Quotes about talent

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Source: The Martyrdom of Man (1872), Chapter III, "Liberty", p. 315.

Speech to the Industry Club (21 January 1932) as quoted in The Speeches of Adolf Hitler, April 1922 – August 1939 (1994) by Norman Hepburn Baynes, Oxford University Press, p.783
1930s

60 Seconds: Nigella Lawson (2006)

After performing with Eminem at the 2001 Grammy awards
Sixty things for Sir Elton's 60th (2007)

'Mailer's Marilyn
Essays and reviews, At the Pillars of Hercules (1979)

Alfred Binet (1903). "La creation litteraire. Portrait psychologique de M. Paul Hervieu", L’Anne´e psychologique (10), p. 3; As cited in: Carson (1999, 361-2)

Speech at the Welsh Labour Party conference, Llandudno (15 May 1987)
This speech was extensively quoted in a Labour Party election broadcast during the 1987 general election. It was also famously used without attribution by U.S. Senator Joe Biden, although Biden had used and properly attributed the speech many times before.

Source: The Internet Galaxy - Reflections on the Internet, Business, and Society (2001), Chapter 3, e-Business and the New Economy, p. 91

On War (1832), Book 3

the prototype of the strong 20th century grandmaster."
Garry Kasparov (2003). On My Great Predecessors. Gloucester Publishers plc. Vol. 1, p. 43. ISBN 1857443306.
About

2010s, Diversity: History's Pathway to Chaos (2016)

Apology letter addressed to Harvard University community, posted on his website — reported in Reuters (January 26, 2005) "Summers Regrets", The Australian, p. 032.
2000s

of The Listening Landscape by Marya Zaturenska; “Town Mouse, Country Mouse”, p. 69
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Source: Artists talks 1969 – 1977, pp. 15-16

Zen ni kike (To you) (Tokyo: Daihorinkaku, 1987)

"On Being Shy".
Idle Thoughts of an Idle Fellow (1886)

Preface, 2nd edition (22 July 1848)
The Tenant of Wildfell Hall (1848)

Message to the California Fiji Festival 2005

1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', pp. 73-74

"12th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=2TkY7HrJOhc Youtube (April 19, 2008)
Youtube, Foundational Falsehoods of Creationism

Best thing about TV http://www.mid-day.com/articles/world-television-day-small-screen-wonders/241272

Quote from Turner's letter 4 Dec. 1848 to James Astbury Hammersley; as cited in The life of J.M.W. Turner, Volume II, George Walter Thornbury; Hurst and Blackett Publishers, London, 1862, pp. 115-16
James Astbury Hammersley, himself an artist and art-teacher, wrote Turner to ask him to give his son further instructions in painting
1821 - 1851

So it all came together and now we have the song 'Go!,' which is about going to my fantasy.
On working with Kanye West and John Mayer on the track "Go." (2004) ( From MTV.com http://www.mtv.com/bands/c/common/common_q_and_a_050620/)
Interviews

How Civilizations Fall

Opening lines
The Tale of Kiều (1813)

Source: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 222

A Free Digital Society - What Makes Digital Inclusion Good or Bad? http://www.gnu.org/philosophy/free-digital-society.html#education; Lecture at Sciences Po in Paris (19 October 2011)]
2010s

Farewell speech, February 6, 2014
The Tonight Show

written text with brush, in her paintings JHM no. 4334 https://charlotte.jck.nl/detail/M004334/part/character/theme/keyword + 4335 https://charlotte.jck.nl/detail/M004335: in 'Life? or Theater..', p. 222-223
Charlotte Salomon - Life? or Theater?

On how the record industry in America represses artist freedom and talents from upcoming artists
Prasad interview (1997)

Source: Flesh and Fire (2009), pp. 57-58

Liquidation (2003)

Oeuvres complètes, vol. 7, p. 678

Brad Lefton. <u>"Ichiro takes leadership role for Team Japan"</u> http://www.seattletimes.com/sports/ichiro-takes-leadership-role-for-team-japan/. Seattle Times. March 1 2009.

A quinze ans, ni la beauté ni le talent n'existent: une femme est tout promesse.
Source: A Daughter of Eve (1839), Ch. 5: Florine.

The Dignity of Human Nature (1754)

2013 World Chess Championship

Living to Tell the Tale (2002)

Letter to Alexei Pleshcheev (October 4, 1888)
Letters

The History of Rome, Volume 2 Translated by W.P. Dickson
On Hannibal the man and soldier
The History of Rome - Volume 2

Administration, A Foundation of Government (1940)

A Message from President-Elect Donald J. Trump https://www.youtube.com/watch?v=7xX_KaStFT8 (21 November 2016)
2010s, 2016, November

Review http://www.rogerebert.com/reviews/death-to-smoochy-2002 of Death to Smoochy (29 March 2002)
Reviews, Half-star reviews

Yvor Winters Uncollected Essays and Reviews (Chicago: Swallow Press, 1973) p. 139.
Criticism

Gibson often put trust above pure playing ability when selecting teams.

Source: The Task (1785), Book IV, The Winter Evening, Line 788.

Source: The Yiddish Policemen’s Union (2007), Chapter 39

Source: Git-R-Done (book), p. 11

Character & Social Structure (1954).
1950s

Ibid.
Memoirs, North Face of Soho (2006)

Michael Odell, "This much I know: Griff Rhys Jones", The Guardian, November 5 2006.
Talking about talent

Source: Consciousness Explained (1991), p. 253&ndash;4.

Germain Bapst's diary entry (18 February 1920), quoted in Gordon Wright, Raymond Poincaré and the French Presidency (New York: Octagon Books, 1967), pp. 241-242.
About

As cited in Donald Knuth (1972). "George Forsythe and the Development of Computer Science" http://www.stanford.edu/dept/ICME/docs/history/forsythe_knuth.pdf. Comms. ACM.
"Educational implications of the computer revolution," 1963

Source: Drenai series, The King Beyond the Gate, Ch. 6
Context: Nothing in life is easy, Arvan. But it's what I'm trained for. To lead an army. To bring death and destruction on my enemies [... ] A man must stand against evil wherever he finds it and he must use all his talents.

2010s, 2015, Speech on extremism (20 July 2015)
Context: It is here in Britain where different people, from different backgrounds, who follow different religions and different customs don’t just rub alongside each other but are relatives and friends; husbands, wives, cousins, neighbours and colleagues. It is here in Britain where in one or two generations people can come with nothing and rise as high as their talent allows. It is here in Britain where success is achieved not in spite of our diversity, but because of our diversity.

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)
Context: Our English careers to born genius are twofold. There is the silent or unlearned career of the Industrialisms, which are very many among us; and there is the articulate or learned career of the three professions, Medicine, Law (under which we may include Politics), and the Church. Your born genius, therefore, will first have to ask himself, Whether he can hold his tongue or cannot? True, all human talent, especially all deep talent, is a talent to do, and is intrinsically of silent nature; inaudible, like the Sphere Harmonies and Eternal Melodies, of which it is an incarnated fraction.

1960s, Inaugural address (1965)
Context: Liberty was the second article of our covenant. It was self-government. It was our Bill of Rights. But it was more. America would be a place where each man could be proud to be himself: stretching his talents, rejoicing in his work, important in the life of his neighbors and his nation. This has become more difficult in a world where change and growth seem to tower beyond the control and even the judgment of men. We must work to provide the knowledge and the surroundings which can enlarge the possibilities of every citizen. The American covenant called on us to help show the way for the liberation of man. And that is today our goal. Thus, if as a nation there is much outside our control, as a people no stranger is outside our hope.

"Books of the Times" in The New York Times (6 July 1981)
Context: The magaicians of the 19th century, enthralled by the science of optics, photography and electricity, opened the door to motion pictures and thereby rendered themselves obsolete. Any amateur with a pair of scissors can cut and edit a strip of film in order to make a woman vanish, sever a head, burn a body down to the skeleton and reverse time. Talent went out of style.… People either didn't believe Houdini when he said that his tricks on film were real, or they didn't care. Illusion became big bigness, and the magicians were out of work.

Diary (20 November 1872)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)
Context: I have a talent for silence and brevity. I can keep silent when it seems best to do so, and when I speak I can, and do usually, quit when I am done. This talent, or these two talents, I have cultivated. Silence and concise, brief speaking have got me some laurels, and, I suspect, lost me some. No odds. Do what is natural to you, and you are sure to get all the recognition you are entitled to.

Pt. III, sec. 2, ch. 24 Lectures on the History of History Vol 1 p. 21 John Sibree translation (1857), 1914
Lectures on the Philosophy of History (1832), Volume 1
Context: Although Freedom is, primarily, an undeveloped idea, the means it uses are external and phenomenal; presenting themselves in History to our sensuous vision. The first glance at History convinces us that the actions of men proceed from their needs, their passions, their characters and talents; and impresses us with the belief that such needs, passions and interests are the sole springs of action — the efficient agents in this scene of activity. Among these may, perhaps, be found aims of a liberal or universal kind — benevolence it may be, or noble patriotism; but such virtues and general views are but insignificant as compared with the World and its doings. We may perhaps see the Ideal of Reason actualized in those who adopt such aims, and within the sphere of their influence; but they bear only a trifling proportion to the mass of the human race; and the extent of that influence is limited accordingly. Passions, private aims, and the satisfaction of selfish desires, are on the other hand, most effective springs of action. Their power lies in the fact that they respect none of the limitations which justice and morality would impose on them; and that these natural impulses have a more direct influence over man than the artificial and tedious discipline that tends to order and self-restraint, law and morality. When we look at this display of passions, and the consequences of their violence; the Unreason which is associated not, only with them, but even (rather we might say especially) with good designs and righteous aims; when we see the evil, the vice, the ruin that has befallen the most flourishing kingdoms which the mind of man ever created, we can scarce avoid being filled with sorrow at this universal taint of corruption: and, since this decay is not the work of mere Nature, but of the Human Will — a moral embitterment — a revolt of the Good Spirit (if it have a place within us) may well be the result of our reflections.

Quoted in "Contexts" (1982) by Irena Klepfisz http://www.theparisreview.org/interviews/4569/the-art-of-fiction-no-29-katherine-anne-porter

Section 77
Reflections on the Human Condition (1973)
Context: They who lack talent expect things to happen without effort. They ascribe failure to a lack of inspiration or ability, or to misfortune, rather than to insufficient application. At the core of every true talent there is an awareness of the difficulties inherent in any achievement, and the confidence that by persistence and patience something worthwhile will be realized. Thus talent is a species of vigor.

Unkempt Thoughts (1957), p. 116

No. 225.
The Tatler (1711–1714)
Context: The discreet man finds out the talents of those he converses with, and knows how to apply them to proper uses. Accordingly, if we look into particular communities and divisions of men, we may observe that it is the discreet man, not the witty, nor the learned, nor the brave, who guides the conversation, and gives measures to the society.

Source: An Essay on The Principle of Population (First Edition 1798, unrevised), Chapter XIX, paragraph 2, lines 1-6
Context: The greatest talents have been frequently misapplied and have produced evil proportionate to the extent of their powers. Both reason and revelation seem to assure us that such minds will be condemned to eternal death, but while on earth, these vicious instruments performed their part in the great mass of impressions, by the disgust and abhorrence which they excited.

ZNet commentary (35 November 1999) http://www.zmag.org/sustainers/content/1999-11/25zinn.htm
Context: Why should we accept that the "talent" of someone who writes jingles for an advertising agency advertising dog food and gets $100,000 a year is superior to the talent of an auto mechanic who makes $40,000 a year? Who is to say that Bill Gates works harder than the dishwasher in the restaurant he frequents, or that the CEO of a hospital who makes $400,000 a year works harder than the nurse or the orderly in that hospital who makes $30,000 a year? The president of Boston University makes $300,000 a year. Does he work harder than the man who cleans the offices of the university? Talent and hard work are qualitative factors which cannot be measured quantitatively.

Lecture II: Of Free Inquiry, considered as a Means for obtaining Just Knowledge
A Course of Popular Lectures (1829)
Context: How many, how omnipotent are the interests which engage men to break the mental chains of women! How many, how dear are the interests which engage them to exalt rather than lower their condition, to multiply their solid acquirements, to respect their liberties, to make them their equals, to wish them even their superiors! Let them inquire into these things. Let them examine the relation in which the two sexes stand, and ever must stand, to each other. Let them perceive that, mutually dependent, they must ever be giving and receiving, or they must be losing — receiving or losing in knowledge, in virtue, in enjoyment. Let them perceive how immense the loss, or how immense the gain. Let them not imagine that they know aught of the delights which intercourse with the other sex can give, until they have felt the sympathy of mind with mind, and heart with heart; until they bring into that intercourse every affection, every talent, every confidence, every refinement, every respect. Until power is annihilated on one side, fear and obedience on the other, and both restored to the birthright — equality. Let none think that affection can reign without it; or friendship or esteem. Jealousies, envyings, suspicions, reserves, deceptions — these are the fruits of inequality.

Republican Party Reptile (1987)

Saul Leiter: The Quiet Iconoclast (2009)
Context: I am not immersed in self-admiration. When I am listening to Vivaldi or Japanese music or making spaghetti at three in the morning and realize that I don’t have the proper sauce for it, fame is of no use. The other way to put it is that I don’t have a talent for narcissism. Or, to put it yet another way, the mirror is not my best friend.

Tolstoy: War and Peace (p. 192)
Classics Revisited (1968)

As quoted in Total Baseball : The Official Encyclopedia of Major League Baseball (2001) by John Thorn, p. 2468
Context: In the end it all comes down to talent. You can talk all you want about intangibles, I just don't know what that means. Talent makes winners, not intangibles. Can nice guys win? Sure, nice guys can win — if they're nice guys with a lot of talent. Nice guys with a little talent finish fourth, and nice guys with no talent finish last.

Letter to John Adams (28 October 1813)
1810s
Variant: There is a natural aristocracy among men. The grounds of this are virtue and talents.
Context: I agree with you that there is a natural aristocracy among men. The grounds of this are virtue and talents... The natural aristocracy I consider as the most precious gift of nature, for the instruction, the trusts, and government of society... Every one, by his property, or by his satisfactory situation, is interested in the support of law and order. And such men may safely and advantageously reserve to themselves a wholesome control over their public affairs, and a degree of freedom, which, in the hands of the canaille [the masses] of the cities of Europe, would be instantly perverted to the demolition and destruction of everything public and private.

An assessment of F. Scott Fitzgerald, Ch. 17
A Moveable Feast (1964)
Context: His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and of their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.

As quoted in "The Art of Connection – A Conversation with Alain de Botton" by Kim Nagy in Wild River Review (19 November 2007).
Context: I think where people tend to end up results from a combination of encouragement, accident, and lucky break, etc. etc. Like many others, my career happened like it did because certain doors opened and certain doors closed. You know, at a certain point I thought it would be great to make film documentaries. Well, in fact, I found that to be incredibly hard and very expensive to do and I didn’t really have the courage to keep battling away at that. In another age, I might have been an academic in a university, if the university system had been different. So it’s all about trying to find the best fit between your talents and what the world can offer at that point in time.

Entry (1953)
Eric Hoffer and the Art of the Notebook (2005)
Context: The sense of worth derived from creative work depends upon "recognition" by others, which is never automatic. As a result, the path of self-realization, even when it is the only open one, is taken with reluctance. Men of talent have to be goaded to engage in creative work. The groans and laments of even the most gifted and prolific echo through the ages.

1961, Speech to Special Joint Session of Congress
Context: This decision demands a major national commitment of scientific and technical manpower, materiel and facilities, and the possibility of their diversion from other important activities where they are already thinly spread. It means a degree of dedication, organization and discipline which have not always characterized our research and development efforts. It means we cannot afford undue work stoppages, inflated costs of material or talent, wasteful interagency rivalries, or a high turnover of key personnel. New objectives and new money cannot solve these problems. They could in fact, aggravate them further — unless every scientist, every engineer, every serviceman, every technician, contractor, and civil servant gives his personal pledge that this nation will move forward, with the full speed of freedom, in the exciting adventure of space.

Chpt.3, p. 34
Principles of Geology (1832), Vol. 1
Context: It may be well to forewarn our readers that in tracing the history of geology from the close of the seventeenth to the end of the eighteenth century they must expect to be occupied with accounts of the retardation as well as of the advance of the science.... It will be necessary to dwell on futile reasoning and visionary hypothesis because the most extravagant systems were often invented or controverted by men of acknowledged talent.

Statement accepting the Screen Actors Guild Achievement Award, read by Julia Roberts, because of Audrey's failing health. (January 1993)
Context: I am more than ever awed and overwhelmed by the monumental talents it was my great, great privilege to work for and with. There is therefore no way I can thank you for this beautiful award without thanking all of them, because it is they who helped and honed, triggered and taught, pushed and pulled, dressed and photographed — and with endless patience and kindness and gentleness, guided and nurtured a totally unknown, insecure, inexperienced, skinny broad into a marketable commodity. I am proud to have been in a business that gives pleasure, creates beauty, and awakens our conscience, arouses compassion, and perhaps most importantly, gives millions a respite from our so violent world. Thank you, Screen Actors Guild and friends, for this huge honor — and for giving me this unique opportunity to express my deepest gratitude and love to all of those who have given me a career that has brought me nothing but happiness.

To Barack Obama, as quoted in The Audacity of Hope: Thoughts on Reclaiming the American Dream (2006), Ch. 5
Context: I happen to have a talent for allocating capital. But my ability to use that talent is completely dependent on the society I was born into. If I’d been born into a tribe of hunters, this talent of mine would be pretty worthless. I can’t run very fast. I’m not particularly strong. I’d probably end up as some wild animal’s dinner.
But I was lucky enough to be born in a time and place where society values my talent, and gave me a good education to develop that talent, and set up the laws and the financial system to let me do what I love doing — and make a lot of money doing it. The least I can do is help pay for all that.

As quoted in Walt Disney, Magician of the Movies (1966) by Bob Thomas p. 116
Context: A person should set his goals as early as he can and devote all his energy and talent to getting there. With enough effort, he may achieve it. Or he may find something that is even more rewarding. But in the end, no matter what the outcome, he will know he has been alive.

Section 26
The True Believer (1951), Part Two: The Potential Converts
Context: Unless a man has talents to make something of himself, freedom is an irksome burden. Of what avail is freedom to choose if the self be ineffectual? We join a mass movement to escape individual responsibility, or, in the words of the ardent young Nazi, "to be free from freedom." It was not sheer hypocrisy when the rank-and-file Nazis declared themselves not guilty of all the enormities they had committed. They considered themselves cheated and maligned when made to shoulder responsibility for obeying orders. Had they not joined the Nazi movement in order to be free from responsibility?

Source: The Ordeal of Change (1963), Ch. 13: "Scribe, Writer, and Rebel"
Context: It has been often stated that a social order is likely to be stable so long as it gives scope to talent. Actually, it is the ability to give scope to the untalented that is most vital in maintaining social stability. For not only are the untalented more numerous but, since they cannot transmute their grievances into a creative effort, their disaffection will be more pronounced and explosive. Thus the most troublesome problem which confronts social engineering is how to provide for the untalented and, what is equally important, how to provide against them. For there is a tendency in the untalented to divert their energies from their own development into the management, manipulation, and probably frustration of others. They want to police, instruct, guide, and meddle. In an adequate social order, the untalented should be able to acquire a sense of usefulness and of growth without interfering with the development of talent around them. This requires, first, an abundance of opportunities for purposeful action and self advancement. Secondly, a wide diffusion of technical and social skills so that people will be able to work and manage their affairs with a minimum of tutelage. The scribe mentality is best neutralized by canalizing energies into purposeful and useful pursuits, and by raising the cultural level of the whole population so as to blur the dividing line between the educated and the uneducated. If such an arrangement lacks provisions for the encouragement of the talented it yet has the merit of not interfering with them.

Source: The Ordeal of Change (1963), Ch. 13: "Scribe, Writer, and Rebel"
Context: It has been often stated that a social order is likely to be stable so long as it gives scope to talent. Actually, it is the ability to give scope to the untalented that is most vital in maintaining social stability. For not only are the untalented more numerous but, since they cannot transmute their grievances into a creative effort, their disaffection will be more pronounced and explosive. Thus the most troublesome problem which confronts social engineering is how to provide for the untalented and, what is equally important, how to provide against them. For there is a tendency in the untalented to divert their energies from their own development into the management, manipulation, and probably frustration of others. They want to police, instruct, guide, and meddle. In an adequate social order, the untalented should be able to acquire a sense of usefulness and of growth without interfering with the development of talent around them. This requires, first, an abundance of opportunities for purposeful action and self advancement. Secondly, a wide diffusion of technical and social skills so that people will be able to work and manage their affairs with a minimum of tutelage. The scribe mentality is best neutralized by canalizing energies into purposeful and useful pursuits, and by raising the cultural level of the whole population so as to blur the dividing line between the educated and the uneducated. If such an arrangement lacks provisions for the encouragement of the talented it yet has the merit of not interfering with them.

As quoted in "Twenty Questions for Mama Cass" by Frederick Todd in American Girl magazine (June 1970)
Context: My advice is precisely the advice my mother gave me. If you believe you have talent, the next thing you must have is determination. If you keep working, keep striving, and try always to move forward a little bit with every job you do, you’ll eventually make it. And I believe that!

"Anton Ego" in Ratatouille (2007)
Context: In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talents, new creations. The new needs friends. Last night, I experienced something new; an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking, is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook". But I realize — only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.

As quoted in The Martians of Science : Five Physicists Who Changed the Twentieth Century (2006) by István Hargittai, p. 251
Context: I believe in excellence. It is a basic need of every human soul. All of us can be excellent, because, fortunately, we are exceedingly diverse in our ambitions and talents.

As quoted in "Ingmar Bergman: Summing Up A Life In Film" by Michiko Kakutani in The New York Times Magazine (26 June 1983).
Context: I was very cruel to actors and to other people. I think I was a very, very unpleasant young man. If I met the young Ingmar today, I think I would say, "You are very talented and I will see if I can help you, but I don't think I want anything else to do with you." I don't say I'm pleasant now, but I think I changed slowly in my 50's. At least I hope I've changed.

Source: Anarcho-Syndicalism (1938), Ch. 1 "Anarchism: Its Aims and Purposes"
Context: Anarchism recognises only the relative significance of ideas, institutions, and social conditions. It is, therefore not a fixed, self enclosed social system, but rather a definite trend in the historical development of mankind, which, in contrast with the intellectual guardianship of all clerical and governmental institutions, strives for the free unhindered unfolding of all the individual and social forces in life. Even freedom is only a relative, not an absolute concept, since it tends constantly to broaden its scope and to affect wider circles in manifold ways. For the Anarchist, freedom is not an abstract philosophical concept, but the vital concrete possibility for every human being to bring to full development all capacities and talents with which nature has endowed him, and turn them to social account. The less this natural development of man is interfered with by ecclesiastical or political guardianship, the more efficient and harmonious will human personality become, the more will it become the measure of the intellectual culture of the society in which it has grown.

Multatuli, Max Havelaar, Ch. 3, p. 44

Review http://www.rogerebert.com/reviews/caligula-1980 of Caligula (22 September 1980)
Reviews, Zero star reviews
Context: Caligula is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful: People with talent allowed themselves to participate in this travesty. Disgusted and unspeakably depressed, I walked out of the film after two hours of its 170-minute length. That was on Saturday night, as a line of hundreds of people stretched down Lincoln Ave., waiting to pay $7.50 apiece to become eyewitnesses to shame..."This movie," said the lady in front of me at the drinking fountain, "is the worst piece of shit I have ever seen."

Notebooks
Context: I think that I probably have a real talent for painting trees if I developed it assiduously. I want to give them great density and depth pile heaps of detail into them and yet keep the sense of presence which is the whole point.

Observations on the Drawing Up of Laws (1774)
Context: In any country where talent and virtue produce no advancement, money will be the national god. Its inhabitants will either have to possess money or make others believe that they do. Wealth will be the highest virtue, poverty the greatest vice. Those who have money will display it in every imaginable way. If their ostentation does not exceed their fortune, all will be well. But if their ostentation does exceed their fortune they will ruin themselves. In such a country, the greatest fortunes will vanish in the twinkling of an eye. Those who don't have money will ruin themselves with vain efforts to conceal their poverty. That is one kind of affluence: the outward sign of wealth for a small number, the mask of poverty for the majority, and a source of corruption for all.

As quoted in Charting the Candidates '72 (1972) by Ronald Van Doren, p. 7
1940s–present
Context: The state — or, to make the matter more concrete, the government — consists of a gang of men exactly like you and me. They have, taking one with another, no special talent for the business of government; they have only a talent for getting and holding office. Their principal device to that end is to search out groups who pant and pine for something they can't get and to promise to give it to them. Nine times out of ten that promise is worth nothing. The tenth time is made good by looting A to satisfy B. In other words, government is a broker in pillage, and every election is sort of an advance auction sale of stolen goods.

Source: Straight From The Heart (1985), Chapter Four, The Politics Of Business, p. 91
Context: I learned early that business is business and politics is politics. The proof is how few important businessmen have made good politicians. They may think that they are very smart about everything because they made millions of dollars by digging a hole in the ground and finding oil, but the talent and luck needed to become rich are not the same talent and luck needed to succeed on Parliament Hill.

1963, Civil Rights Address
Context: This is one country. It has become one country because all of us and all the people who came here had an equal chance to develop their talents. We cannot say to 10 percent of the population that you can't have that right; that your children can't have the chance to develop whatever talents they have; that the only way that they are going to get their rights is to go into the streets and demonstrate. I think we owe them and we owe ourselves a better country than that. Therefore, I am asking for your help in making it easier for us to move ahead and to provide the kind of equality of treatment which we would want ourselves; to give a chance for every child to be educated to the limit of his talents. As I have said before, not every child has an equal talent or an equal ability or an equal motivation, but they should have the equal right to develop their talent and their ability and their motivation, to make something of themselves.

Iraq? They just need to think it through (2007)
Context: Creative thinking — in terms of idea creativity — is not a mystical talent. It is a skill that can be practised and nurtured. You can never tell how a policy has been reached just by looking at the end result. Some people who have achieved a huge amount do not come across as impressive when you speak to them.

कला र जीवन (Art and Life)
Art and Life
Context: In the divine talent of the Creator the word got born and we, by studying this creation attain clear messages of Divine Conscience, Divine Truth, Divine Beauty and Divine knowledge. In the creative imagination of the God, completeness works and provides beautiful lines colors forms to the Truth of God. We realize the 'beautiful' through the sensing of Truth and where there is no Truth there isn't beauty. Keats has said that, 'Truth is beauty and beauty is Truth". This Self-Displaying form of God becomes such known in Artistic creativity that truth becoming beautiful descends to the outer forms of the senses.