Quotes about technique
page 5

“Modern art to me is nothing more than the expression of contemporary aims of the age we're living in... All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.”

Jackson Pollock (1912–1956) American artist

Source: 1950's, Interview by William Wright, Summer 1950, p. 140

Age, Art

“The life of Indians, particularly the poor, pictorially…. with a new technique, my own technique…and this technique though not technically Indian, in the traditional sense of the word, will yet be fundamentally Indian in spirit.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

Her decision after coming to India in 1935.
Sikh Heritage,Amrita Shergil

Life, Sense

“In all engineering disciplines nowadays, software engineering excluded, there exists an established engineering process to develop a system, which is accompanied by a number of suited modeling description techniques. Software engineering, being a rather new field, has not as yet established any clear methodical guidance or a fully standardized modeling notation.”

Bernhard Rumpe (1967) German computer scientist

Source: Executable Modeling with UML. A vision or a Nightmare (2002), p. 697

“It is procedure that governs the routine internal and external relationships - between one individual and another; between one organizational unit and another; between one process and another; between one skill or technique and another; between one function and another; between one place and another; between the organization and the public; and between all combinations and permutations of these. It is by means of procedure that the day-to-day work of government is done-mail sorted, routed and delivered; deeds recorded; accounts audited; cases prosecuted; protests heard; food inspected; budgets reviewed; tax returns verified; data collected; supplies purchased; property assessed; inquiries answered; orders issued; investigations made; and so forth endlessly.”

Dwight Waldo (1913–2000) American political scientist

Source: "Government by Procedure", 1946, p. 381-82; As cited in: Albert Lepawsky (1949), Administration, p. 595

Food

“Any form of organization that cuts across normal bureaucratic lines to capture opportunities, solve problems, and get results. In an era of accelerating change, organizations, and national economies, most likely to succeed are those with the ability to adjust and adapt. Robert H. Waterman Jr., … shows how and what this sort of innovation must become a way of life for business organizations across the board. What is needed is an environment that fosters the use of an ad-hoc problem-solving technique, in effect an -adhocracy- that functions outside the often initiative-stifling bureaucracy”

Robert H. Waterman (1950) American writer

Robert H. Waterman (1993), Adhocracy: The Power to Change. W.W. Norton ; Book summary

Life, Way, Business, Problem

“A breakdown of management into its basic functions — development, production and marketing — revealed that the character of the functions, their chronological sequence, the closeness with which they had to be integrated and their relative importance to the success and survival of the business, all depended upon the system of techniques in the firm concerned.”

Joan Woodward (1916–1971) British sociologist

Source: Management and technology, Problems of Progress Industry, 1958, p. 21-22

Business, Success, Dependency

“My techniques are concerned with reading signals from people, tiny unconscious clues that betray their thoughts. I tend to see it like a game…”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

People, Game, Reading

“The trick is to maintain a kind of naïve amazement at each instant of experience—but, as Montaigne learned, one of the best techniques for doing this is to write about everything. Simply describing an object on your table, or the view from your window, opens your eyes to how marvelous such ordinary things are. To look inside yourself is to open up an even more fantastical realm.”

Sarah Bakewell book How to Live

Source: How to Live, or, A Life of Montaigne in one Question and Twenty Attempts at an Answer (2010), p. 37.

Learning

“Influence is strange. Because one can be influenced powerfully in every way but technique. For instance, I would think Walt Whitman probably had more influence on my whole poetic thinking than anybody, but I never dreamed of trying to write in the Whitman manner.”

Karl Shapiro (1913–2000) Poet, essayist

Paris Review interview (1986)

Dreams, Way, Thinking

“The world, the future, is now within you as your past, as experience, skill in technique, and the rich, everlasting mystery is found to be childish you that, at the time, you made no effort to possess.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

World, Effort, Time, Past

“The control objects model functionality that is not naturally tied to any other object… We do not believe that the best (most stable) systems are built by only using objects that correspond to real-life entities, something that many other object-oriented analysis and design techniques claim… Behavior that we place in control objects will, in other methods, be distributed over several other objects, making it hard to change this behavior.”

Ivar Jacobson (1939) Swedish computer scientist

Source: Object-Oriented Software Engineering: A Use Case Driven Approach (1992), p. 133 as cited in: " Object Oriented Software Engineering: A Use Case Driven Approach Ivar Jacobson, et al. (1992) http://tedfelix.com/software/jacobson1992.html", Book review by Ted Felix on tedfelix.com, 2006.

Life, Behavior, Nature, Change

“The technique of management, in its human relationships, can be best described as the technique of handling or managing people, which should be based on a deep and enlightened human understanding. The technique of organization may be described as that of relating specific duties or functions in a completely coordinated scheme. This statement of the difference between managing and organizing clearly shows their intimate relationship. It also shows, which is our present purpose, that the technique of organizing is inferior, in logical order, to that of management. It is true that a sound organizer may, because of temperamental failings, be a poor manager, but on the other hand it is inconceivable that a poor organizer may ever make a good manager… The prime necessity in all organization is harmonious relationships based on integrated interests, and, to this end, the first essential is an integrated and harmonious relationship in the duties, considered in themselves.”

James D. Mooney (1884–1957) American businessman

Source: Onward Industry!, 1931, p. 14-15; As cited in: Morgen Witzel (2003) Fifty Key Figures in Management. p. 197-8

People, Understanding

“No technique is possible when men are free. … Technique requires predictability and, no less, exactness of prediction. It is necessary, then, that technique prevail over the human being. … The individual must be fashioned by techniques … in order to wipe out the blots his personal determination introduces into the perfect design of the organization.”

Jacques Ellul book The Technological Society

Source: The Technological Society (1954), p. 138

Men, Fashion, Personality, Perfection

“I'm not making any progress with the book that you were so kind to lend me [about techniques of etching]; the desire to study tie facts for etching from a book does not exist with me…. if you would rather give me some lessons, so that I can get some information, I will be glad.. [which happened February / March 1891] (translation from original Dutch, Fons Heijnsbroek, 2018)”

Suze Robertson (1855–1922) Dutch painter

(version in original Dutch / origineel citaat van Suze Robertson's brief:) Met het boek welk U zoo vriendelijk waart mij ter leen te geven [boek over de techniek van het etsen] schiet ik niet hard op; de lust om de gegevens voor het etsen uit een boek te bestudeeren, bestaat bij mij niet.. ..[mocht u] liever nog mij eenige lessen geven , waardoor ik eenigszins op de hoogte kome, dan zal het mij aangenaam zijn.. [dat gebeurde in februari / maart 1891]
In her letter to , 12 Jan. 1890; as cited in Suze Robertson, ed. Anna Wagner en Herbert Henkels; Nijgh & van Ditmar, 1984, p. 10
before 1900

Books, Study

“Long before… our techniques of today, men could conceive and build structures adapted to the requirements of resistance… because he had observed… the branches of a tree bending under the weight of fruits and the tensioned cords of strings in which children have rocked from time immemorial…”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

Men, Children, Tree, Time

“Poetry is an art form that demands heightened attention and retention. It both invites and rewards more intense involvement than we normally give to other kinds of speech. Poetic technique, therefore, is never esoteric but eminently practical. It serves at least two purposes. First, it announces that a poem differs from other kinds of speech, that it requires the audience's special attention. A poem begins by attracting our attention through its sound, shape, typography, syntax, texture, or tone. Second, the technique maintains the audience's involvement. All poetic form is a way of keeping the audience's attention beyond what ordinary language requires. Meter, for example, creates a gentle trance state in the auditor. Since poetry is more intense, condensed, and expressive than ordinary language, it needs these techniques to carry the burden of its message.”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Art, Way

“Without passion there is no art, only technique.”

Mary Robinette Kowal (1969) American writer and puppeteer

Source: Shades of Milk and Honey (2010), Chapter 15 (p. 192)

Art, Passion

“Art's means of representing a thing – style, technique and the object represented – are circumstances of art, just as the artist's individual qualities (way of life, abilities, environment and so on) are circumstances of art. Art can just as well be made in harmony with the circumstances of its making as in defiance of them. In itself art is neither visible nor definable: all that is visible and imitable is its circumstances, which are easily mistaken for the art itself.”

Gerhard Richter (1932) German visual artist, born 1932

undated quotes, The Daily Practice of Painting, Writings (1962-1993)

Life, Art, Way

“To know is not too demanding: it merely requires memory and time. But to understand is quite a different matter: it requires intellectual ability and training, a self conscious awareness of what one is doing, experience in techniques of analysis and synthesis, and above all, perspective.”

Carroll Quigley (1910–1977) American historian

Conclusion, p. 415
The Evolution of Civilizations (1961) (Second Edition 1979)

Understanding, Memory, Time, Training

“Discipline 'makes' individuals; it is the specific technique of a power that regards individuals both as objects and as instruments of its exercise. It is not a triumphant power…it is a modest, suspicious power, which functions as a calculated, but permanent economy.”

Michel Foucault book Discipline and Punish

Discipline and Punish (1977)

Exercises

“Poems should be memorized, recited, and performed. The sheer joy of the art must be emphasized. The pleasure of performance is what first attracts children to poetry, the sensual excitement of speaking and hearing the words of the poem. Performance was also the teaching technique that kept poetry vital for centuries. Maybe it also holds the key to poetry's future.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

Children, Pleasure, Art, Future

“Kuhn acknowledges having used the term "paradigm" in two different meanings. In the first one, "paradigm" designates what the members of a certain scientific community have in common, that is to say, the whole of techniques, patents and values shared by the members of the community. In the second sense, the paradigm is a single element of a whole, say for instance Newton’s Principia, which, acting as a common model or an example… stands for the explicit rules and thus defines a coherent tradition of investigation. Thus the question is for Kuhn to investigate by means of the paradigm what makes possible the constitution of what he calls "normal science". That is to say, the science which can decide if a certain problem will be considered scientific or not. Normal science does not mean at all a science guided by a coherent system of rules, on the contrary, the rules can be derived from the paradigms, but the paradigms can guide the investigation also in the absence of rules. This is precisely the second meaning of the term "paradigm", which Kuhn considered the most new and profound, though it is in truth the oldest.”

Giorgio Agamben (1942) Italian philosopher

Truth, Communication, Question, Problem

“What exactly constitutes a field like scientific psychology? Is it constituted by its most innovative and influential contributors; by the scientific findings that it has produced; by the theories it has elaborated; by its concepts, techniques, or professional associations? Obviously, all this and more goes into the making of a field, but most of us would probably see some of these components as playing a more essential role than others. Even if we refuse to commit ourselves explicitly we are likely to imply that certain components define the field more effectively than others by the way we organize our knowledge.”

Kurt Danziger (1926) German academic

Source: Constructing the subject: Historical origins of psychological research. 1994, p. 1; Introduction

Way, Knowledge

“At its most basic, Mr. Astaire's technique has three elements - tap, ballet and ballroom dancing. The ballet training, by his account, was brief but came at a crucial, early age. He has sometimes been classed as a tap dancer, but he was never the hoofer he has jokingly called himself. Much of the choreographic outline of his dancing with his ladies—be it Miss Rogers or Miss Hayworth—is ballroom. But of course, no ballroom dancer could dance like this.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Dance critic Anna Kisselgoff, in Shepard, Richard F. "Fred Astaire, The Ultimate Dancer, Dies," The New York Times, 23 June 1987.

Age, Dance, Training

“Information retrieval is the name for the process or method whereby a prospective user of information is able to convert his need for information into an actual list of citations to documents in storage containing information useful to him. It is the finding or discovery process with respect to stored information. It is another, more general, name for the production of a demand bibliography. Information retrieval embraces the intellectual aspects of the description of information and its specification for search, and also whatever systems, technique, or machines that are employed to carry out the operation. Information retrieval is crucial to documentation and organization of knowledge.”

Calvin Mooers (1919–1994) American computer scientist

Calvin Mooers (1951) "Zatocoding applied to mechanical organization of knowledge." American Documentation, 2, p. 25; Cited in: Birger Hjørland (2006) " Information retrival (IR) http://www.iva.dk/bh/Core%20Concepts%20in%20LIS/articles%20a-z/information_retrieval.htm" on iva.dk.

Search, Knowledge

“The deepest problems of modern life derive from the claim of the individual to preserve the autonomy and individuality of his existence in the face of overwhelming social forces, of historical heritage, of external culture, and of the technique of life. The fight with nature which primitive man has to wage for his bodily existence attains in this modern form its latest transformation. The eighteenth century called upon man to free himself of all the historical bonds in the state and in religion, in morals and in economics. Man’s nature, originally good and common to all, should develop unhampered. In addition to more liberty, the nineteenth century demanded the functional specialization of man and his work; this specialization makes one individual incomparable to another, and each of them indispensable to the highest possible extent. However, this specialization makes each man the more directly dependent upon the supplementary activities of all others. Nietzsche sees the full development of the individual conditioned by the most ruthless struggle of individuals; socialism believes in the suppression of all competition for the same reason. Be that as it may, in all these positions the same basic motive is at work: the person resists to being leveled down and worn out by a social technological mechanism. An inquiry into the inner meaning of specifically modern life and its products, into the soul of the cultural body, so to speak, must seek to solve the equation which structures like the metropolis set up between the individual and the super-individual contents of life. Such an inquiry must answer the question of how the personality accommodates itself in the adjustments to external forces.”

Georg Simmel (1858–1918) German sociologist, philosopher, and critic

Source: The Metropolis and Modern Life (1903), p. 409

Life, Religion, Soul, Motivation

“Dialectic generally means "of the nature of the dialogue," which is a conversation between two persons. Nowadays it means logical argumentation. It involves a technique of cross-examination, by which truth is arrived at.”

Robert M. Pirsig book Zen and the Art of Motorcycle Maintenance

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 29

Truth, Nature, Personality

“For his purposes (and mine), scientific medicine is defined as the set of practices which submit themselves to the ordeal of being tested. Alternative medicine is defined as that set of practices which cannot be tested, refuse to be tested, or consistently fail tests. If a healing technique is demonstrated to have curative properties in properly controlled double-blind trials, it ceases to be alternative. It simply, as Diamond explains, becomes medicine. Conversely, if a technique devised by the President of the Royal College of Physicians consistently fails in double-blind trials, it will cease to be a part of 'orthodox' medicine. Whether it will then become 'alternative' will depend upon whether it is adopted by a sufficiently ambitious quack”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

there are always sufficiently gullible patients
Foreword to Snake Oil and Other Preoccupations by John Diamond, Vintage, 2001.
Forewords

Parting, Dependency

“Strangely enough, there were certain scholars who envied the freedom of obscurity, and who, burdened with certain private sorrows which they dared not tell anyone, or who perhaps wanting only a holiday from the weariness of the sort of art they had themselves created, wrote novels too, under assumed and humble names. And when they did so they put aside pedantry and wrote as simply and naturally as any common novelist.
For the novelist believed that he should not be conscious of techniques. He should write as his material demanded.”

Pearl S. Buck (1892–1973) American writer

The Chinese Novel (1938)

Art, Nature, Freedom, Holiday

“The techniques of the practitioner are usually called 'synthetic'. He designs by organizing known principles and devices into larger systems.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

Simon (1945, p. 353); As cited in: Philosophy of Technology and Engineering Sciences (2009) p. 425.
1940s-1950s

“.. it was Seurat who first and most successfully established a balance between subject, composition and technique.... the modern world that Seurat wished to paint... I understood his importance as soon as I arrived in Paris [1906]... I chose Seurat as my master for once and for all.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, p. 35; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 12

World, Painting

“Information engineering has been defined with the reference to automated techniques as follows: An interlocking set of automated techniques in which enterprise models, data models and process models are built up in a comprehensive knowledge-base and are used to create and maintain data-processing systems.”

James Martin (author) (1933–2013) British information technology consultant and writer

Source: Information Engineering (1989), p. viii

Knowledge

“How can Blair fight a war on terror? Terror is not an ideology or an army; terror is a technique.”

David Hockney (1937) British artist

Interview with Jasper Gerard, "Taking the fight to the dreary people" http://www.timesonline.co.uk/article/0,,2092-1806962,00.html The Sunday Times (London) 2000s

War, Fight

“In those days, dances were dances and songs were songs. Film dances always had a semi-classical or folk element to them and songs were all about soul-stirring lyrics and haunting music. These days, they are more about technique and technology, often it's the camera that's dancing, the synthesiser that's singing. Not my cup of tea.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Vyjayanthimala still cuts a striking figure tall

Music, Soul, Singing, Dance

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

Life, God, Hostility, World

“Put two players against each other who both have perfect technique, who both avoid weaknesses, and what is left?—a sorry caricature of chess.”

Emanuel Lasker (1868–1941) German World Chess Champion and grandmaster, contract bridge player, mathematician, and philosopher

Others
Source: [Andrew Soltis, Soltis, Andy, The Great Chess Tournaments and Their Stories, 133, New York 1927 • The End of Chess?, 1975, Chilton Book Company, 0-8019-6138-6]

Perfection

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts. Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45 published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931 1930's

Pleasure, Art, Idea, Nature

“The information age is an age of permanently getting stuck. Greater and greater speed is demanded. New software, new hardware, new structures, new cultural techniques. Life-long learning? Yes. But the company can't fire the secretary every six months, just because she can't cope with the new version of Excel. They can count their keystrokes, measure their productivity … but! They will never be able to sanction their inability! Because that is immanent.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

Minus 24x http://www.monochrom.at/minus24x/index-eng.htm, 2001

Life, Age, Learning, Speed

“Henry is a beautiful player and has got complete technique, I adore watching him. I respect him very much as a man and as a footballer. He reminds me of myself.”

Thierry Henry (1977) French association football player

Ronaldinho Barcelona chief declares interest in Henry http://soccernet.espn.go.com/news/story?id=352723&cc=5901, (20 December 2005) About

Beauty, Football

“When Taylor began his efforts at the Midvale Steel Company in the 1880s, several members of the American Society of Mechanical Engineers were likewise interested in labor management. Industrial capitalism was running up against renewed resistance from the growing ranks of labor, still committed to a sense of work integrity and craftsmanship. Task management, or scientific management as it came to be called, began to take shape in the eighties as the way to break the worker's threatening resistance. The heart of this approach is the systematic reduction of work into discrete, routinized tasks, totally separated from any policy decisions about the job. … For capitalism to be firmly in control, it must monopolize information and techniques as surely as it controls the rest of the means of production. The worker must be permitted only to perform certain specific narrow tasks as planned by management.”

John Zerzan (1943) American anarchist and primitivist philosopher and author

Source: Elements of Refusal (1988), p. 165

Way, Decision, Sense, Effort

“In science as in love a concentration on technique is quite likely to lead to impotence.”

Peter L. Berger (1929–2017) Austrian-born American sociologist

Source: Invitation to Sociology (1963), Chapter 1

Love, Science

“What I can offer you is no different than a shovel. You’ve got the gold mine, and all I’m offering you is the shovel. What does a shovel do? It allows you to dig for the gold. It allows you an access. There are very particular techniques that I am talking about, and from there, you can have an experience is beautiful, an experience that is soothing. That’s all.”

Prem Rawat (1957) controversial spiritual leader

Melbourne, Australia March 26, 1985
1980s

Beauty

“In physical science and in industrial technique… we have emancipated ourselves… from the savage dependence upon catastrophes for progress… In science and in industry we are radicals—radicals relying on a tested method. But in matters of social organization we retain a large part of the conservatism characteristic of the savage mind…
The 'social reformer' we have always with us, it is true. Or rather most of us are 'social reformers' of some kind… Yet the story of the past in matters of social organization is not a story that we should like to have continued for a thousand and one years. Reform by agitation or class struggle is a jerky way of moving forward, uncomfortable and wasteful of energy. Are we not intelligent enough to devise a steadier and a more certain method of progress? Most certainly, we could not keep social organization what it is even if we wanted to. We are not emerging from the hazards of war into a safe world. On the contrary, the world is a very dangerous place for a society framed as ours is, and I for one am glad of it.
Taking us all together as one people in a group of mighty peoples, our first and foremost concern is to develop some way of carrying on the infinitely complicated processes of modern industry and interchange day by day, despite all tedium and fatigue, and yet to keep ourselves interested in our work and contented with the division of the product…
What is lacking to achieve that end… is not so much good will as it is knowledge—above all, knowledge of human behavior. Our best hope for the future lies in the extension to social organization of the methods that we already employ in our most progressive fields of effort. In science and in industry… we do not wait for catastrophes to force new ways upon us… We rely, and with success, upon quantitative analysis to point the way; and we advance because we are constantly improving and applying such analysis. While I think that the development of social science offers more hope for solving our social problems than any other line of endeavor, I do not claim that these sciences in their present state are very serviceable.
They are immature, speculative, filled with controversies. Nor have we any certain assurance that they will ever grow into robust manhood, no matter what care we lavish upon them…. Those of us who are concerned with the social sciences… are engaged in an uncertain enterprise; perhaps we shall win no great treasures for mankind. But certainly it is our task to work out this lead with all the intelligence and the energy we possess until its richness or sterility be demonstrated.”

Wesley Clair Mitchell (1874–1948) American statistician

Source: "Statistics and Government," 1919, pp. 45, 47, 48-51; as cited in: Arthur F. Burns. " New Facts on Business Cycles http://www.nber.org/chapters/c0386," in: Arthur F. Burns (ed). The Frontiers of Economic Knowledge. Princeton University Press. 1954. p. 61 - 106; p. 63

War, People, World, Hope

“From the happy-go-lucky days of oil exploration and drilling, when a lot of easy sources were being found and easily managed, we're gotten ourselves into this sort of apocalyptic time. We're willing to destroy almost everything, risk almost anything, and go ahead with techniques for which we have no way of responding to the known problems. And that is truly an addiction in the real sense of the word, an addiction by which people destroy their own bodies to continue to have a supply of something that is killing them.”

Carl Safina (1955) American biologist

[The Atlantic, Deepwater Horizon, One Year Later: A Conversation With Carl Safina, 20 April 2011, http://www.theatlantic.com/entertainment/archive/2011/04/deepwater-horizon-a-convesation-with-carl-safina/237043/] (Talking to the author of "A Sea in Flames" about how offshore drilling has—and hasn't changed—since the Gulf spill — interview by Douglas Gorney)

Happiness, People, Way, Problem

“Critics of visual arts and of music describe in words — that is to say, a system of signs other than those made by brushes on canvas or chisels into stone or notes of music — those characteristics of painting or sculpture or music which can be described or analysed. Visual artists and composers can disregard critics on the ground that the medium of verbal criticism bears so indirect a relation to the medium in which they make something. Poets are in a different situation. With the development of so-called scientific methods of criticism they are made ever conscious that criticism of poetry is in the same medium of work as the art which they practise. “Close analysis” is useful to critics and readers. But for the poet there is the danger of disintegration of poetry into paraphrase, examination of technique, influences, all analysed in the language of criticism.”

Stephen Spender (1909–1995) English poet and man of letters

"Tradition-Bound Literature and Traditionless Painting"
The Struggle of the Modern (1963)

Art, Music, Painting

“…“originality” is everyone’s aim, and novel techniques are as much prized as new scientific discoveries. [T. S. ] Eliot states it with surprising naïveté: “It is exactly as wasteful for a poet to do what has been done already as for a biologist to rediscover Mendel’s discoveries.””

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

of modernism; “The End of the Line”, pp. 79–80
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“Brainwashing, psychotropic drugs, lobotomy, and other more subtle form of psychosurgery; the technocratic control apparatus of the United States has at its fingertips new techniques if which fully exploited could make Orwell's 1984 seem like a benevolent utopia.”

William S. Burroughs book The Adding Machine: Collected Essays

"The Limits of Control"
The Adding Machine: Collected Essays (1985)

“As the misfortune befell in November [1918], I threw myself into the woodcut... It is a technique that provokes one to confession, to the unmistakable statement of what one finally means. It, or far more she, enforces a certain general validity of expression... I have finished a number of large woodcuts that deal with all of the distress of the times.”

Ernst Barlach (1870–1938) German expressionist sculptor, printmaker and writer

Barlach in a letter to his cousin, 1919; in Erhard Gopel, Deutsche Holzschnitte des zwanzigsten Jahr- hunderts, Wiesbaden: Insel Verlag, 1955, p. 44; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 46
Barlach explained why the woodcut spoke so poignantly to the current times

Time

“Today I'm doing boxing in the morning, tonight I'll do my sprints. Tomorrow it's jiu-jitsu in the morning, Olympic wrestling in the evening, and Friday it's Muay Thai and then techniques or swimming in the evening, something like that. Every day I've got a routine that enables me to diversify my training. In this sport the most important thing is to be as complete a fighter as possible.”

Georges St. Pierre (1981) Canadian mixed martial artist

MMA

Sport, Training, Box

“As far as my work is concerned, I felt at that time [1970's] the need to start from the 'nadir' (nothingness); not a zero, but I had to go back to my roots and finally reacquire and make my own many approaches that I had once vaguely internalized, through Surrealism, in my early years. Many of the techniques that validate the anarchic impulses of the imagination and the subconscious became important again, for example, the conscious inclusion of chance, of failure and of error. (quote of Tàpies 1983)”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

Quote in: 'Tapies, or the Materiality of Painting', by Klaus Dirscherl; as cited in Materialities of Communication, ed. Hans Ulrich Gumbrecht, Karl Ludwig Pfeiffer, Stanford University Press, 1988, p. 192
1981 - 1990

Error, Quotes, Imagination, Failure

“What is the "cost of capital" to a, firm in a world in which funds are used to acquire assets whose yields are uncertain; and in which capital can be obtained by many different media, ranging from pure debt instruments, representing money-fixed claims, to pure equity issues, giving holders only the right to a pro-rata share in the uncertain venture? This question has vexed at least three classes of economists: (1) the corporation finance specialist concerned with the techniques of financing firms so as to ensure their survival and growth; (2) the managerial economist concerned with capital budgeting; and (3) the economic theorist concerned with explaining investment behavior at both the micro and macro levels.”

Merton Miller (1923–2000) American economist

Franco Modigliani and Merton H. Miller. "The cost of capital, corporation finance and the theory of investment." The American economic review (1958): 261-297.

Money, World, Behavior, Question

“It's absurdly foolish to hail me as a method actor, no one can be anymore mistaken. Method is a technique practicable only by the initiated few across the world. However, some amount of method is certainly inherent in every actor who applies it in their performances to some extent, myself included, so at the other end of the spectrum, I wouldn't believe an actor who says he doesn't follow any method either just as I wouldn't any other actor loosely claiming to be a method actor.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

World

“The missional church is not a new trend or the latest new technique for reaching postmodern people.”

Alan Hirsch (1959) South African missionary

Source: The Faith of Leap (2011), p. 160

People

“To me, this is very boring music—most of it. It has nothing happening. Nothing is sticking. They’re playing music perfectly with wonderful intonation and technique, but it’s dangerous for jazz itself. I do wish these people all the best.”

Joe Zawinul (1932–2007) austrian composer and pianist

On Wynton Marsalis and the revival of traditional jazz
Prasad interview (1997)

People, Music

“Although many popular information systems planning methodologies, design approaches, and various tools and techniques do not preclude or are not inconsistent with enterprise-level analysis, few of them explicitly address or attempt to define enterprise architectures. Some examples of such popular offerings include”

John Zachman (1934) American computer scientist

Planning Methodologies: Stage Assessment, Critical Success Factors, Strategy Set Transformation, etc.
Design Approaches: Structured Analysis, Entity-Relationship Approaches, etc.
Tools and Techniques"Problem Statement Language/Problem Statement Analyzer (PSL/PSA), Prototype Development Methodology, Structured Analyses and Design Techniques, etc.
From an historical perspective, BSP and BICS likely will be looked back on as primitive attempts to take an explicit, enterprise-level architectural approach to information systems.
Source: Business Systems Planning and Business Information Control Study: A comparison, 1982, p. 32

“Hockey is an art. It requires speed, precision, and strength like other sports, but it also demands an extraordinary intelligence to develop a logical sequence of movements, a technique which is smooth, graceful and in rhythm with the rest of the game.”

Jacques Plante (1929–1986) Canadian ice hockey player

Quoted in Kevin Shea, "One on One with Jacques Plante," http://www.legendsofhockey.net/html/spot_oneononep197802.htm Legends of Hockey.net (2005-05-24)

Art, Game, Intelligence, Sport

“Whether game theory leads to clear-cut solutions, to vague solutions, or to impasses, it does achieve one thing. In bringing techniques of logical and mathematical analysis gives men an opportunity to bring conflicts up from the level of fights, where the intellect is beclouded by passions, to the level of games, where the intellect has a chance to operate.”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

Source: 1960s, "The Use and Misuse of Game Theory," 1962, p. 114

Men, Game, Mathematics, Passion

“Several of the quality-control methods have been carried on in industry for many years. What are new in the modern approach to quality control are integration of these often uncoordinated activities into an over-all administrative program for a factory and the addition to the time-tested methods used of a few new techniques which have been found useful in dealing with and thinking about the increased emphasis upon precision in manufactured parts.”

Armand V. Feigenbaum (1922–2014) American businessman

Source: Quality Control: Principles, Practice, and Administration. 1951, p. 1

Thinking, Time, Parting

“Graphic work as the expressive movement of the hand holding the recording pencil.... is so fundamentally different from dealing with tone and color that one can use this technique quite well in the dark, even in the blackest night. On the other hand, tone (movement from light to dark) presupposes some light, and color presupposes a great deal of light.”

Paul Klee (1879–1940) German Swiss painter

Quote (1912), # 928, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1911 - 1914

Color, Light, Night

“This is the visual world, using the most advanced advertising techniques that are familiar to the crowds in their daily life.... What kind of representational art do you want to inflict on these men then, when they’re solicited everyday by the cinema, radio, huge photo montages and advertising hoardings? How can you compete with these enormous modern mechanisms, which give you art to the 1000th degree?”

Fernand Léger (1881–1955) French painter

Quote, 1950, in: Fernand Léger - The Later Years, catalogue ed. Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, p. 58
Quotes of Fernand Leger, 1950's

Life, Men, World, Art

“The techniques for making art thus morally acceptable, of drawing its fangs, are endless; and each generation finds its own. Just now the democratic machinery for rendering art safe is so efficient that it seems that the system can absorb anything. It would be exciting to think that somewhere in Europe there was a man making art which was so violent and true that the system could not take it.”

Patrick Swift (1927–1983) British artist

X magazine (1959-62)

Art, Thinking, Drawing

“We used to think that secrecy was perhaps the greatest enemy of democracy, and as long as there was no suppression or censorship, people could be trusted to make the informed decisions that would preserve our free society, but we have learned in recent years that the techniques of misinformation and misdirection have become so refined that, even in an open society, a cleverly directed flood of misinformation can overwhelm the truth, even though the truth is out there, uncensored, quietly available to anyone who can find it.”

Daniel Dennett book Breaking the Spell: Religion as a Natural Phenomenon

Breaking the Spell (2006)

People, Truth, Democracy, Thinking

“Every education minister today has a chance of introducing in his education today some simple technique, some simple natural insights into the total reality of life, which the physical sciences have explored in terms of “Unified Field”, which the ancient Vedic wisdom has located in the Self referral consciousness of everyone.”

Maharishi Mahesh Yogi (1917–2008) Inventor of Transcendental Meditation, musician

Quoted from: Maharishi Mahesh Yogi's Main Message - from Victory Day, October 21, 2007 Maharishi Channel http://www.bienfaits-meditation.com/en/maharishi/videos/maharishi_main_message_2007

Life, Wisdom, Education, Nature

“Don't blame me for the fact that competent programming, as I view it as an intellectual possibility, will be too difficult for "the average programmer" — you must not fall into the trap of rejecting a surgical technique because it is beyond the capabilities of the barber in his shop around the corner.”

Edsger W. Dijkstra (1930–2002) Dutch computer scientist

Dijkstra (1975) Comments at a Symposium http://www.cs.utexas.edu/users/EWD/transcriptions/EWD05xx/EWD512.html (EWD 512). 1970s

“The major difference between Astaire and Kelly is a difference, not of talent or technique, but of levels of sophistication. On the face of it, Kelly looks the more sophisticated. Where Kelly has ideas, Astaire has dance steps. Where Kelly has smartly tailored, dramatically apt Comden and Green scripts, Astaire in the Thirties made do with formulas derived from nineteenth-century French Farce. But the Kelly film is no longer a dance film. It's a story film with dances, as distinguished from a dance film with a story. When Fred and Ginger go into their dance, you see it as a distinct formal entity, even if it's been elaborately built up to in the script. In a Kelly film, the plot action and the musical set pieces preserve a smooth community of high spirits, so that the pressure in a dance number will often seem too low, the dance itself plebeian or folksy in order to "match up" with the rest of the picture.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Arlene Croce, in Croce, Arlene. The Fred Astaire and Ginger Rogers Book, W.H. Allen, London, 1974. p. 7. ISBN 0491001592.

Music, Communication, Idea, Dance

“One of the things a cartoon does is to express violent emotion and passion in a completely mechanical and removed style. To express this thing in a painterly style would dilute it; the techniques I use are not commercial, they only appear to be commercial – and the ways of seeing and composing and unifying are different and have different ends.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Way, Appearance, Passion

“The assumption that effective cartographic technique and its evaluation is based in part on some subjective artistic or aesthetic sense on the part of the cartographer and map reader is somewhat disconcerting. For example, E. Raisz claims that the “effective use of lines or colors requires artistic judgment,” and J. K. Wright explains that the suitability of a symbol “depends on the map maker's taste and sense of harmony.” Throughout the literature there are numerous similar assertions regarding the assumed subjective aesthetic and artistic content of cartography.”

Arthur H. Robinson (1915–2004) American geographer

Source: The Look of Maps (1952), p. 16; as cited in: Kirk Patrick Goldsberry (2007) Real-time Traffic Maps. p. 23

Color, Literature, Sense, Parting

“The vast array of methods and techniques which comprise Buddhism, particularly the Tibetan tradition, are all to help us come to know simply what we are, buddha, awake and aware. Time and time again, we are told that we are buddha, that the buddha qualities are present now, but that we just don’t know it. The problem, for many of us, is that this knowing is not a form of knowing that we are used to. We need tools and methods to dismantle the emotional blocks, the habitual patterns, the worries, concerns, expectations, and hopes that keep us from trusting and knowing what we are.”

Ken McLeod (1948) Canadian lama

Buddha Nature http://www.unfetteredmind.org/buddha-nature. Unfettered Mind http://www.unfetteredmind.org. (Topic: Practice)

Hope, Problem, Time, Help

“The last thirty years [1925 to 1955] have seen an enormous improvement in the position of geometry as a branch of mathematics, or, rather, have seen the re-integration of geometry into the main fabric of mathematics. Indeed, one can go further and say that with the restoration of geometry to its rightful place in the mathematical scheme the process of fragmentation which had been doing so much harm to mathematics has been reversed, and we may look forward to the day in which there are no longer analysts, algebraists, geometers and so on, but simply mathematicians. Mathematical research has two aspects, motivation and technique, and when the latter gains control the result is apt to be excessive specialisation. The revolution of geometrical thought, and the reinstatement of geometry as one of the major mathematical disciplines, have helped to bring about a unification of mathematics which we may justly regard as one of the major contributions of the last quarter century to the subject.”

W. V. D. Hodge (1903–1975) British mathematician

W. V. D. Hodge, Changing Views of Geometry. Presidential Address to the Mathematical Association, 14th April, 1955, The Mathematical Gazette 39 (329) (1955), 177-183.

Mathematics, Motivation, Help

“No mathematical idea has ever been published in the way it was discovered. Techniques have been developed and are used, if a problem has been solved, to turn the solution procedure upside down, or if it is a larger complex of statements and theories, to turn definitions into propositions, and propositions into definitions, the hot invention into icy beauty. This then if it has affected teaching matter, is the didactical inversion, which as it happens may be anti-didactical. Rather than behaving anti-didactically, one should recognise that the learner is entitled to recapitulate in a fashion of mankind. Not in the trivial matter of an abridged version, but equally we cannot require the new generation to start at the point where their predecessors left off.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: The Concept and the Role of the Model in Mathematics and Natural and Social Sciences (1961), p. ix

Beauty, Way, Mathematics, Idea

“Economists of the modern school will no doubt protest that I have said nothing of the use of budget deficits or surpluses for the control of the economy in general. I doubt if such techniques would ever be appropriate in Hong Kong's exposed economic position; and I think they are certainly not appropriate at present, when in strict orthodoxy they would suggest the need to plan for a very substantial surplus "to take the heat out of the economy". Although we have in fact run substantial surpluses in recent years we have not done so with deflationary effect because we have not removed them from the economy but have left them inside the Colony's banking system to continue to work for the economy. $500 million or 55% of reserves are so held at present.”

John James Cowperthwaite (1915–2006) British colonial administrator

February 26, 1964, page 47.
Official Report of Proceedings of the Hong Kong Legislative Council

School, Thinking

“Nonroutine tasks:… There are few well-established techniques; there is little certainty about methods, or whether or not they will work. But it also means that there may be a variety of different task to perform, in the sense that raw materials are not standardized, or orders for customers ask for many different or custom-made products.”

Charles Perrow (1925–2019) American sociologist

Source: 1970s, Organizational Analysis: A Sociological View, 1970, p. 75

Sense

“The responsibility for the creation of new scientific knowledge — and for most of its application — rests on that small body of men and women who understand the fundamental laws of nature and are skilled in the techniques of scientific research. We shall have rapid or slow advance on any scientific frontier depending on the number of highly qualified and trained scientists exploring it.”

Vannevar Bush (1890–1974) American electrical engineer and science administrator

Summary
Science - The Endless Frontier (1945)

Women, Men, Law, Understanding

“As collage technique replaced oil paint, the cathode ray tube will replace the canvas. Someday artists will work with capacitors, resistors, and semiconductors as they work today with brushes, violins and junk. There are 4,000,000 dots per second on one television screen, just think of the variety of images you can get. It's so cool. It's like going to the moon.”

Nam June Paik (1932–2006) American video art pioneer

Manifesto, New York, October 1965, as cited in Jasia Reichardt (1971). The computer in art. p. 95
1960s

Thinking, Painting

“I don't mind technique… I can be shameless. I have a long career at this. But when everything is a short con, then there's never another short con. Because you need trust, and you've destroyed it.”

Mike Murphy (political consultant) (1962) American political consultant

As quoted in "Debriefing Mike Murphy" https://www.weeklystandard.com/matt-labash/debriefing-mike-murphy (18 March 2016), by Matt Labash, The Weekly Standard 2010s

“Barça wanted to get rid of him [Guardiola]. They considered him scrawny, bad defensively and ineffective in the air. What nobody saw was that he had the basic qualities to go far: he had game intelligence, speed in his execution, technique. If I hadn't been at Barcelona, for sure he would have been sold to a Segunda Division club.”

Johan Cruyff (1947–2016) Dutch association football player

Goal.com, 3 October 2016 http://www.goal.com/en/news/1862/premier-league/2016/10/03/28138802/how-cruyff-saved-guardiola-from-barcelona-axe.

Game, Intelligence, Speed

“Becoming an artist does not merely mean learning something, acquiring professional techniques and methods. Indeed, as someone has said, in order to write well you have to forget the grammar.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 88

Learning, Forgetting

“A primitive power of artistic sensuousness speaks from the prints, which itself develops directly from the graphic technique that is tied to painstaking effort. Like the 'savage' who with patience cuts the figure.... out of the hard wood, so the artist creates perhaps his purest and strongest pieces.... following the primordial curse, if one may so understand it: from the sweat of thy brow shalt thou eat thy bread.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

de:Louis de Marsalle, Uber Kirchners Graphik, Genius 3, no. 2 (1921):, p. 263; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 52-53
1920's

Understanding, Effort, Patience

“Technology is a technique or complex of techniques employed to alter “materials” (human or nonhuman, mental or physical) in an anticipated manner.”

Charles Perrow (1925–2019) American sociologist

Source: 1960s, "Hospitals: technology, structure and goals", 1965, p. 915

“But let us not speak anymore of books and theories on paper. Now then, did you see my exhibition? As you may remember, 1 gathered in 'Cahiers d'Art' ten very recent paintings, twenty-five gouaches and watercolors, also recent, and twenty-eight drawings that span the period from 1910-1934. In the majority of the compositions on canvas I used a sand technique more or less consistently.... but I usually don't distinguish between traditional oil painting, gouache, tempera and watercolor, and I even simultaneously use the various techniques in the same work. What is essential for me is to be able to clearly convey what I want, to recount my dream. / consider both technique and form to be mere instruments of expression, and my stories, furthermore, are not narrative or historical in character, but purely pictorial.”

Wassily Kandinsky (1866–1944) Russian painter

From an interview, 28 July 1935, in the Italian daily newspaper 'Lavoro fascista'; as quoted in Kandinsky in Paris: 1934-1944 - exhibition catalog, published by The Solomon K. Guggenheim Foundation, New York, 1985, p. 30
1930 - 1944

Books, Dreams, Drawing, Painting

“Is it not a rather fantastic historical irony that the torture techniques that the North Vietnamese used against McCain that forced him to offer a videotaped false confession… are now the techniques the Bush administration is using to gain "intelligence" about terror networks.
How is it possible to know that everything John McCain once said on videotape for the enemy was false, because it was coerced, and yet assert that everything we torture out of terror suspects using exactly the same techniques, is true?”

Andrew Sullivan (1963) Journalist, writer, blogger

"Bush, McCain, Torture," http://andrewsullivan.theatlantic.com/the_daily_dish/2008/07/bush-mccain-tor.html The Daily Dish (2 July 2008)

Intelligence, Falseness

“The material which a scientist actually has at his disposal, his laws, his experimental results, his mathematical techniques, his epistemological prejudices, his attitude towards the absurd consequences of the theories which he accepts, is indeterminate in many ways, ambiguous, and never fully separated from the historical background. This material is always contaminated by principles which he does not know and which, if known, would be extremely hard to test.”

Paul Karl Feyerabend book Against Method

Pg. 66.
Against Method (1975)

Law, Way, Mathematics

“In April of 1959, ten of this country's leading scholars forgathered on the campus of Purdue University to discuss the nature of information and the nature of decision… What interests do these men have in common?… To answer these questions it is necessary to view the changing aspect of the scientific approach to epistemology, and the striking progress which has been wrought in the very recent past. The decade from 1940 to 1950 witnessed the operation of the first stored- program digital computer. The concept of information was quantified, and mathematical theories were developed for communication (Shannon) and decision (Wald). Known mathematical techniques were applied to new and important fields, as the techniques of complex- variable theory to the analysis of feedback systems and the techniques of matrix theory to the analysis of systems under multiple linear constraints. The word "cybernetics" was coined, and with it came the realization of the many analogies between control and communication in men and in automata. New terms like "operations research" and "system engineering" were introduced; despite their occasional use by charlatans, they have signified enormous progress in the solution of exceedingly complex problems, through the application of quantitative ness and objectivity.”

Robert E. Machol (1917–1998) American systems engineer

Source: Information and Decision Processes (1960), p. vii

Men, Communication, Mathematics, Question

“This is the true paradox of Chopin: he is most original in his use of the most fundamental and traditional technique. That is what made him at the same time the most conservative and the most radical composer of his generation.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style

Time

“It is a simple fact that all of us use the techniques of acting to achieve whatever ends we seek.”

Marlon Brando (1924–2004) American screen and stage actor

Introduction to The Technique of Acting by Stella Adler (1988)

“It is clear that man has functioned in a multitude of states of consciousness and that different cultures have varied enormously in recognition and utilization of, and attitudes toward, ASC's. Many "primitive" peoples, for example, believe that almost every normal adult has the possibility to go into a trance state and be possessed by a god; the adult who cannot do this is a psychological cripple. How deficient Americans would seem to a person from such a culture. In many Eastern civilizations, elaborate techniques have been developed for inducing and utilizing ASC's, such as Yoga and Zen systems. In some cases vocabularies have been developed for talking about these ASC's more adequately. Fredrick Spiegelberg, the noted Indian scholar, pointed out that Sanskrit has about 20 nouns which we translate into "consciousness" or "mind" because we do not have the vocabulary to specify the different shades of meaning in these words.”

Charles Tart (1937) American spiritual writer

Foreword to Altered States of Consciousness (1969)

God, People, Personality

“So we have finished with the broken window. An elementary fallacy. Anybody, one would think, would be able to avoid it after a few moments’ thought. Yet the broken-window fallacy, under a hundred disguises, is the most persistent in the history of economics. It is more rampant now than at any time in the past. It is solemnly reaffirmed every day by great captains of industry, by chambers of commerce, by labor union leaders, by editorial writers and newspaper columnists and radio commentators, by learned statisticians using the most refined techniques, by professors of economics in our best universities. In their various ways they all dilate upon the advantages of destruction.”

Henry Hazlitt book Economics in One Lesson

Economics in One Lesson (1946), The Blessings of Destruction (ch. 3)

Way, History, Thinking, Learning

“APL is a mistake, carried through to perfection. It is the language of the future for the programming techniques of the past: it creates a new generation of coding bums.”

Edsger W. Dijkstra (1930–2002) Dutch computer scientist

1970s, How do we tell truths that might hurt? (1975)

Past, Future, Perfection

“Neither Sassoon or Owen were notably exploratory or original in technique, each developed a style which permitted them to give a full expression to their deepest thoughts & feelings about war.”

Vernon Scannell (1922–2007) British boxer and poet

Not Without Glory, 1976

War, Feeling

“As Soviet power grows, there will be a greater aversion to Communist parties everywhere. So we must practice the techniques of withdrawal. Never appear in the foreground; let our friends do the work. We must always remember that one sympathizer is generally worth more than a dozen militant Communists. A university professor, who without being a party member, lends himself to the interests of the Soviet Union, is worth more than a hundred men with party cards. A writer of reputation, or a retired general, are worth more than 500 poor devils who don't know any better than to get themselves beaten up by the police. Every man has his value, his merit. The writer who, without being a party member, defends the Soviet Union, the union leader who is outside our ranks but defends Soviet international policy, is worth more than a thousand party members.”

Georgi Dimitrov (1882–1949) Bulgarian politician

Reported as a misattribution in Paul F. Boller, Jr., and John George, They Never Said It: A Book of Fake Quotes, Misquotes, & Misleading Attributions (1989), p. 20-21.
Misattributed

Men, Universe, Appearance

“Technique shapes an aristocratic society, which in turn implies aristocratic government. Democracy in such a society can only be a mere appearance. Even now, we see in propaganda the premises of such a state of affairs. When it comes to state propaganda, there is no longer any question of democracy.”

Jacques Ellul book The Technological Society

Source: The Technological Society (1954), p. 275

Democracy, Question, Appearance

“I complain about the United States not being Athens. I certainly say we are a very good Roman republic, and the lies are based upon the most advanced techniques of advertising, which is the only art form my country has ever created — the television commercial — and we sell soap and presidents in the same fashion. Once a country is habituated to liars, it takes generations to bring the truth back.”

Gore Vidal (1925–2012) American writer

2010s, "Gore Vidal: The United States of Amnesia" (2013)

Truth, Art, Fashion, Country

“The world has not learned the technique of balanced expansion without the resultant commercial and financial congestion.”

Benjamin Graham (1894–1976) American investor

Source: World Commodities and World Currencies (1944), Chapter I, The Problem of Raw Materials, p. 5

World, Learning

“The realist, then, would seek in behalf of philosophy the same renunciation the same rigour of procedure, that has been achieved in science. This does not mean that he would reduce philosophy to natural or physical science. He recognizes that the philosopher has undertaken certain peculiar problems, and that he must apply himself to these, with whatever method he may find it necessary to employ. It remains the business of the philosopher to attempt a wide synoptic survey of the world, to raise underlying and ulterior questions, and in particular to examine the cognitive and moral processes. And it is quite true that for the present no technique at all comparable with that of the exact sciences is to be expected. But where such technique is attainable, as for example in symbolic logic, the realist welcomes it. And for the rest he limits himself to a more modest aspiration. He hopes that philosophers may come like scientists to speak a common language, to formulate common problems and to appeal to a common realm of fact for their resolution. Above all he desires to get rid of the philosophical monologue, and of the lyric and impressionistic mode of philosophizing. And in all this he is prompted not by the will to destroy but by the hope that philosophy is a kind of knowledge, and neither a song nor a prayer nor a dream. He proposes, therefore, to rely less on inspiration and more on observation and analysis. He conceives his function to be in the last analysis the same as that of the scientist. There is a world out yonder more or less shrouded in darkness, and it is important, if possible, to light it up. But instead of, like the scientist, focussing the mind's rays and throwing this or that portion of the world into brilliant relief, he attempts to bring to light the outlines and contour of the whole, realizing too well that in diffusing so widely what little light he has, he will provide only a very dim illumination.”

Ralph Barton Perry (1876–1957) American philosopher

Chap XXV.
The Present Conflict of Ideals: A Study of the Philosophical Background of the World War (1918)

World, Dreams, Hope, Question

“Method is much, technique is much, but inspiration is even more.”

Benjamin N. Cardozo (1870–1938) United States federal judge

"The Game of the Law" In Law and Literature and Other Essays and Addresses (1931), p. 163
Other writings

“The self as master is born in the realization that nature can be commanded. Real mastery requires a means. The self develops technique—the idea of work put into the hands of another agency held in bondage to the self.”

Donald Phillip Verene (1937) philosopher

Source: Philosophy and the Return to Self-Knowledge (1997), p. 153

Idea, Nature

“Why do we weep in grief,' the aunt wondered. 'Dogs, deer, birds sufferent with dry eyes and in silence. The dumb suffering of animals. Probably a survival technique.”

Annie Proulx book The Shipping News

Source: The Shipping News (1993), P. 24

Dogs, Bird, Silence, Suffering

“Pleasure, the outer edge of ecstasy, was in the dour days of Protestantism, considered sinful in itself, wherever gained; Rome held specifically that any or all sexual pleasure was sinful. And for all this capped volcano produced in terms of bridges and houses, factories and bombs, it gouted from its riven sides a frightful harvest of neurosis. And even where a nation officially discarded the church, the same repressive techniques remained, the same preoccupation with doctrine, filtered through the same mesh of guilt. So sex and religion, the real meaning of human existence, ceased to be meaning and became means; the unbridgeable hostility between the final combatants was the proof of the identity of their aim—the total domination, for the ultimate satisfaction of the will to superiority, of all human minds.”

Theodore Sturgeon book Venus Plus X

Section 41 (p. 130)
Venus Plus X (1960)

Hostility, Pleasure, Religion, Sex

“They are the working class ‘sublated’ – improved upon and replaced. They may be as clueless as to strategy as the workers of the early nineteenth century were, but they are no longer in thrall to the system. They are enormously dissatisfied with it. They are a group whose diverse interests converge on the need to make postcapitalism happen, to force the info-tech revolution to create a new kind of economy, where as much as possible is produced free, for collaborative common use, reversing the tide of inequality. Neoliberalism can offer them only a world of stagnant growth and state-level bankruptcy: austerity until death, but with an upgraded version of the iPhone every few years. And the freedom they cherish is perennially hemmed in by the neoliberal state – from the NSA’s mass surveillance techniques to those of the Chinese internet police. Above their heads, politics in many countries has become infested by a kleptocratic mafia, whose strategy is to deliver growth at the price of suppressing freedom and expanding inequality.”

Paul Mason (journalist) book PostCapitalism: A Guide to our Future

PostCapitalism: A Guide to our Future (2015)

Death, World, Freedom, Country

“[a new order].. independent of the values of the feelings, and the description and imitation of nature... The value of technique beauty without artistic intention resides in its organism and can be deducted at the same time by its geometric ambitions. I can therefore speak of a new order: the architecture of the technical world. Since the industrial object belongs to the architectonic order, it is assigned an important role in today's artistic creation.”

Fernand Léger (1881–1955) French painter

Quote from Leger's lecture "The aesthetics of the machine", in Paris, June 1924; as quoted by Paul Westheim in Confessions of Artists. - Letters, Memoirs and Observations of Contemporary Artists; Propyläen Publishing House, Berlin, 1925, p. 324; cited in Review by Francesco Mazzaferro http://letteraturaartistica.blogspot.nl/2016/03/paul-westheim1717.html Quotes of Fernand Leger, 1920's

World, Beauty, Feeling, Nature

Quotes about technique page 5

Quotes about technique
page 5