Quotes about turning
page 47

Edward German photo
Claire Holt photo
Krist Novoselic photo

“It seems like our politics is so old, like, it almost seems like turning on the t. v. and there's ABC and CBS and NBC, and, y'know, there's like one newspaper in town, and so they're all pushing things on us, and that's all going away.”

Krist Novoselic (1965) Croatian-American rock musician

5:10–5:28
"Nirvana's Krist Novoselic on Punk, Politics, & Why He Dumped the Dems" https://www.youtube.com/watch?v=k4TPRH2uK9w

Bernard Cornwell photo
Ernest Hemingway photo

“When I have an idea, I turn down the flame, as if it were a little alcohol stove, as low as it will go. Then it explodes and that is my idea.”

Ernest Hemingway (1899–1961) American author and journalist

As quoted in Charmed Circle: Gertrude Stein & Co. (1974) by James Mellow

William Kristol photo

“[I]nstitutions are strong; it turns out you don't need a lot of sensible or even sane leadership in the White House.”

William Kristol (1952) American writer

Interview with the Octavian Report https://octavianreport.com/article/william-kristol-fix-american-politics/2/ (2018)
2010s, 2018

Ursula K. Le Guin photo
Philip Sidney photo

“In the sweetly constituted mind of Sir Philip Sidney, it seems as if no ugly thought or unhandsome meditation could find a harbour. He turned all that he touched into images of honour and virtue.”

Philip Sidney (1554–1586) English diplomat

Charles Lamb "Characters of Dramatic Writers, Contemporary with Shakspeare", in Thomas Hutchinson (ed.) The Works in Prose and Verse of Charles and Mary Lamb (1908) vol. 1, p. 70.
Criticism

Johann Wolfgang von Goethe photo

“This is why we may say that those who parade piety as a purpose and an aim mostly turn into hypocrites”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Maxim 520, trans. Stopp
Maxims and Reflections (1833)

Dylan Moran photo
Herbert Giles photo
Aung San Suu Kyi photo
Hariprasad Chaurasia photo
Isaac Rosenberg photo
George W. Bush photo
Joseph Arch photo
Johann Wolfgang von Goethe photo

“I’m sorry for people who make a great to-do about the transitory nature of things and get lost in meditations of earthly nothingness. Surely we are here precisely so as to turn what passes into something that endures; but this is possible only if you can appreciate both.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Ich bedauere die Menschen, welche von der Vergänglichkeit der Dinge viel Wesens machen und sich in Betrachtung irdischer Nichtigkeit verlieren. Sind wir ja eben deßhalb da, um das Vergängliche unvergänglich zu machen; das kann ja nur dadurch geschehen, wenn man beides zu schätzen weiß.
Maxim 155, trans. Stopp
Maxims and Reflections (1833)

Benjamin Ricketson Tucker photo
Daniel Dennett photo
Anthony Giddens photo
Marvin Minsky photo
Richard K. Morgan photo
Geoffrey Moore photo
William Blake photo
Miguel de Cervantes photo

“There are men that will make you books, and turn them loose into the world, with as much dispatch as they would do a dish of fritters.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part II (1615), Book III, Ch. 3.

Julian of Norwich photo
Newton Lee photo

“A man who is at peace with himself is less likely to turn into an extremist or a terrorist.”

Newton Lee American computer scientist

Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015

Theodore Schultz photo

“The adverse economic events following the First World War turned me toward economics… I learned during my youth how hard it was for farm families to stay solvent. Farm product prices fell abruptly by more than half. Banks went bankrupt and many farmers suffered foreclosures. Was politics or economics to blame? I opted for economics.”

Theodore Schultz (1902–1998) American economist

" Nobelprize.org: Autobiography http://www.nobelprize.org/nobel_prizes/economics/laureates/1979/schultz-autobio.html," in: Nobel Lectures, Economics 1969-1980, Editor Assar Lindbeck, World Scientific Publishing Co., Singapore, 1992

Elton John photo
Curtis Mayfield photo
Claude Lévi-Strauss photo
Clive Staples Lewis photo
Rudyard Kipling photo
Haruki Murakami photo
Masanobu Fukuoka photo
David Attenborough photo
Ernest Becker photo

“What are we to make of a creation in which the routine activity is for organisms to be tearing others apart with teeth of all types—biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one's own organization, and then excreting with foul stench and gasses the residue. Everyone reaching out to incorporate others who are edible to him. The mosquitoes bloating themselves on blood, the maggots, the killer-bees attacking with a fury and a demonism, sharks continuing to tear and swallow while their own innards are being torn out—not to mention the daily dismemberment and slaughter in "natural" accidents of all types: an earthquake buries alive 70 thousand bodies in Peru, automobiles make a pyramid heap of over 50 thousand a year in the U. S. alone, a tidal wave washes over a quarter of a million in the Indian Ocean. Creation is a nightmare spectacular taking place on a planet that has been soaked for hundreds of millions of years in the blood of all its creatures. The soberest conclusion that we could make about what has actually been taking place on the planet for about three billion years is that it is being turned into a vast pit of fertilizer. But the sun distracts our attention, always baking the blood dry, making things grow over it, and with its warmth giving the hope that comes with the organism's comfort and expansiveness.”

"Psychology and Religion: What Is the Heroic Individual?", pp. 282–283
The Denial of Death (1973)

Lee Child photo
Samuel Beckett photo

“Spend the years of learning squandering
Courage for the years of wandering
Through a world politely turning
From the loutishness of learning.”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

"Gnome" in Dublin Magazine Vol. 9 (1934), p. 8

Hal David photo
Colin Wilson photo
Edgar Rice Burroughs photo
John Stuart Mill photo
Ed Templeton photo

“My veganism stems from Mike Vallely. He was the person, he and Christian Kline … would take me out to dinner and say, “We’ll buy dinner for you if you don’t order meat.” I remember being totally bummed out about that and thinking, “I can’t get the Kung Pow chicken, this sucks.” Then I read some pamphlets and discovered how it was made. I think it takes a weird person to know that and then keep eating it. As I read that stuff, it hit me and I instantly went vegetarian. Then a year later went vegan. I read more information because I was interested, the floodgates opened and there was no turning back. … A lot of kids come up to me at demos and say, “Oh, you’ve skated so long. Is that because you’re vegan?” I’m always the first person on the course and the last person off. I’ve always had good energy. Maybe it’s from eating healthy. … I was just one person who said, “I’m not putting my dollars into this stuff, I’m only putting my dollars in this vegan stuff.” When millions of others do the same, the markets respond. Now there’s great ice cream and great soy milk. Everything you can dream about is made vegan now. That’s something that has transformed over the years. I did my little part, my little sacrifice made a point.”

Ed Templeton (1972) artist

"Ed Templeton Interview pt. 2" https://web.archive.org/web/20130207234012/http://veganskateblog.com/interview/ed-templeton-interview-pt-2. Vegan Skate Blog (February 1, 2013).

Ursula K. Le Guin photo
Lope De Vega photo

“To turn your face from clear proofs of deceit,
To drink poison as if it were a soothing liquor,
To disregard gain and delight in being injured.
To believe that heaven can lie contained in hell;
To devote your life and soul to being disillusioned;
This is love; whoever has tasted it, knows.”

Huir el rostro al claro desengaño,
beber veneno por licor süave,
olvidar el provecho, amar el daño;
creer que un cielo en un infierno cabe,
dar la vida y el alma a un desengaño;
esto es amor. Quien lo probó lo sabe.
Sonnet, "Desmayarse, atreverse, estar furioso", line 9, from Rimas (1602); cited from José Manuel Blecua (ed.) Lírica (Madrid: Clásicos Castalia, [1981] 1999) p. 136. Translation from Eugenio Florit (ed.) Introduction to Spanish Poetry (New York: Dover, [1964] 1991) p. 65.

Bill McKibben photo
J.M. Coetzee photo
Van Morrison photo
Sara Teasdale photo
Francis Crick photo
George Holmes Howison photo

“To him, the one Absolute Conscience, in every moral disaster our conscience turns for assured refuge and certain renewal of moral courage and strength. That is the real act and infallible function of Prayer.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Appendix B: The System in its Ethical Necessity and its Practical Bearings, p.403

George W. Bush photo

“Embrace your spirituality but don't turn your back on your humanity.”

Source: Life, the Truth, and Being Free (2010), p. 89

Pierre-Auguste Renoir photo

“Give me that palette.... those two woodcocks.... turn this one's head to the left.... give me back my palette.... I can't paint that beak.... Quick, some paint.... change the position of those woodcocks…”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

quote from a letter written by Félix Fénéon, published in 'Le Bulletin des artistes' 15th December 1919
this quote is expressing Renoir's last painter-remark, 30 November 1919, three days before he died.
after 1900

Evelyn Waugh photo
Albert O. Hirschman photo

“A taste is almost defined as a preference about which you do not argue — de gustibus non est disputandum. A taste about which you argue, with others or yourself, ceases ipso facto being a taste – it turns into a value.”

Albert O. Hirschman (1915–2012) German-American economist; member of the French Resistance

Rival Views of Market Society and Other Recent Essays (1992), Ch. 6. Against Parsimony.

Matthew Arnold photo
Samuel Rogers photo
Vinko Vrbanić photo
Calvin Coolidge photo

“We have been attempting to relieve ourselves and the other nations from the old theory of competitive armaments. In spite of all the arguments in favor of great military forces, no nation ever had an army large enough to guarantee it against attack in time of peace or to insure its victory in time of war. No nation ever will. Peace and security are more likely to result from fair and honorable dealings, and mutual agreements for a limitation of armaments among nations, than by any attempt at competition in squadrons and battalions. No doubt this country could, if it wished to spend more money, make a better military force, but that is only part of the problem which confronts our Government. The real question is whether spending more money to make a better military force would really make a better country. I would be the last to disparage the military art. It is an honorable and patriotic calling of the highest rank. But I can see no merit in any unnecessary expenditure of money to hire men to build fleets and carry muskets when international relations and agreements permit the turning of such resources into the making of good roads, the building of better homes, the promotion of education, and all the other arts of peace which minister to the advancement of human welfare. Happily, the position of our country is such among the other nations of the world that we have been and shall be warranted in proceeding in this direction.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Toleration and Liberalism (1925)

Tom Baker photo
Willie Nelson photo
Pope Benedict XVI photo
Michael Shea photo
Lech Wałęsa photo

“I turned around by 360 degrees.”

Lech Wałęsa (1943) Polish politician, Nobel Peace Prize winner, former President of Poland

Dokonałem zwrotu o 360 stopni.
Source: Mariusz Urbanek, "Jestem za, a nawet przeciw", in: Helge Hesse, W 80 powiedzeń dookoła świata, Wydawnictwo Dolnośląskie, Wrocław 2009, ISBN 978-83-245-8733-9

Letitia Elizabeth Landon photo
David Fleming photo
Gregory of Nyssa photo
Ani DiFranco photo

“Somedays the line I walk turns out to be straight -
Other days the line tends to deviate.”

Ani DiFranco (1970) musician and activist

In or Out
Song lyrics

“The musical language which made the classical style possible is that of tonality, which was not a massive, immobile system but a living, gradually changing language from its beginning. It had reached a new and important turning point just before the style of Haydn and Mozart took shape.”

Charles Rosen (1927–2012) American pianist and writer on music

Part I. Introduction. 1. The Musical Language of the Late Eighteenth Century
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)

“It turns out your conscious mind — the part you think of as you — is really the smallest part of what’s happening in your brain, and usually the last one in line to find out any information.”

David Eagleman (1971) neuroscientist and author

As quoted in "Stray Questions for: David Eagleman" by Blake Wilson in The New York Times (10 July 2009)

Colin Wilson photo
Robert Benchley photo
George William Curtis photo

“The country does want rest, we all want rest. Our very civilization wants it — and we mean that it shall have it. It shall have rest — repose — refreshment of soul and re-invigoration of faculty. And that rest shall be of life and not of death. It shall not be a poison that pacifies restlessness in death, nor shall it be any kind of anodyne or patting or propping or bolstering — as if a man with a cancer in his breast would be well if he only said he was so and wore a clean shirt and kept his shoes tied. We want the rest of a real Union, not of a name, not of a great transparent sham, which good old gentlemen must coddle and pat and dandle, and declare wheedlingly is the dearest Union that ever was, SO it is; and naughty, ugly old fanatics shan't frighten the pretty precious — no, they sha'n't. Are we babies or men? This is not the Union our fathers framed — and when slavery says that it will tolerate a Union on condition that freedom holds its tongue and consents that the Constitution means first slavery at all costs and then liberty, if you can get it, it speaks plainly and manfully, and says what it means. There are not wanting men enough to fall on their knees and cry: 'Certainly, certainly, stay on those terms. Don't go out of the Union — please don't go out; we'll promise to take great care in future that you have everything you want. Hold our tongues? Certainly. These people who talk about liberty are only a few fanatics — they are tolerably educated, but most of 'em are crazy; we don't speak to them in the street; we don't ask them to dinner; really, they are of no account, and if you'll really consent to stay in the Union, we'll see if we can't turn Plymouth Rock into a lump of dough'. I don't believe the Southern gentlemen want to be fed on dough. I believe they see quite as clearly as we do that this is not the sentiment of the North, because they can read the election returns as well as we. The thoughtful men among them see and feel that there is a hearty abhorrence of slavery among us, and a hearty desire to prevent its increase and expansion, and a constantly deepening conviction that the two systems of society are incompatible. When they want to know the sentiment of the North, they do not open their ears to speeches, they open their eyes, and go and look in the ballot-box, and they see there a constantly growing resolution that the Union of the United States shall no longer be a pretty name for the extension of slavery and the subversion of the Constitution. Both parties stand front to front. Each claims that the other is aggressive, that its rights have been outraged, and that the Constitution is on its side. Who shall decide? Shall it be the Supreme Court? But that is only a co-ordinate branch of the government. Its right to decide is not mutually acknowledged. There is no universally recognized official expounder of the meaning of the Constitution. Such an instrument, written or unwritten, always means in a crisis what the people choose. The people of the United States will always interpret the Constitution for themselves, because that is the nature of popular governments, and because they have learned that judges are sometimes appointed to do partisan service.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Alasdair MacIntyre photo
Hafez al-Assad photo

“Strike the enemy’s settlements, turn them into dust, pave the Arab roads with the skulls of Jews.”

Hafez al-Assad (1930–2000) former president of Syria

Michael B. Oren, Six Days of War [Oxford University Press, 2002], p293

Warren Farrell photo
Taylor Swift photo
Saadi photo
Jay-Z photo
Marc Maron photo
Tad Williams photo

“I shall endeavor to turn dross to purest Metal Absolute: in short, to teach you something.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 4, “Cricket Cage” (p. 41).

Mark Manson photo
Charles Taylor photo

“Our society, it turns out, can use modern art. A restaurant, today, will order a mural by Míro in as easy and matter-of-fact a spirit as, twenty-five years ago, it would have ordered one by Maxfield Parrish. The president of a paint factory goes home, sits down by his fireplace—it looks like a chromium aquarium set into the wall by a wall-safe company that has branched out into interior decorating, but there is a log burning in it, he calls it a firelace, let’s call it a fireplace too—the president sits down, folds his hands on his stomach, and stares at two paintings by Jackson Pollock that he has hung on the wall opposite him. He feels at home with them; in fact, as he looks at them he not only feels at home, he feels as if he were back at the paint factory. And his children—if he has any—his children cry for Calder. He uses thoroughly advanced, wholly non-representational artists to design murals, posters, institutional advertisements: if we have the patience (or are given the opportuity) to wait until the West has declined a little longer, we shall all see the advertisements of Merrill Lynch, Pierce, Fenner, and Smith illustrated by Jean Dubuffet.
This president’s minor executives may not be willing to hang a Kandinsky in the house, but they will wear one, if you make it into a sport shirt or a pair of swimming-trunks; and if you make it into a sofa, they will lie on it. They and their wives and children will sit on a porcupine, if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won’t buy and sit in if you tell him it is a chair: the great new art form of our age, the one that will take anything we put in it, is the chair. If Hieronymus Bosch, if Christian Morgenstern, if the Marquis de Sade were living at this hour, what chairs they would be designing!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)