Quotes about well
page 95

Rudolph Rummel photo

“Well-established democracies do not make war on each other.”

Rudolph Rummel (1932–2014) American academic

Source: The Blue Book of Freedom: Ending Famine, Poverty, Democide, and War (2007), p. 106

William Osler photo

“Shakespeare gets to the root of the alcohol question in his well-known statement—'Good wine is a good, familiar creature if it be well used.”

William Osler (1849–1919) Canadian pathologist, physician, educator, bibliophile, historian, author, cofounder of Johns Hopkins Hospi…

Alcohol in St. Elizabeth Parish Magazine (1905). As quoted in Counsels and ideals from the writings of William Osler (1921, 2nd edition) http://babel.hathitrust.org/cgi/pt?id=hvd.hc1qm3;view=1up;seq=295

A.E. Housman photo
Francis S. Collins photo
Alfred Denning, Baron Denning photo
Martin Luther King, Jr. photo
Lewis F. Powell, Jr. photo
Judith Martin photo
Paul Gabriël photo

“.. that one [a tree study in Gabriël's studio] is from my early times; I don't make them that way anymore; look how the thing is painted..; and those days my teachers told me that nothing would come of me in this way. What kind of folks were they? [o. a. his early and short teacher Koekoek, c. 1844-45] And which guys belonged to them? Well, let's keep mum about that; all those guys are dead already. But those days [c. 1840's] it was the ruling idea to use nature only as a tool; she had to be embellished later with imagination and so on …. imagination …. the stupidest thing in the world. (L. de Haes asked him: Do you think imagination is so improper?) Improper, I think it is simply an unhealthy trait. You see; imagination is the proper way to insanity. Imagine that you start painting from your imagination without knowing nature; after all, there will be no result whatsoever. All those people of imagination imagine so much, and it is the greatest misfortune you can have in life, you know what it is good for: to idealize your faults.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: ..da's er een [ een boom-studie] uit m'n eersten tijd; zoo doe 'k het niet meer; kijk dat ding eens geschilderd wezen; en in dien tijd zeiden mijn leermeesters dat er op die manier niets van mij terecht zou komen. Wat een lui waren dat hè [o.a. zijn tijdelijke vroege leermeester Koekoek, c. 1844-45]? En wie waren dat zoo al? Ja daar zullen we maar over zwijgen; die menschen zijn nu al dood; maar 't was toen de opvatting, de natuur alleen als hulpmiddel te gebruiken; zij moest nog verfraaid worden met verbeelding en zoo al meer .... imaginatie.... 't stomste wat er op de wereld is. (L. de Haes: Vindt u verbeelding dan zoo verwerpelijk?) Verwerpelijk, och ik vind het eenvoudig een ziekelijke eigenschap, zie je wel; verbeelding, dat is de weg naar de krankzinnigheid. Verbeeld je dat je uit je verbeelding gaat schilderen zonder de natuur te kennen; daar komt immers niets van terecht. Al die menschen van verbeelding verbeelden zich zoo veel, en 't is 't grootste ongeluk wat je op de wereld kan hebben, weet je waar 't alleen goed voor is: om je gebreken te idealiseeren.
Quote of Gabriël, 1893; as cited by L. de Haes, in 'P.J.C. Gabriël'; published in Elsevier's geïllustreerd maandschrift 3., April/May 1893, pp. 453-473
1880's + 1890's

Nicholas Sparks photo

“We'd been raised to survive, to meet challenges, and to chase our dreams. … And we don't only love each other, but like each other as well.”

Nicholas Sparks (1965) American writer and novelist

Nicholas Sparks, Epilogue, p. 355
2000s, Three Weeks with My Brother (2004)

André Maurois photo
Jefferson Davis photo

“Julia Hayden, the colored school teacher, one of the latest victims of the White man's League, was only seventeen years of age. She was the daughter of respectable parents in Maury County, Tennessee, and had been carefully educated at the Central College, Nashville, a favorite place for the instruction of youth of both sexes of her race. She is said to have possessed unusual personal attractions as well as intelligence. Under the reign of slavery as it is defined and upheld by Davis and Toombs, Julia Hayden would probably have been taken from her parents and sent in a slave coffle to New Orleans to be sold on its auction block. But emancipation had prepared for her a different and less dreadful fate. With that strong desire for mental cultivation which marked the colored race since their freedom, in all circumstances where there is an opportunity left them for its exhibition, the young girl had so improved herself as to become capable of teaching others. She went to Western Tennessee and took charge of a school. Three days after her arrival at Hartsville, at night, two white men, armed with their guns, appeared at the house where she was staying, and demanded the school teacher. She fled, alarmed, to the room of the mistress of the house. The White Leaguers pursued. They fired their guns I through the floor of the room and the young girl fell dead within. Her murderers escaped.”

Jefferson Davis (1808–1889) President of the Confederate States of America

"Louisiana and the Rule of Terror" http://cdnc.ucr.edu/cgi-bin/cdnc?a=d&d=EL18741010.2.9#, The Elevator (10 October 1874), Volume 10, Number 26.

Jared Diamond photo
John Calvin photo

“The realist, then, would seek in behalf of philosophy the same renunciation the same rigour of procedure, that has been achieved in science. This does not mean that he would reduce philosophy to natural or physical science. He recognizes that the philosopher has undertaken certain peculiar problems, and that he must apply himself to these, with whatever method he may find it necessary to employ. It remains the business of the philosopher to attempt a wide synoptic survey of the world, to raise underlying and ulterior questions, and in particular to examine the cognitive and moral processes. And it is quite true that for the present no technique at all comparable with that of the exact sciences is to be expected. But where such technique is attainable, as for example in symbolic logic, the realist welcomes it. And for the rest he limits himself to a more modest aspiration. He hopes that philosophers may come like scientists to speak a common language, to formulate common problems and to appeal to a common realm of fact for their resolution. Above all he desires to get rid of the philosophical monologue, and of the lyric and impressionistic mode of philosophizing. And in all this he is prompted not by the will to destroy but by the hope that philosophy is a kind of knowledge, and neither a song nor a prayer nor a dream. He proposes, therefore, to rely less on inspiration and more on observation and analysis. He conceives his function to be in the last analysis the same as that of the scientist. There is a world out yonder more or less shrouded in darkness, and it is important, if possible, to light it up. But instead of, like the scientist, focussing the mind's rays and throwing this or that portion of the world into brilliant relief, he attempts to bring to light the outlines and contour of the whole, realizing too well that in diffusing so widely what little light he has, he will provide only a very dim illumination.”

Ralph Barton Perry (1876–1957) American philosopher

Chap XXV.
The Present Conflict of Ideals: A Study of the Philosophical Background of the World War (1918)

François Fénelon photo

“In the light of eternity we shall see that what we desired would have been fatal to us, and that what we would have avoided was essential to our well-being.”

François Fénelon (1651–1715) Catholic bishop

Nous verrons à sa lumière, dans l'éternité, que ce que nous désirions nous eût été funeste, et que ce que nous voulions éviter était essentiel à notre bonheur.
Instructions et avis sur divers points de la morale et de la perfection chrétienne, ch. 18, cited from Œuvres de Fénelon (Paris: Firmin Didot, 1845) vol. 1, p. 325; translation from Selections from the Writings of Fénelon (Boston: Samuel G. Simpkins, 1844) p. 82.

Letitia Elizabeth Landon photo
Abby Stein photo
Grant Morrison photo
Frankie Howerd photo
Ben Emmerson photo

“The House of Saud knows full well that it cannot survive the forces of change, that it cannot withstand the inevitable tide of history and that it will in due course be swept away as the clamour for governmental transparency and social justice grows.”

Ben Emmerson (1963) British Queen's Counsel

As quoted in Saudi Arabia using anti-terror laws to detain and torture political dissidents, UN says https://www.independent.co.uk/news/world/middle-east/saudi-arabia-torture-political-dissidents-anti-terror-laws-un-mohammad-bin-salman-a8388226.html (8 June 2018), The Independent.

Victor Davis Hanson photo
John Constable photo

“No man who can do any one thing well will be able to any different thing equally well.”

John Constable (1776–1837) English Romantic painter

Quote from John Constable's letter to Rev. John Fisher 1825
1820s

“"'Isaiah' – what a funny name for a teddy bear!"
"Well, you see one eye's 'igher than the other."”

Donald McGill (1875–1962) British artist

Exhibited as part of the Michael Winner collection of McGill designs at the Chris Beetles Gallery, March 14 to April 8, 2006. http://www.chrisbeetles.com/pictures/artists/McGill_Donald/DMG185.htm

Henri Matisse photo
George W. Bush photo

“On board was a crew of seven: Colonel Rick Husband; Lt. Colonel Michael Anderson; Commander Laurel Clark; Captain David Brown; Commander William McCool; Dr. Kalpana Chawla; and Ilan Ramon, a Colonel in the Israeli Air Force. These men and women assumed great risk in the service to all humanity.
In an age when space flight has come to seem almost routine, it is easy to overlook the dangers of travel by rocket, and the difficulties of navigating the fierce outer atmosphere of the Earth. These astronauts knew the dangers, and they faced them willingly, knowing they had a high and noble purpose in life. Because of their courage and daring and idealism, we will miss them all the more.
All Americans today are thinking, as well, of the families of these men and women who have been given this sudden shock and grief. You're not alone. Our entire nation grieves with you. And those you loved will always have the respect and gratitude of this country.
The cause in which they died will continue. Mankind is led into the darkness beyond our world by the inspiration of discovery and the longing to understand. Our journey into space will go on.
In the skies today we saw destruction and tragedy. Yet farther than we can see there is comfort and hope. In the words of the prophet Isaiah, "Lift your eyes and look to the heavens. Who created all these? He who brings out the starry hosts one by one and calls them each by name. Because of His great power and mighty strength, not one of them is missing.
The same Creator who names the stars also knows the names of the seven souls we mourn today. The crew of the shuttle Columbia did not return safely to Earth; yet we can pray that all are safely home.
May God bless the grieving families, and may God continue to bless America.”

George W. Bush (1946) 43rd President of the United States

2000s, 2003, Remarks after Columbia space shuttle disaster (February 2003)

Mitsumasa Yonai photo

“History shows that whenever an emergency arises, our national spirit is most emphatically manifested to advance the prestige and fortune of the nation. It is incumbent upon us to leave no stone unturned in order to promote loyalty and bravery on the home front as well, and to replenish and demonstrate our nation's powers, for which are required the inculcation of the spirit of reverence for deities and respect for ancestors, the renovation of national education and the of the people's physical strength.”

Mitsumasa Yonai (1880–1948) Prime Minister of Japan

alternate version: History shows that, whenever an emergency arises, our national spirit is manifested most emphatically to advance the prestige and bring about the prosperity of the nation. Nor must we be negligent in any way in promoting a loyal and heroic spirit among the home-front population so that national strength may be augmented and given full play. For this purpose, such measures as the fostering of the spirit of piety and of honouring ancestors, the renovation of national education and the improvement of the people's physical strength.
Quoted in Nihon Gaiji Kyokai, Tokyo Gazette, p. 343. Also quoted in Daniel Clarence Holtom, Modern Japan and Shinto Nationalism (1963), p. 19.

Jack Vance photo
Michael Mullen photo
Eddie Vedder photo
Michael Szenberg photo
Montesquieu photo
Alauddin Khalji photo
John Bardeen photo

“… I can't work well under the conditions at Bell Labs. Walter and I are looking at a few questions relating to point-contact transistors, but Shockley keeps all the interesting problems for himself.”

John Bardeen (1908–1991) American physicist and engineer

told to Frederick Seitz as quoted by Lillian Hoddeson in No boundaries: University of Illinois vignettes https://books.google.com/books?id=02eFrTPIo4gC, University of Illinois Press 2004 (quote page 242)

Theodore Dreiser photo
Ralph Waldo Emerson photo

“A friend may well be reckoned the masterpiece of nature.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: First Series (1841), Friendship

Ian McEwan photo

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Page 164-165.
Black Dogs (1992)

Jack McDevitt photo
Noam Chomsky photo
Henry David Thoreau photo
Ovadia Yosef photo
N. Gregory Mankiw photo
Patrick Allen photo

“I Scream! You Scream! We all ruddy well Scream!”

Patrick Allen (1927–2006) Film, television and voice actor

E4, Scream' Trail

Harry Chapin photo
Thomas Carlyle photo

“Aesthetic hygiene is necessary for collective societies, for any social group residing together on a large scale. How? By programming environments that obey rigorous aesthetic criteria. Each time the inhabitant walks around in the city, he must bathe in a climate that creates in him a specific feeling of well-being, invoked by the massive presence of aesthetic products in the environment”

Nicolas Schöffer (1912–1992) French sculptor and plastician

Source: Douglas Davis, “Nicolas Schöffer: The Cybernetic Esthetic,” in Art and the Future: A History/Prophecy of the Collaboration Science, Technology and Art. New York: Praeger, 1973, pages 121–122; cited in: Hervé Vanel. " Visual Muzak and the Regulation of the Senses. Notes on Nicolas Schöffer https://www.academia.edu/11283475/_Visual_Muzak_and_the_Regulation_of_the_Senses_Notes_on_Nicolas_Sch%C3%B6ffer_in_Audio_Visual_-_On_Visual_Music_and_Related_Media_Cornelia_Lund_Holger_Lund_eds._Arnoldsche_Verlagsanstalt_Stuttgart_p._58-75_July_2009._galley_proof_." July 2009.

Geert Wilders photo
John Constable photo
Gene Vincent photo

“Well be-bop-a-lula, she's my baby
Be-bop-a-lula, I don't mean maybe
Be-bop-a-lula, she's my baby
Be-bop-a-lula, I don't mean maybe
Be-bop-a-lula, she's my baby love
My baby love, my baby love.”

Gene Vincent (1935–1971) American musician

"Be-Bop-A-Lula" (1956); though Vincent composed the tune and sang the song, by his accounts, the lyrics to this were written by Donald Graves (the credit for which he sold to Bill "Sheriff Tex" Davis). · Town Hall Party (1958) at YouTube https://www.youtube.com/watch?v=vDU9FP5_B2M
Misattributed

John Scalzi photo
Julien Offray de La Mettrie photo
Akira Toriyama photo
John Hodgman photo

“For the first time in history, well-educated, affluent, white males are going to have their say.”

April 17, 2008
The Areas of My Expertise (2005), Appearances on The Daily Show with Jon Stewart

Joseph Addison photo

“I have often thought, says Sir Roger, it happens very well that Christmas should fall out in the Middle of the Winter”

Joseph Addison (1672–1719) politician, writer and playwright

No. 269 (8 January 1712).
The Spectator (1711–1714)

Kin Hubbard photo

“Never tell the box-office man that you can't hear well or he will sell you a seat where you can't see either.”

Kin Hubbard (1868–1930) cartoonist

Short Furrows http://books.google.com/books?id=DCQOAAAAYAAJ&q=%22Never+tell+the+box-office+man+that+you+can't+hear+well+or+he+will+sell+you+a+seat+where+you+can't+see+either%22&pg=PA10#v=onepage (1911).

Elbert Hubbard photo

“Every spirit makes his own house, but as afterwards the house confines its spirit, you had better build well.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

Source: A Thousand & One Epigrams: Selected from the Writings of Elbert Hubbard (1911), p. 16.

Markos Moulitsas photo
Edward Carpenter photo

“Plato in his allegory of the soul—in the Phaedrus—though he apparently divides the passions which draw the human chariot into two classes, the heavenward and the earthward—figured by the white horse and the black horse respectively—does not recommend that the black horse should be destroyed or dismissed, but only that he (as well as the white horse) should be kept under due control by the charioteer. By which he seems to intend that there is a power in man which stands above and behind the passions, and under whose control alone the human being can safely move. In fact if the fiercer and so-called more earthly passions were removed, half the driving force would be gone from the chariot of the human soul. Hatred may be devilish at times—but after all the true value of it depends on what you hate, on the use to which the passion is put. Anger, though inhuman at one time is magnificent and divine at another. Obstinacy may be out of place in a drawing-room, but it is the latest virtue on a battlefield when an important position has to be held against the full brunt of the enemy. And Lust, though maniacal and monstrous in its aberrations, cannot in the last resort be separated from its divine companion, Love. To let the more amiable passions have entire sway notoriously does not do: to turn your cheek, too literally, to the smiter, is (pace Tolstoy) only to encourage smiting; and when society becomes so altruistic that everybody runs to fetch the coal-scuttle we feel sure that something has gone wrong. The white-washed heroes of our biographies with their many virtues and no faults do not please us. We have an impression that the man without faults is, to say the least, a vague, uninteresting being—a picture without light and shade—and the conventional semi-pious classification of character into good and bad qualities (as if the good might be kept and the bad thrown away) seems both inadequate and false.”

Edward Carpenter (1844–1929) British poet and academic

Defence of Criminals: A Criticism of Morality (1889)

Elias Canetti photo

“You don’t have to know a philosopher’s every syllable to know why he rubs you the wrong way. You may know it best after a few of his sentences, and les and less well after that. The important thing is to see his web and move away before you tear it.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 61
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Peter F. Drucker photo
Titus Salt photo

“Ladies and gentlemen, it is with no ordinary feelings, I assure you, that I rise on this occasion to thank you for the very flattering manner in which you have received the last toast, and for the good wishes expressed therein. I cannot look around me, and see this vast assemblage of my friends and workpeople, without being moved. I feel gratified at this day's proceedings; I also feel greatly honoured by the presence of the nobleman at my side. I am more than all delighted at the presence of this vast assemblage of my workpeople. Perhaps it may be permitted me to remark that ten or twelve years ago I was looking forward to this day (on which I complete my his fiftieth year) as the period when I hoped to retire from business and enjoy myself in agricultural pursuits, which would be quite congenial to my mind and inclination. As the time drew near, looking at my large family (five of them being sons) I reversed that decision, and resolved to proceed a little longer and remain at the head of the firm. Having thus determined, I at once made up my mind to leave Bradford. I did not like to be a party to increasing that already overcrowded borough, but I looked around for a site suitable for a large manufacturing establishment, and I fixed upon this, as offering every capability for a first rate manufacturing and commercial establishment. It is also, from the beauty of its situation, and the salubrity of the air, a most desirable place for the erection of dwellings. Far be it from me to do anything to pollute the air or the water of the district. I shall do my utmost to avoid these evils, and I have no doubt of being successful. I hope to draw around me a population that will enjoy the beauties of this neighbourhood—a population of well paid, contented, happy operatives. I have given instructions to my architects (who are competent to carry them out) that nothing shall be spared to render the dwellings of the operatives a pattern to the country, and if my life is spared by Divine Providence, I hope to see satisfaction, contentment, and happiness around me.”

Titus Salt (1803–1876) English industrialist and philanthropist

The speech he made to the 3,500 guests (including his workers) at the banquet on 1853-09-20, which he held to celebrate both his fiftieth birthday and the opening of his new factory at Saltaire. [Inauguration of the works at Saltaire, The Bradford Observer, 1853-09-22, 8, http://find.galegroup.com/bncn/retrieve.do?sgHitCountType=None&orientation=&scale=0.33&sort=DateAscend&docLevel=FASCIMILE&prodId=BNCN&tabID=T012&subjectParam=Locale%2528en%252C%252C%2529%253ALQE%253D%2528jn%252CNone%252C17%2529Bradford%2BObserver%253AAnd%253ALQE%253D%2528da%252CNone%252C10%252909%252F22%252F1853%2524&resultListType=RESULT_LIST&searchId=R2&searchType=BasicSearchForm&currentPosition=11&qrySerId=Locale%28en%2C%2C%29%3ALQE%3D%28jn%2CNone%2C17%29Bradford+Observer%3AAnd%3ALQE%3D%28da%2CNone%2C10%2909%2F22%2F1853%24&subjectAction=DISPLAY_SUBJECTS&retrieveFormat=MULTIPAGE_DOCUMENT&enlarge=&bucketSubId=&inPS=true&userGroupName=brad&hilite=y&docPage=article&nav=prev&sgCurrentPosition=0&docId=R3207957429, 2012-06-07 (subscription site)]
A slightly edited version (in the third person) appears in [Holroyd, Abraham, 1873, 2000, Saltaire and its Founder, Piroisms Press, ISBN 0-9538601-0-8, 14-15]

Matthieu Ricard photo
George Shultz photo

“Many of today's trading relationships actually make America more globally competitive.... Raising tariffs among the United States, Canada and Mexico will only weaken a well-oiled manufacturing machine that is driven by the high level of integration the three economies have in their supply chains. This integration makes the region as a whole more competitive vis-à-vis the world.”

George Shultz (1920) American economist, statesman, and businessman

A better way than tariffs to improve America's trade picture. https://www.cnn.com/2018/06/01/opinions/a-better-way-than-tariffs-to-improve-americas-trade-picture/index.html CNN opinion article written jointly with Pedro Aspe, Mexico's former secretary of finance, published June 1, 2018.

Vladimir Lenin photo
Loujain al-Hathloul photo
William James photo
Mark Hopkins (educator) photo
Henry Temple, 3rd Viscount Palmerston photo
John F. Kennedy photo
Diogenes Laërtius photo

“He said that men ought to remember those friends who were absent as well as those who were present.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Thales, 9.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 1: The Seven Sages

Bruce Palmer Jr. photo
Mary Parker Follett photo
Anthony Trollope photo
Nigel Farage photo

“You have the charisma of a damp rag, and the appearance of a low-grade bank clerk. And the question that I want to ask, […] that we're all going to ask, is "Who are you?" I'd never heard of you. Nobody in Europe had ever heard of you. I would like to ask you, President, who voted for you, and what mechanism … oh, I know democracy's not popular with you lot, and what mechanism do the people of Europe have to remove you? Is this European democracy? Well, I sense, I sense though that you are competent and capable and dangerous, and I have no doubt in your intention, to be the quiet assassin of European democracy, and of the European nation states. You appear to have a loathing for the very concept of the existence of nation states - perhaps that's because you come from Belgium, which of course is pretty much a non-country. But since you took over, we've seen Greece reduced to nothing more than a protectorate. Sir, you have no legitimacy in this job at all, and I can say with confidence that I speak on behalf of the majority of British people in saying: We don't know you, we don't want you, and the sooner you're put out to grass, the better.”

Nigel Farage (1964) British politician and former commodity broker

Speech in the European Parliament, 24 February 2010 - Ukip's Nigel Farage tells Van Rompuy: You have the charisma of a damp rag http://www.guardian.co.uk/world/2010/feb/25/nigel-farage-herman-van-rompuy-damp-rag, The Guardian, 24 February 2010.
2010

Alexander Calder photo

“I started [in Paris, 1920's, making toys] right away, using wire as my main material as well as working with others like string, leather, fabric and wood. Wood combined with wire (with which I could make the heads, tails and feet of animals as well as articulating parts) was almost always my medium of choice. One friend of mine suggested that I should make bodies entirely of wire, and that is how I started to make what I called 'Wire Sculpture.”

Alexander Calder (1898–1976) American artist

In Montparnasse, I became known as the 'King of Wire'.

Quote of Alexander Calder (1952), looking back, from Permanence Du Cirque, in 'Revue Neuf', Calder Foundation, 1952; as quoted in Calder and Mondrian: An Unlikely Kinship, senior-thesis by Eva Yonas http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.517.581&rep=rep1&type=pdf, Ohio State University August 2006, Department of Art History, p.19 – note 26

Calder first began using wire extensively in 1926, creating mechanical toys that would be the precursors to the Paris' 'Cirque Calder'
1950s - 1960s

William Ewart Gladstone photo
Adelaide Anne Procter photo

“If thou couldst trust, poor soul!
In Him who rules the whole,
Thou wouldst find peace and rest;
Wisdom and sight are well, but trust is best.”

Adelaide Anne Procter (1825–1864) English poet and songwriter

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 597.

Robert Southey photo

“But what they fought each other for
I could not well make out.”

Robert Southey (1774–1843) British poet

St. 6.
The Battle of Blenheim http://www.poetry-archive.com/s/the_battle_of_blenheim.html (1798)

Charles Lyell photo
Edgar Guest photo
Noam Chomsky photo
Clifford D. Simak photo
Pete Doherty photo
Thomas Morton (playwright) photo

“I eat well, and I drink well, and I sleep well—but that's all.”

Thomas Morton (playwright) (1764–1838) English playwright

A Roland for an Oliver (1819), Act I, scene i http://books.google.com/books?id=nWtbAAAAQAAJ&q=%22I+eat+well+and+I+drink+well+and+I+sleep+well+but+that's+all%22&pg=PA16#v=onepage.

Warren Buffett photo
Akbar Hashemi Rafsanjani photo