Quotes about trace
page 3

Carl Linnaeus photo
James Frazer photo
Charles Fillmore photo
Georges Braque photo
Oliver Wendell Holmes photo
Henry John Stephen Smith photo

“If we except the great name of Newton (and the exception is one that the great Gauss himself would have been delighted to make) it is probable that no mathematician of any age or country has ever surpassed Gauss in the combination of an abundant fertility of invention with an absolute vigorousness in demonstration, which the ancient Greeks themselves might have envied. It may be admitted, without any disparagement to the eminence of such great mathematicians as Euler and Cauchy that they were so overwhelmed with the exuberant wealth of their own creations, and so fascinated by the interest attaching to the results at which they arrived, that they did not greatly care to expend their time in arranging their ideas in a strictly logical order, or even in establishing by irrefragable proof propositions which they instinctively felt, and could almost see to be true. With Gauss the case was otherwise. It may seem paradoxical, but it is probably nevertheless true that it is precisely the effort after a logical perfection of form which has rendered the writings of Gauss open to the charge of obscurity and unnecessary difficulty. The fact is that there is neither obscurity nor difficulty in his writings, as long as we read them in the submissive spirit in which an intelligent schoolboy is made to read his Euclid. Every assertion that is made is fully proved, and the assertions succeed one another in a perfectly just analogical order… But when we have finished the perusal, we soon begin to feel that our work is but begun, that we are still standing on the threshold of the temple, and that there is a secret which lies behind the veil and is as yet concealed from us. No vestige appears of the process by which the result itself was obtained, perhaps not even a trace of the considerations which suggested the successive steps of the demonstration. Gauss says more than once that for brevity, he gives only the synthesis, and suppresses the analysis of his propositions. Pauca sed matura—few but well matured… If, on the other hand, we turn to a memoir of Euler's, there is a sort of free and luxuriant gracefulness about the whole performance, which tells of the quiet pleasure which Euler must have taken in each step of his work; but we are conscious nevertheless that we are at an immense distance from the severe grandeur of design which is characteristic of all Gauss's greater efforts.”

Henry John Stephen Smith (1826–1883) mathematician

As quoted by Alexander Macfarlane, Lectures on Ten British Physicists of the Nineteenth Century (1916) p. 95, https://books.google.com/books?id=43SBAAAAIAAJ&pg=PA95 "Henry John Stephen Smith (1826-1883) A Lecture delivered March 15, 1902"

Didier Sornette photo

“Since it is the actions of investors whose buy and sell decisions move prices up and down, any deviation from a random walk has ultimately to be traced back to the behavior of investors.”

Didier Sornette (1957) French scientist

Source: Why Stock Markets Crash - Critical Events in Complex Systems (2003), Chapter 4, Positive Feedbacks, p. 81

Karl Barth photo
John Constable photo
Roger Wolcott Sperry photo
Otto Neurath photo

“Lysenkoism is held up by bourgeois commentators as the supreme demonstration that conscious ideology cannot inform scientific practice and that "ideology has no place in science." On the other hand, some writers are even now maintaining a Lysenkoist position because they believe that the principles of dialectical materialism contradict the claims of genetics. Both of these claims stem from a vulgarisation of Marxist philosophy through deliberate hostility, in the first case, or ignorance, in the second. Nothing in Marx, Lenin or Mao contradicts the particular physical facts and processes of a particular set of natural phenomena in the objective world, because what they wrote about nature was at a high level of abstraction. The error of the Lysenkoist claim arises from attempting to apply a dialectical analysis of physical problems from the wrong end. Dialectical materialism is not, and has never been, a programmatic method for solving particular physical problems. Rather, dialectical analysis provides an overview and a set of warning signs against particular forms of dogmatism and narrowness of thought. It tells us, "Remember that history may leave an important trace. Remember that being and becoming are dual aspects of nature. Remember that conditions change and that the conditions necessary to the initiation of some process may be destroyed by the process itself. Remember to pay attention to real objects in space and time and not lose them utterly in idealized abstractions. Remember that qualitative effects of context and interaction may be lost when phenomena are isolated."”

Richard C. Lewontin (1929) American evolutionary biologist

And above all else, "Remember that all the other caveats are only reminders and warning signs whose application to different circumstances of the real world is contingent."
"The Problem of Lysenkoism" by Richard Lewontin and Richard Levins, in Hilary and Steven Rose (eds.), The Radicalisation of Science, Macmillan, 1976, p. 58.

“One day I had the idea of radiation implosion. As in all ideas that have ever popped up in my head, there is no way I can trace the source.”

John Clive Ward (1924–2000) British-Australian nuclear physicist

J. C. Ward, Memoirs of a Theoretical Physicist (Optics Journal, Rochester, 2004).

John Stuart Mill photo
David Hume photo
Philip Schaff photo

“In the progress of the work he founded a Collegium Biblieum, or Bible club, consisting of his colleagues Melanchthon, Bugenhagen (Pommer), Cruciger, Justus Jonas, and Aurogallus. They met once a week in his house, several hours before supper. Deacon Georg Rörer (Rorarius), the first clergyman ordained by Luther, and his proof-reader, was also present; occasionally foreign scholars were admitted; and Jewish rabbis were freely consulted. Each member of the company contributed to the work from his special knowledge and preparation. Melanchthon brought with him the Greek Bible, Cruciger the Hebrew and Chaldee, Bugenhagen the Vulgate, others the old commentators; Luther had always with him the Latin and the German versions besides the Hebrew. Sometimes they scarcely mastered three lines of the Book of Job in four days, and hunted two, three, and four weeks for a single word. No record exists of the discussions of this remarkable company, but Mathesius says that "wonderfully beautiful and instructive speeches were made."
At last the whole Bible, including the Apocrypha as "books not equal to the Holy Scriptures, yet useful and good to read," was completed in 1534, and printed with numerous woodcuts.
In the mean time the New Testament had appeared in sixteen or seventeen editions, and in over fifty reprints.
Luther complained of the many errors in these irresponsible editions.
He never ceased to amend his translation. Besides correcting errors, he improved the uncouth and confused orthography, fixed the inflections, purged the vocabulary of obscure and ignoble words, and made the whole more symmetrical and melodious.
He prepared five original editions, or recensions, of his whole Bible, the last in 1545, a year before his death.
The edition of 1546 was prepared by his friend Rörer, and contains a large number of alterations, which he traced to Luther himself. Some of them are real improvements, e. g., Die Liebe höret nimmer auf, for, Die Liebe wird nicht müde (1 Cor. 13:8). The charge that he made the changes in the interest of Philippism (Melanchthonianism), seems to be unfounded.”

Philip Schaff (1819–1893) American Calvinist theologian

Luther's Bible club

Letitia Elizabeth Landon photo
James Mill photo

“The distinction, between what is done by labour, and what is done by nature, is not always observed.
Labour produces its effects only by conspiring with the laws of nature.
It is found that the agency of man can be traced to very simple elements. He does nothing but produce motion. He can move things towards one another, and he can separate them from one another. The properties of matter perform the rest.”

James Mill (1773–1836) Scottish historian, economist, political theorist and philosopher

Ch 1 : Production https://www.marxists.org/reference/subject/economics/mill-james/ch01.htm <!-- Cited in: Monthly Review https://books.google.nl/books?id=qytZAAAAcAAJ&pg=PA134, 1822 And partly cited in: Karl Marx. Human Requirements and Division of Labour https://www.marxists.org/archive/marx/works/1844/manuscripts/needs.htm, Manuscript, 1844. -->
Elements of Political Economy (1821)

Henry Brougham, 1st Baron Brougham and Vaux photo
Patrick Modiano photo

“Where you find imagination tracing the outlines and reason filling in the details, there you have a man.”

Henry S. Haskins (1875–1957)

Source: Meditations in Wall Street (1940), p. 118

Iltutmish photo
Craig Venter photo
Czeslaw Milosz photo

“Wherever he steps, there always
Endures traced in sand
A large-toed footprint
Which clamors to be tried out
By his childish foot arriving
From the virgin forests.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"Birth" (1947)
Daylight (1953)

Maximus the Confessor photo
Charles Darwin photo
Thomas Little Heath photo
James K. Morrow photo
Aurangzeb photo

“The temple of Somnath was demolished early in my reign and idol worship (there) put down. It is not known what the state of things there is at present. If the idolaters have again taken to the worship of images at the place, then destroy the temple in such a way that no trace of the building may be left, and also expel them (the worshippers) from the place.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Somnath (Gujarat) Kalimat-i-Tayyibat, quoted in Sarkar, Jadu Nath, History of Aurangzeb, Vol. III, pp. 185-86. https://archive.org/details/in.ernet.dli.2015.62677/page/n295
Quotes from late medieval histories

Robert A. Heinlein photo

“As for population, every major shortcoming of our native planet could be traced to one cause: too many people, not enough planet.”

Source: The Number of the Beast (1980), Chapter XXXVIII : “—under his vine and under his fig tree; and none shall make them afraid—”, p. 371

Pete Doherty photo
Henry David Thoreau photo
Karl Kraus photo

“So-called psychoanalysis is the occupation of lustful rationalists who trace everything in the world to sexual causes - with the exception of their occupation.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

Roberto Mangabeira Unger photo
Koichi Tohei photo
Charles Dickens photo

“Resisting the slow touch of a frozen finger tracing out my spine.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

The Signal-Man http://www.charles-dickens.org/three-ghost-stories-the-signal-man/ebook-page-04.asp (1866)

Henry Nettleship photo
Wallace Stevens photo
Henry Temple, 3rd Viscount Palmerston photo
Max Heindel photo
Charles Reis Felix photo
Frederic G. Kenyon photo
Charles Fort photo
Henry Adams photo
Thomas Robert Malthus photo
George Gordon Byron photo

“Yet in my lineaments they trace
Some features of my father's face.”

Parisina, Stanza 13, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Agatha Christie photo
René Char photo

“A poet should leave traces of his passage, not proofs. Traces alone engender dreams.”

René Char (1907–1988) 20th-century French poet

Un poète doit laisser des traces de son passage, non des preuves. Seules les traces font rêver.
As quoted in The French-American Review (1976) by Texas Christian University, p. 132
Variant translation: A poet must leave traces of his passage, not proofs. Only traces bring about dreams.
As quoted in Popular Dissent, Human Agency, and Global Politics (2000) by Roland Bleiker, p. 50

A. C. Benson photo
W. S. Gilbert photo
Walter Scott photo

“And ne'er did Grecian chisel trace
A Nymph, a Naiad, or a Grace
Of finer form or lovelier face.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto I, stanza 18.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Terry Eagleton photo

“Reading a text is more like tracing this process of constant flickering than it is like counting the beads on a necklace.”

Terry Eagleton (1943) British writer, academic and educator

Source: 1980s, Literary Theory: An Introduction (1983), Chapter 4, p. 111

Emma Orczy photo
Yoshida Shoin photo
Varadaraja V. Raman photo

“While we have footprints on the sands of time, there is no trace of things yet to come.”

Varadaraja V. Raman (1932) American physicist

TIME: CEASELESS PROGRESSION:
Truth and Tension in Science and Religion

Felix Adler photo

“In order to join vigorously in the moral work of the world I must believe that somehow the best I can accomplish will endure, will leave its trace on things, will aid the final consummation.”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Section 4 : Moral Ideals
Founding Address (1876), Life and Destiny (1913)

Jacob Bronowski photo
Gerhard Richter photo

“Idiots can do what I do. When I first started to do this [projecting photos on the canvas and painting them after having them traced in details with a piece of charcoal] in the 60's, people laughed. I clearly showed that I painted from photographs. It seemed so juvenile. The provocation was purely formal - that I was making paintings like photographs. Nobody asked about what was in the pictures. Nobody asked who my Aunt Marianne was. That didn't seem to be the point.”

Gerhard Richter (1932) German visual artist, born 1932

Richter's aunt had been murdered by the Nazis in the name of euthanasia, a crime for which his father-in-law from his first marriage, a Nazi doctor named Heinrich Eufinger, had been partially responsible. Richter painted a portrait of his aunt in 1965, based on an old photo. It was called 'Tante Marianne' / 9Aunt Marianne).
after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Paul Bourget photo

“Well, you must now imagine my friend at my age or almost there. You must picture him growing gray, tired of life and convinced that he had at last discovered the secret of peace. At this time he met, while visiting some relatives in a country house, a mere girl of twenty, who was the image, the haunting image of her whom he had hoped to marry thirty years before. It was one of those strange resemblances which extend from the color of the eyes to the 'timbre' of the voice, from the smile to the thought, from the gestures to the finest feelings of the heart. I could not, in a few disjointed phrases describe to you the strange emotions of my friend. It would take pages and pages to make you understand the tenderness, both present and at the same time retrospective, for the dead through the living; the hypnotic condition of the soul which does not know where dreams and memories end and present feeling begins; the daily commingling of the most unreal thing in the world, the phantom of a lost love, with the freshest, the most actual, the most irresistibly naïve and spontaneous thing in it, a young girl. She comes, she goes, she laughs, she sings, you go about with her in the intimacy of country life, and at her side walks one long dead. After two weeks of almost careless abandon to the dangerous delights of this inward agitation imagine my friend entering by chance one morning one of the less frequented rooms of the house, a gallery, where, among other pictures, hung a portrait of himself, painted when he was twenty-five. He approaches the portrait abstractedly. There had been a fire in the room, so that a slight moisture dimmed the glass which protected the pastel, and on this glass, because of this moisture, he sees distinctly the trace of two lips which had been placed upon the eyes of the portrait, two small delicate lips, the sight of which makes his heart beat. He leaves the gallery, questions a servant, who tells him that no one but the young woman he has in mind has been in the room that morning.”

Paul Bourget (1852–1935) French writer

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

Sarvepalli Radhakrishnan photo

“Psychic experiences are a state of consciousness beyond the understanding of the normal, and the supernormal is traced to the supernatural.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Adrienne von Speyr photo
Willard van Orman Quine photo

“Implication is thus the very texture of our web of belief, and logic is the theory that traces it.”

Willard van Orman Quine (1908–2000) American philosopher and logician

S. 41
The Web of Belief (1970)

Letitia Elizabeth Landon photo
James Frazer photo
Alexis De Tocqueville photo

“Nothing tends to materialize man and to deprive his work of the faintest trace of mind more than the extreme division of labor.”

Source: Democracy in America, Volume I (1835), Chapter XV-IXX, Chapter XVIII.

Pliny the Elder photo
Clive Staples Lewis photo
Michel Foucault photo
Otto Weininger photo

“So far as one understands a man, one is that man. The man of genius takes his place in the above argument as he who understands incomparably more other beings than the average man. Goethe is said to have said of himself that there was no vice or crime of which he could not trace the tendency in himself, and that at some period of his life he could not have understood fully. The genius, therefore, is a more complicated, more richly endowed, more varied man; and a man is the closer to being a genius the more men he has in his personality, and the more really and strongly he has these others within him.”

Einen Menschen verstehen heißt also: auch er sein. Der geniale Mensch aber offenbarte sich an jenen Beispielen eben als der Mensch, welcher ungleich mehr Wesen versteht als der mittelmäßige. Goethe soll von sich gesagt haben, es gebe kein Laster und kein Verbrechen, zu dem er nicht die Anlage in sich verspürt, das er nicht in irgend einem Zeitpunkte seines Lebens vollauf verstanden habe. Der geniale Mensch ist also komplizierter, zusammengesetzter, reicher; und ein Mensch ist um so genialer zu nennen, je mehr Menschen er in sich vereinigt, und zwar, wie hinzugefügt werden muß, je lebendiger, mit je größerer Intensität er die anderen Menschen in sich hat.
Source: Sex and Character (1903), p. 106.

Northrop Frye photo

“Those who do succeed in reading the Bible from beginning to end will discover that at least it has a beginning and an end, and some traces of a total structure.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Introduction, p. xiii
"Quotes", The Great Code: The Bible and Literature (1982)

Patrick Modiano photo
John Stuart Mill photo
Patrick Buchanan photo
Bal Gangadhar Tilak photo

“It has been shown that Vedic religion and worship are both interglacial; and though that we can not trace their ultimate origin yet the Arctic character of the Vedic deities fully proves that the powers of nature represented by them has been already clothed with divine attributives by the primitive Aryans in their original home round about the North Pole, or the Meru of the Puranas.”

Bal Gangadhar Tilak (1856–1920) Indian independence activist

“The Arctic Home in the Vedas” on dating of the Vedas to 3000 to 1400 BC [Ganga Prasad, The Fountainhead of Religion: A Comparative Study of the Principle Religions of the World and a Manifestation of Their Common Origin from the Vedas, http://books.google.com/books?id=0QO_zed25R4C&pg=PA222, 1 January 2000, Book Tree, 978-1-58509-054-9, 222–]

Eugène Delacroix photo
Jacques Derrida photo
Helen Maria Williams photo
Houston Stewart Chamberlain photo
James A. Garfield photo
Jacques Derrida photo
Penn Jillette photo

“If every trace of any single religion were wiped out and nothing were passed on, it would never be created exactly that way again. There might be some other nonsense in its place, but not that exact nonsense. If all of science were wiped out, it would still be true and someone would find a way to figure it all out again.”

Penn Jillette (1955) American magician

p. 129 http://books.google.com/books?id=KsI3sswEg14C&pg=PA129&dq=%22if+every+trace+of+any+single+religion%22
2010s, God, No!: Signs You May Already Be an Atheist and Other Magical Tales (2011)

Hermann Göring photo
Bruce Springsteen photo

“There ain't a note that I play on stage that can’t be traced back directly to my mother and father.”

Bruce Springsteen (1949) American singer and songwriter

Bruce Springsteen Talking

H. G. Wells photo
G. K. Chesterton photo
Giorgio Morandi photo
Frederic G. Kenyon photo