Quotes about warmth
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Ai Weiwei photo
J. William Fulbright photo
Ayn Rand photo

“Seek and possess holiness, and consolation will follow, as assuredly as warmth follows the dispensation of the rays of the sun.”

Thomas Cogswell Upham (1799–1872) American philosopher and psychologist

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 316.

George F. Kennan photo
Anthony Watts photo

“I'm not sure the "remarkable Arctic warmth" is real, especially since the disappearance of arctic sea ice during that time has been linked not to warmer temperatures, but to wind patterns by other researchers at NASA.”

Anthony Watts (1958) American television meteorologist

3 of 4 global metrics show nearly flat temperature anomaly in the last decade http://wattsupwiththat.com/2008/03/08/3-of-4-global-metrics-show-nearly-flat-temperature-anomaly-in-the-last-decade/, wattsupwiththat.com, March 8 2008.
2008

John Stossel photo

“There is some good evidence man contributes to global warming. But I say, so what? We can deal with that. It's not a catastrophe. And cold is far worse for hurting people than warmth.”

John Stossel (1947) American consumer reporter, investigative journalist, author and libertarian columnist

[Fox & Friends, John Stossel, 2014-12-11, Fox News, Television], quoted in Fox segment on ‘ridiculous’ climate change devolves into talk of humans living with dinosaurs, Raw Story, David Edwards, 2014-12-11, 2014-12-15 http://www.rawstory.com/rs/2014/12/fox-segment-on-ridiculous-climate-change-devolves-into-talk-of-humans-living-with-dinosaurs/,

John Burroughs photo
Bill Bryson photo
Adolph Freiherr Knigge photo

“Without inspiration, which fills the soul with a healthy warmth, nothing great can ever be brought to pass.”

Adolph Freiherr Knigge (1752–1796) German writer and Freemason

Ohne Begeisterung, welche die Seele mit einer gesunden Wärme erfüllt, wird nie etwas Großes zustande gebracht.
As quoted in ‪30 Minuten für intelligente Schlagfertigkeit‬ (2004) by Stephané Etrillard, p. 55.

Russell Brand photo
Nathanael Greene photo

“Before I came into the department, your Excellency was obliged often to stand Quarter-master. However capable the principal was of doing his duty, he was hardly ever with you. The line and the staff were at war with each other. The country had been plundered in a way that would now breed a kind of civil war between the staff and the inhabitants. The manner of my engaging in this business, and your Excellency's declaration to the Committee of Congress, that you would stand Quarter-master no longer, are circumstances which I wish may not be forgotten; as I may have occasion, at some future day, to appeal to your Excellency for my own justification. One thing I can say, with truth and sincerity, that I have conducted the business with as much prudence and economy, as if my private fortune had been answerable for the disbursements. And I believe your Excellency will do me the justice to say, the department has cooperated with your measures as far as circumstances were to be governed by me; and this you had reason to apprehend would not have been the case had I not taken direction of the business. And here, in justice to my colleagues, I shall mention that I think them entitled to your Excellency's personal esteem, from the warmth of their wishes, and a desire to promote your ease and convenience.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (24 April 1779)

George Eliot photo
Miguel de Unamuno photo

“Warmth, warmth, more warmth! for we are dying of cold and not of darkness. It is not the night that kills, but the frost.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), XI : The Practical Problem

George William Russell photo

“We are desert leagues apart;
Time is misty ages now
Since the warmth of heart to heart
Chased the shadows from my brow.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

James David Forbes photo

“Most merciful and gracious God, who hast preserved me unto this hour, I most humbly acknowledge Thee as the guide and companion of my youth. Thou hast protected me through the dangers of infancy and childhood, and in my youth Thou didst bless me with the full enjoyment, the happy intimacy, of the best of fathers. Be as gracious and merciful then as Thou hast hitherto been, now that I am about to enter a new stage of existence. Teach me, I beseech Thee, to strengthen in my soul the cultivation of Thy truth, the recollection of the uncertainty of life, the greatness of the objects for which I was created. Revive those delightful religious impressions which in early days I felt more strongly than now; and as Thou hast been pleased lately to permit me to look to a way of life to which formerly I dared not to do, let the leisure I shall enjoy enlarge my warmth of heart towards Thee. Make every branch of study which I may pursue strengthen my confidence in Thy ever-ruling providence, that, undeceived by views of false philosophy, I may ever in singleness of heart elevate my mind from Thy works unto Thy divine essence. Keep from me a vain and overbearing spirit; let me- ever have a thorough sense of my own ignorance and weakness; and keep me through all the trials and troubles of a transitory state in body and soul unto everlasting life, for Jesus Christ's sake. Amen.”

James David Forbes (1809–1868) Scottish physicist and glaciologist

"Completing my Twenty-first Year" (1839), a prayer written by Forbes on April 20th, 1830. Life and letters of James David Forbes p. 450.

Norman Mailer photo

“There could be no politics which gave warmth to one's body until the country had recovered its imagination, its pioneer lust for the unexpected and incalculable.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Edmund White photo
Mark Hopkins (educator) photo

“The movement has indeed been slow, and not such as man would have expected; but it has been analogous to the great movements of God in His providence and in His works. So, if we may credit the geologists, has this earth reached its present state. So have moved on the great empires. So retribution follows crime. So rise the tides. So grows the tree with long intervals of repose and apparent death. So comes on the spring, with battling elements and frequent reverses, with snowbanks and violets, and, if we had no experience, we might be doubtful what the end would be. But we know that back of all this, beyond these fluctuations, away in the serene heavens, the sun is moving steadily on; that these very agitations of the elements and seeming reverses, are not only the sign, but the result of his approach, and that the full warmth and radiance of the summer noontide are sure to come. So, O Divine Redeemer, Sun of Righteousness, come Thou! So will He come. It may be through clouds and darkness and tempest; but the heaven where He is, is serene; He is "traveling in the greatness of His strength; "and as surely as the throne of God abides, we know He shall yet reach the height and splendor of the highest noon, and that the light of millennial glory shall yet flood the earth.”

Mark Hopkins (educator) (1802–1887) American educationalist and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 418.

Margrethe II of Denmark photo
Dugald Stewart photo
Yuvan Shankar Raja photo
John Keats photo

“There is an awful warmth about my heart like a load of immortality.”

John Keats (1795–1821) English Romantic poet

Letter to John Hamilton Reynolds (September 22, 1818)
Letters (1817–1820)

Edmund Burke photo
Jack Vance photo

“And, stretching in languid warmth, she contrived to twist her body into first one luxurious position, then another.”

Source: Dying Earth (1950-1984), The Eyes of the Overworld (1966), Chapter 2, "Cil"

Richard Rodríguez photo
Jack Vance photo
Jimmy Fallon photo

“The economy is so bad, instead of paying for heat, people are huddling around exploding Samsung phones just for the warmth!”

Jimmy Fallon (1974) American TV Personality

Hosting The Tonight Show, October 31, 2016
Unsourced

William James photo
Louise Burfitt-Dons photo
Vernor Vinge photo
Louis Hémon photo

“Love must give warmth and unfading color to every day of the dullest life.”

Source: Maria Chapdelaine (1913), Ch. 6, p. 86

Charles Grey, 2nd Earl Grey photo

“Grey was an ambitious man who always wished to lead, but his overt ambition during his youth made him unpopular. He lacked the warmth of personality that made Fox revered by his followers. Grey was respected but rarely loved. His achievements were few, but they were significant. He helped to keep liberal principles alive during the years of conflict with revolutionary France, and in 1832 he safeguarded the continuity of the British constitution into an era of increasingly rapid social and political change. In character he was a man of contradictions, headstrong but easily discouraged by failure, imperious but indecisive, cautious and introspective. He was at his best when in office, for he sought fame and reputation: in opposition he often became despondent. He was a man of principle and integrity, though not always successful in execution. His bearing and attitudes were aristocratic, and his instincts were fundamentally conservative. He was a whig of the eighteenth-century school, most at home among his deferential clients, tenants, and labourers at Howick, and he never came to terms with the new industrial society which was coming into being during his later years. It is greatly to his credit that his Reform Act, whatever its conservative purpose, smoothed the path for that new society to establish its dominance without destroying the old.”

Charles Grey, 2nd Earl Grey (1764–1845) Prime Minister of the United Kingdom of Great Britain and Ireland

E. A. Smith, ‘ Grey, Charles, second Earl Grey (1764–1845) http://www.oxforddnb.com/view/article/11526’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2009, accessed 8 Sept 2012.
About

Alain Finkielkraut photo

“According to … the French counterrevolutionaries and German Romantics, … the corpus of prejudices was a country’s cultural treasure, its ancient and tested intelligence, present as the consciousness and guardian of its thought. Prejudices were the “we” of every “I”, the past in the present, the revered vessels of the nation’s memory, its judgements carried from age to age. Pretending to spread enlightenment, the philosophes had set out to extirpate these precious residua. … The result was that they had uprooted men from their culture at the very moment when they bragged of how they would cultivate them. … Convinced that they were emancipating souls, they succeeded only in deracinating them. These calumniators of the commonplace had not freed understanding from its chains, but cut it off from its sources. The individual who, thanks to them, must now cast off childish things, had really abandoned his own nature. … The promises of the cogito were illusory: free from prejudice, cut off from the influence of national idiom, the subject was not free but shrivelled and devitalised. … Everyday opinion should therefore be regarded as the soil where thought was nourished, its hearth and sanctuary, … and not, as the philosophes would have it, as some alien authority which overwhelmed and crushed it. … The cogito needed to be steeped in the profundities of the collective mind; the broken links with the past needed repairing; the quest for independence should yield to that for authenticity. Men should abandon their scepticism and give themselves over to the comforting warmth of majoritarian ideas, bowing down before their infallible authority.”

Alain Finkielkraut (1949) French essayist, born 1949

Source: The Undoing of Thought (1988), pp. 25-26.

Jacqueline Kennedy Onassis photo
Ai Weiwei photo
Suzanne Collins photo
Mehdi Akhavan-Sales photo
George du Maurier photo

“A little work, a little gay
To keep us going—and so good-day!

A little warmth, a little light
Of love’s bestowing—and so, good-night.

A little fun, to match the sorrow
Of each day’s growing—and so, good-morrow!

A little trust that when we die
We reap our sowing—and so—good-bye!”

Trilby (1894). Compare:
:PEU DE CHOSE
La vie est vaine,
Un peu d’amour,
Un peu de haine,
Et puis—Bonjour!

La vie est brève:
Un peu d’espoir,
Un peu de rève
Et puis—Bon soir!
::Léon de Montenaeken; translated by Louise Chandler Moulton as:
:Ah, brief is Life,
Love’s short sweet way,
With dreamings rife,
And then—Good-day!

And Life is vain—
Hope’s vague delight,
Grief’s transient pain,
And then—Good-night.

Wilfred Thesiger photo
Theodore Dalrymple photo
Jean Paul photo
Madhuri Dixit photo
Louis Hémon photo
Maggie Stiefvater photo
Agatha Christie photo
Carl Maria von Weber photo
Joni Mitchell photo
Jerome K. Jerome photo

“I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!”

Idle Thoughts of an Idle Fellow (1886)

Dwight D. Eisenhower photo

“When I was a small boy in Kansas, a friend of mine and I went fishing and as we sat there in the warmth of the summer afternoon on a river bank, we talked about what we wanted to do when we grew up. I told him that I wanted to be a real major league baseball player, a genuine professional like Honus Wagner. My friend said that he'd like to be President of the United States. Neither of us got our wish.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

As quoted in Baseball's Greatest Quotes (1992) by Paul Dickson; cited in "Game Day in the Majors" at the Library of Congress http://memory.loc.gov/ammem/collections/robinson/jrgmday.html

Elfriede Jelinek photo
Winthrop Mackworth Praed photo

“I remember, I remember
How my childhood fleeted by,—
The mirth of its December
And the warmth of its July.”

Winthrop Mackworth Praed (1802–1839) British politician, poet

"I remember, I remember" in The Poetical Works of Winthrop Mackworth Praed (published 1860) p. 248. Compare: " I remember, I remember / The house where I was born", Thomas Hood, I remember, I remember.

Russell Brand photo

“With each tentative tiptoe and stumble, I had to inwardly assure myself that I was a good comedian and that my life was not pointless. “I am addicted to comfort,” I thought as I tumbled into the wood chips. I have become divorced from nature; I don’t know what the names of the trees and birds are. I don’t know what berries to eat or which stars will guide me home. I don’t know how to sleep outside in a wood or skin a rabbit. We have become like living cutlets, sanitized into cellular ineptitude. They say that supermarkets have three days’ worth of food. That if there was a power cut, in three days the food would spoil. That if cash machines stopped working, if cars couldn’t be filled with fuel, if homes were denied warmth, within three days we’d be roaming the streets like pampered savages, like urban zebras with nowhere to graze. The comfort has become a prison; we’ve allowed them to turn us into waddling pipkins. What is civilization but dependency? Now, I’m not suggesting we need to become supermen; that solution has been averred before and did not end well. Prisoners of comfort, we dread the Apocalypse. What will we do without our pre-packed meals and cozy jails and soporific glowing screens rocking us comatose? The Apocalypse may not arrive in a bright white instant; it may creep into the present like a fog. All about us we may see the shipwrecked harbingers foraging in the midsts of our excess. What have we become that we can tolerate adjacent destitution? That we can amble by ragged despair at every corner? We have allowed them to sever us from God, and until we take our brothers by the hand we will find no peace.”

Revolution (2014)

John Constable photo

“But You know, Landscape is my mistress — 't is to her that I look for fame — and all that the warmth of the imagination renders dear to Man.”

John Constable (1776–1837) English Romantic painter

Letter to his future wife, Maria Bicknell (22 September 1812), as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 23
1800s - 1810s

Ernest Becker photo

“What are we to make of a creation in which the routine activity is for organisms to be tearing others apart with teeth of all types—biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one's own organization, and then excreting with foul stench and gasses the residue. Everyone reaching out to incorporate others who are edible to him. The mosquitoes bloating themselves on blood, the maggots, the killer-bees attacking with a fury and a demonism, sharks continuing to tear and swallow while their own innards are being torn out—not to mention the daily dismemberment and slaughter in "natural" accidents of all types: an earthquake buries alive 70 thousand bodies in Peru, automobiles make a pyramid heap of over 50 thousand a year in the U. S. alone, a tidal wave washes over a quarter of a million in the Indian Ocean. Creation is a nightmare spectacular taking place on a planet that has been soaked for hundreds of millions of years in the blood of all its creatures. The soberest conclusion that we could make about what has actually been taking place on the planet for about three billion years is that it is being turned into a vast pit of fertilizer. But the sun distracts our attention, always baking the blood dry, making things grow over it, and with its warmth giving the hope that comes with the organism's comfort and expansiveness.”

"Psychology and Religion: What Is the Heroic Individual?", pp. 282–283
The Denial of Death (1973)

André Maurois photo
Hermann Hesse photo
Glenn Dorsey photo

“Imagine being left out in the freezing cold, without shelter and bedding for warmth or a friend to ease your loneliness. … Be your dog's biggest defender and keep them indoors with you, and give them the love and companionship they deserve.”

Glenn Dorsey (1985) American football player, defensive lineman

"Glenn Dorsey: Be Your Dog's Biggest Defender" https://www.youtube.com/watch?v=xD56e9DIT3Q, video for PETA (15 December 2011).

John Fante photo

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

Bruno Schulz photo
Ai Weiwei photo
Mickey Spillane photo
Thomas Carlyle photo
Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
Kazuo Ishiguro photo
Henry Fielding photo
Jeffrey Moussaieff Masson photo
John Derbyshire photo
Philippe Starck photo

“The world wants water not taps, the world wants warmth not a heater.”

Philippe Starck (1949) French architect and industrial designer

Attributed to Starck in: Iain Ellwood (2002) The Essential Brand Book. p. 148

Michelle Obama photo
Alan Watts photo

“There is no formula for generating the authentic warmth of love. It cannot be copied.”

Alan Watts (1915–1973) British philosopher, writer and speaker

The Wisdom of Insecurity (1951)
Context: There is no formula for generating the authentic warmth of love. It cannot be copied. You cannot talk yourself into it or rouse it by straining at the emotions or by dedicating yourself solemnly to the service of mankind. Everyone has love, but it can only come out when he is convinced of the impossibility and the frustration of trying to love himself. This conviction will not come through condemnations, through hating oneself, through calling self love bad names in the universe. It comes only in the awareness that one has no self to love.

Thich Nhat Hanh photo

“If the sun were to stop shining, the flow of our life would stop. The sun is our second heart, our heart outside of our body. It gives all life on Earth the warmth necessary for existence.”

Thich Nhat Hanh (1926) Religious leader and peace activist

The Sun My Heart (1996)
Context: We have to remember that our body is not limited to what lies within the boundary of our skin. Our body is much more immense. We know that if our heart stops beating, the flow of our life will stop, but we do not take the time to notice the many things outside of our bodies that are equally essential for our survival. If the ozone layer around our Earth were to disappear for even an instant, we would die. If the sun were to stop shining, the flow of our life would stop. The sun is our second heart, our heart outside of our body. It gives all life on Earth the warmth necessary for existence. Plants live thanks to the sun. Their leaves absorb the sun's energy, along with carbon dioxide from the air, to produce food for the tree, the flower, the plankton. And thanks to plants, we and other animals can live. All of us—people, animals, plants, and minerals—"consume" the sun, directly and indirectly. We cannot begin to describe all the effects of the sun, that great heart outside of our body.
When we look at green vegetables, we should know that it is the sun that is green and not just the vegetables. The green color in the leaves of the vegetables is due to the presence of the sun. Without the sun, no living being could survive. Without sun, water, air, and soil, there would be no vegetables. The vegetables are the coming-together of many conditions near and far.

Helen Keller photo

“It seemed to me that there could be nothing more beautiful than the sun, whose warmth makes all things grow.”

Source: The Story of My Life (1903), Ch. 6
Context: I remember the morning that I first asked the meaning of the word, "love." This was before I knew many words. I had found a few early violets in the garden and brought them to my teacher. She tried to kiss me: but at that time I did not like to have any one kiss me except my mother. Miss Sullivan put her arm gently round me and spelled into my hand, "I love Helen."
"What is love?" I asked.
She drew me closer to her and said, "It is here," pointing to my heart, whose beats I was conscious of for the first time. Her words puzzled me very much because I did not then understand anything unless I touched it.
I smelt the violets in her hand and asked, half in words, half in signs, a question which meant, "Is love the sweetness of flowers?"
"No," said my teacher.
Again I thought. The warm sun was shining on us.
"Is this not love?" I asked, pointing in the direction from which the heat came. "Is this not love?"
It seemed to me that there could be nothing more beautiful than the sun, whose warmth makes all things grow. But Miss Sullivan shook her head, and I was greatly puzzled and disappointed. I thought it strange that my teacher could not show me love.

Wallace Stevens photo

“This warmth is for lovers at last accomplishing
Their love, this beginning, not resuming, this
Booming and booming of the new-come bee.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Change
Context: Should there be a question of returning or
Of death in memory’s dream? Is spring a sleep?This warmth is for lovers at last accomplishing
Their love, this beginning, not resuming, this
Booming and booming of the new-come bee.

Cormac McCarthy photo

“He imagined the pain of the world to be like some formless parasitic being seeking out the warmth of human souls wherein to incubate and he thought he knew what made one liable to its visitations. What he had not known was that it was mindless and so had no way to know the limits of those souls and what he feared was that there might be no limits.”

All the Pretty Horses (1992)
Context: He lay listening to the horse crop the grass at his stakerope and he listened to the wind in the emptiness and watched stars trace the arc of the hemisphere and die in the darkness at the edge of the world and as he lay there the agony in his heart was like a stake. He imagined the pain of the world to be like some formless parasitic being seeking out the warmth of human souls wherein to incubate and he thought he knew what made one liable to its visitations. What he had not known was that it was mindless and so had no way to know the limits of those souls and what he feared was that there might be no limits.

David Hume photo

“Fain wou'd I run into the crowd for shelter and warmth; but cannot prevail with myself to mix with such deformity. I call upon others to join me, in order to make a company apart; but no one will hearken to me. Every one keeps at a distance, and dreads that storm, which beats upon me from every side. I have expos'd myself to the enmity of all metaphysicians, logicians, mathematicians, and even theologians; and can I wonder at the insults I must suffer?”

Part 4, Section 7
A Treatise of Human Nature (1739-40), Book 1: Of the understanding
Context: I am first affrighted and confounded with that forelorn solitude, in which I am plac'd in my philosophy, and fancy myself some strange uncouth monster, who not being able to mingle and unite in society, has been expell'd all human commerce, and left utterly abandon'd and disconsolate. Fain wou'd I run into the crowd for shelter and warmth; but cannot prevail with myself to mix with such deformity. I call upon others to join me, in order to make a company apart; but no one will hearken to me. Every one keeps at a distance, and dreads that storm, which beats upon me from every side. I have expos'd myself to the enmity of all metaphysicians, logicians, mathematicians, and even theologians; and can I wonder at the insults I must suffer? I have declar'd my disapprobation of their systems; and can I be surpriz'd, if they shou'd express a hatred of mine and of my person? When I look abroad, I foresee on every side, dispute, contradiction, anger, calumny and detraction. When I turn my eye inward, I find nothing but doubt and ignorance. All the world conspires to oppose and contradict me; tho' such is my weakness, that I feel all my opinions loosen and fall of themselves, when unsupported by the approbation of others. Every step I take is with hesitation, and every new reflection makes me dread an error and absurdity in my reasoning.
For with what confidence can I venture upon such bold enterprises, when beside those numberless infirmities peculiar to myself, I find so many which are common to human nature? Can I be sure, that in leaving all established opinions I am following truth; and by what criterion shall I distinguish her, even if fortune shou'd at last guide me on her foot-steps? After the most accurate and exact of my reasonings, I can give no reason why I shou'd assent to it; and feel nothing but a strong propensity to consider objects strongly in that view, under which they appear to me. Experience is a principle, which instructs me in the several conjunctions of objects for the past. Habit is another principle, which determines me to expect the same for the future; and both of them conspiring to operate upon the imagination, make me form certain ideas in a more intense and lively manner, than others, which are not attended with the same advantages. Without this quality, by which the mind enlivens some ideas beyond others (which seemingly is so trivial, and so little founded on reason) we cou'd never assent to any argument, nor carry our view beyond those few objects, which are present to our senses. Nay, even to these objects we cou'd never attribute any existence, but what was dependent on the senses; and must comprehend them entirely in that succession of perceptions, which constitutes our self or person. Nay farther, even with relation to that succession, we cou'd only admit of those perceptions, which are immediately present to our consciousness, nor cou'd those lively images, with which the memory presents us, be ever receiv'd as true pictures of past perceptions. The memory, senses, and understanding are, therefore, all of them founded on the imagination, or the vivacity of our ideas.

Simone Weil photo

“What man needs is silence and warmth; what he is given is an icy pandemonium.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), Human Personality (1943), p. 59
Context: A modern factory reaches perhaps almost the limit of horror. Everybody in it is constantly harassed and kept on edge by the interference of extraneous wills while the soul is left in cold and desolate misery. What man needs is silence and warmth; what he is given is an icy pandemonium.
Physical labour may be painful, but it is not degrading as such. It is not art; it is not science; it is something else, possessing an exactly equal value with art and science, for it provides an equal opportunity to reach the impersonal stage of attention.

Nikos Kazantzakis photo

“Let us unite, let us hold each other tightly, let us merge our hearts, let us create — so long as the warmth of this earth endures, so long as no earthquakes, cataclysms, icebergs or comets come to destroy us — let us create for Earth a brain and a heart, let us give a human meaning to the superhuman struggle.”

The Saviors of God (1923)
Context: I strive to discover how to signal my companions before I die, how to give them a hand, how to spell out for them in time one complete word at least, to tell them what I think this procession is, and toward what we go. And how necessary it is for all of us together to put our steps and hearts in harmony.
To say in time a simple word to my companions, a password, like conspirators.
Yes, the purpose of Earth is not life, it is not man. Earth has existed without these, and it will live on without them. They are but the ephemeral sparks of its violent whirling.
Let us unite, let us hold each other tightly, let us merge our hearts, let us create — so long as the warmth of this earth endures, so long as no earthquakes, cataclysms, icebergs or comets come to destroy us — let us create for Earth a brain and a heart, let us give a human meaning to the superhuman struggle.
This anguish is our second duty.

Kirk Douglas photo
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