Quotes about village
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Ernst Ludwig Kirchner photo
Muammar Gaddafi photo
Sei Shonagon photo
Baba Amte photo
Aldous Huxley photo
Francis Escudero photo
Frank McCourt photo
Yaroslav Alexandrovich Evdokimov photo

“For some reason, everybody consider me to be Belorussian, because since I have moved from a village good three decades have already passed. Countrymen resent: are you a Belorussian indeed? And I agree as I have never considered myself to be neither Belorussian nor even more so Russian.”

Yaroslav Alexandrovich Evdokimov (1946) Russian singer

Марчук Л. Ярослав Євдокимов: "Я пишаюсь тим, що я українець"/ Людмила Марчук // Рівне Час.
2007. - 11 жовтня. - С. 6.

Donald E. Westlake photo
Eunice Kennedy Shriver photo
Wyndham Lewis photo

“The earth has become one big village, with telephones laid on from one end to the other, and air transport, both speedy and safe.”

Wyndham Lewis (1882–1957) writer and painter

America and Cosmic Man (New York: Doubleday, [1948] 1949) p. 21.

Amit Shah photo

“While the door-to-door campaign was already on, we made sure that each and every person and every household in each and every village, town and city gets our party and Narendra Modi’s message. Around 33 per cent of Uttar Pradesh is a dark area, in the sense that there are no newspapers, no TV, nothing.”

Amit Shah (1964) Indian politician

"Exclusive Amit Shah Interview: People are waiting to vote for Modi," 2013, "Sunday Interview: We had 450 video raths with GPS and I’d get feedback on my mobile, says Amit Shah", 2014

Franz Kafka photo
Marshall McLuhan photo

“At last incapable of further harm,
The lewd forefathers of the village sleep.”

J. C. Squire (1884–1958) British poet, writer, historian, and literary editor

If Gray had had to write his Elegy in the Cemetery of Spoon River instead of in that of Stoke Poges.

Niccolao Manucci photo

“All the above names are Hindu, and ordinarily these …are Hindus by race, who had been carried off in infancy from various villages or the houses of different rebel Hindu princes. In spite of their Hindu names, they are however, Mahomedans.”

Niccolao Manucci (1638–1717) Italian writer and historian

Manucci elaborating about the women and eunuchs in the Mughal harems. Manucci, II, 336-38. Quoted from Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 12
Storia do Mogor

William Collins photo
E. M. S. Namboodiripad photo
Catherine the Great photo
Marshall McLuhan photo

“Radio provides a speed-up of information that also causes acceleration in other media. It certainly contracts the world to village size and creates insatiable village tastes for gossip, rumour, and personal malice.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Understanding Media (1964), p. 24

“We, me and thee and the parson and all the other lads in the village constitute the public, and the politicians are our servants.”

Margery Allingham (1904–1966) English writer of detective fiction

The Oaken Heart

Edward St. Aubyn photo
Marc Chagall photo
Richard K. Morgan photo
Chaim Soutine photo
P. L. Travers photo
Thomas Carlyle photo

“War is a quarrel between two thieves too cowardly to fight their own battle; therefore they take boys from one village and another village, stick them into uniforms, equip them with guns, and let them loose like wild beasts against each other.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Quoted by Emma Goldman in her essay, "Patriotism: A Menace to Liberty", chapter five of Anarchism and Other Essays (2nd revised edition, 1911).
Attributed

Miklós Horthy photo
Kent Hovind photo

“If it came on the evening news tonight that there were five grizzly bears roaming around Cobb County, do you know what would happen by six o'clock in the morning? They would all be dead. Because every redneck in four states would be out there with a rifle, trying to shoot one, right? And whoever could shoot the biggest one would be a hero. They would have his picture on the front page, "Bubba shot the Grizzly Bear" and saved the village. That is exactly what happened to the dragons. If you could figure out a way to kill a dragon, they would be telling stories about you around the campfire. People killed dragons for meat, because they were a menace, to prove that you were a hero, or to prove that you are superior, in competition for land, or for medicinal purposes. Many ancient recipes call for dragon blood, dragon bones, dragon saliva, why? Gilgamesh is famous for slaying a dragon. A Chinese legend tells about a guy named Yu that surveyed the land of China. It says, that after the Flood he surveyed the land, he divided it off into sections. He built channels to drain water off to sea and make the land livable again. Many snakes and dragons were driven from the marshlands. You know that's normal that if you want to build a city. You have to drive off the dragons, then build your city. It was expected that you have got to drive the dragons away or kill them. Why would the Chinese calendar have eleven real animals: the pig, the duck, the dog, and … the dragon? Why would they put just one "mythical" animal in there? Could it be at the time they that they came up with these animals there were 12 real animals? There is one of the oldest pieces of pottery on Planet Earth. It's a piece of slate from Egypt; the first dynasty of United Egypt. It shows long necked dragons […] Why would they put long necked dinosaurs on pottery 3,800 years ago? Here are two long necked dinosaurs with a sheep in between them in their mouths. Here is a hippo tusk from the twelve century B. C., showing an animal with a long neck, and a long tail. Here's a cylinder seal, showing what appears quite obviously to be a long neck dinosaur. The Bible talks about a fiery flying serpent, in Isaiah 14.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), Dinosaurs and the Bible

Norman Mailer photo
Lewis Mumford photo
Nikolai Gogol photo
Maria Mitchell photo

“An English village could never be mistaken for an American one: the outline against the sky differs; a thatched cottage makes a very wavy line on the blue above.”

Maria Mitchell (1818–1889) American astronomer

Maria Mitchell: Life, Letters and Journals (illustrated) by Maria Mitchell, 1896 http://pinetreeweb.com/bp-admiral.htm.

Zakir Hussain (politician) photo
William Cowper photo
George S. Patton IV photo
Robert Owen photo
John F. Kerry photo
Dana Gioia photo
Wilhelm II, German Emperor photo
Kenneth Grahame photo
Roger Raveel photo

“That I started [in the creation of his art] from my immediate environment was extremely important to me. Only the things I knew, with which I was familiar, which I had caught on their reality value, I could approach free of extra-pictorial aesthetics and pale romanticism. Of course the question remained how I - who wanted to involve modern life in my art - could continue to seek my inspiration at Machelen-aan-de-Leie, a village in the countryside, far from the city and the crowds. Where can one sense better the infiltration of modern life than in a village in the countryside? In the city everything gets integrated immediately, you can't see clearly the insulating and contrasting-alienating effect of publicity, the gas-station, the concrete, the car, etc. On the other hand, I keep saying that we must continue to see the grass, the corn and the cows. Not within an animistic unity, but from a mentality that has the courage to approach these things freely and ruthless in our era. What ordinary people make out of life is fascinating me.”

Roger Raveel (1921–2013) painter

Dat ik [met het maken van mijn kunst] vertrok uit mijn onmiddellijke omgeving vond ik uiterst belangrijk. Alleen de dingen die ik kende, waarmee ik vertrouwd was, die ik op hun werkelijkheidswaarde had betrapt konden vrij van extra-picturale esthetiek en van bleek romantisme door mij benaderd worden. De vraag bleef natuurlijk hoe ik, die het moderne leven in mijn kunst wou betrekken, mijn inspiratie kon blijven zoeken te Machelen-aan-de-Leie, een dorp op het platteland, ver van de stad en van de drukte. Waar kan men beter het infiltreren van het moderne leven gewaar worden dan in een dorp op het platteland? In de stad wordt alles onmiddellijk geïntegreerd, ziet men niet zo scherp de isolerende en tevens contrasterend-bevreemdende werking van de publiciteit, het benzinestation, het beton, de auto, enz. Aan de andere kant blijf ik ervan overtuigd dat ook het gras, het koren en de koe nog moeten gezien worden. Niet binnen een animistische eenheid, maar wel vanuit een mentaliteit die vrij en meedogenloos deze dingen in ons tijdperk nog zou durven benaderen. Wat de gewone man van het leven maakt, dat boeit mij.
Quote of Raveel, 1969, in the text 'In gesprek met mezelf' ('In conversation with myself'), in the exhibition-catalog of his exhibition in 'De Hallen' (museum in Haarlem, The Netherlands; as cited by Ludo Bekkers in 'Roger Raveel en zijn keuze uit het Museum voor Schone Kunsten in Gent' http://www.tento.be/sites/default/files/tijdschrift/pdf/OKV1975/Roger%20Raveel%20en%20zijn%20keuze%20uit%20het%20Museum%20voor%20Schone%20Kunsten%20in%20Gent.pdf, Dutch art-magazine 'Openbaar Kunstbezit', Jan/Maart 1975, p. 3-4
1960's

Robert Hunter (author) photo

“When I asked Amin [Husain] and Katie [Davison] what Occupy Wall Street’s ultimate goal was, they said, “A government accountable to the people, freed up from corporate influence.” … Organizers described Occupy Wall Street as “a way of being,” of “sharing your life together in assembly.” … The ambitions of the core group of activists were more cultural than political, in the sense that they sought to influence the way people think about their lives. “Ours is a transformational movement,” Amin told me with a solemn air. Transformation had to occur face to face; what it offered, especially to the young, was an antidote to the empty gaze of the screen.
In meetings and elsewhere, this Tolstoyan experience of undergoing a personal crisis of meaning, both political and of the soul, seemed deeply shared. Apart from Amin, I’ve met an architect, a film editor, an advertising consultant, an unemployed stock trader, a spattering of lawyers, and people with various other jobs who, after joining OWS, found themselves psychologically unable to go about their lives as before. … Michael Ellick, the minister at Judson Memorial Church in Greenwich Village, said that when he first visited Zuccotti Park he was reminded of his years at a monastery. “When people enter a monastery, they don’t know why they’ve come,” said Ellick. “They are there to find out why they are there, why they were compelled to leave the other world.””

Michael Greenberg (1952) American author

“What Future for Occupy Wall Street?” The New York Review of Books, vol. 59, no. 2, February 9, 2012

Anne Sexton photo
Narendra Modi photo
Mike Oldfield photo

“Sunlight falling bright
Over village garden walls
Moonlight shower's gold
where leaving waterfalls
People walk in splendour
Under trees hung in starlight.”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Children of the Sun (1969)

Doris Lessing photo
Vyjayanthimala photo
Anthony Burgess photo
Karen Armstrong photo
John Constable photo
Erich von dem Bach photo
Paula Modersohn-Becker photo
David Lloyd George photo
Fredric Jameson photo
Harsha of Kashmir photo

“Muslim historians credit all their heroes with many expeditions each of which “laid waste” this or that province or region or city or countryside. The foremost heroes of the imperial line at Delhi and Agra such as Qutbu’d-Dîn Aibak (1192-1210 A. D.), Shamsu’d-Dîn Iltutmish (1210-36 A. D.), Ghiyãsu’d-Dîn Balban (1246-66 A D.), Alãu’d-Dîn Khaljî (1296-1316 A. D.), Muhammad bin Tughlaq (1325-51 A. D.), Fîruz Shãh Tughlaq (135188 A. D.) Sikandar Lodî (1489-1519 A. D.), Bãbar (1519-26 A. D.) and Aurangzeb (1658-1707 A. D.) have been specially hailed for “hunting the peasantry like wild beasts”, or for seeing to it that “no lamp is lighted for hundreds of miles”, or for “destroying the dens of idolatry and God-pluralism” wherever their writ ran. The sultans of the provincial Muslim dynasties-Malwa, Gujarat, Sindh, Deccan, Jaunpur, Bengal-were not far behind, if not ahead, of what the imperial pioneers had done or were doing; quite often their performance put the imperial pioneers to shame. No study has yet been made of how much the human population declined due to repeated genocides committed by the swordsmen of Islam. But the count of cities and towns and villages which simply disappeared during the Muslim rule leaves little doubt that the loss of life suffered by the cradle of Hindu culture was colossal.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume I (1990)

David Graeber photo
Janeane Garofalo photo
Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

Patrick McGoohan photo

“The village is a place that is trying to destroy the individual by every means possible; trying to break his spirit, so that he accepts that he is Number Six and will live there happily as Number Six for ever after. And this is the one rebel that they can't break.”

Patrick McGoohan (1928–2009) actor

Of The Prisoner
Daily Mail, 15th January 2009 http://www.dailymail.co.uk/tvshowbiz/article-1116243/How-star-stage-Patrick-McGoohan-Prisoner-success-switching-screen.html

Charles James Napier photo
William H. Rehnquist photo
Nigel Cumberland photo

“But how do you come ‘offline’ when so much of our daily lives is moving ‘online’? Every month new sites and online services are launched. If you need to check anything – about a new school for your children, medical treatment, tourist destination or recipe – you go online. Bill Gates put it so well when he called the Internet the ‘town square for the global village of tomorrow’.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Lal Bahadur Shastri photo
Robert Charles Wilson photo

“The village muezzin called the faithful to prayer. Diane ignored the sound.”

Source: Axis (2007), Chapter 11 (p. 149)

P. L. Travers photo
Simone Weil photo
Courtney Love photo
Anton Mauve photo
Edgar Rice Burroughs photo
Marguerite Yourcenar photo
Geert Wilders photo
Rutherford B. Hayes photo

“Let every man, every corporation, and especially let every village, town, and city, every county and State, get out of debt and keep out of debt. It is the debtor that is ruined by hard times.”

Rutherford B. Hayes (1822–1893) American politician, 19th President of the United States (in office from 1877 to 1881)

Diary (13 July 1879)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)

Narendra Modi photo

“Mahatma Buddha has also left a deep imprint on my life. In my personal room also, there are three-four statues of the Buddha…. In Buddhism, I see dharma entrenched in karuna (compassion). I believe compassion is the most valuable essence of life. When I formed the government, these values got ingrained even deeper. What attracts me about Buddha is his inclusive philosophy; secondly, his modernity; and thirdly, his belief in the importance of Sangathan—the idea of Sangha. This underlies all his philosophy. I would often wonder how Buddha managed to reach all over the world. What was it about him that lit sparks everywhere he went, took ordinary human beings towards their kartavya (duty) and appealed to the lower status groups as well? Buddhism does not have too much tam-jham or celebration of big utsavs. There is a direct connect of the individual with the Divine. That entire thought system touches me deeply. Moreover, wherever Buddha went, the region witnessed prosperity. Even though China had a different belief system but Buddha has maintained his influence on China as well. Recently, I went to China and found that their government was introducing me to Buddhist elements of their culture with great pride. I got to know that China is making a film on Hiuen-Tsang. I took a pro-active role and wrote to those people saying that they should not forget the part about his stay in Gujarat. Hiuen-Tsang lived for a long time in the village where I was born. He has written about a hostel in that village where 1,000 student monks resided. After I became chief minister, I got the area excavated and found archeological evidence of things described by Hiuen-Tsang. This means Mahatma Buddha’s philosophy would have had some influence on my ancestors.”

Narendra Modi (1950) Prime Minister of India

Narendra Modi quoted from Kishwar, Madhu (2014). Modi, Muslims and media: Voices from Narendra Modi's Gujarat. p.388-389
2013

Walter Cronkite photo
Billy Joel photo
Anthony Burgess photo
Haruo Nakajima photo
Oliver Goldsmith photo
Thomas Gainsborough photo
Aisha photo

“The Messenger of Allah commanded that places of prayer be established in villages, and that they be purified and perfumed.”

Aisha (605–678) Muhammad's wife

Hadith 759 Sunan Ibn Majah

Harold Macmillan photo
Tim O'Brien photo
Peter Kropotkin photo
Hillary Clinton photo

“The misleading character of the accident theory is evident from the fact that even now the “error” involved from the standpoint of U. S. policy-makers and American leaders generally is neither one of purpose nor method – it is strictly a case of unexpectedly large expense. For the U. S. leadership, in other words, Vietnam is simply another, painfully large “cost over-run.” In terms of basic U. S. objectives and methods employed, in the Third World – essentially establishment of reliable client states, increasingly managed by military elites, with generous financial and military support (arms, advisors, Green Berets, and more extensive military intervention when junta control is threatened, as in Santo Domingo) – Vietnam is a facet of a completely rational policy. The policy may be vicious and catastrophic, from the perspective of the Vietnamese; and it may be a sordid and disruptive waste of human and material resources from the standpoint of the real interests of the ordinary American; but to the Rostows, Westmorelands and Nixons, the Vietnam War is a noble endeavor (“one of our finest moments”) that we cannot afford to abandon without achieving our original ends. The evidence is compelling that this leadership is entirely capable of destroying every village in Vietnam (and in the process, every Vietnamese) if this is required to attain the original political objectives.”

Edward S. Herman (1925–2017) American journalist

Source: Atrocities in Vietnam: Myths and Realities, 1970, pp. 87-88.

Amar Singh Thapa photo

“Further to the westward lies the valley of the Dhoon [Dehradun], and the territory of Sue-na-Ghur [Srinagar, Uttarakhand]; and further still, the more recent conquests, stretching to the village, in which Umar Sing [Amar Singh Thapa], a chief of uncommon talents, commanded, and indeed, exercised an authority almost independent.”

Amar Singh Thapa (1751–1816) Supreme Commander of the Western Front of Nepal

Quoted in [Anon, 1816, An account of the war in Nipal; Contained in a Letter from an Officer on the Staff of the Bengal Army. Asiatic journal and monthly miscellany, Vol 1. May, 1816. pp. 425–429., https://books.google.com/books?id=_dtAAQAAIAAJ&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false]
Quote about him

Ali Khamenei photo