon, of Jupiter, and of all other world globes.
The deeper I go in considering the vanities of popular reasoning, the lighter and more foolish I find them. What greater stupidity can be imagined than that of calling jewels, silver, and gold "precious," and earth and soil "base"? People who do this ought to remember that if there were as great a scarcity of soil as of jewels or precious metals, there would not be a prince who would not spend a bushel of diamonds and rubies and a cartload of gold just to have enough earth to plant a jasmine in a little pot, or to sow an orange seed and watch it sprout, grow, and produce its handsome leaves, its fragrant flowers, and fine fruit. It is scarcity and plenty that make the vulgar take things to be precious or worthless; they call a diamond very beautiful because it is like pure water, and then would not exchange one for ten barrels of water. Those who so greatly exalt incorruptibility, inalterability, etc. are reduced to talking this way, I believe, by their great desire to go on living, and by the terror they have of death. They do not reflect that if men were immortal, they themselves would never have come into the world. Such men really deserve to encounter a Medusa's head which would transmute them into statues of jasper or of diamond, and thus make them more perfect than they are.

Napoleon : In His Own Words (1916)
Context: Dante has not deigned to take his inspiration from any other. He has wished to be himself, himself alone; in a word, to create. He has occupied a vast space, and has filled it with the superiority of a sublime mind. He is diverse, strong, and gracious. He has imagination, warmth, and enthusiasm. He makes his reader tremble, shed tears, feel the thrill of honor in a way that is the height of art. Severe and menacing, he has terrible imprecations for crime, scourgings for vice, sorrow for misfortune. As a citizen, affected by the laws of the republic, he thunders against its oppressors, but he is always ready to excuse his native city, Florence is ever to him his sweet, beloved country, dear to his heart. I am envious for my dear France, that she has never produced a rival to Dante; that this Colossus has not had his equal among us. No, there is no reputation which can be compared to his.

Confession Concerning Christ's Supper, Part 3. Robert E. Smith, tr.<cite>Dr. Martin Luthers Werke: Kritische Gesamtsusgabe</cite>. (Weimar: Herman Boehlaus Nachfolger, 1909), pp.499-500. http://www.iclnet.org/pub/resources/text/wittenberg/luther/luther-quoting.txt
Context: By God's grace, I know Satan very well. If Satan can turn God's Word upside down and pervert the Scriptures, what will he do with my words -- or the words of others?

Nobel lecture (1970)
Context: Not everything assumes a name. Some things lead beyond words. Art inflames even a frozen, darkened soul to a high spiritual experience. Through art we are sometimes visited — dimly, briefly — by revelations such as cannot be produced by rational thinking.
Like that little looking-glass from the fairy-tales: look into it and you will see — not yourself — but for one second, the Inaccessible, whither no man can ride, no man fly. And only the soul gives a groan...

When asked if music has a meaning
Dick Cavett interview (1969)
Context: Definitely, and it's getting more spiritual. Pretty soon I believe people will have to rely on music to get some kind of peace of mind, or satisfaction, or direction, actually. More so than politics, the big ego scene. You know it's an art of words... Meaning nothing. Therefore you will have to get an earthier substance, like music or the arts.

Source: Antigone, Line 1347, closing lines

1999

James Hetfield - Playboy April 2001.

2009

1997

1981

Politics and the English Language (1946)

Drugs and Governments
Focus Fourteen

Source: https://www.imdb.com/name/nm13141227/

Context: This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety.

Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.

So write with a combination of short, medium, and long sentences. Create a sound that pleases the reader’s ear. Don’t just write words. Write music.

Source: The Merchant and the Alchemist's Gate

Source: City of Bones

Source: Letters to a Young Poet

Source: The Amazing Maurice and His Educated Rodents

Source: Much Ado About Nothing

Variant: I want out of the labels. I don't want my whole life crammed into a single word. A story. I want to find something else, unknowable, some place to be that's not on the map. A real adventure.'
A spinx. A mystery. A blank. Unknown. Undefined.
Source: Invisible Monsters

Source: Adam Bede (1859)
Context: These fellow-mortals, every one, must be accepted as they are: you can neither straighten their noses, nor brighten their wit, nor rectify their dispositions; and it is these people — amongst whom your life is passed — that it is needful you should tolerate, pity, and love: it is these more or less ugly, stupid, inconsistent people whose movements of goodness you should be able to admire — for whom you should cherish all possible hopes, all possible patience. And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up in the morning to do our daily work, that you would be likely to turn a harder, colder eye on the dusty streets and the common green fields — on the real breathing men and women, who can be chilled by your indifference or injured by your prejudice; who can be cheered and helped onward by your fellow-feeling, your forbearance, your outspoken, brave justice.
So I am content to tell my simple story, without trying to make things seem better than they were; dreading nothing, indeed, but falsity, which, in spite of one's best efforts, there is reason to dread. Falsehood is so easy, truth so difficult. The pencil is conscious of a delightful facility in drawing a griffin — the longer the claws, and the larger the wings, the better; but that marvellous facility which we mistook for genius is apt to forsake us when we want to draw a real unexaggerated lion. Examine your words well, and you will find that even when you have no motive to be false, it is a very hard thing to say the exact truth, even about your own immediate feelings — much harder than to say something fine about them which is not the exact truth.

Source: The A.B.C. Murders

Source: Thus Spoke Zarathustra

Source: Tempted

Source: Why Men Love Bitches: From Doormat to Dreamgirl—A Woman's Guide to Holding Her Own in a Relationship

Source: The Queen of the Damned

Source: King Lear

Source: The BFG

Source: Free Fall

Source: When My Name Was Keoko

Source: All I Really Need to Know I Learned in Kindergarten (1986)
Context: Yelling at living things does tend to kill the spirit in them. Sticks and stones may break our bones, but words will break our hearts.

Source: Small Gods

Source: To the Lighthouse

Source: Out of My Mind

A New Earth (2005)
Source: A New Earth: Awakening to Your Life's Purpose

Source: My Name is Red

Source: A Week on the Concord and Merrimack Rivers

Source: Bad Moon Rising

Variant: Dancing in all its forms cannot be excluded from the curriculum of all noble education; dancing with the feet, with ideas, with words, and, need I add that one must also be able to dance with the pen?
Source: Twilight of the Idols

Source: Maskerade

Source: Waiting and Dating

Source: Ada, or Ardor: A Family Chronicle

Source: The Name of the Wind (2007), Chapter 86, “The Fire Itself” (pp. 672-673)

Source: Wolf-Speaker

Source: Cast of Characters: Common People in the Hands of an Uncommon God

Variant: Alone. Yes, that’s the key word, the most awful word in the English tongue. Murder doesn’t hold a candle to it and hell is only a poor synonym…
Source: 'Salem's Lot

Source: The God of Small Things

Source: Sweet Revenge

Source: The Bluest Eye

Source: East of Eden

Source: The Selected Prose of Fernando Pessoa

Source: Schopenhauer and the Wild Years of Philosophy

Source: Favorite Songs from Jim Henson's Muppets

Source: Memoirs of a Geisha

Source: Caravan of Dreams

As quoted in Peter's Quotations : Ideas for Our Time (1977) by Laurence J. Peter, p. 343

Source: A Week on the Concord and Merrimack Rivers

No known source; also attributed to Susan Sarandon.[citation needed]
Disputed