Quotes about talent
page 8

“I didn’t choose painting … It chose me. I didn’t have any talent. I just had genius.”

Grace Hartigan (1922–2008) American artist

As quoted in "Grace Hartigan, 86, Abstract Painter, Dies" in The New York Times (18 November 2008) http://www.nytimes.com/2008/11/18/arts/design/18hartigan.html?_r=2

Ben Hecht photo
Nicholas Lore photo

“Greatness is often born of the passionate dance between a rare talent and a noble purpose.”

Nicholas Lore (1944) American social scientist

The Pathfinder (1998)

Pu Songling photo

“My talents are not those of Kan Pao, elegant explorer of the records of the Gods; I am rather animated by the spirit of Su Tung-P'o, who loved to hear men speak of the supernatural. I get people to commit what they tell me to writing, and subsequently I dress it up in the form of a story; thus in the lapse of time my friends from all quarters have supplied me with quantities of material, which, from my habit of collecting, has grown into a vast pile.”

Pu Songling (1640–1715) Chinese writer

"Author's Own Record", trans. Herbert Allen Giles in Gems of Chinese Literature (1922), p. 235 Variant translation: With time And my love of hoarding, The matter sent me by friends From the four corners Has grown into a pile. "Author's Preface", lines 28–32, trans. John Minford in Strange Tales from a Chinese Studio (Penguin, 2006), pp. 30–31
/ Strange Stories from a Chinese Studio (1740)

Hillary Clinton photo
Trent Lott photo
Philip K. Dick photo
Temple Grandin photo
Ben Carson photo

“Anyone with a normal brain has the capacity to do almost anything, but when one has special gifts or talents (and everyone has) and takes advantage of and develops these talents – that person is likely to excel.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Think Big (1996), p. 160

Johann Heinrich Pestalozzi photo
Phil Brooks photo

“Punk: [after hearing John Laurinaitis propose a WWE Championship match at Survivor Series against Alberto Del Rio] Okay, pardon me for not being all smiles, that's exactly what I want, but… what's the catch? You gonna make it a handicap match, or is Ricardo Rodriguez the special guest referee? No, are you gonna be the special guest ring announcer with your majestic voice?
Laurinaitis: Punk, there's only one thing you have to do.
Punk: There's one thing I have to do… for you. I have to do something for you to get a title shot? Let me guess—I gotta re-grip your skateboard, you need new ball bearings?
Laurinaitis: You know what, Punk? I know you don't like me, okay? And that's okay. I'm not playing the part of Executive Vice President of Talent Relations, I am the Executive Vice President of Talent Relations and the General Manager of Raw. So in order for me to make it official, you need to tell me in front of the WWE Universe that you respect me. Tell me that you respect me.
Punk: Are you Aretha Franklin? You want me to tell these people I respect you when I know clearly that you don't respect me 'cause I don't wear a bourgeois suit and I don't tow the company line? You wanna talk about respect? Respect, Johnny, is earned, it isn't just given. And you're gonna come out here and say that when you're in charge, this place… this place is just oh so run like a tight ship. Have you watched the product? We've got rings collapsing, you got Kevin Nash interfering in every other match of mine; this place isn't any better with you in charge. How's that for respect?
Laurinaitis: Punk, you're about to make a big mistake. Okay, swallow your pride, stand up like a man, and tell me that you respect me.
Punk: Okay. All right. Don't get hot. [Imitating Laurinaitis] I respect you, Funk-man. That all right? Was that good enough?
Laurinaitis: I tell you what, Punk. You've got one more chance to show me and tell me you respect me, and I mean it.
Punk: Okay, Mr. Laurinaitis, sir, Executive Vice President of Talent Relations and interim Raw General Manager. I respect you. I respect the fact that each week, you come out here in front of the millions of fans in the WWE Universe, live on the USA Network, with this awesome, completely lost deer-in-the-headlights look on your face; I respect the fact that you don't know how close to hold the microphone to your mouth when you speak; I respect the fact that you used to compete in this ring with your awesome Kentucky waterfall mullet, and you were never any good, but you somehow still ascended to the top of the WWE corporate structure, showing the world new-found levels of brown-nosery; but above all, I respect the fact that never before in this business has somebody with so little done so much! I respect you! How's that sound?! Does that sound good enough for you?!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 24, 2011
WWE Raw

Frances Bean Cobain photo

“ur too talented to waste it away.”

Frances Bean Cobain (1992) American artist

22 June 2014, 7:05 PM https://twitter.com/alka_seltzer666/status/480894477922357248, 7:06 PM https://twitter.com/alka_seltzer666/status/480894603738877952, 7:10 PM https://twitter.com/alka_seltzer666/status/480895594307678208, 7:20 PM https://twitter.com/alka_seltzer666/status/480898226304720898.
These Tweets were directed at Lana Del Rey who had said "I wish I was dead already" in an interview http://www.theguardian.com/music/2014/jun/12/lana-del-rey-ultraviolence-album with The Guardian while discussing Amy Winehouse and Kurt Cobain.
See more about Frances Bean Cobain's response in Kory Grow, " Frances Bean Cobain to Lana Del Rey: Early Death Isn't 'Cool' http://www.rollingstone.com/music/news/frances-bean-cobain-to-lana-del-rey-early-death-isnt-cool-20140623", Rolling Stone (23 June 2014).
Twitter https://twitter.com/alka_seltzer666 posts

Anna Sui photo
Halldór Laxness photo
Nelson Mandela photo
Susan Cain photo
Miriam Makeba photo

“[Belafonte] was a good teacher and looked after me. He said, 'You have such great talent, you must try not to be a tornado - be like a submarine. It was good advice when I found myself speaking at the UN Committee Against Apartheid and then the UN General Assembly.”

Miriam Makeba (1932–2008) South African singer and civil rights activist

Interview with Robin Denselow (May 2008)
Source: Denselow, Robin, http://arts.guardian.co.uk/filmandmusic/story/0,,2280144,00.html, Robin Denselow talks to African superstar and activist Miriam Makeba, The Guardian, 15, London, 16 May 2008, 18 November 2010

Alex Salmond photo
Kamisese Mara photo
László Moholy-Nagy photo

“My talent lies in the expression of my life and creative power through light, colour and form. As a painter I can convey the essence of life.”

László Moholy-Nagy (1895–1946) Hungarian artist

Art of the 20th century, Part 1 by Karl Ruhrberg, Klaus Honnef, Manfred Schneckenburger, Ingo F. Walther, Christiane Fricke (2000) p. 178.

Andrew Sega photo
Auguste Rodin photo

“I admit, of course, that the artist does not see nature as the vulgar do. His emotion reveals to him the inner truths that underlie appearance. But the only principle In art is to copy what one sees. Every other method is ruinous. No one can embellish Nature. It is simply and solely a question of seeing. Doubtless a mediocre man, when he copies will never produce a work of art. He looks without seeing. No matter how minutely he observes, the result will be flat and without character. But the artist's trade is not for mediocre men, and no amount of training can supply them with talent. The artist sees - he sees with his heart. He sees deep into the heart of Nature. To the artist everything in Nature is beautiful.
The vulgarian imagines that what looks to him ugly In Nature is not material for the artist. He would forbid us to represent what displeases and offends him. He makes a grave mistake. What is commonly called ugliness in Nature may become a great beauty in art.
In the realm of realities, people regard as ugly everything that is deformed and diseased and that suggests sickness, weakness and suffering. They regard as ugly everything that defies regularity, which is to them the symbol and condition of health and strength. A hump is ugly, bow-legs are ugly, misery in rags is ugly. Ugly, again, are the soul and conduct of the immoral, the vicious, the criminal man, the abnormal man who is an enemy of society; ugly is the soul of the parricide, the traitor, the unscrupulous slave of ambition. And it is right that the lives and the of which we can expect only evil should be given an odious epithet.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Martin Amis photo

“Nothing infuriates an academic more than a talented and successful colleague.”

William McKeen (1954) American academic

Source: Outlaw Journalist (2008), Chapter 17, Homecoming, p. 329

Nguyễn Du photo
Josh Homme photo

“Yeah, I can make all the tequila in a bottle disappear. It’s a talent. Nothing comes easy and talent is something you get but, if you don’t develop it, it becomes like an apple; you keep taking bites of it until it’s gone. So you have to plant the seeds. Then you have the orchard. And then you have Jonestown.”

Josh Homme (1973) American musician

Reported in Eddy Lawrence, " Josh Homme: Interview http://www.timeout.com/london/music/features/4199/Josh_Homme-interview.html", Time Out London (February 5, 2008).

Bert McCracken photo

“If there is a God, he or she or it or whatever higher power there is is behind us so long as we're using our music in an inspirational way. I'm here for a reason, and I was given a talent, so I'll continue to try to use it.”

Bert McCracken (1982) American musician

Source: Staff (November 5, 2004) "Who's your homeboy? To devotees of The Used, Bert McCracken is a higher power", Home News Tribune, p. E4.

Tony Blair photo

“A New Britain where the extraordinary talent of the British people is liberated from the forces of conservatism that so long have held them back, to create a model 21st century nation, based not on privilege, class or background, but on the equal worth of all.”

Tony Blair (1953) former Prime Minister of the United Kingdom

Tony Blair's speech in full http://news.bbc.co.uk/1/hi/uk_politics/460009.stm, BBC News online
Speech to the Labour Party conference, 28 September 1999.
1990s

Noah Porter photo
Philip Roth photo
Lovis Corinth photo

“In the autumn of 1884 I went to Paris. The spirit that greeted me was certainly more impressive than in Germany. I studied in a famous school. The French who I met there seemed to me not at all equipped. Traditional views. I was there for three years. I never found a talent. Among the Germans, in particular at the Academy of Munich, there was a lot more momentum. I admire the French painting from Watteau to Monet, otherwise there is nothing that can be said to be exceptional.”

Lovis Corinth (1858–1925) German painter

Quote, 1923; in Lovis Corinth, Selbstbiographie, L. Corinth; Hirzel, Leipzig, 1926, p. 190; as quoted in: German Artists' Writings in the XX Century - Lovis Corinth, Autobiographic Writings. Part two http://letteraturaartistica.blogspot.nl/2014/10/german-artists-writings-in-xx-century.html

Jeffrey D. Sachs photo
Koenraad Elst photo
Wassily Kandinsky photo
Hector Berlioz photo

“The author of The Prophet not only has the good luck to have talent, he has also the talent to have good luck.”

Hector Berlioz (1803–1869) French Romantic composer

L'auteur de ce Prophète a non seulement le bonheur d'avoir du talent, mais aussi le talent d'avoir du bonheur.
Les soirées de l'orchestre (1852), ch. 5 http://www.hberlioz.com/Writings/SO05.htm; Jacques Barzun (trans.) Evenings with the Orchestra (Chicago: University of Chicago Press, 1999) p. 62.

Nassim Nicholas Taleb photo
Edgar Degas photo

“Everybody has talent at twenty-five. The difficult thing is to have it at fifty.”

Edgar Degas (1834–1917) French artist

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Fred Astaire photo
Thomas Carlyle photo
Margaret Fuller photo

“It is not because the touch of genius has roused genius to production, but because the admiration of genius has made talent ambitious, that the harvest is still so abundant.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

"The Modern Drama" in Art, Literature and the Drama (1858).

Camille Pissarro photo

“.. I saw Gauguin; he told me his theories about art and assured me that the young [artists] would find salvation by replenishing themselves at remote and savage sources. I told him that this art did not belong to him, that he was a civilized man and hence it was his function to show us harmonious things. We parted, each unconvinced. Gauguin is certainly not without talent, but how difficult it is for him to find his own way! He is always poaching on someone's ground; now he is pillaging the savages of Oceania.”

Camille Pissarro (1830–1903) French painter

Quote about Paul Gauguin 23 Nov. 1893, in Racontars d'un Rapin, Paul Gauguin; as quoted by John Rewald, in 'Introduction' of Camille Pissarro - Letters to His Son Lucien, ed. John Rewald, with assistance of Lucien Pissarro – (translated from the unpublished French letters by Lionel Abel); Pantheon Books Inc. New York, second edition, 1943, p. 221
1890's

Roger Ebert photo
Francis Escudero photo
Masiela Lusha photo

“My children's books are written on the belief that every child has a talent and a passion. Each story unfolds into an adventure of nurturing that confidence until a passion blooms.”

Masiela Lusha (1985) Albanian actress, writer, author

On her purpose behind her books http://tolucantimes.info/section/inside-this-issue/young-author-makes-her-mark-in-the-world-of-children’s-literature/

Chris Anderson photo

“Talent is not universal but it is widely spread: Give enough people the capacity to create, and inevitably gems will emerge.”

Source: The Long Tail: Why the Future of Business Is Selling Less of More (2006), Ch. 4, p. 54

Ben Carson photo

“If your priority is to look good in front of people, your life will take a different direction than if your priority is to use the talents that God has given you to make a positive difference in the world.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Take The Risk (2008), p. 118

Learned Hand photo

“Within ourselves we all have the gifts and talents we need to fulfill the purpose we've been blessed with.”

Source: Life, the Truth, and Being Free (2010), p. 26

Ray Bradbury photo
Sun Myung Moon photo
Pratibha Patil photo

“Corruption is the enemy of development. It must be got rid of. Both the government and the people at large must come together to achieve this national objective. You have always shown an ability to understand events happening around you; expressed your views and I am sure you will not fail in building a strong, progressive, cohesive and corruption-free India. These are totally unacceptable and must be opposed by one and all. The government, social organizations, NGOs and other voluntary bodies all have to work collectively. Therefore, their issues received my constant attention during my Presidency. Women have talent and intelligence but due to social constraints and prejudices, it is still a long distance away from the goal of gender equality. A paradigm shift, where, in addition to, physical inputs for farming, a focused emphasis placed on knowledge inputs, can be a promising way forward. This knowledge-based approach will bring immense returns particularly in rainfed and dryland farming areas. I believe economic growth should translate into the happiness and progress of all. Alongwith it, there should be development of art and culture, literature and education, science and technology. We have to see how to harness the many resources of India for achieving common good and for inclusive growth.”

Pratibha Patil (1934) 12th President of India

Patil's goodbye wish: A 'corruption-free India' https://in.news.yahoo.com/patils-goodbye-wish-corruption-free-india-143318154.html in: IANS India Private Limited By Indo Asian News Service, 24 July 2012.
Goodybe Wish

George Steiner photo
Lloyd Kaufman photo
Caitlín R. Kiernan photo
George Horne photo
Colin Wilson photo
William Cobbett photo

“…the existence of a 'system' that was ruining the country. The system of upstarts; of low-bred, low-minded sycophants usurping the stations designed by nature, by reason, by the Constitution, and by the interests of the people, to men of high birth, eminent talents, or great national services; the system by which the ancient Aristocracy and the Church have been undermined; by which the ancient gentry of the kingdom have been almost extinguished, their means of support having been transferred, by the hand of the tax gatherer, to contractors, jobbers and Jews; the system by which but too many of the higher orders have been rendered the servile dependents of the minister of the day, and by which the lower, their generous spirit first broken down, have been moulded into a mass of parish fed paupers. Unless it be the intention, the solemn resolution, to change this system, let no one talk to me of a change of ministry; for, until this system be destroyed…until the filthy tribe of jobbers, brokers and peculators shall be swept from the councils of the nation and the society of her statesmen…there is no change of men, that can, for a single hour, retard the mighty mischief that we dread.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

Political Register (20 April 1805), quoted in Karl W. Schweizer and John W. Osborne, Cobbett and His Times (Leicester: Leicester University Press, 1990), pp. 27-28, 71-72.

Giovanni della Casa photo
Tom Rath photo
Charles James Fox photo

“Although Fox's private character was deformed by indulgence in vicious pleasures, it was in the eyes of his contemporaries largely redeemed by the sweetness of his disposition, the buoyancy of his spirits, and the unselfishness of his conduct. As a politician he had liberal sentiments, and hated oppression and religious intolerance. He constantly opposed the influence of the crown, and, although he committed many mistakes, and had in George III an opponent of considerable knowledge of kingcraft and immense resources, the struggle between him and the king, as far as the two men were concerned, was after all a drawn game…the coalition of 1783 shows that he failed to appreciate the importance of political principles and was ignorant of political science…Although his speeches are full of common sense, he made serious mistakes on some critical occasions, such as were the struggle of 1783–4, and the dispute about the regency in 1788. The line that he took with reference to the war with France, his idea that the Treason and Sedition bills were destructive of the constitution, and his opinion in 1801 that the House of Commons would soon cease to be of any weight, are instances of his want of political insight. The violence of his language constantly stood in his way; in the earlier period of his career it gave him a character for levity; later on it made his coalition with North appear especially reprehensible, and in his latter years afforded fair cause for the bitterness of his opponents. The circumstances of his private life helped to weaken his position in public estimation. He twice brought his followers to the brink of ruin and utterly broke up the whig party. He constantly shocked the feelings of his countrymen, and ‘failed signally during a long public life in winning the confidence of the nation’ (LECKY, Hist. iii. 465 sq). With the exception of the Libel Bill of 1792, the credit of which must be shared with others, he left comparatively little mark on the history of national progress. Great as his talents were in debate, he was deficient in statesmanship and in some of the qualities most essential to a good party leader.”

Charles James Fox (1749–1806) British Whig statesman

William Hunt, 'Fox, Charles James (1749–1806)', Dictionary of National Biography (1889).
About

Anne Louise Germaine de Staël photo
Will Smith photo
Bruce Palmer Jr. photo

“In the late 1950s, when Taylor was the Army chief under the Eisenhower administration, I served in his office as the deputy secretary of the General Staff and made several official trips overseas with him. (The secretary of the General Staff at the time, then Major General William Westmoreland, coordinated the activities of the Army staff and in effect was chief of staff to the Army Chief.) General Taylor was an impressive figure, known as an intellectual, a soldier statesman, and a talented linguist. But it was an unhappy period for Taylor, who did not see eye-to-eye with the commander-in-chief or the other military chiefs as to the proper role of the Army. After he left the Army, Taylor laid out his deep misgivings about the national military establishment in a highly critical book, The Uncertain Trumpet, which caught the attention of many prominent people, including John F. Kennedy. Particularly intense and somewhat aloof during this period, Taylor appeared to those who did not know him as cold, humorless, and unbending. But he had another side- he could be friendly, a genial host, and a witty conversationalist with a well developed sense of humor. For many people, however, these more endearing qualities were not revealed until after he had retired from public life at the end of Johnson's presidency.”

Bruce Palmer Jr. (1913–2000) United States Army Chief of Staff

Source: The 25-Year War: America's Military Role in Vietnam (1984), p. 20

Theo de Raadt photo
Benjamín Netanyahu photo
Elaine Paige photo

“Actors already striving in the theatre wouldn't dream of putting themselves on these shows; it means that only about 10% of the talent out there is being auditioned for parts.”

Elaine Paige (1948) English singer and actress

Regarding Any Dream Will Do; as quoted in "Portrait of the artist: Elaine Paige, actor" by Laura Barnett in The Guardian http://arts.guardian.co.uk/theatre/drama/story/0,,2085160,00.html (22 May 2007)

Grant Morrison photo
Ernst Ludwig Kirchner photo
George W. Bush photo
Johann Kaspar Lavater photo
John Maynard Keynes photo

“The study of economics does not seem to require any specialized gifts of an unusually high order. Is it not, intellectually regarded, a very easy subject compared with the higher branches of philosophy and pure science? Yet good, or even competent, economists are the rarest of birds. An easy subject, at which very few excel! The paradox finds its explanation, perhaps, in that the master-economist must possess a rare combination of gifts. He must reach a high standard in several different directions and must combine talents not often found together. He must be mathematician, historian, statesman, philosopher – in some degree. He must understand symbols and speak in words. He must contemplate the particular in terms of the general, and touch abstract and concrete in the same flight of thought. He must study the present in the light of the past for the purposes of the future. No part of man's nature or his institutions must lie entirely outside his regard. He must be purposeful and disinterested in a simultaneous mood; as aloof and incorruptible as an artist, yet sometimes as near the earth as a politician. Much, but not all, of this many-sidedness Marshall possessed. But chiefly his mixed training and divided nature furnished him with the most essential and fundamental of the economist's necessary gifts – he was conspicuously historian and mathematician, a dealer in the particular and the general, the temporal and the eternal, at the same time.”

John Maynard Keynes (1883–1946) British economist

Source: Essays In Biography (1933), Alfred Marshall, p. 170; as cited in: Donald Moggridge (2002), Maynard Keynes: An Economist's Biography, p. 424

Leo Tolstoy photo

“This divergence and perversion of the essential question is most striking in what goes today by the name of philosophy. There would seem to be only one question for philosophy to resolve: What must I do? Despite being combined with an enormous amount of unnecessary confusion, answers to the question have at any rate been given within the philosophical tradition on the Christian nations. For example, in Kant´s Critique of Practical Reason, or in Spinoza, Schopenhauer and specially Rousseau.

But in more recent times, since Hegel´s assertion that all that exists is reasonable, the question of what one must do has been pushed to the background and philosophy has directed its whole attention to the investigation of things as they are, and to fitting them into a prearranged theory. This was the first step backwards.

The second step, degrading human thought yet further, was the acceptance of the struggle for existence as a basic law, simply because that struggle can be observed among animals and plants. According to this theory the destruction of the weakest is a law which should not be opposed. And finally, the third step was taken when the childish originality of Nietzsche´s half-crazed thought, presenting nothing complete or coherent, but only various drafts of immoral and completely unsubstantiated ideas, was accepted by the leading figures as the final word in philosophical science. In reply to the question: what must we do? the answer is now put straightforwardly as: live as you like, without paying attention to the lives of others.

If anyone doubted that the Christian world of today has reached a frightful state of torpor and brutalization (not forgetting the recent crimes committed in the Boers and in China, which were defended by the clergy and acclaimed as heroic feats by all the world powers), the extraordinary success of Nietzsche´s works is enough to provide irrefutable proof of this.

Some disjointed writings, striving after effect in a most sordid manner, appear, written by a daring, but limited and abnormal German, suffering from power mania. Neither in talent nor in their basic argument to these writings justify public attention. In the days of Kant, Leibniz, or Hume, or even fifty years ago, such writings would not only have received no attention, but they would not even have appeared. But today all the so called educated people are praising the ravings of Mr. N, arguing about him, elucidating him, and countless copies of his works are printed in all languages.”

Leo Tolstoy (1828–1910) Russian writer

Source: What is Religion, of What does its Essence Consist? (1902), Chapter 11

Patrick Modiano photo

“A novelist has more talent for written than oral assignments.”

Patrick Modiano (1945) French writer

From Nobel Lecture (2014)

Rush Limbaugh photo

“This country is merciless to good small talents. A writer who doesn't take chances and swing for the fences (whether or not he has a prayer of reaching them) is less than a man.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Letters of E. B. White" (1976), p. 251
The Good Word & Other Words (1978)

Brian Wilson photo
Conway Zirkle photo

“Whenever like mates with like (genetically), the statistical distribution curve, which describes the frequency of the purely fortuitous combinations of genes, is flattened out, its mode is depressed, and its extremes are increased. The reduces the number of the mediocre produced and increases the numbers both of the sub-normal and the talented groups. It is possible that, without this increase in the number of extreme variants, no nation, race or group could produce enough superior individuals to maintain a complex culture. Certainly not enough to operate or advance a civilization. …Any number of social customs have stood, and still stand, in the way of an optimum amount of selective matings. In a feudal society, opportunities are denied to many able men who, consequently, never develop to the high level of their biological potential and thus they remain among the undistinguished. Such able men (and women) might also be diffused throughout an "ideal" classless society and, lacking the means to separate themselves from the generality, or to develop their peculiar talents, would be effectively swamped. In such a society they could hardly segregate in groups. In fact, only a few of the able males might ever meet an able female who appealed to them erotically. Obviously an open society—one in which the able may rise and the dim-wits sick, and where like intelligences have a greater chance of meeting and mating—has advantages that other societies do not have. Our own society today—incidentally and without design—is providing more and more opportunities for intelligent matrimonial discrimination. It is possible that our co-educational colleges, where highly-selected males and females meet when young, are as important in their function of bringing together the parents of our future superior individuals as they are in educating the present crop.”

Conway Zirkle (1895–1972)

"Some Biological Aspects of Individualism," Essays on Individuality (Philadelphia: 1958), pp. 59-61

Gregory Benford photo
Tom Rath photo

“Hector had always been known as a great shoemaker. In fact, customers from such far-off places as France claimed that Hector made the best shoes in the world. Yet for years, he had been frustrated with his small shoemaking business. Although Hector knew he was capable of making hundreds of shoes per week, he was averaging just 30 pairs. When a friend asked him why, Hector explained that while he was great at producing shoes, he was a poor salesman -- and terrible when it came to collecting payments. Yet he spent most of his time working in these areas of weakness.
So, Hector's friend introduced him to Sergio, a natural salesman and marketer. Just as Hector was known for his craftsmanship, Sergio could close deals and sell. Given the way their strengths complemented one another, Hector and Sergio decided to work together. A year later, this strengths-based duo was producing, selling, and collecting payment for more than 100 pairs of shoes per week -- a more than threefold increase.
While this story may seem simplistic, in many cases, aligning yourself with the right task can be this easy. When we're able to put most of our energy into developing our natural talents, extraordinary room for growth exists. So, a revision to the "You-can-be-anything-you-want-to-be" maxim might be more accurate.”

Tom Rath (1975) American author

StrengthsFinder 2.0, 2007
Source: Tom Rath, "The Fallacy Behind the American Dream," Business Journal, Feb. 8, 2007 (Excerpted from StrengthsFinder 2.0)

Alexis De Tocqueville photo
Charles Babbage photo

“But a much graver charge attaches itself, if not to our clergy, certainly to those who have the distribution of ecclesiastical patronage. The richest Church in the world maintains that its funds are quite insufficient for the purposes of religion and that our working clergy are ill-paid, and church accommodation insufficient. It calls therefore upon the nation to endow it with larger funds, and yet, while reluctant to sacrifice its own superfluities, it approves of its rich sinecures being given to reward, — not the professional service of its indefatigable parochial clergy, but those of its members who, having devoted the greater part of their time to scientific researches, have political or private interest enough to obtain such advancement. But this mode of rewarding merit is neither creditable to the Church nor advantageous to science. It tempts into the Church talents which some of its distinguished members maintain to be naturally of a disqualifying, if not of an antagonistic nature to the pursuits of religion; whilst, on the other hand, it makes a most unjust and arbitrary distinction amongst men of science themselves. It precludes those who cannot conscientiously subscribe to Articles, at once conflicting and incomprehensible, from the acquisition of that preferment and that position in society, which thus in many cases, must be conferred on less scrupulous, and certainly less distinguished inquirers into the works of nature. As the honorary distinctions of orders of knight hood are not usually bestowed on the clerical profession, its members generally profess to entertain a great contempt for them, and pronounce them unfit for the recognition of scientific merit.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 225-226

James A. Garfield photo

“If hard work is not another name for talent, it is the best possible substitute for it.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

"College Education," an address before the Literary the Eclectic Institute (June 1867), in President Garfield and Education : Hiram College Memorial (1881) by B. A. Hinsdale, p. 312 http://books.google.com/books?id=rA4XAAAAYAAJ
1860s

Joseph Joubert photo
Kerli photo
Calvin Coolidge photo
Robert T. Kiyosaki photo

“The world is filled with talented poor people.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Bradley Joseph photo

“A lot of musicians don’t learn the business. You just have to be well-rounded in both areas. You have to understand publishing. You have to understand how you make money, what’s in demand, what helps you make the most out of your talent.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Showcase article: [Polta, Anne, Continuing Journey: Bradley Joseph sustains music career with songwriting, recording, West Central Tribune, 2007-02-08, http://www.newspaperprints.com/index.cfm?page=search_results&paper=West%20Central%20Tribune&selectedDate=2007-02-08&start=16&perpage=5, 2007-02-18]

Sienna Guillory photo

“She’s an extraordinarily talented actor who is tremendously photogenic. She’s also a dead ringer for Jill Valentine.”

Sienna Guillory (1975) British actress

Resident Evil: Apocalypse Production Article http://www.hollywoodjesus.com/resident_evil_apocalypse_about.htm. hollywoodjesus.com. September 13, 2004
Resident Evil: Apocalypse producer Don Carmody speaks about Guillory.
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