Quotes about variation

A collection of quotes on the topic of variation, nature, other, time.

Quotes about variation

Yuzuru Hanyu photo

“Efforts will lie, but they will not be in vain.
Common variation: Effort may lie, but will never be in vain.”

Yuzuru Hanyu (1994) Japanese figure skater (1994-)

Other quotes, 2016
Original: (ja) 努力はウソをつく。でも無駄にはならない。
Source: Interview at the TCC Media Day in September 2016, aired 2 October 2016 in Mr.サンデーHERO’S 合体SP (Mr. Sunday Hero's Gattai Special) on Fuji TV.

Marvin Minsky photo
Franz Liszt photo

“Brahms' Variations are better than mine, but mine were written before his.”

Franz Liszt (1811–1886) Hungarian romantic composer and virtuoso pianist

As quoted in Arthur Friedheim and Alexander Siloti, Remembering Franz Liszt (1961) p. 138.

George Orwell photo
John Lennon photo
Socrates photo
Isaac Newton photo

“One [method] is by a Watch to keep time exactly. But, by reason of the motion of the Ship, the Variation of Heat and Cold, Wet and Dry, and the Difference of Gravity in different Latitudes, such a watch hath not yet been made.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

Written in remarks to the 1714 Longitude committee; quoted in Longitude (1995) by Dava Sobel, p. 52 (i998 edition) ISBN 1-85702-571-7)
Board of Longitude

Heywood Broun photo

“The artist has never been a dictator, since he understands better than anybody else the variations in human personality.”

Heywood Broun (1888–1939) American sportswriter

"Bring on the Artist", New York World Telegram, June 19, 1933

H.P. Lovecraft photo

“Of the complete biological inferiority of the negro there can be no question—he has anatomical features consistently varying from those of other stocks, & always in the direction of the lower primates... Equally inferior—& perhaps even more so—is the Australian black stock, which differs widely from the real negro... In dealing with these two black races, there is only one sound attitude for any other race (be it white, Indian, Malay, Polynesian, or Mongolian) to take—& that is to prevent admixture as completely & determinedly as it can be prevented, through the establishment of a colour-line & the rigid forcing of all mixed offspring below that line. I am in accord with the most vehement & vociferous Alabaman or Mississippian on that point … Other racial questions are wholly different in nature—involving wide variations unconnected with superiority or inferiority. Only an ignorant dolt would attempt to call a Chinese gentleman—heir to one of the greatest artistic & philosophic traditions in the world—an "inferior" of any sort... & yet there are potent reasons, based on wide physical, mental, & cultural differences, why great numbers of the Chinese ought not to mix into the Caucasian fabric, or vice versa. It is not that one race is any better than any other, but that their whole respective heritages are so antipodal as to make harmonious adjustment impossible. Members of one race can fit into another only through the complete eradication of their own background-influences—& even then the adjustment will always remain uneasy & imperfect if the newcomer's physical aspect froms a constant reminder of his outside origin. Therefore it is wise to discourage all mixtures of sharply differentiated races—though the color-line does not need to be drawn as strictly as in the case of the negro, since we know that a dash or two of Mongolian or Indian or Hindoo or some such blood will not actually injure a white stock biologically.... As a matter of fact, most of the psychological race-differences which strike us so prominently are cultural rather than biological. If one could take a Japanese infant, alter his features to the Anglo-Saxon type through plastic surgery, & place him with an American family in Boston for rearing—without telling him that he is not an American—the chances are that in 20 years the result would be a typical American youth with very few instincts to distinguish him from his pure Nordic college-mates. The same is true of other superior alien races including the Jew—although the Nazis persist in acting on a false biological conception. If they were wise in their campaign to get rid of Jewish cultural influences (& a great deal can be said for such a campaign, when the dominance of the Aryan tradition is threatened as in Germany & New York City), they would not emphasize the separatism of the Jew but would strive to make him give up his separate culture & lose himself in the German people. It wouldn't hurt Germany—or alter its essential physical type—to take in all the Jews it now has.”

H.P. Lovecraft (1890–1937) American author

However, that wouldn't work in Poland or New York City, where the Jews are of an inferior strain, & so numerous that they would essentially modify the physical type.
Letter to Natalie H. Wooley (22 November 1934), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 77
Non-Fiction, Letters

Max Tegmark photo
Jordan Peterson photo

“"What's common across all human experience across all time? That's what Jung essentially meant by an archetype. We tend to think that what we see with our senses is real. And of course that's true, but what we see with our senses is what's real that works in the time frame that we exist in. So we see things that we can touch and pick up - we see tools, essentially, that are useful for our moment to moment activities. We don't see the structures of eternity, and we especially don't see the abstract structures of eternity. We have to imagine those with our imagination. Well that's partly what those stories are doing. They're saying that there are forms of stability that transcend our capacity to observe, which is hardly surprising. We know that if we are scientists, because we are always abstracting out things that we can't immediately observe. But there are moral, or metaphysical, or phenomenological realities that have the same nature. You can't see them in your life by observing them with your senses, but you can imagine them with your imagination, and sometimes the things that you imagine with your imagination are more real than the things that you see. Numbers are like that, for example. There are endless things like that. Same with fiction. A good work of fiction is more real than the stories from which it was derived. Otherwise it has no staying power. It's distilled reality. And some would say "it never happened," but it depends on what you mean by "happened." If it's a pattern that repeats in many many places, with variation, you can abstract out the central pattern. So the pattern never purely existed in any specific form, but the fact that you pulled a pattern out from all those exemplars means that you've extracted something real. I think the reason that the story of Adam and Eve has been immune to being forgotten is because it says things about the nature of the human condition that are always true."”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Heinrich Hertz photo

“When a constant electric current flows along a cylindrical wire, its strength is the same at every part of the section of the wire. But if the current is variable, self-induction produces a deviation from this… induction opposes variations of the current in the centre of the wire more strongly than at the circumference, and consequently the current by preference flows along the outer portion of the wire. When the current changes its direction… this deviation increases rapidly with the rate of alternation; and when the current alternates many million times per second, almost the whole of the interior of the wire must, according to theory, appear free from current, and the flow must confine itself to the very skin of the wire. Now in such extreme cases… preference must be given to another conception of the matter which was first presented by Messrs. 0. Heaviside and J. H. Poynting, as the correct interpretation of Maxwell's equations as applied to this case. According to this view, the electric force which determines the current is not propagated in the wire itself, but under all circumstances penetrates from without into the wire, and spreads into the metal with comparative slowness and laws similar to those which govern changes of temperature in a conducting body.
…Inasmuch as I made use of electric waves in wires of exceedingly short period in my experiments on the propagation of electric force, it was natural to test by means of these the correctness of the conclusions deduced. As a matter of fact the theory was found to be confirmed by the experiments…”

Heinrich Hertz (1857–1894) German physicist

"On the Propagation of Electric Waves by Means of Wires" (1889) Wiedemann's Annalen. 37 p. 395, & pp.160-161 of Electric Waves
Electric Waves: Being Researches on the Propagation of Electric Action with Finite Velocity Through Space (1893)

José Saramago photo

“Let's be guided by norms based on consensus and authority obvious as it is that any variation in the authority varies the consensus, You give no leeway, Because there can be no leeway, we live cooped up in a room and paint the world and the universe on its walls.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Orientamo-nos por normas geradas segundo consensos, e domínios, mete-se pelos olhos dentro que variando o domínio varia o consenso, Não deixas saída, Porque não há saída, vivemos num quarto fechados e pintamos o mundo e o universo nas paredes dele.
Source: The History of the Siege of Lisbon (1989), p. 267

Jordan Peterson photo
Bertil Ohlin photo

“International trade theory has, in my opinion, given far too much attention to the effects of certain variations, for example, in duties, on the national incomes, and too little to the effects on individual incomes. In many cases, changes in the sums count for very little, while changes in the individual incomes are distinctly relevant.”

Bertil Ohlin (1899–1979) Swedish economist and politician

Source: Interregional and international trade. (1933), p. 306 ; As cited in: Irwin, Douglas A. "Ohlin Versus Stolper-Samuelson." No. w7641. National bureau of economic research, 2000. p. 3.

Frank Stella photo
Douglass C. North photo

“Regarding social order, Fukuyama writes, "The systematic study of how order, and thus social capital, can emerge in spontaneous and decentralized fashion is one of the most important intellectual developments of the late twentieth century." He correctly attributes the modern origins of this argument to F. A. Hayek, whose pioneering contributions to cognitive science, the study of cultural evolution, and the dynamics of social change put him in the forefront of the most creative scholars of the 20th century. But Hayek's views about the "spontaneity" of social order remain controversial. In their extreme form, they imply that all deliberate efforts to manipulate social order — social engineering — are doomed to failure because the complex nature of our cultural heritage makes a complete understanding of the human condition impossible.
Hayek was certainly correct that we have, at best, a very imperfect understanding of the human landscape, but "spontaneous" it is not. What distinguishes human evolution from the Darwinian model is the intentionality of the players. The mechanism of variation in evolutionary theory (mutation) is not informed by beliefs about eventual consequences. In contrast, human evolution is guided by the perceptions of the players; their choices (decisions) are made in the light of the theories the actors have, which provide expectations about outcomes.”

Douglass C. North (1920–2015) American Economist

Douglass North in "Orders of the Day" in Reason (November 1999) http://reason.com/archives/1999/11/01/orders-of-the-day, a review of The Great Disruption : Human Nature and the Reconstruction of Social Order (1999) by Francis Fukuyama

Pablo Picasso photo

“Variation does not mean evolution. If an artist varies his mode of expression this only means that he has changed his manner of thinking, and in changing, it might be for the better or it might be for the worse.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Source: 1920s, "Picasso Speaks" (1923), p. 391.

Jane Roberts photo

“Translated into simpler terms, each portion of energy is endowed with an inbuilt reach of creativity that seeks to fulfill its own potentials in all possible variations - and in such a way that such a development also furthers the creative potentials of each other portion of reality.”

Jane Roberts (1929–1984) American Writer

Session 884, Page 138
Dreams, Evolution and Value Fulfillment, Volume One (1986)
Context: Value fulfillment itself is most difficult to describe, for it combines the nature of a loving presence - a presence with the innate knowledge of its own divine complexity - with a creative ability of infinite proportions that seeks to bring to fulfillment even the slightest, most distant portion of its own inverted complexity. Translated into simpler terms, each portion of energy is endowed with an inbuilt reach of creativity that seeks to fulfill its own potentials in all possible variations - and in such a way that such a development also furthers the creative potentials of each other portion of reality.

Masaaki Imai photo
Rachel Cohn photo
William Saroyan photo
John Steinbeck photo
David Levithan photo

“It's bullshit to think of friendship and romance as being different. They're not. They're just variations of the same love. Variations of the same desire to be close.”

David Levithan (1972) American author and editor

Variant: It's b******* to think of friendship and romance being different. They're not. They're just variations of the same love. Variatons of the same desire to be close.
Source: Naomi and Ely's No Kiss List

John Steinbeck photo
Isaac Asimov photo
Ian McEwan photo
Albert Einstein photo
Nora Roberts photo
Sylvia Plath photo
Gerhard Richter photo
Talcott Parsons photo
Rousas John Rushdoony photo

“There are infinitely many variations of the initial situation and therefore no doubt indefinitely many theorems of moral geometry.”

Source: A Theory of Justice (1971; 1975; 1999), Chapter III, Section 21, pg. 126

Jane Roberts photo
Thomas Henry Huxley photo
James Joseph Sylvester photo

“Most, if not all, of the great ideas of modern mathematics have had their origin in observation. Take, for instance, the arithmetical theory of forms, of which the foundation was laid in the diophantine theorems of Fermat, left without proof by their author, which resisted all efforts of the myriad-minded Euler to reduce to demonstration, and only yielded up their cause of being when turned over in the blow-pipe flame of Gauss’s transcendent genius; or the doctrine of double periodicity, which resulted from the observation of Jacobi of a purely analytical fact of transformation; or Legendre’s law of reciprocity; or Sturm’s theorem about the roots of equations, which, as he informed me with his own lips, stared him in the face in the midst of some mechanical investigations connected (if my memory serves me right) with the motion of compound pendulums; or Huyghen’s method of continued fractions, characterized by Lagrange as one of the principal discoveries of that great mathematician, and to which he appears to have been led by the construction of his Planetary Automaton; or the new algebra, speaking of which one of my predecessors (Mr. Spottiswoode) has said, not without just reason and authority, from this chair, “that it reaches out and indissolubly connects itself each year with fresh branches of mathematics, that the theory of equations has become almost new through it, algebraic 31 geometry transfigured in its light, that the calculus of variations, molecular physics, and mechanics” (he might, if speaking at the present moment, go on to add the theory of elasticity and the development of the integral calculus) “have all felt its influence.”

James Joseph Sylvester (1814–1897) English mathematician

James Joseph Sylvester. "A Plea for the Mathematician, Nature," Vol. 1, p. 238; Collected Mathematical Papers, Vol. 2 (1908), pp. 655, 656.

Erik Satie photo
Charles Lyell photo
Ernst Mayr photo

“Evolution, thus, is merely contingent on certain processes articulated by Darwin: variation and selection. No longer is a fixed object transformed, as in transformational evolution, but an entirely new start is, so to speak, made in every generation.”

Ernst Mayr (1904–2005) German-American Evolutionary Biologist

Ernst Mayr (1988) Toward a new philosophy of biology: observations of an evolutionist. p. 457

Talcott Parsons photo
Margaret Atwood photo
Charles Darwin photo

“But I was very unwilling to give up my belief; I feel sure of this, for I can well remember often and often inventing day-dreams of old letters between distinguished Romans, and manuscripts being discovered at Pompeii or elsewhere, which confirmed in the most striking manner all that was written in the Gospels. But I found it more and more difficult, with free scope given to my imagination, to invent evidence which would suffice to convince me. Thus disbelief crept over me at a very slow rate, but was at last complete. The rate was so slow that I felt no distress.Although I did not think much about the existence of a personal God until a considerably later period of my life, I will here give the vague conclusions to which I have been driven. The old argument from design in Nature, as given by Paley, which formerly seemed to me so conclusive, fails, now that the law of natural selection has been discovered. We can no longer argue that, for instance, the beautiful hinge of a bivalve shell must have been made by an intelligent being, like the hinge of a door by man. There seems to be no more design in the variability of organic beings, and in the action of natural selection, than in the course which the wind blows. But I have discussed this subject at the end of my book on the Variation of Domesticated Animals and Plants, and the argument there given has never, as far as I can see, been answered.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

volume I, chapter VIII: "Religion", pages 308-309 http://darwin-online.org.uk/content/frameset?pageseq=326&itemID=F1452.1&viewtype=image

Francis Darwin calls these "extracts, somewhat abbreviated, from a part of the Autobiography, written in 1876". The original version is presented below.
The Life and Letters of Charles Darwin (1887)
Variant: p>But I was very unwilling to give up my belief;—I feel sure of this for I can well remember often and often inventing day-dreams of old letters between distinguished Romans and manuscripts being discovered at Pompeii or elsewhere which confirmed in the most striking manner all that was written in the Gospels. But I found it more and more difficult, with free scope given to my imagination, to invent evidence which would suffice to convince me. Thus disbelief crept over me at a very slow rate, but was at last complete. The rate was so slow that I felt no distress, and have never since doubted even for a single second that my conclusion was correct. I can indeed hardly see how anyone ought to wish Christianity to be true; for if so the plain language of the text seems to show that the men who do not believe, and this would include my Father, Brother and almost all my best friends, will be everlastingly punished.And this is a damnable doctrine.Although I did not think much about the existence of a personal God until a considerably later period of my life, I will here give the vague conclusions to which I have been driven. The old argument of design in nature, as given by Paley, which formerly seemed to me so conclusive, fails, now that the law of natural selection has been discovered. We can no longer argue that, for instance, the beautiful hinge of a bivalve shell must have been made by an intelligent being, like the hinge of a door by man. There seems to be no more design in the variability of organic beings and in the action of natural selection, than in the course which the wind blows. Everything in nature is the result of fixed laws. But I have discussed this subject at the end of my book on the Variation of Domesticated Animals and Plants, and the argument there given has never, as far as I can see, been answered.</p

Luther Burbank photo
Emanuel Lasker photo

“In research terms, the issue is to examine and explain the variations within and among residential institutions.”

Charles Perrow (1925–2019) American sociologist

Source: 1960s, Organization for treatment, 1966, p. vii

W. Edwards Deming photo
Bhakti Tirtha Swami photo
Nicholas Wade photo
Walter Winchell photo
Henry Adams photo
James D. Watson photo
Patrick Matthew photo
Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

David Fleming photo

“The harder I work, the luckier I get'. It was Thomas Jefferson who started the stream of variations on that theme. He should have added, 'The harder I work on one thing, the unluckier I get on all the other commitments I haven’t had time for'.”

David Fleming (1940–2010) British activist

Lean Logic, (2016), p. 472, entry on Time Fallacies http://www.flemingpolicycentre.org.uk/lean-logic-surviving-the-future/

Nicholas Wade photo
Margaret Atwood photo
Rembrandt van Rijn photo
Thomas Henry Huxley photo

“Like Kant before him, Darwin insists that the source of all error is semblance. Analogy, he says again and again, is always a ‘deceitful guide’ (see pp. 61, 66, 473). As against analogy, or as I would say merely metaphorical characterizations of the facts, Darwin wishes to make a case for the existence of real ‘affinities’ genealogically construed. The establishment of these affinities will permit him to postulate the linkage of all living things to all others by the ‘laws’ or ‘principles’ of genealogical descent, variation, and natural selection. These laws and principles are the formal elements in his mechanistic explanation of why creatures are arranged in families in a time series. But this explanation could not be offered as long as the data remained encoded in the linguistic modes of either metaphor or synecdoche, the modes of qualitative connection. As long as creatures are classified in terms of either semblance or essential unity, the realm of organic things must remain either a chaos of arbitrarily affirmed connectedness or a hierarchy of higher and lower forms. Science as Darwin understood it, however, cannot deal in the categories of the ‘higher’ and ‘lower’ any more than it can deal in the categories of the ‘normal’ and ‘monstrous.’ Everything must be entertained as what it manifestly seems to be. Nothing can be regarded as ‘surprising,’ any more than anything can be regarded as ‘miraculous.”

Hayden White (1928–2018) American historian

"The fictions of factual representation"

Michael Savage photo

“[Stating a variation to William Blake's aphorism] When you open the doors of perception, you can see things as they are -- horrible.”

The Savage Nation
The Savage Nation (1995- ), 2016-08-16
Radio, 0:20
2016

Wassily Kandinsky photo
W. Edwards Deming photo
William Bateson photo
Hugo De Vries photo

“Physiologic facts concerning the origin of species in nature were unknown in the time of Darwin... The experience of the breeders was quite inadequate to the use which Darwin made of it. It was neither scientific, nor critically accurate. Laws of variation were barely conjectured; the different types of variability were only imperfectly distinguished. The breeders' conception was fairly sufficient for practical purposes, but science needed a clear understanding of the factors in the general process of variation. Repeatedly Darwin tried to formulate these causes, but the evidence available did not meet his requirements.
Quetelet's law of variation had not yet been published. Mendel's claim of hereditary units for the explanation of certain laws of hybrids discovered by him, was not yet made. The clear distinction between spontaneous and sudden changes, as compared with the ever-present fluctuating variations, is only of late coming into recognition by agriculturists. Innumerable minor points which go to elucidate the breeders' experience, and with which we are now quite familiar, were unknown in Darwin's time. No wonder that he made mistakes, and laid stress on modes of descent, which have since been proved to be of minor importance or even of doubtful validity.”

Hugo De Vries (1848–1935) Dutch botanist

Species and Varieties: Their Origin by Mutation (1904), The Open Court Publishing Company, Chicago, p. 5-6

Tod A photo
Fred Polak photo
Walter A. Shewhart photo
Willem de Sitter photo
John Maynard Keynes photo
Burkard Schliessmann photo

“Our visual discrimination is far better than our linguistic system at dealing with complex ratios and continuous variations in space, line, shape, and color.”

Jay Lemke (1946) American academic

Source: Textual politics: Discourse and social dynamics, 1995, p. 110

William Bateson photo
Glenn Gould photo
Charles Darwin photo
Burkard Schliessmann photo
Arthur Jensen photo
Lin Yutang photo

“All women's dresses, in every age and country, are merely variations on the eternal struggle between the admitted desire to dress and the unadmitted desire to undress.”

Lin Yutang (1895–1976) Chinese writer

In Vogue, as quoted by The Reader's Digest, Vols. 30–31 (1937), p. 69

Henrietta Swan Leavitt photo
Everett Dean Martin photo
William H. McNeill photo
Roger Manganelli photo
Henry Adams photo
Carl Friedrich Gauss photo
Edward Elgar photo

“The enigma I will not explain – its "dark saying" must be left unguessed, and I warn you that the apparent connection between the variations and the theme is often of the slightest texture.”

Edward Elgar (1857–1934) English composer

Elgar's programme note to the Enigma Variations, quoted in Simon Mundy Elgar (London: Omnibus Press, [1980] 2001) p. 64.