Quotes about talent
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“Any officer given the money to buy promotion and lucky enough to possess relations who could put him in the way of advancement was bound to rise, but even the less fortunate men who resented Wellesley's privileges were forced to admit that the young Colonel had a natural and chilling authority, and maybe, some thought, even a talent for soldiering. He was certainly dedicated enough to his chosen trade if that was any sign of talent.”

Bernard Cornwell (1944) British writer

Narrator, commenting on Colonel Arthur Wellesley, p. 103
Sharpe (Novel Series), Sharpe's Tiger (1997)

Men, Money, Way, Nature

“There is a certain class of people who prefer to say that their fathers came down in the world through their own follies rather than to boast that they rose in the world through their own industry and talents. It is the same shabby-genteel sentiment, the same vanity of birth, which makes men prefer to believe that they are degenerated angels rather than elevated apes.”

William Winwood Reade (1838–1875) British historian

Source: The Martyrdom of Man (1872), Chapter III, "Liberty", p. 315.

Men, People, World, Angels

“This whole edifice of civilization is in its foundations and in all its stones nothing else than the result of the creative capacity, the achievement, the intelligence, the industry, of individuals: in its greatest triumphs it represents the great crowning achievement of individual God-favored geniuses, in its average accomplishment the achievement of men of average capacity, and in its sum doubtless the result of the use of human labor-force in order to turn to account the creations of genius and of talent. So it is only natural that when the capable intelligences of a nation, which are always in a minority, are regarded only as of the same value as all the rest, then genius, capacity, the value of personality are slowly subjected to the majority and this process is then falsely named the rule of the people. For this is not rule of the people, but in reality the rule of stupidity, of mediocrity, of half-heartedness, of cowardice, of weakness, and of inadequacy”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

Speech to the Industry Club (21 January 1932) as quoted in The Speeches of Adolf Hitler, April 1922 – August 1939 (1994) by Norman Hepburn Baynes, Oxford University Press, p.783
1930s

Men, God, People, Stupidity

“It’s not meant to be flirtatious. Listen, I don’t have a presenting style, I’m just me. I don’t have the talent to adopt a different persona. It’s intimate, not flirtatious.”

Nigella Lawson (1960) British food writer, journalist and broadcaster

60 Seconds: Nigella Lawson (2006)

“There just aren't many people in the world with balls that big and talent that awesome.”

Elton John (1947) English rock singer-songwriter, composer and pianist

After performing with Eminem at the 2001 Grammy awards
Sixty things for Sir Elton's 60th (2007)

People, World

“As far as talent goes, Marilyn Monroe was so minimally gifted as to be almost unemployable, and anyone who holds to the opinion that she was a great natural comic identifies himself immediately as a dunce…As a natural silent comedian Marilyn might possibly have qualified, with the proviso that she was not to be depended on to invent anything. But as a natural comedian in sound she had the conclusive disadvantage of not being able to speak. She was limited ineluctably to characters who rented language but could not possess it, and all her best roles fell into that category. She was good at being inarticulately abstracted for the same reason that midgets are good at being short.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Mailer's Marilyn
Essays and reviews, At the Pillars of Hercules (1979)

Nature, Dependency

“It seems to me that people of talent and of genius serve better than average examples for making us understand the laws of character, because they present more extreme traits.”

Alfred Binet (1857–1911) French psychologist and inventor of the first usable intelligence test

Alfred Binet (1903). "La creation litteraire. Portrait psychologique de M. Paul Hervieu", L’Anne´e psychologique (10), p. 3; As cited in: Carson (1999, 361-2)

People, Law, Understanding

“Why am I the first Kinnock in a thousand generations to be able to get to university? Why is Glenys the first woman in her family in a thousand generations to be able to get to university?Was it because our predecessors were thick? Does anybody really think that they didn't get what we had because they didn't have the talent or the strength or the endurance or the commitment? Of course not. It was because there was no platform upon which they could stand.”

Neil Kinnock (1942) British politician

Speech at the Welsh Labour Party conference, Llandudno (15 May 1987)
This speech was extensively quoted in a Labour Party election broadcast during the 1987 general election. It was also famously used without attribution by U.S. Senator Joe Biden, although Biden had used and properly attributed the speech many times before.

Family, Thinking, Universe

“Literally everything is based on the capacity to attract, retain, and efficiently use talented workers.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: The Internet Galaxy - Reflections on the Internet, Business, and Society (2001), Chapter 3, e-Business and the New Economy, p. 91

“The commander's talents are given greatest scope in rough hilly country. Mountains allow him too little real command over his scattered units and he is unable to control them all; in open country, control is a simple matter and does not test his ability to the fullest.”

Carl von Clausewitz book On War

On War (1832), Book 3

Mountain, Country

“What was the secret of Morphy's invincibility? I think it was a combination of a unique natural talent and brilliant erudition. His play was the next, more mature stage in the development of chess. Morphy had a well-developed 'feeling for position', and therefore he can be confidently regarded as the 'first swallow”

Paul Morphy (1837–1884) American chess player

the prototype of the strong 20th century grandmaster."
Garry Kasparov (2003). On My Great Predecessors. Gloucester Publishers plc. Vol. 1, p. 43. ISBN 1857443306.
About

Secret, Feeling, Confidence, Nature

“A Latino-American undergraduate who is a student of Shakespeare is not "culturally appropriating" anyone’s white-European legacy, but instead seeking transcendence of ideas and a common humanity. Asian-Americans are not “overrepresented” at premier campuses. Their high-profile presence should be praised as a model, not punished as aberrant by number-crunching bureaucrats. African-Americans who excel in physics and engineering are not “acting white” but finding the proper pathways for their natural talents. Being one-half Southeast Asian or three-quarters white is not the touchstone to one’s essence and is irrelevant to one’s character and conduct. No one is impinging on anyone’s culture when blacks dye their hair blond, or when blondes prefer to wear cornrow braids. Campuses desperately need unity czars, not diversity czars. Otherwise, we will end up as 50 separate and rival nations — just like other failed states in history whose diverse tribes and races destroyed themselves in a Hobbesian dog-eat-dog war with one another.”

Victor Davis Hanson (1953) American military historian, essayist, university professor

2010s, Diversity: History's Pathway to Chaos (2016)

War, Dogs, History, Idea

“I deeply regret the impact of my comments and apologise for not having weighed them more carefully … I was wrong to have spoken in a way that has resulted in an unintended signal of discouragement to talented girls and women.”

Lawrence H. Summers (1954) Former US Secretary of the Treasury

Apology letter addressed to Harvard University community, posted on his website — reported in Reuters (January 26, 2005) "Summers Regrets", The Australian, p. 032.
2000s

Women, Way, Girl

“…the work of a poet who has a real talent, but not for words.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

of The Listening Landscape by Marya Zaturenska; “Town Mouse, Country Mouse”, p. 69
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“The Duchamp thing is played both ways. The 'Urinal' [famous 'ready-made' of Marcel Duchamp ] signed R. Mutt, is played as an art object, and then as the opposite of a legitimate art object. And it vacillates back and forth. Well perhaps that is a nice thing, but I don't know. I find Duchampianism a bore. It's very adolescent. I was very much excited by it when I was a teenager... My tradition is quite different. My conscious tradition is through Constantin Brâncuși, and Brancusi just strikes me as an infinitely wiser and infinitely more talented, an infinitely stronger figure than Duchamp. I think I could have done my work if Duchamp had not lived. I could not have done my work if Brancusi had not lived.”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, pp. 15-16

Art, Way, Thinking

“You can’t even trade a single fart with the next guy. Each and every one of us has to live out his own life. Don’t waste time thinking about who’s most talented.”

Kodo Sawaki (1880–1965) Japanese zen Buddhist monk

Zen ni kike (To you) (Tokyo: Daihorinkaku, 1987)

Life, Guy, Thinking, Time

“Conceit is the finest armor that a man can wear. Upon its smooth, impenetrable surface the puny dagger-thrusts of spite and envy glance harmlessly aside. Without that breast-plate the sword of talent cannot force its way through the battle of life, for blows have to be borne as well as dealt.”

Jerome K. Jerome book Idle Thoughts of an Idle Fellow

"On Being Shy".
Idle Thoughts of an Idle Fellow (1886)

Life, Way, Envy

“Such humble talents as God had given me I will endeavour to put to their greatest use; if I am able to amuse I will try to benefit too; and when I feel it my duty to speak an unpalatable truth, with the help of God, I will speak it, though it be to the prejudice of my name and to the detriment of my readers immediate pleasure as well as my own.”

Anne Brontë book The Tenant of Wildfell Hall

Preface, 2nd edition (22 July 1848)
The Tenant of Wildfell Hall (1848)

God, Pleasure, Truth, Feeling

“It (North America) has drawn heavily from the strength of each community of its people to build the richest and the most powerful nations on earth. You are privileged and fortunate to be in a land that recognises and rewards individual talent and enterprise.”

Mahendra Chaudhry (1942) Fijian politician

Message to the California Fiji Festival 2005

People, Communication

“José Clemente Orozco [became later a famous Mexican painter as well] and I would travel on the same trolley from Coyoacán to Mexico City, and I would carry his papers. We became pals, and I invited him to the house. I had painted four or five things when he visited, and he gave me a hug and said I had a lot of talent, and he chatted on about the horrors of Diego [Rivera]. There was beginning to be talk about Diego; that he had returned from Russia and was giving talks on on Russian theater and art. I would go to hear him. Afterwards, he began to paint at the Prepa. [Escuela Prepatoria] and later at the Secretaríade Educación. I was studying at the Prepa, but the [bus] accident [in 1925] messed me up.”

Frida Kahlo (1907–1954) Mexican painter

1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', pp. 73-74

Art, Travel, Study, Painting

“Creationists contend that they don’t believe in magic. But “speaking” anything into existence is an incantation, and the Bible is full of spells of one sort or another. Animating golems, or conjuring interdependent systems, and causing complex organisms to appear out of thin air -are each logically implausible and physically impossible according to everything we know about anything at all, yet this is exactly what religiously-motivated pseudoscientists actually promote! How do we test these ideas? How can we tell them apart from any of the thousands of fables men have concocted for the ghosts and gods of other religions? How can we tell whether any of this is even real, and not something someone just made up? Because despite anyone’s assertions of personal conviction, it is impossible to distinguish miracles from subjective impressions imagined out of nothing. In the realm of fantasy, it’s easy to demonstrate psionic talents, astral entities, and magical manifestations. Until they do that in reality too, then science has nothing but nature to work with.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"12th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=2TkY7HrJOhc Youtube (April 19, 2008) Youtube, Foundational Falsehoods of Creationism

Men, God, Religion, Imagination

“A golden opportunity to show the world your talent. Fame, appreciation and love follows.”

Drashti Dhami (1985) Indian television actress and model

Best thing about TV http://www.mid-day.com/articles/world-television-day-small-screen-wonders/241272

Love, World

“Dear Sir, - I have truly, I must say, written three times, and now hesitate; for did I know your son's works, or, as you say, his gifted merits yet even then I would rather advise you to think well, and not be carried away by the admiration which any friendly hopes (which ardent friends to early talent) may assume: they know not the difficulties or the necessities of the culture of the Fine Arts generally speaking. In regard to yourself, it is you alone can judge how far you are inclined to support him during perhaps a long period of expense; and particularly if you look towards tuition, the more so; for it cannot insure success (however much it may facilitate practice), and therefore it behooves you to weigh well the means in your power before you embark in a profession which requires more care, assiduity, and perseverance than any person can guarantee.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote from Turner's letter 4 Dec. 1848 to James Astbury Hammersley; as cited in The life of J.M.W. Turner, Volume II, George Walter Thornbury; Hurst and Blackett Publishers, London, 1862, pp. 115-16
James Astbury Hammersley, himself an artist and art-teacher, wrote Turner to ask him to give his son further instructions in painting
1821 - 1851

Hope, Art, Support, Thinking

“I went to the movies — it was Kanye, myself and John Mayer, and we went to see "Ray." We were watching it, and I was just inspired by the movie, just as a musician and as an artist, I felt inspired. We left there and went straight to the studio. Kanye started cooking up this beat and started doing this chant, like, "Go, go, go," and while we were sitting there thinking what to write, John Mayer said, "You could write about your fantasy." And I was like, "Am I going to let John Mayer come up with the concept for this joint? This is hip-hop." But John Mayer is a very talented brother and you don't know where your blessings are going to come from. He was singing, and we made him a sample on it, going 'Go.'”

Common (rapper) (1972) American rapper, actor and author from Illinois

So it all came together and now we have the song 'Go!,' which is about going to my fantasy. On working with Kanye West and John Mayer on the track "Go." (2004) ( From MTV.com http://www.mtv.com/bands/c/common/common_q_and_a_050620/) Interviews

Thinking, Singing, Cooking

“is its openness to talent wherever found, the feminist demand for collective quotas has overturned the basic feature of our civilization.”

Kenneth Minogue (1930–2013) Australian political theorist

How Civilizations Fall

“A hundred years—in this life span on earth
talent and destiny are apt to feud.
You must go through a play of ebb and flow
and watch such things as make you sick at heart.
Is it so strange that losses balance gains?
Blue Heaven's wont to strike a rose from spite.”

Nguyễn Du The Tale of Kieu

Opening lines
The Tale of Kiều (1813)

Life, Loss, Heart

“Herzog is a miserable, hateful, malevolent, avaricious, money-hungry, nasty, sadistic, treacherous, cowardly creep. His so-called "talent" consists of nothing but tormenting helpless creatures and, if necessary, torturing them to death or simply murdering them. He doesn't care about anyone or anything except his career as a so-called filmmaker. Driven by a pathological addiction to sensationalism, he creates the most sensless difficulties and dangers, risking other people's safety and even their lives — just so he can eventually say that he, Herzog, has beaten seemingly unbeatable odds. For his movies he hires retards and amateurs whom he can push around (and alledgedly hypnotize!), and he pays them starvation wages or zilch. He also uses freaks and cripples of every conceivable size and shape, merely to look interesting. He doesn't have the foggiest inkling of how to make movies. He doesn't even try to direct the actors anymore. Long ago, when I ordered him to keep his trap shut, he gave up asking me whether I'm willing to carry out his stupid and boring ideas.”

Klaus Kinski (1926–1991) German actor

Source: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 222

Death, Money, Hate, People

“You see, some people have a talent for programming. At ten to thirteen years old, typically, they're fascinated, and if they use a program, they want to know: “How does it do this?” But when they ask the teacher, if it's proprietary, the teacher has to say: “I'm sorry, it's a secret, we can't find out.” Which means education is forbidden. A proprietary program is the enemy of the spirit of education. It's knowledge withheld, so it should not be tolerated in a school, even though there may be plenty of people in the school who don't care about programming, don't want to learn this. Still, because it's the enemy of the spirit of education, it shouldn't be there in the school.
But if the program is free, the teacher can explain what he knows, and then give out copies of the source code, saying: “Read it and you'll understand everything.” And those who are really fascinated, they will read it! And this gives them an opportunity to start to learn how to be good programmers.
To learn to be a good programmer, you'll need to recognize that certain ways of writing code, even if they make sense to you and they are correct, they're not good because other people will have trouble understanding them. Good code is clear code that others will have an easy time working on when they need to make further changes.
How do you learn to write good clear code? You do it by reading lots of code, and writing lots of code. Well, only free software offers the chance to read the code of large programs that we really use. And then you have to write lots of code, which means you have to write changes in large programs.
How do you learn to write good code for the large programs? You have to start small, which does not mean small program, oh no! The challenges of the code for large programs don't even begin to appear in small programs. So the way you start small at writing code for large programs is by writing small changes in large programs. And only free software gives you the chance to do that.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

A Free Digital Society - What Makes Digital Inclusion Good or Bad? http://www.gnu.org/philosophy/free-digital-society.html#education; Lecture at Sciences Po in Paris (19 October 2011)] 2010s

People, Secret, Education, School

“Welcome back! If you're wondering where our good friend -- Kevin Eubanks couldn't be here. Kevin is on tour. He's in France right now. He called me today and he's over there and he wouldn't be back until next week. So if you're wondering where Kevin Eubanks is, he's with us in spirit certainly.
Okay. Boy, this is the hard part. I want to thank you, the audience. You folks have been just incredibly loyal. (emotionally) This is tricky. (laughs) We wouldn't be on the air without you people. Secondly, this has been the greatest 22 years of my life. (applause)
I am the luckiest guy in the world. I got to meet presidents, astronauts, movie stars, it's just been incredible. I got to work with lighting people who made me look better than I really am. I got to work with audio people who made me sound better than I really do. (voice breaking) And I got to work with producers! And writers! (choked pause) And just all kinds of talented people who make me look a lot smarter than I really am.
I'll tell you something. First year of this show, I lost my mom. Second year, I lost my dad. Then my brother died. And after that, I was pretty much out of family. And the folks here became my family. Consequently, when they went through rough times, I tried to be there for them. The last time we left the show, you might remember we had the 64 children that were born among all our staffers that married. That was a great moment.
And when people say to me, hey why don't you go to ABC? Why don't you go to FOX? Why don't you go…? I didn't know anybody over there. These are the only people I have ever known. I'm also proud to say this is a a union show. And I have never worked (applause) -- I have never worked with a more professional group of people in my life. They get paid good money and they do a good job.
And when the guys and women on this show would show me the new car they bought or the house up the street here in Burbank that one of the guys got, I felt I played a bigger role in their success as they played in mine. That was just a great feeling.
And I'm really excited for Jimmy Fallon. You know, it's fun to kind of be the old guy and sit back here and see where the next generation takes this great institution, and it really is. It's been a great institution for 60 years. I am so glad I got to be a part of it, but it really is time to go, hand it off to the next guy; it really is.
And in closing, I want to quote Johnny Carson, who was the greatest guy to ever do this job. And he said, I bid you all a heartfelt good night. Now that I brought the room down, hey, Garth, have you got anything to liven this party up? Give it a shot! Garth Brooks!”

Jay Leno (1950) American comedian, actor, writer, producer, voice actor and television host

Farewell speech, February 6, 2014
The Tonight Show

Life, Women, Money, Children

“Fashion drawing teacher: 'Yes, drawing is a difficult art. One has to have some talent for it - and unfortunately you haven't.
Charlotte: 'No, I refuse to stay here with this stupid old cow, where through the dirty window even the sun's bright ray can only dimly play... Only he who dares can win. Only he who dares can begin.”

Charlotte Salomon (1917–1943) German painter

written text with brush, in her paintings JHM no. 4334 https://charlotte.jck.nl/detail/M004334/part/character/theme/keyword + 4335 https://charlotte.jck.nl/detail/M004335: in 'Life? or Theater..', p. 222-223 Charlotte Salomon - Life? or Theater?

Stupidity, Art, Fashion, Teachers

“Everything is in decline the moment you stop giving the artist freedom. That goes for everywhere, but it is happening in America right now. I think record companies are at great fault. In general, they don’t want to develop talent, but rather get the most out of them in the short term. They’re steering people to do things they perhaps wouldn’t do but have to do and not everyone has the integrity to say “No way.” People are hungry and they have to make money and take care of their families, so it’s a great pressure. Only when you can afford it from an artistic or financial point of view can you express what you want to express.”

Joe Zawinul (1932–2007) austrian composer and pianist

On how the record industry in America represses artist freedom and talents from upcoming artists
Prasad interview (1997)

Money, People, Family, Way

“Talent alone is not enough. In the end, Guardian, it is desire that creates a master vintner, makes him into a Vineart. A passion, not for power, or strength, but for the grapes themselves. Anything else leads to ruin.”

Laura Anne Gilman book Flesh and Fire

Source: Flesh and Fire (2009), pp. 57-58

Passion

“Everyone here makes a botch of his life. That's the local specialty, the genius loci. Anyone who doesn't botch up his life here simply has no talent.”

Imre Kertész (1929–2016) Hungarian writer

Liquidation (2003)

Life

“When one compares the talents one has with those of a Leibniz, one is tempted to throw away one's books and go die quietly in the dark of some forgotten corner.”

Denis Diderot (1713–1784) French Enlightenment philosopher and encyclopædist

Oeuvres complètes, vol. 7, p. 678

Books

“I could become a Gold Glove-caliber shortstop. Not as talented as Vizquel, but definitely on par with Jeter.”

Ichiro Suzuki (1973) Japanese baseball player

Brad Lefton. "Ichiro takes leadership role for Team Japan" http://www.seattletimes.com/sports/ichiro-takes-leadership-role-for-team-japan/. Seattle Times. March 1 2009.

“At fifteen, beauty and talent do not exist; there can only be promise of the coming woman.”

Honoré de Balzac book Une fille d'Ève

A quinze ans, ni la beauté ni le talent n'existent: une femme est tout promesse.
Source: A Daughter of Eve (1839), Ch. 5: Florine.

Beauty

“Insult not another for his want of a talent you possess: He may have others which you want.”

James Burgh (1714–1775) British politician

The Dignity of Human Nature (1754)

“Magnus has many good qualities… he is very versatile and he can play a lot of positions at a very high level. He's also very flexible. And he has this amazing talent for grinding on, as you say. So that combination I was unable to deal with.”

Viswanathan Anand (1969) Indian chess player

2013 World Chess Championship

“Children's lies are signs of great talent.”

Gabriel García Márquez book Living to Tell the Tale

Living to Tell the Tale (2002)

Children

“My holy of holies is the human body, health, intelligence, talent, inspiration, love, and the most absolute freedom imaginable, freedom from violence and lies, no matter what form the latter two take. Such is the program I would adhere to if I were a major artist.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to Alexei Pleshcheev (October 4, 1888)
Letters

Love, Health, Imagination, Intelligence

“The man, whose head and heart had in a desperate emergency and amidst a despairing people paved the way for their deliverance, was no more, when it became possible to carry out his design. Whether his successor Hasdrubal forbore to make the attack because the proper moment seemed to him to have not yet come, or whether, more a statesman than a general, he believed himself unequal to the conduct of the enterprise, we are unable to determine. When, at the beginning of [221 B. C], he fell by the hand of an assassin, the Carthaginian officers of the Spanish army summoned to fill his place Hannibal, the eldest son of Hamilcar. He was still a young man--born in [247 B. C], and now, therefore, in his twenty-ninth year [221 B. C]; but his had already been a life of manifold experience. His first recollections pictured to him his father fighting in a distant land and conquering on Ercte; he had keenly shared that unconquered father's feelings on the Peace of Catulus (also see Treaty of Lutatius), on the bitter return home, and throughout the horrors of the Libyan war. While yet a boy, he had followed his father to the camp; and he soon distinguished himself. His light and firmly-knit frame made him an excellent runner and fencer, and a fearless rider at full speed; the privation of sleep did not affect him, and he knew like a soldier how to enjoy or to dispense with food. Although his youth had been spent in the camp, he possessed such culture as belonged to the Phoenicians of rank in his day; in Greek, apparently after he had become a general, he made such progress under the guidance of his confidant Sosilus of Sparta as to be able to compose state papers in that language. As he grew up, he entered the army of his father, to perform his first feats of arms under the paternal eye and to see him fall in battle by his side. Thereafter he had commanded the cavalry under his sister's husband, Hasdrubal, and distinguished himself by brilliant personal bravery as well as by his talents as a leader. The voice of his comrades now summoned him--the tried, although youthful general--to the chief command, and he could now execute the designs for which his father and his brother-in-law had lived and died. He took up the inheritance, and he was worthy of it. His contemporaries tried to cast stains of various sorts on his character; the Romans charged him with cruelty, the Carthaginians with covetousness; and it is true that he hated as only Oriental natures know how to hate, and that a general who never fell short of money and stores can hardly have been other than covetous. But though anger and envy and meanness have written his history, they have not been able to mar the pure and noble image which it presents. Laying aside wretched inventions which furnish their own refutation, and some things which his lieutenants, particularly Hannibal Monomachus and Mago the Sammite, were guilty of doing in his name, nothing occurs in the accounts regarding him which may not be justified under the circumstances, and according to the international law, of the times; and all agree in this, that he combined in rare perfection discretion and enthusiasm, caution and energy. He was peculiarly marked by that inventive craftiness, which forms one of the leading traits of the Phoenician character; he was fond of taking singular and unexpected routes; ambushes and stratagems of all sorts were familiar to him; and he studied the character of his antagonists with unprecedented care. By an unrivaled system of espionage--he had regular spies even in Rome--he kept himself informed of the projects of the enemy; he himself was frequently seen wearing disguises and false hair, in order to procure information on some point or other. Every page of the history of this period attests his genius in strategy; and his gifts as a statesman were, after the peace with Rome, no less conspicuously displayed in his reform of the Carthaginian constitution, and in the unparalleled influence which as a foreign exile he exercised in the cabinets of the eastern powers. The power which he wielded over men is shown by his incomparable control over an army of various nations and many tongues--an army which never in the worst times mutinied against him. He was a great man; wherever he went, he riveted the eyes of all.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome, Volume 2 Translated by W.P. Dickson
On Hannibal the man and soldier
The History of Rome - Volume 2

Life, Men, Money, Hate

“I present, for what it is worth, and may prove to be worth, the following bill of axioms or aphorisms on public administration, as fitting this important occasion.
# The continuous and fairly efficient discharge of certain functions by government, central and local, is a necessary condition for the existence of any great society.
# As a society becomes more complicated, as its division of labor ramifies more widely, as its commerce extends, as technology takes the place of handicrafts and local self-sufficiency, the functions of government increase in number and in their vital relationships to the fortunes of society and individuals.
# Any government in such a complicated society, consequently any such society itself, is strong in proportion to its capacity to administer the functions that are brought into being.
# Legislation respecting these functions, difficult as it is, is relatively easy as compared with the enforcement of legislation, that is, the effective discharge of these functions in their most minute ramifications and for the public welfare.
# When a form of government, such as ours, provides for legal changes, by the process of discussion and open decision, to fit social changes, then effective and wise administration becomes the central prerequisite for the perdurance of government and society — to use a metaphor, becomes a foundation of government as a going concern.
# Unless the members of an administrative system are drawn from various classes and regions, unless careers are open in it to talents, unless the way is prepared by an appropriate scheme of general education, unless public officials are subjected to internal and external criticism of a constructive nature, then the public personnel will become a bureaucracy dangerous to society and to popular government.
# Unless, as David Lilienthal has recently pointed out in an address on the Tennessee Valley Authority, an administrative system is so constructed and operated as to keep alive local and individual responsibilities, it is likely to destroy the basic well-springs of activity, hope, and enthusiasm necessary to popular government and to the following of a democratic civilization.”

Charles A. Beard (1874–1948) American historian

Administration, A Foundation of Government (1940)

Education, Hope, Way, Spring

“Today, I would like to provide the American people with an update on the White House transition and our policy plans for the first 100 days. Our transition team is working very smoothly, efficiently, and effectively. Truly great and talented men and women, patriots indeed are being brought in and many will soon be a part of our government, helping us to Make America Great Again. My agenda will be based on a simple core principle: putting America First. Whether it's producing steel, building cars, or curing disease, I want the next generation of production and innovation to happen right here, in our great homeland: America – creating wealth and jobs for American workers. As part of this plan, I've asked my transition team to develop a list of executive actions we can take on day one to restore our laws and bring back our jobs. It's about time. These include the following: On trade, I am going to issue our notification of intent to withdraw from the Trans-Pacific Partnership, a potential disaster for our country. Instead, we will negotiate fair, bilateral trade deals that bring jobs and industry back onto American shores. On energy, I will cancel job-killing restrictions on the production of American energy – including shale energy and clean coal – creating many millions of high-paying jobs. That's what we want, that's what we've been waiting for. On regulation, I will formulate a rule which says that for every one new regulation, two old regulations must be eliminated, it's so important. On national security, I will ask the Department of Defense and the Chairman of the Joint Chiefs of Staff to develop a comprehensive plan to protect America's vital infrastructure from cyber-attacks, and all other form of attacks. On immigration, I will direct the Department of Labor to investigate all abuses of visa programs that undercut the American worker. On ethics reform, as part of our plan to Drain the Swamp, we will impose a five-year ban on executive officials becoming lobbyists after they leave the Administration – and a lifetime ban on executive officials lobbying on behalf of a foreign government. These are just a few of the steps we will take to reform Washington and rebuild our middle class. I will provide more updates in the coming days, as we work together to Make America Great Again for everyone.”

Donald J. Trump (1946) 45th President of the United States of America

A Message from President-Elect Donald J. Trump https://www.youtube.com/watch?v=7xX_KaStFT8 (21 November 2016) 2010s, 2016, November

Women, Men, People, Disease

“Only enormously talented people could have made Death to Smoochy. Those with lesser gifts would have lacked the nerve to make a film so bad, so miscalculated, so lacking any connection with any possible audience.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/death-to-smoochy-2002 of Death to Smoochy (29 March 2002) Reviews, Half-star reviews

Death, People

“In my opinion Mr. Moore is a greater poet than Mr. Yeats. He has lived obscurely, and has not displayed Mr. Yeats's talent for self-dramatization; for these reasons and others he has never become a public figure or a popular writer.”

Thomas Sturge Moore (1870–1944) British playwright, poet and artist

Yvor Winters Uncollected Essays and Reviews (Chicago: Swallow Press, 1973) p. 139.
Criticism

“Talent is secondary to whether players are confident.”

Jack Gibson (1929–2008) Australian rugby league player and coach

Gibson often put trust above pure playing ability when selecting teams.

Confidence

“Some must be great. Great offices will have
Great talents. And God gives to every man
The virtue, temper, understanding, taste,
That lifts him into life, and lets him fall
Just in the niche he was ordain'd to fill.”

William Cowper The Task

Source: The Task (1785), Book IV, The Winter Evening, Line 788.

Life, God, Understanding

“Litvak knew that charisma was a real if indefinable quality, a chemical fire that certain half-fortunate men gave off. Like any fire or talent, it was amoral, unconnected to goodness or wickedness, power or usefulness or strength.”

Michael Chabon (1963) Novelist, short story writer, essayist

Source: The Yiddish Policemen’s Union (2007), Chapter 39

Men

“Actually, you can make pretty good cash on stage without being a comedian or a stripper. My brother once won a talent contest by fartin' the song "Dixie" through an oil funnel. He not only took home 500 bucks, he got to meet Regis after the show. Who says dreams don't come true?”

Larry the Cable Guy (1963) American stand-up comedian, actor, country music artist, voice artist

Source: Git-R-Done (book), p. 11

Dreams, Home

“Those in authority within institutions and social structures attempt to justify their rule by linking it, as if it were a necessary consequence, with moral symbols, sacred emblems, or legal formulae which are widely believed and deeply internalized. These central conceptions may refer to a god or gods, the 'votes of the majority,' the 'will of the people,' the 'aristocracy of talents or wealth,' to the 'divine right of kings' or to the alleged extraordinary endowment of the person of the ruler himself.”

C. Wright Mills (1916–1962) American sociologist

Character & Social Structure (1954).
1950s

God, People, Personality, Wealth

“He had a conspicuous individual talent, but it was interpretive, not directly creative. He could never have emulated Chaplin, Keaton or Jacques Tati and set up a whole project by himself, controlling its every detail even if the task took years. But there is no point carping. He had such a protean capacity that it would have been a miracle if he had been in full command of it.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Ibid.
Memoirs, North Face of Soho (2006)

“We need a corrective on who is a genuine artist. I'm an opportunist. I have no talent. That's true of 99 per cent of people in the British media. Ricky Gervais or Graham and Arthur who wrote Father Ted or Armando Iannucci are God-like as they have talent. Everyone else is a drone.”

Griff Rhys Jones (1953) British actor and comedian

Michael Odell, "This much I know: Griff Rhys Jones", The Guardian, November 5 2006.
Talking about talent

God, People

“In a Thumbnail Sketch here is [the Multiple Drafts theory of consciousness] so far:There is no single, definitive "stream of consciousness," because there is no central Headquarters, no Cartesian Theatre where "it all comes together" for the perusal of a Central Meaner. Instead of such a single stream (however wide), there are multiple channels in which specialist circuits try, in parallel pandemoniums, to do their various things, creating Multiple Drafts as they go. Most of these fragmentary drafts of "narrative" play short-lived roles in the modulation of current activity but some get promoted to further functional roles, in swift succession, by the activity of a virtual machine in the brain. The seriality of this machine (its "von Neumannesque" character) is not a "hard-wired" design feature, but rather the upshot of a succession of coalitions of these specialists.The basic specialists are part of our animal heritage. They were not developed to perform peculiarly human actions, such as reading and writing, but ducking, predator-avoiding, face-recognizing, grasping, throwing, berry-picking, and other essential tasks. They are often opportunistically enlisted in new roles, for which their talents may more or less suit them. The result is not bedlam only because the trends that are imposed on all this activity are themselves part of the design. Some of this design is innate, and is shared with other animals. But it is augmented, and sometimes even overwhelmed in importance, by microhabits of thought that are developed in the individual, partly idiosyncratic results of self-exploration and partly the predesigned gifts of culture. Thousands of memes, mostly borne by language, but also by wordless "images" and other data structures, take up residence in an individual brain, shaping its tendencies and thereby turning it into a mind.”

Daniel Dennett book Consciousness Explained

Source: Consciousness Explained (1991), p. 253–4.

Reading, Success, Animals, Parting

“I recall the nomination of M. Poincaré seven years ago. It was almost a revolution…A man of great talent, sprung from a family of high morality and worthy in every respect…The coming of M. Poincaré was greeted as announcing the dawn of a new era. A patriotic policy was about to succeed a regime of diminution and debasement. It was expected that this Lorrainer, an orator, an upright man, a patriot…would revive the country…I do not hesitate to say that the total good in his activity is greater than the total of bad…he never weakened…his influence and his action were judicious, useful, and even very effective…Finally, if the country has maintained an honorable and worthy appearance, it is because he who represented it knew how to be worthy and honest himself.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

Germain Bapst's diary entry (18 February 1920), quoted in Gordon Wright, Raymond Poincaré and the French Presidency (New York: Octagon Books, 1967), pp. 241-242.
About

Family, Appearance, Country

“Whether computers are used for engineering design, medical data processing, composing music, or other purposes, the structure of computing is much the same. We are extremely short of talented people in this field, and so we need departments, curricula, and research and degree programs in computer science… I think of the Computer Science Department as eventually including experts in Programming, Numerical Analysis, Automata Theory, Data Processing, Business Games, Adaptive Systems, Information Theory, Information Retrieval, Recursive Function Theory, Computer Linguistics, etc., as these fields emerge in structure… Universities must respond [to the computer revolution] with far reaching changes in the educational structure.”

George Forsythe (1917–1972) Stanford University computer scientist

As cited in Donald Knuth (1972). "George Forsythe and the Development of Computer Science" http://www.stanford.edu/dept/ICME/docs/history/forsythe_knuth.pdf. Comms. ACM. "Educational implications of the computer revolution," 1963

People, Education, Music, Game

“Anyone can forget about talent, but if you're also a good person, your name will be remembered for a long time.”

Alex Rodriguez (1975) American baseball player

Time, Personality, Forgetting

“A man must stand against evil wherever he finds it and he must use all his talents.”

David Gemmell book The King Beyond the Gate

Source: Drenai series, The King Beyond the Gate, Ch. 6
Context: Nothing in life is easy, Arvan. But it's what I'm trained for. To lead an army. To bring death and destruction on my enemies [... ] A man must stand against evil wherever he finds it and he must use all his talents.

Evil

“It is here in Britain where in one or two generations people can come with nothing and rise as high as their talent allows. It is here in Britain where success is achieved not in spite of our diversity, but because of our diversity.”

David Cameron (1966) Former Prime Minister of the United Kingdom

2010s, 2015, Speech on extremism (20 July 2015)
Context: It is here in Britain where different people, from different backgrounds, who follow different religions and different customs don’t just rub alongside each other but are relatives and friends; husbands, wives, cousins, neighbours and colleagues. It is here in Britain where in one or two generations people can come with nothing and rise as high as their talent allows. It is here in Britain where success is achieved not in spite of our diversity, but because of our diversity.

People, Success

“Your born genius, therefore, will first have to ask himself, Whether he can hold his tongue or cannot? True, all human talent, especially all deep talent, is a talent to do, and is intrinsically of silent nature; inaudible, like the Sphere Harmonies and Eternal Melodies, of which it is an incarnated fraction.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)
Context: Our English careers to born genius are twofold. There is the silent or unlearned career of the Industrialisms, which are very many among us; and there is the articulate or learned career of the three professions, Medicine, Law (under which we may include Politics), and the Church. Your born genius, therefore, will first have to ask himself, Whether he can hold his tongue or cannot? True, all human talent, especially all deep talent, is a talent to do, and is intrinsically of silent nature; inaudible, like the Sphere Harmonies and Eternal Melodies, of which it is an incarnated fraction.

Nature

“America would be a place where each man could be proud to be himself: stretching his talents, rejoicing in his work, important in the life of his neighbors and his nation.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Inaugural address (1965)
Context: Liberty was the second article of our covenant. It was self-government. It was our Bill of Rights. But it was more. America would be a place where each man could be proud to be himself: stretching his talents, rejoicing in his work, important in the life of his neighbors and his nation. This has become more difficult in a world where change and growth seem to tower beyond the control and even the judgment of men. We must work to provide the knowledge and the surroundings which can enlarge the possibilities of every citizen. The American covenant called on us to help show the way for the liberation of man. And that is today our goal. Thus, if as a nation there is much outside our control, as a people no stranger is outside our hope.

Life

“Talent went out of style.… People either didn't believe Houdini when he said that his tricks on film were real, or they didn't care.”

John Leonard (1939–2008) American critic, writer, and commentator

"Books of the Times" in The New York Times (6 July 1981)
Context: The magaicians of the 19th century, enthralled by the science of optics, photography and electricity, opened the door to motion pictures and thereby rendered themselves obsolete. Any amateur with a pair of scissors can cut and edit a strip of film in order to make a woman vanish, sever a head, burn a body down to the skeleton and reverse time. Talent went out of style.… People either didn't believe Houdini when he said that his tricks on film were real, or they didn't care. Illusion became big bigness, and the magicians were out of work.

People

“I have a talent for silence and brevity. I can keep silent when it seems best to do so, and when I speak I can, and do usually, quit when I am done.”

Rutherford B. Hayes (1822–1893) American politician, 19th President of the United States (in office from 1877 to 1881)

Diary (20 November 1872)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)
Context: I have a talent for silence and brevity. I can keep silent when it seems best to do so, and when I speak I can, and do usually, quit when I am done. This talent, or these two talents, I have cultivated. Silence and concise, brief speaking have got me some laurels, and, I suspect, lost me some. No odds. Do what is natural to you, and you are sure to get all the recognition you are entitled to.

Silence

“The first glance at History convinces us that the actions of men proceed from their needs, their passions, their characters and talents; and impresses us with the belief that such needs, passions and interests are the sole springs of action — the efficient agents in this scene of activity. Among these may, perhaps, be found aims of a liberal or universal kind — benevolence it may be, or noble patriotism; but such virtues and general views are but insignificant as compared with the World and its doings. We may perhaps see the Ideal of Reason actualized in those who adopt such aims, and within the sphere of their influence; but they bear only a trifling proportion to the mass of the human race; and the extent of that influence is limited accordingly. Passions, private aims, and the satisfaction of selfish desires, are on the other hand, most effective springs of action.”

Georg Wilhelm Friedrich Hegel book Lectures on the Philosophy of History

Pt. III, sec. 2, ch. 24 Lectures on the History of History Vol 1 p. 21 John Sibree translation (1857), 1914
Lectures on the Philosophy of History (1832), Volume 1
Context: Although Freedom is, primarily, an undeveloped idea, the means it uses are external and phenomenal; presenting themselves in History to our sensuous vision. The first glance at History convinces us that the actions of men proceed from their needs, their passions, their characters and talents; and impresses us with the belief that such needs, passions and interests are the sole springs of action — the efficient agents in this scene of activity. Among these may, perhaps, be found aims of a liberal or universal kind — benevolence it may be, or noble patriotism; but such virtues and general views are but insignificant as compared with the World and its doings. We may perhaps see the Ideal of Reason actualized in those who adopt such aims, and within the sphere of their influence; but they bear only a trifling proportion to the mass of the human race; and the extent of that influence is limited accordingly. Passions, private aims, and the satisfaction of selfish desires, are on the other hand, most effective springs of action. Their power lies in the fact that they respect none of the limitations which justice and morality would impose on them; and that these natural impulses have a more direct influence over man than the artificial and tedious discipline that tends to order and self-restraint, law and morality. When we look at this display of passions, and the consequences of their violence; the Unreason which is associated not, only with them, but even (rather we might say especially) with good designs and righteous aims; when we see the evil, the vice, the ruin that has befallen the most flourishing kingdoms which the mind of man ever created, we can scarce avoid being filled with sorrow at this universal taint of corruption: and, since this decay is not the work of mere Nature, but of the Human Will — a moral embitterment — a revolt of the Good Spirit (if it have a place within us) may well be the result of our reflections.

Men, World, History, Spring

“I have no patience with this dreadful idea that whatever you have in you has to come out, that you can't suppress true talent. People can be destroyed; they can be bent, distorted, and completely crippled... In spite of all the poetry, all the philosophy to the contrary, we are not really masters of our fate.”

Katherine Anne Porter (1890–1980) American journalist, essayist, short story writer, novelist, and political activist

Quoted in "Contexts" (1982) by Irena Klepfisz http://www.theparisreview.org/interviews/4569/the-art-of-fiction-no-29-katherine-anne-porter

Fate, People, Idea, Patience

“They who lack talent expect things to happen without effort.”

Eric Hoffer (1898–1983) American philosopher

Section 77
Reflections on the Human Condition (1973)
Context: They who lack talent expect things to happen without effort. They ascribe failure to a lack of inspiration or ability, or to misfortune, rather than to insufficient application. At the core of every true talent there is an awareness of the difficulties inherent in any achievement, and the confidence that by persistence and patience something worthwhile will be realized. Thus talent is a species of vigor.

Effort

“The moment of recognizing your own lack of talent is a flash of genius.”

Stanisław Jerzy Lec book Unkempt Thoughts

Unkempt Thoughts (1957), p. 116

“The discreet man finds out the talents of those he converses with, and knows how to apply them to proper uses.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 225.
The Tatler (1711–1714)
Context: The discreet man finds out the talents of those he converses with, and knows how to apply them to proper uses. Accordingly, if we look into particular communities and divisions of men, we may observe that it is the discreet man, not the witty, nor the learned, nor the brave, who guides the conversation, and gives measures to the society.

“The greatest talents have been frequently misapplied and have produced evil proportionate to the extent of their powers.”

Thomas Robert Malthus (1766–1834) British political economist

Source: An Essay on The Principle of Population (First Edition 1798, unrevised), Chapter XIX, paragraph 2, lines 1-6
Context: The greatest talents have been frequently misapplied and have produced evil proportionate to the extent of their powers. Both reason and revelation seem to assure us that such minds will be condemned to eternal death, but while on earth, these vicious instruments performed their part in the great mass of impressions, by the disgust and abhorrence which they excited.

Evil

“Why should we accept that the "talent" of someone who writes jingles for an advertising agency advertising dog food and gets $100,000 a year is superior to the talent of an auto mechanic who makes $40,000 a year?”

Howard Zinn (1922–2010) author and historian

ZNet commentary (35 November 1999) http://www.zmag.org/sustainers/content/1999-11/25zinn.htm Context: Why should we accept that the "talent" of someone who writes jingles for an advertising agency advertising dog food and gets $100,000 a year is superior to the talent of an auto mechanic who makes $40,000 a year? Who is to say that Bill Gates works harder than the dishwasher in the restaurant he frequents, or that the CEO of a hospital who makes $400,000 a year works harder than the nurse or the orderly in that hospital who makes $30,000 a year? The president of Boston University makes $300,000 a year. Does he work harder than the man who cleans the offices of the university? Talent and hard work are qualitative factors which cannot be measured quantitatively.

Food, Dogs

“Let them not imagine that they know aught of the delights which intercourse with the other sex can give, until they have felt the sympathy of mind with mind, and heart with heart; until they bring into that intercourse every affection, every talent, every confidence, every refinement, every respect. Until power is annihilated on one side, fear and obedience on the other, and both restored to the birthright — equality. Let none think that affection can reign without it; or friendship or esteem. Jealousies, envyings, suspicions, reserves, deceptions — these are the fruits of inequality.”

Frances Wright (1795–1852) American activist

Lecture II: Of Free Inquiry, considered as a Means for obtaining Just Knowledge
A Course of Popular Lectures (1829)
Context: How many, how omnipotent are the interests which engage men to break the mental chains of women! How many, how dear are the interests which engage them to exalt rather than lower their condition, to multiply their solid acquirements, to respect their liberties, to make them their equals, to wish them even their superiors! Let them inquire into these things. Let them examine the relation in which the two sexes stand, and ever must stand, to each other. Let them perceive that, mutually dependent, they must ever be giving and receiving, or they must be losing — receiving or losing in knowledge, in virtue, in enjoyment. Let them perceive how immense the loss, or how immense the gain. Let them not imagine that they know aught of the delights which intercourse with the other sex can give, until they have felt the sympathy of mind with mind, and heart with heart; until they bring into that intercourse every affection, every talent, every confidence, every refinement, every respect. Until power is annihilated on one side, fear and obedience on the other, and both restored to the birthright — equality. Let none think that affection can reign without it; or friendship or esteem. Jealousies, envyings, suspicions, reserves, deceptions — these are the fruits of inequality.

Friendship, Fear, Jealousy, Sex

“I mean, so what if some fifty-eight-year-old butt-head gets a load on and starts playing Death Race 2000 in the rush-hour traffic jam? What kind of chance is he taking? He's just waiting around to see what kind of cancer he gets anyway. But if young, talented you, with all of life's possibilities at your fingertips, you and the future Cheryl Tiegs there, so fresh, so beautiful — if the two of you stake your handsome heads on a single roll of the dice in life's game of stop-the-semi — now that's taking chances! Which is why old people rarely risk their lives. It's not because they're chicken — they just have too much dignity to play for small stakes.”

P. J. O'Rourke book Republican Party Reptile

Republican Party Reptile (1987)

Life, Death, People, Beauty

“I don’t have a talent for narcissism.”

Saul Leiter (1923–2013) American photographer

Saul Leiter: The Quiet Iconoclast (2009)
Context: I am not immersed in self-admiration. When I am listening to Vivaldi or Japanese music or making spaghetti at three in the morning and realize that I don’t have the proper sauce for it, fame is of no use. The other way to put it is that I don’t have a talent for narcissism. Or, to put it yet another way, the mirror is not my best friend.

“Any talented decadent can make unreality believable. To make reality convincing is another matter, a matter for only the greatest masters.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

Tolstoy: War and Peace (p. 192)
Classics Revisited (1968)

Reality

“Sure, nice guys can win — if they're nice guys with a lot of talent. Nice guys with a little talent finish fourth, and nice guys with no talent finish last.”

Sandy Koufax (1935) American baseball player

As quoted in Total Baseball : The Official Encyclopedia of Major League Baseball (2001) by John Thorn, p. 2468
Context: In the end it all comes down to talent. You can talk all you want about intangibles, I just don't know what that means. Talent makes winners, not intangibles. Can nice guys win? Sure, nice guys can win — if they're nice guys with a lot of talent. Nice guys with a little talent finish fourth, and nice guys with no talent finish last.

Guy

“I agree with you that there is a natural aristocracy among men. The grounds of this are virtue and talents…”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to John Adams (28 October 1813)
1810s
Variant: There is a natural aristocracy among men. The grounds of this are virtue and talents.
Context: I agree with you that there is a natural aristocracy among men. The grounds of this are virtue and talents... The natural aristocracy I consider as the most precious gift of nature, for the instruction, the trusts, and government of society... Every one, by his property, or by his satisfactory situation, is interested in the support of law and order. And such men may safely and advantageously reserve to themselves a wholesome control over their public affairs, and a degree of freedom, which, in the hands of the canaille [the masses] of the cities of Europe, would be instantly perverted to the demolition and destruction of everything public and private.

Men, Nature

“His talent was as natural as the pattern that was made by the dust on a butterfly's wings.”

Ernest Hemingway book A Moveable Feast

An assessment of F. Scott Fitzgerald, Ch. 17
A Moveable Feast (1964)
Context: His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and of their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.

Nature

“So it’s all about trying to find the best fit between your talents and what the world can offer at that point in time.”

Alain de Botton (1969) Swiss writer

As quoted in "The Art of Connection – A Conversation with Alain de Botton" by Kim Nagy in Wild River Review (19 November 2007).
Context: I think where people tend to end up results from a combination of encouragement, accident, and lucky break, etc. etc. Like many others, my career happened like it did because certain doors opened and certain doors closed. You know, at a certain point I thought it would be great to make film documentaries. Well, in fact, I found that to be incredibly hard and very expensive to do and I didn’t really have the courage to keep battling away at that. In another age, I might have been an academic in a university, if the university system had been different. So it’s all about trying to find the best fit between your talents and what the world can offer at that point in time.

World, Time

“Men of talent have to be goaded to engage in creative work. The groans and laments of even the most gifted and prolific echo through the ages.”

Eric Hoffer (1898–1983) American philosopher

Entry (1953)
Eric Hoffer and the Art of the Notebook (2005)
Context: The sense of worth derived from creative work depends upon "recognition" by others, which is never automatic. As a result, the path of self-realization, even when it is the only open one, is taken with reluctance. Men of talent have to be goaded to engage in creative work. The groans and laments of even the most gifted and prolific echo through the ages.

Men, Age

“It means we cannot afford undue work stoppages, inflated costs of material or talent, wasteful interagency rivalries, or a high turnover of key personnel. New objectives and new money cannot solve these problems. They could in fact, aggravate them further — unless every scientist, every engineer, every serviceman, every technician, contractor, and civil servant gives his personal pledge that this nation will move forward, with the full speed of freedom, in the exciting adventure of space.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1961, Speech to Special Joint Session of Congress
Context: This decision demands a major national commitment of scientific and technical manpower, materiel and facilities, and the possibility of their diversion from other important activities where they are already thinly spread. It means a degree of dedication, organization and discipline which have not always characterized our research and development efforts. It means we cannot afford undue work stoppages, inflated costs of material or talent, wasteful interagency rivalries, or a high turnover of key personnel. New objectives and new money cannot solve these problems. They could in fact, aggravate them further — unless every scientist, every engineer, every serviceman, every technician, contractor, and civil servant gives his personal pledge that this nation will move forward, with the full speed of freedom, in the exciting adventure of space.

Money, Problem, Freedom, Personality

“It will be necessary to dwell on futile reasoning and visionary hypothesis because the most extravagant systems were often invented or controverted by men of acknowledged talent.”

Charles Lyell book Principles of Geology

Chpt.3, p. 34
Principles of Geology (1832), Vol. 1
Context: It may be well to forewarn our readers that in tracing the history of geology from the close of the seventeenth to the end of the eighteenth century they must expect to be occupied with accounts of the retardation as well as of the advance of the science.... It will be necessary to dwell on futile reasoning and visionary hypothesis because the most extravagant systems were often invented or controverted by men of acknowledged talent.

Men

“I am more than ever awed and overwhelmed by the monumental talents it was my great, great privilege to work for and with.”

Audrey Hepburn (1929–1993) British actress

Statement accepting the Screen Actors Guild Achievement Award, read by Julia Roberts, because of Audrey's failing health. (January 1993)
Context: I am more than ever awed and overwhelmed by the monumental talents it was my great, great privilege to work for and with. There is therefore no way I can thank you for this beautiful award without thanking all of them, because it is they who helped and honed, triggered and taught, pushed and pulled, dressed and photographed — and with endless patience and kindness and gentleness, guided and nurtured a totally unknown, insecure, inexperienced, skinny broad into a marketable commodity. I am proud to have been in a business that gives pleasure, creates beauty, and awakens our conscience, arouses compassion, and perhaps most importantly, gives millions a respite from our so violent world. Thank you, Screen Actors Guild and friends, for this huge honor — and for giving me this unique opportunity to express my deepest gratitude and love to all of those who have given me a career that has brought me nothing but happiness.

“I was lucky enough to be born in a time and place where society values my talent, and gave me a good education to develop that talent, and set up the laws and the financial system to let me do what I love doing — and make a lot of money doing it. The least I can do is help pay for all that.”

Warren Buffett (1930) American business magnate, investor, and philanthropist

To Barack Obama, as quoted in The Audacity of Hope: Thoughts on Reclaiming the American Dream (2006), Ch. 5
Context: I happen to have a talent for allocating capital. But my ability to use that talent is completely dependent on the society I was born into. If I’d been born into a tribe of hunters, this talent of mine would be pretty worthless. I can’t run very fast. I’m not particularly strong. I’d probably end up as some wild animal’s dinner.
But I was lucky enough to be born in a time and place where society values my talent, and gave me a good education to develop that talent, and set up the laws and the financial system to let me do what I love doing — and make a lot of money doing it. The least I can do is help pay for all that.

Love, Money, Education, Law

“A person should set his goals as early as he can and devote all his energy and talent to getting there.”

Walt Disney (1901–1966) American film producer and businessman

As quoted in Walt Disney, Magician of the Movies (1966) by Bob Thomas p. 116
Context: A person should set his goals as early as he can and devote all his energy and talent to getting there. With enough effort, he may achieve it. Or he may find something that is even more rewarding. But in the end, no matter what the outcome, he will know he has been alive.

Personality

“Unless a man has talents to make something of himself, freedom is an irksome burden.”

Eric Hoffer book The True Believer

Section 26
The True Believer (1951), Part Two: The Potential Converts
Context: Unless a man has talents to make something of himself, freedom is an irksome burden. Of what avail is freedom to choose if the self be ineffectual? We join a mass movement to escape individual responsibility, or, in the words of the ardent young Nazi, "to be free from freedom." It was not sheer hypocrisy when the rank-and-file Nazis declared themselves not guilty of all the enormities they had committed. They considered themselves cheated and maligned when made to shoulder responsibility for obeying orders. Had they not joined the Nazi movement in order to be free from responsibility?

Freedom

“In an adequate social order, the untalented should be able to acquire a sense of usefulness and of growth without interfering with the development of talent around them.”

Eric Hoffer (1898–1983) American philosopher

Source: The Ordeal of Change (1963), Ch. 13: "Scribe, Writer, and Rebel"
Context: It has been often stated that a social order is likely to be stable so long as it gives scope to talent. Actually, it is the ability to give scope to the untalented that is most vital in maintaining social stability. For not only are the untalented more numerous but, since they cannot transmute their grievances into a creative effort, their disaffection will be more pronounced and explosive. Thus the most troublesome problem which confronts social engineering is how to provide for the untalented and, what is equally important, how to provide against them. For there is a tendency in the untalented to divert their energies from their own development into the management, manipulation, and probably frustration of others. They want to police, instruct, guide, and meddle. In an adequate social order, the untalented should be able to acquire a sense of usefulness and of growth without interfering with the development of talent around them. This requires, first, an abundance of opportunities for purposeful action and self advancement. Secondly, a wide diffusion of technical and social skills so that people will be able to work and manage their affairs with a minimum of tutelage. The scribe mentality is best neutralized by canalizing energies into purposeful and useful pursuits, and by raising the cultural level of the whole population so as to blur the dividing line between the educated and the uneducated. If such an arrangement lacks provisions for the encouragement of the talented it yet has the merit of not interfering with them.

Sense

“It has been often stated that a social order is likely to be stable so long as it gives scope to talent. Actually, it is the ability to give scope to the untalented that is most vital in maintaining social stability.”

Eric Hoffer (1898–1983) American philosopher

“My advice is precisely the advice my mother gave me. If you believe you have talent, the next thing you must have is determination.”

Cass Elliot (1941–1974) American singer

As quoted in "Twenty Questions for Mama Cass" by Frederick Todd in American Girl magazine (June 1970)
Context: My advice is precisely the advice my mother gave me. If you believe you have talent, the next thing you must have is determination. If you keep working, keep striving, and try always to move forward a little bit with every job you do, you’ll eventually make it. And I believe that!

“The world is often unkind to new talents, new creations. The new needs friends.”

Brad Bird (1957) American director, screenwriter, animator, producer and occasional voice actor

"Anton Ego" in Ratatouille (2007)
Context: In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talents, new creations. The new needs friends. Last night, I experienced something new; an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking, is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook". But I realize — only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.

World

“All of us can be excellent, because, fortunately, we are exceedingly diverse in our ambitions and talents.”

Edward Teller (1908–2003) Hungarian-American nuclear physicist

As quoted in The Martians of Science : Five Physicists Who Changed the Twentieth Century (2006) by István Hargittai, p. 251
Context: I believe in excellence. It is a basic need of every human soul. All of us can be excellent, because, fortunately, we are exceedingly diverse in our ambitions and talents.

“I was very cruel to actors and to other people. I think I was a very, very unpleasant young man. If I met the young Ingmar today, I think I would say, "You are very talented and I will see if I can help you, but I don't think I want anything else to do with you."”

Ingmar Bergman (1918–2007) Swedish filmmaker

As quoted in "Ingmar Bergman: Summing Up A Life In Film" by Michiko Kakutani in The New York Times Magazine (26 June 1983).
Context: I was very cruel to actors and to other people. I think I was a very, very unpleasant young man. If I met the young Ingmar today, I think I would say, "You are very talented and I will see if I can help you, but I don't think I want anything else to do with you." I don't say I'm pleasant now, but I think I changed slowly in my 50's. At least I hope I've changed.

People, Thinking, Help

“For the Anarchist, freedom is not an abstract philosophical concept, but the vital concrete possibility for every human being to bring to full development all capacities and talents with which nature has endowed him, and turn them to social account. The less this natural development of man is interfered with by ecclesiastical or political guardianship, the more efficient and harmonious will human personality become, the more will it become the measure of the intellectual culture of the society in which it has grown.”

Rudolf Rocker book Anarcho-Syndicalism

Source: Anarcho-Syndicalism (1938), Ch. 1 "Anarchism: Its Aims and Purposes"
Context: Anarchism recognises only the relative significance of ideas, institutions, and social conditions. It is, therefore not a fixed, self enclosed social system, but rather a definite trend in the historical development of mankind, which, in contrast with the intellectual guardianship of all clerical and governmental institutions, strives for the free unhindered unfolding of all the individual and social forces in life. Even freedom is only a relative, not an absolute concept, since it tends constantly to broaden its scope and to affect wider circles in manifold ways. For the Anarchist, freedom is not an abstract philosophical concept, but the vital concrete possibility for every human being to bring to full development all capacities and talents with which nature has endowed him, and turn them to social account. The less this natural development of man is interfered with by ecclesiastical or political guardianship, the more efficient and harmonious will human personality become, the more will it become the measure of the intellectual culture of the society in which it has grown.

Nature, Freedom, Personality

“Since I have the obligation to take care of the needs of my family, I have decided to use a talent which, I believe, has been given to me. I am a poet… Phew! You know, reader, what I and all sensible people think about that.”

Multatuli book Max Havelaar

Multatuli, Max Havelaar, Ch. 3, p. 44

People, Family, Thinking

“If it is not the worst film I have ever seen, that makes it all the more shameful: People with talent allowed themselves to participate in this travesty.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/caligula-1980 of Caligula (22 September 1980) Reviews, Zero star reviews Context: Caligula is sickening, utterly worthless, shameful trash. If it is not the worst film I have ever seen, that makes it all the more shameful: People with talent allowed themselves to participate in this travesty. Disgusted and unspeakably depressed, I walked out of the film after two hours of its 170-minute length. That was on Saturday night, as a line of hundreds of people stretched down Lincoln Ave., waiting to pay $7.50 apiece to become eyewitnesses to shame..."This movie," said the lady in front of me at the drinking fountain, "is the worst piece of shit I have ever seen."

People

“I think that I probably have a real talent for painting trees if I developed it assiduously.”

Patrick Swift (1927–1983) British artist

Notebooks
Context: I think that I probably have a real talent for painting trees if I developed it assiduously. I want to give them great density and depth pile heaps of detail into them and yet keep the sense of presence which is the whole point.

Thinking, Tree, Painting

“In any country where talent and virtue produce no advancement, money will be the national god. Its inhabitants will either have to possess money or make others believe that they do. Wealth will be the highest virtue, poverty the greatest vice.”

Denis Diderot (1713–1784) French Enlightenment philosopher and encyclopædist

Observations on the Drawing Up of Laws (1774)
Context: In any country where talent and virtue produce no advancement, money will be the national god. Its inhabitants will either have to possess money or make others believe that they do. Wealth will be the highest virtue, poverty the greatest vice. Those who have money will display it in every imaginable way. If their ostentation does not exceed their fortune, all will be well. But if their ostentation does exceed their fortune they will ruin themselves. In such a country, the greatest fortunes will vanish in the twinkling of an eye. Those who don't have money will ruin themselves with vain efforts to conceal their poverty. That is one kind of affluence: the outward sign of wealth for a small number, the mask of poverty for the majority, and a source of corruption for all.

Money, God, Country, Wealth

“The state — or, to make the matter more concrete, the government — consists of a gang of men exactly like you and me. They have, taking one with another, no special talent for the business of government; they have only a talent for getting and holding office.”

H.L. Mencken (1880–1956) American journalist and writer

As quoted in Charting the Candidates '72 (1972) by Ronald Van Doren, p. 7
1940s–present
Context: The state — or, to make the matter more concrete, the government — consists of a gang of men exactly like you and me. They have, taking one with another, no special talent for the business of government; they have only a talent for getting and holding office. Their principal device to that end is to search out groups who pant and pine for something they can't get and to promise to give it to them. Nine times out of ten that promise is worth nothing. The tenth time is made good by looting A to satisfy B. In other words, government is a broker in pillage, and every election is sort of an advance auction sale of stolen goods.

Men, Business

“They may think that they are very smart about everything because they made millions of dollars by digging a hole in the ground and finding oil, but the talent and luck needed to become rich are not the same talent and luck needed to succeed on Parliament Hill.”

Jean Chrétien (1934) 20th Prime Minister of Canada

Source: Straight From The Heart (1985), Chapter Four, The Politics Of Business, p. 91
Context: I learned early that business is business and politics is politics. The proof is how few important businessmen have made good politicians. They may think that they are very smart about everything because they made millions of dollars by digging a hole in the ground and finding oil, but the talent and luck needed to become rich are not the same talent and luck needed to succeed on Parliament Hill.

Thinking

“This is one country. It has become one country because all of us and all the people who came here had an equal chance to develop their talents.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Civil Rights Address
Context: This is one country. It has become one country because all of us and all the people who came here had an equal chance to develop their talents. We cannot say to 10 percent of the population that you can't have that right; that your children can't have the chance to develop whatever talents they have; that the only way that they are going to get their rights is to go into the streets and demonstrate. I think we owe them and we owe ourselves a better country than that. Therefore, I am asking for your help in making it easier for us to move ahead and to provide the kind of equality of treatment which we would want ourselves; to give a chance for every child to be educated to the limit of his talents. As I have said before, not every child has an equal talent or an equal ability or an equal motivation, but they should have the equal right to develop their talent and their ability and their motivation, to make something of themselves.

People, Chance, Country

“Creative thinking — in terms of idea creativity — is not a mystical talent. It is a skill that can be practised and nurtured.”

Edward de Bono (1933) Maltese physician

Iraq? They just need to think it through (2007)
Context: Creative thinking — in terms of idea creativity — is not a mystical talent. It is a skill that can be practised and nurtured. You can never tell how a policy has been reached just by looking at the end result. Some people who have achieved a huge amount do not come across as impressive when you speak to them.

Idea, Thinking

“In the divine talent of the Creator the word got born and we, by studying this creation attain clear messages of Divine Conscience, Divine Truth, Divine Beauty and Divine knowledge.”

Laxmi Prasad Devkota (1909–1959) Nepali poet

कला र जीवन (Art and Life)
Art and Life
Context: In the divine talent of the Creator the word got born and we, by studying this creation attain clear messages of Divine Conscience, Divine Truth, Divine Beauty and Divine knowledge. In the creative imagination of the God, completeness works and provides beautiful lines colors forms to the Truth of God. We realize the 'beautiful' through the sensing of Truth and where there is no Truth there isn't beauty. Keats has said that, 'Truth is beauty and beauty is Truth". This Self-Displaying form of God becomes such known in Artistic creativity that truth becoming beautiful descends to the outer forms of the senses.

Truth, Beauty, Knowledge, Study

Quotes about talent page 9

Quotes about talent
page 9