Quotes about wall
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Daniel Lyons photo

“Steve Jobs has created his own precious little walled garden. He's looking more and more like Howard Hughes, holed up in his penthouse, making sure he doesn't come in contact with any germs. Now Google is saying, hey, nice garden, have fun sitting in it. By yourself.”

Daniel Lyons (1960) American writer

Sayonara, iPhone: Why I'm Switching to Android http://newsweek.com/sayonara-iphone-why-im-switching-android-210354 in Newsweek (19 May 2010)

Marc Chagall photo

“In exasperation, I furiously attacked the floors and walls of the Moscow Theater. My mural paintings sight there, in obscurity. Have you seen them? Rant and rave, my contemporaries! In one way or another, my first theatrical alphabet gave you a belly-ache. Not modest? I'll leave that to my grandmother: it bores me. Despise me, if you like.”

Marc Chagall (1887–1985) French artist and painter

ca. 1921
Quote from 'Chagall in the Yiddish Theater', Avram Kampf, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 94
1920's

Peter Whittle (politician) photo
Tina Fey photo
Joseph Hayne Rainey photo

“A remedy is needed to meet the evil now existing in most of the southern states, but especially in that one which I have the honor to represent in part, the State of South Carolina. The enormity of the crimes constantly perpetrated there finds no parallel in the history of this republic in her very darkest days. There was a time when the early settlers of New England were compelled to enter the fields, their homes, even the very sanctuary itself, armed to the full extent of their means. While the people were offering their worship to God within those humble walls their voices kept time with the tread of the sentry outside. But, sir, it must be borne in mind that at the time referred to civilization had but just begun its work upon this continent. The surroundings were unpropitious, and as yet the grand capabilities of this fair land lay dormant under the fierce tread of the red man. But as civilization advanced with its steady and resistless sway it drove back those wild cohorts and compelled them to give way to the march of improvement. In course of time superior intelligence made its impress and established its dominion upon this continent. That intelligence, with an influence like that of the sun rising in the east and spreading its broad rays like a garment of light, gave life and gladness to the dark.”

Joseph Hayne Rainey (1832–1887) politician

1871, Speech on the the Ku Klux Klan Bill of 1871 (1 April 1871)

Nouriel Roubini photo
John Frusciante photo

“Dream that you died
It takes you out of your mind
The black walls of space
Take me all the way”

John Frusciante (1970) American guitarist, singer, songwriter and record producer

Wind Up Space
Lyrics, To Record Only Water for Ten Days (2000)

Lewis H. Lapham photo
Cat Stevens photo

“I built my house from barley rice
Green pepper walls and water ice –
And everything emptying into White”

Cat Stevens (1948) British singer-songwriter

Into White
Song lyrics, Tea for the Tillerman (1970)

Petronius photo

“A huge dog, tied by a chain, was painted on the wall and over it was written in capital letters ‘Beware of the dog.”
Canis ingens, catena vinctus, in pariete erat pictus superque quadrata littera scriptum ‘Cave canem.’

Sec. 29
Satyricon

John McCain photo

“You know that there’s been tremendous turmoil in our financial markets and Wall Street. And it is – it’s – people are frightened by these events. Our economy, I think, still, the fundamentals are – of our economy are strong, but these are very, very difficult times. And I promise you, we will never put America in this position again. We will clean up Wall Street. We will reform government.”

John McCain (1936–2018) politician from the United States

Speaking at Jacksonville, Florida the day after the collapse of Lehman Brothers and the sell-off of Merrill Lynch, 15 September 2007 http://news.mywebpal.com/partners/680/public/news925950.html http://www.nydailynews.com/blogs/dc/2008/09/economic-fundamentals-strong.html
2000s, 2008

Anton Chekhov photo

“A grimy fly can soil the entire wall and a small, dirty little act can ruin the entire proceedings.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to A.N. Kanaev (March 26, 1883)
Letters

Khaled Hosseini photo
Antonio Gramsci photo

“My practicality consists in this: in the knowledge that if you beat your head against the wall it is your head which breaks and not the wall … that is my strength, my only strength.”

Antonio Gramsci (1891–1937) Italian writer, politician, theorist, sociologist and linguist

The Modern Prince and other Writings, quoting a letter to his sister

Ellsworth Kelly photo
John Calvin photo

““The practice of employing images as ornaments and memorials to decorate the temple of the Lord is in a most especial manner approved by the Word of God himself. Moses was commanded to place two cherubim upon the ark, and to set up a brazen figure of the fiery serpent, that those of the murmuring Israelites who had been bitten might recover from the poison of their wounds by looking on the image. In the description of Solomon's temple, we read of that prince, not only that he made in the oracle two cherubim of olive tree, of ten 83 Vide supra, p. 17. 101 cubits in height, but that ‘all the walls of the temple round about he carved with divers figures and carvings.’ “In the first book of Paralipomenon (Chronicles) we observe that when David imposed his injunction upon Solomon to realise his intention of building a house to the Lord, he delivered to him a description of the porch and temple, and concluded by thus assuring him: ‘All these things came to me written by the hand of the Lord, that I may understand the works of the pattern.’ “The isolated fact that images were not only directed by the Almighty God to be placed in the Mosaic tabernacle, and in the more sumptuous temple of Jerusalem, but that [132] he himself exhibited the pattern of them, will be alone sufficient to authorise the practice of the Catholic Church in regard to a similar observance.”—(Hierurgia, p. 371.) All this may be briefly answered. There was no representation of the Jewish patriarchs or saints either in the tabernacle or in the temple of Solomon, as is the case with the Christian saints in the Roman Catholic and Græco-Russian Churches; and the brazen serpent, to which the author alludes, was broken into pieces by order of King Hezekiah as soon as the Israelites began to worship it.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), pp. 100-101

William Blake photo

“My Brother starv'd between two Walls,
His Children's Cry my Soul appalls;”

William Blake (1757–1827) English Romantic poet and artist

Ibid, stanza 5
1810s, Miscellaneous poems and fragments from the Nonesuch edition

Norman Spinrad photo

“Flaming torches arching from hand to hand, the silken rolling of flesh on flesh, tautened wire vibrating to the human word, ideogrammatic gestures of fear, love, and rage, the mathematical grace of bodies moving through space—all seemed revealed as shadows on the void, the pauvre panoply of man’s attempt to transcend the universe of space and time through the transmaterial purity of abstract form.
Yet beyond this noble dance of human art, the highest expression of our spirit’s striving to transcend the realm of time and form, lay that which could not be encompassed by the artifice of man. From nothing are we born, to nothing do we go; the universe we know is but the void looped back upon itself, and form is but illusion’s final veil.
We touch that which lies beyond only in those fleeting rare moments when the reality of form dissolves—through molecule and charge, the perfection of the meditative trance, orgasmic ego-loss, transcendent peaks of art, mayhap the instant of our death.
Vraiment, is not the history of man from pigments smeared on the walls of caves to our present starflung age, our sciences and arts, our religions and our philosophies, our cultures and our noble dreams, our heroics and our darkest deeds, but the dance of spirit round this central void, the striving to transcend, and the deadly fear of same?”

Source: The Void Captain's Tale (1983), Chapter 10 (p. 117)

Roger Scruton photo

“The first effect of modernism was to make high culture difficult: to surround beauty with a wall of erudition.”

Roger Scruton (1944–2020) English philosopher

"Avant-garde and Kitsch" (p. 85)
Modern Culture (2000)

Richard Nixon photo
Isaac Asimov photo

“Every human being lived behind an impenetrable wall of choking mist within which no other but he existed. Occasionally there were the dim signals from deep within the cavern in which another man was located — so that each might grope toward the other. Yet because they did not know one another, and could not understand one another, and dared not trust one another, and felt from infancy the terrors and insecurity of that ultimate isolation — there was the hunted fear of man for man, the savage rapacity of man toward man.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Source: The Foundation series (1951–1993), Second Foundation (1953), Chapter 8 “Seldon’s Plan”; in part II, “Search by the Foundation” originally published as “—And Now You Don’t” in Astounding (November and December 1949 and January 1950)

Johannes Grenzfurthner photo
Chris Hedges photo
Donald Barthelme photo
Esaias Tegnér photo
Tracey Ullman photo

“I left school at 16 and went to Berlin and danced […] West Berlin, 1976. It was amazing. I wish they hadn't taken the wall down. Now it's full of east Germans wearing Versace shirts.”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

"Q&A: Tracey Ullman" http://www.newsweek.com/newsmakers-127011 (Newsweek, 19 September 2004)

John Muir photo

“One shining morning, at the head of the Pacheco Pass, a landscape was displayed that after all my wanderings still appears as the most divinely beautiful and sublime I have ever beheld. There at my feet lay the great central plain of California, level as a lake thirty or forty miles wide, four hundred long, one rich furred bed of golden Compositae. And along the eastern shore of this lake of gold rose the mighty Sierra, miles in height, in massive, tranquil grandeur, so gloriously colored and so radiant that it seemed not clothed with light, but wholly composed of it, like the wall of some celestial city. Along the top, and extending a good way down, was a rich pearl-gray belt of snow; then a belt of blue and dark purple, marking the extension of the forests; and stretching along the base of the range a broad belt of rose-purple, where lay the miners' gold and the open foothill gardens — all the colors smoothly blending, making a wall of light clear as crystal and ineffably fine, yet firm as adamant. Then it seemed to me the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light. And after ten years in the midst of it, rejoicing and wondering, seeing the glorious floods of light that fill it, — the sunbursts of morning among the mountain-peaks, the broad noonday radiance on the crystal rocks, the flush of the alpenglow, and the thousand dashing waterfalls with their marvelous abundance of irised spray, — it still seems to me a range of light.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Treasures of the Yosemite http://books.google.com/books?id=ZzWgAAAAMAAJ&pg=PA483", The Century Magazine, volume XL, number 4 (August 1890) pages 483-500 (at page 483)
1890s

Saint Patrick photo
Paul Simon photo
Sister Nivedita photo
Robert Denning photo

“Never put sofas against wall.”

Robert Denning (1927–2005) American interior designer

Patricia Volk, " The Sweet Smell of Excess http://www.nytimes.com/2006/10/08/style/tmagazine/08texcess.html", The New York Times (October 8, 2006; retrieved October 4, 2007).

Nicolas Léonard Sadi Carnot photo
Nikolai Gogol photo
Hugo Black photo

“The First Amendment has erected a wall between church and state. That wall must be kept high and impregnable. We could not approve the slightest breach.”

Hugo Black (1886–1971) U.S. Supreme Court justice

Writing for the court, Everson v. Board of Education, 330 U.S. 1 (1947).

Gustave Nadaud photo
Ted Cruz photo

“We deserve an immigration system that puts America first, and yes, builds a wall to keep America safe.”

Ted Cruz (1970) American politician

2010s, Speech at the Republican National Convention (July 20, 2016)

Roger Waters photo

“"The Happiest Days of Our Lives" on The Wall (Pink Floyd, 1979)”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd
Theodore G. Bilbo photo
Isa Genzken photo
Conrad Aiken photo
Letitia Elizabeth Landon photo
David Attenborough photo
Michael Lewis photo
Madonna photo

“I think that life is a paradox and you have to embrace that in your work and your belief systems… you can't be a literalist, and that's the trouble that people always find themselves in. That's why people always hit a wall with any of my stuff, because you can't take it literally.”

Madonna (1958) American singer, songwriter, and actress

Dazed & Confused magazine 29 February 2008 http://dazeddigital.com/article/388/1/madonna_worldwide_exclusive_in_dazed_and_confused

Loreena McKennitt photo
Paul Simon photo
Halldór Laxness photo
George Eliot photo

“But veracity is a plant of paradise, and the seeds have never flourished beyond the walls.”

Volume II, Chapter XXV
Romola (1863)

Letitia Elizabeth Landon photo
Albert Camus photo
Alan Rusbridger photo
Ernesto Che Guevara photo
Gjorge Ivanov photo
James Comey photo
Pat Conroy photo

“Here is how my father appeared to me as a boy. He came from a race of giants and demi-gods from a mythical land known as Chicago. He married the most beautiful girl ever to come crawling out of the poor and lowborn south, and there were times when I thought we were being raised by Zeus and Athena. After Happy Hour my father would drive his car home at a hundred miles an hour to see his wife and seven children. He would get out of his car, a strapping flight jacketed matinee idol, and walk toward his house, his knuckles dragging along the ground, his shoes stepping on and killing small animals in his slouching amble toward the home place. My sister, Carol, stationed at the door, would call out, "Godzilla's home!" and we seven children would scamper toward the door to watch his entry. The door would be flung open and the strongest Marine aviator on earth would shout, "Stand by for a fighter pilot!" He would then line his seven kids up against the wall and say, "Who's the greatest of them all?" "You are, O Great Santini, you are." "Who knows all, sees all, and hears all?" "You do, O Great Santini, you do."”

Pat Conroy (1945–2016) American novelist

We were not in the middle of a normal childhood, yet none of us were sure since it was the only childhood we would ever have. For all we knew other men were coming home and shouting to their families, "Stand by for a pharmacist," or "Stand by for a chiropractor".
Eulogy for a Fighter Pilot (1998)

Conrad Aiken photo
Louise Imogen Guiney photo
Agatha Christie photo
George Eliot photo
Colin Wilson photo
Samuel Butler photo
Ellsworth Kelly photo

“This book [full of linoleum prints] will be an alphabet of pictorial elements without text, which shall aim at establishing a larger scale of painting, a closer contact between the artist and the wall, and a new spirit of art accompanying architecture.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

In the introduction, (written in 1951) of his not published book: "Line Form and Color"; as quoted in "Ellsworth Kelly, a Retrospective", ed. Diane Waldman, Guggenheim museum, New York 1997, p. 22
1950 - 1968

Max Tegmark photo
John Major photo

“We will do precisely what the British nation has done all through its history when it had its back to the wall — turn round and fight for the things it believes in, and that is what I shall do.”

John Major (1943) Former Prime Minister of the United Kingdom

Michael White, Patrick Wintour, "Hanley set to carry the can as defiant Major vows to fight on", The Guardian, 6 May 1995.
Public statement following poor showing in local elections, 5 May 1995. Major's mixed metaphor (if your back is to the wall and you turn round, you are then facing the wall) was remarked upon.
1990s, 1995

“When I asked Amin [Husain] and Katie [Davison] what Occupy Wall Street’s ultimate goal was, they said, “A government accountable to the people, freed up from corporate influence.” … Organizers described Occupy Wall Street as “a way of being,” of “sharing your life together in assembly.” … The ambitions of the core group of activists were more cultural than political, in the sense that they sought to influence the way people think about their lives. “Ours is a transformational movement,” Amin told me with a solemn air. Transformation had to occur face to face; what it offered, especially to the young, was an antidote to the empty gaze of the screen.
In meetings and elsewhere, this Tolstoyan experience of undergoing a personal crisis of meaning, both political and of the soul, seemed deeply shared. Apart from Amin, I’ve met an architect, a film editor, an advertising consultant, an unemployed stock trader, a spattering of lawyers, and people with various other jobs who, after joining OWS, found themselves psychologically unable to go about their lives as before. … Michael Ellick, the minister at Judson Memorial Church in Greenwich Village, said that when he first visited Zuccotti Park he was reminded of his years at a monastery. “When people enter a monastery, they don’t know why they’ve come,” said Ellick. “They are there to find out why they are there, why they were compelled to leave the other world.””

Michael Greenberg (1952) American author

“What Future for Occupy Wall Street?” The New York Review of Books, vol. 59, no. 2, February 9, 2012

Vitruvius photo
Yves Klein photo
Alex Salmond photo
Mike Oldfield photo

“Sunlight falling bright
Over village garden walls
Moonlight shower's gold
where leaving waterfalls
People walk in splendour
Under trees hung in starlight.”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Children of the Sun (1969)

Aurangzeb photo

“The infidels demolished a mosque that was under construction and wounded the artisans. When the news reached Shah Yasin, he came to Banaras from Mandyawa and collecting the Muslim weavers, demolished the big temple. A Sayyid who was an artisan by profession agreed with one Abdul Rasul to build a mosque at Banaras and accordingly the foundation was laid. Near the place there was a temple and many houses belonging to it were in the occupation of the Rajputs. The infidels decided that the construction of a mosque in the locality was not proper and that it should be razed to the ground. At night the walls of the mosque were found demolished. Next day the wall was rebuilt but it was again destroyed. This happened three or four times. At last the Sayyid hid himself in a corner. With the advent of night the infidels came to achieve their nefarious purpose. When Abdul Rasul gave the alarm, the infidels began to fight and the Sayyid was wounded by Rajputs. In the meantime, the Musalman resident of the neighbourhood arrived at the spot and the infidels took to their heels. The wounded Muslims were taken to Shah Yasin who determined to vindicate the cause of Islam. When he came to the mosque, people collected from the neighbourhood. The civil officers were outwardly inclined to side with the saint, but in reality they were afraid of the royal displeasure on account of the Raja, who was a courtier of the Emperor and had built the temple (near which the mosque was under construction). Shah Yasin, however, took up the sword and started for Jihad. The civil officers sent him a message that such a grave step should not be taken without the Emperor's permission. Shah Yasin, paying no heed, sallied forth till he reached Bazar Chau Khamba through a fusillade of stones' The, doors (of temples) were forced open and the idols thrown down. The weavers and other Musalmans demolished about 500 temples. They desired to destroy the temple of Beni Madho, but as lanes were barricaded, they desisted from going further.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Varanasi (Uttar Pradesh) Ganj-i-Arshadi, cited in : Sharma, Sri Ram, Religious Policy of the Mughal Emperors, Bombay, 1962. p. 144-45
Quotes from late medieval histories

“The antithesis of 10th St. Howard was, at first, like a pariah uptown. He was very midwestern and his gallery had wall-to-wall carpeting.”

Frank Gillette (1941) American artist

Frank Gillette, interview with Marita Sturken, Nov. 11, 1983, cited in: Afterimage, May 1984; About the arrival of Howard Wise in the art community

Sophie Taeuber-Arp photo

“I very much enjoyed working on the drawing, so much so that I made a whole series of small watercolors that I can use at any time for application on embroidered purses, pillows, rugs and wall hangings.”

Sophie Taeuber-Arp (1889–1943) Swiss artist

Quote in a letter to her sister Erika Schlegel, 22 February, 1922; from: Today is Tomorrow, Sophie Taeuber-Arp, ed. Thomas Schmutz; Aargauer Kunsthaus, and Zurich: Scheidegger & Spiess, 2014, p. 221
Taeuber describes creating a series of watercolors that she intends to rework across carpets, bags, pillows, and wall covers

Michael Hudson (economist) photo

“So the game plan is not merely to free the income of the wealthiest class to “offshore” itself into assets denominated in harder currencies abroad. It is to scrap the progressive tax system altogether. … How stable can a global situation be where the richest nation does not tax its population, but creates new public debt to hand out to its bankers? … The “solution” to the coming financial crisis in the United States may await the dollar’s plunge as an opportunity for a financial Tonkin Gulf resolution. Such a crisis would help catalyze the tax system’s radical change to a European-style “Steve Forbes” flat tax and VAT sales-excise tax…. More government giveaways will be made to the financial sector in a vain effort to keep bad debts afloat and banks “solvent.” As in Ireland and Latvia, public debt will replace private debt, leaving little remaining for Social Security or indeed for much social spending. … The bottom line is that after the prolonged tax giveaway exacerbates the federal budget deficit – along with the balance-of-payments deficit – we can expect the next Republican or Democratic administration to step in and “save” the country from economic emergency by scaling back Social Security while turning its funding over, Pinochet-style, to Wall Street money managers to loot as they did in Chile. And one can forget rebuilding America’s infrastructure. It is being sold off by debt-strapped cities and states to cover their budget shortfalls resulting from un-taxing real estate and from foreclosures. Welcome to debt peonage. This is worse than what was meant by a double-dip recession. It will be with us much longer.”

Michael Hudson (economist) (1939) American economist

Obama's Bushism http://michael-hudson.com/2010/12/obamas-bushism/ (December 8, 2010)
Michael-Hudson.com, 1998-

Edwin Lefèvre photo
Paul Theroux photo
Mickey Spillane photo
Randy Pausch photo
Richard Leakey photo

“Where Breuil has seen chaos—or at least, randomness—in wall art, Leroi-Gourhan sought and found order.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Paul Krugman photo

“We’re now in the seventh year of a slump brought on by Wall Street excess; the wizardly job of “allocating the economy’s investment resources” consisted, we now know, largely of funneling money into a real estate bubble.”

Paul Krugman (1953) American economist

"Iron Men of Wall Street" http://krugman.blogs.nytimes.com/2014/02/16/iron-men-of-wall-street/, 16 February 2014
The Conscience of a Liberal blog

Anton Chekhov photo

“If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Ilia Gurliand Reminiscences of A. P. Chekhov, in Teatr i iskusstvo 1904, No 28, 11 July, p. 521. commonly known as Chekhov's dictum or Chekhov's gun.

Charles Krauthammer photo
Bernie Sanders photo
Omar Khayyám photo
Ursula K. Le Guin photo