Quotes about sunshine
page 2

John Muir photo

“In every country the mountains are fountains, not only of rivers but of men. Therefore we all are born mountaineers, the offspring of rock and sunshine.”

John Muir (1838–1914) Scottish-born American naturalist and author

"From Fort Independence to Yosemite", San Francisco Daily Evening Bulletin (part 6 of the 11 part series "Summering in the Sierra") dated September 1875, published 15 September 1875; reprinted in John Muir: Summering in the Sierra, edited by Robert Engberg (University of Wisconsin Press, 1984) page 113
1870s

Letitia Elizabeth Landon photo
Caspar David Friedrich photo

“Through the gloomy clouds break / Blue sky, sunshine, / On the heights and in the valley / Sing the lark and the nightingale
God, I thank you that I live / Not forever in this world / Strengthen me that my soul rise / Upward toward your firmament.”

Caspar David Friedrich (1774–1840) Swedish painter

some poetry lines of Friedrich, c. 1802-05; as cited by C. D. Eberlein in C. D. Friedrich Bekenntnisse, p 57; as quoted & translated by Linda Siegel in Caspar David Friedrich and the Age of German Romanticism, Boston Branden Press Publishers, 1978, p. 48
1794 - 1840

Ken Livingstone photo
Empedocles photo

“But what is lawful for all extends across wide-ruling aether and, without cease, through endless sunshine.”

Empedocles (-490–-430 BC) ancient Greek philosopher

fr. 135, as quoted in Aristotle's Rhetoric, 1373 b16
Purifications

“Hnossi glowered at her daughter, a look cold enough to freeze sunshine and shatter it on the pavement.”

Source: From the Notebooks of Dr. Brain (2007), Chapter 10 “The Battle of All Mothers, the Mother of All Battles” (p. 298)

Clive Staples Lewis photo
Luther Burbank photo
Kenneth Grahame photo
Israel Zangwill photo
Wen Jiabao photo

“Create the conditions for people to criticize the Government, to monitor the government, and at the same time to give full play to the supervisory role of the news media, so that the power to run under sunshine.(”

Wen Jiabao (1942) former Premier of the People's Republic of China

Wen Jiabao (2010) cited in: Government Work Report, National People's Congress cited in 如何「讓權力在陽光下運行」, 28 September 2008, BBC http://www.bbc.co.uk/zhongwen/trad/china/2010/03/100308_china_media_liu.shtml,

Letitia Elizabeth Landon photo
Rose Wilder Lane photo
Letitia Elizabeth Landon photo
Conor Oberst photo
Frederick Goddard Tuckerman photo
Marie of Edinburgh, Queen of Romania photo

“I have always had the joy of life, uncrushably, a sort of inner sunshine that cannot be put out.”

Marie of Edinburgh, Queen of Romania (1875–1938) last Queen consort of Romania as the wife of King Ferdinand I

'Queen's Counsel, The Joy of Life', The Birmingham News 1926.

Báb photo
John Fante photo

“I went up to my room, up the dusty stairs of Bunker Hill, past the soot-covered frame buildings along that dark street, sand and oil and grease choking the futile palm trees standing like dying prisoners, chained to a little plot of ground with black pavement hiding their feet. Dust and old buildings and old people sitting at windows, old people tottering out of doors, old people moving painfully along the dark street. The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles. The uprooted ones, the empty sad folks, the old and the young folks, the folks from back home. These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged.”

Ask the Dust (1939)

Henry Van Dyke photo
Arthur Waley photo
Jean-François Millet photo

“He [Alfred de Musset] puts you into a fever, it is true; but he can do nothing more for you. He has undoubted charms, but his taste is capricious and poisoned. All he can do is to disenchant and corrupt you, and at the end leave you in despair. The fever passes, and you are left without strength - like a convalescent who is in need of fresh air, of the sunshine, and of the stars.”

Jean-François Millet (1814–1875) French painter

a remark to his friend Louis Marolle in Paris c. 1839; as quoted by Julia Cartwright in Jean Francois Millet, his Life and Letters https://archive.org/stream/jeanfrancoismill00cart#page/n5/mode/2up, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 60
Millet had little sympathy with the French poet Alfred de Musset and criticized the tendencies of his poetry severely.
1835 - 1850

Henry Campbell-Bannerman photo

“…the concentration of human beings in towns…is contrary to nature, and…this abnormal existence is bound to issue in suffering, deterioration, and gradual destruction to the mass of the population…countless thousands of our fellow-men, and still a larger number of children…are starved of air and space and sunshine. …This view of city life, which is gradually coming home to the heart and understanding and the conscience of our people, is so terrible that it cannot be put away. What is all our wealth and learning and the fine flower of our civilisation and our Constitution and our political theories – what are all these but dust and ashes, if the men and women, on whose labour the whole social fabric is maintained, are doomed to live and die in darkness and misery in the recesses of our great cities? We may undertake expeditions on behalf of oppressed tribes and races, we may conduct foreign missions, we may sympathise with the cause of unfortunate nationalities; but it is our own people, surely, who have the first claim upon us…the air must be purified…the sunshine must be allowed to stream in, the water and the food must be kept pure and unadulterated, the streets light and clean…the measure of your success in bringing these things to pass will be the measure of the arresting of the terrible powers of race degeneration which is going on in the countless sunless streets.”

Henry Campbell-Bannerman (1836–1908) Former Prime Minister of the United Kingdom

Speech in Belmont (25 January 1907), quoted in John Wilson, C.B.: A Life of Sir Henry Campbell-Bannerman (London: Constable, 1973), p. 588
Prime Minister

William Lever, 1st Viscount Leverhulme photo
Aldo Capitini photo

“I wanted to go away, in the midst of something entirely different,
I had been there, in the house of torture,
I have seen people being kicked, men’s bodies scorched,
nails pulled out with pliers.
Armed with flame and cudgels, grinning men in shirt sleeves.
Where I could hear my friends being thrown headlong
down the stairs.
Night was as day, and long shrieks wounded me.
In vain I tried to think of wooded lanes and flowers,
a serene life and human words.
The thought seized up, it was as if a wound were opened up
again and again and endlessly searched.
From the mouth struck, teeth and blood came out,
and lamenting moans from the deep throat.
Away, away from that house, from that street and town,
from anything similar to it.
I must save myself, keep up my mind,
that I should not be led to madness by these memories.
Oh, if we could go back to a void, from which a new order,
a maternal opening could come forth,
if I hear a certain tone of voice even in jest, I shudder.
My unhappiness is that I avoid the sight of suffering,
hospitals and prisons.
I have yearned for high solitudes, lands of still sunshine
and sweet shadows,
but I would always be pursued by the ghosts of human beings.
All of a sudden I feel the need of distraction and play,
to lose myself in the noise of the fairground.
I remain with you, but forgive me
if you see me sometimes act like a madman.
I try to heal myself by myself, as an animal,
trusting that the wounds will close.
I stop to listen to the simple conversations of the women
in the marketplace, with their dialectical lilt.
I rejoice at the footsteps of running children,
their overpowering calls.
Because you do not know the absurdity of my dreams,
the fixed expressions, the incomprehensible gestures.
There is turmoil inside me, which seems to ridicule me.
And I cannot cry out, not to be like them.
Tomorrow I will go towards some music, now I am getting ready.”

Aldo Capitini (1899–1968) Italian philosopher and political activist
John F. Kennedy photo

“…what really counts is not the immediate act of courage or of valor, but those who bear the struggle day in and day out — not the sunshine patriots but those who are willing to stand for a long period of time.”

John F. Kennedy (1917–1963) 35th president of the United States of America

"Remarks at the White House to Members of the American Legion (70)" (1 March 1962) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx
1962

Umberto Boccioni photo
Oliver Goldsmith photo
Letitia Elizabeth Landon photo

“Where are the flowers, the beautiful flowers,
That haunted your homes and your hearts in the spring?
Where is the sunshine of earlier hours?
Where is the music the birds used to bring?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(9th May 1829) Change
(20th June 1829) Fame : An Apologue See The Vow of the Peacock, as The Three Brothers
(29th August 1829) First Grave See The Vow of the Peacock as The Single Grave
The London Literary Gazette, 1829

Ralph Waldo Emerson photo

“Sunshine cannot bleach the snow,
Nor time unmake what poets know.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

"The Test", as quoted in Emerson As A Poet (1883) by Joel Benton, p. 40

James Thomson (B.V.) photo

“Yet why evoke the spectres of black night
To blot the sunshine of exultant years?”

James Thomson (B.V.) (1834–1882) Scottish writer (1834-1882)

Proem
The City of Dreadful Night (1870–74)

Hendrik Werkman photo

“As paint I use lightfast printing ink, usually pure, but also mixed. Mixing is not difficult at all, it but can happen in very different ways. Secret means are not applied, but I can not work on them, except in solitude (at sunshine). No one works in this way. I believe that no one else can obtain the same color effects, except after a lot of practice and experience. Sometimes one print goes up to 50 times under the printing-press. [I make] Never more than one piece per day.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands):Als verf gebruik ik lichtechte drukinkt, meestal puur, ook wel gemengd. Het mengen is wel geen kunst maar kan zeer verschillend gebeuren. Geheime middelen worden niet toegepast, maar ik kan er niet aan werken, dan alleen in eenzaamheid (bij zonneschijn). Door niemand wordt op deze wijze gewerkt., ik geloof dat ook niemand anders dezelfde kleureffecten zou kunnen krijgen dan na veel oefening en ervaring. Soms gaat één druk tot 50 maal onder de pers. Nooit meer dan één ex. Per dag.
Quote from Werkman's letter (6.) to August Henkels, 24 Jan. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 134
1940's

Thomas Gray photo

“Gay hope is theirs by fancy fed,
Less pleasing when possest;
The tear forgot as soon as shed,
The sunshine of the breast.”

Thomas Gray (1716–1771) English poet, historian

St. 5
Ode on a Distant Prospect of Eton College http://www.thomasgray.org/cgi-bin/display.cgi?text=odec (written 1742–1750)

Henry Adams photo
Horace photo

“He will through life be master of himself and a happy man who from day to day can have said, "I have lived: tomorrow the Father may fill the sky with black clouds or with cloudless sunshine."”
Ille potens sui laetusque deget, cui licet in diem dixisse "vixi: cras vel atra nube polum pater occupato vel sole puro."

Horace book Odes

Book III, ode xxix, line 41
John Dryden's paraphrase:
Happy the man, and happy he alone,
He, who can call to day his own:
He who, secure within, can say,
To-morrow do thy worst, for I have lived to-day.
Odes (c. 23 BC and 13 BC)

Francois Mauriac photo

“What makes a poet is, surely, the love of these things, a desperate search for the tiny ray of sunshine which used to flicker on the floor of a child’s bedroom.”

Ce qui fait le poète, n'est-ce pas l'amour, la recherche désespérée du moindre rayon de soleil d'autrefois jouant sur le parquet d'une chambre d'enfant?
Préséances (1921), cited from Oeuvres romanesques, vol.1 (Paris: Flammarion, 1965) p. 301; Gerard Hopkins (trans.) Questions of Precedence (London: Eyre & Spottiswoode, 1958) p. 46.

Matthew Good photo

“Good morning, sunshine, time to go.”

Matthew Good (1971) Canadian singer-songwriter

At Last There is Nothing Left to Say

Pete Yorn photo
Johan Jongkind photo

“My specialty is really painting moonlight – but I will not forget the sunshine.”

Johan Jongkind (1819–1891) Dutch painter and printmaker regarded as a forerunner of Impressionism

Jongkind's quote in an early letter (1840's), to his Dutch friend Eugène Smits; as cited by nl:Victorine Hefting, in Jongkinds's Universe, Henri Scrépel, Paris, 1976, p. 69

Nathaniel Hawthorne photo

“The book, if you would see anything in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

Twice-Told Tales, Preface http://www.eldritchpress.org/nh/tttpf.html (1851)

Donovan photo
Greg Egan photo

“Every night, at exactly a quarter past three, something dreadful happens on the street outside our bedroom window. We peek through the curtains, yawning and shivering in the life-draining chill, and then we clamber back beneath the blankets without exchanging a word, to hug each other tightly and hope for sound sleep before it's time to rise.

Usually what we witness verges on the mundane. Drunken young men fighting, swaying about with outstretched knives, cursing incoherently. Robbery, bashings, rape. We wince to see such violence, but we can hardly be shocked or surprised any more, and we're never tempted to intervene: it's always far too cold, for a start! A single warm exhalation can coat the window pane with mist, transforming the most stomach-wrenching assault into a safely cryptic ballet for abstract blobs of light.

On some nights, though, when the shadows in the room are subtly wrong, when the familiar street looks like an abandoned film set, or a painting of itself perversely come to life, we are confronted by truly disturbing sights, oppressive apparitions which almost make us doubt we're awake, or, if awake, sane. I can't catalogue these visions, for most, mercifully, are blurred by morning, leaving only a vague uneasiness and a reluctance to be alone even in the brightest sunshine.”

Greg Egan (1961) Australian science fiction writer and former computer programmer

Scatter My Ashes http://gregegan.customer.netspace.net.au/HORROR/SCATTER/Scatter.html, published in Interzone (Spring 1988)
Fiction

Jean-François Millet photo

“I remember being awakened one morning by voices in the room where I slept. There was a whizzing sound which made itself heard between the voices now and then. It was the sound of spinning-wheels, and the voices were those of women spinning and carding wool. The dust of the room danced in a ray of sunshine which shone through the high narrow window that lighted the room..”

Jean-François Millet (1814–1875) French painter

Quote, c. 1870; as cited by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 12
taken from Millet's youth-memories, he wrote down on request of his friend and later biographer Alfred Sensier, https://fr.wikipedia.org/wiki/Alfred_Sensier]
1870 - 1875

John Constable photo
Ambrose Bierce photo
Theodore Dreiser photo
Noel Gallagher photo

“Gold and silver and sunshine is rising up”

Noel Gallagher (1967) British musician

Bag it Up
Dig Out Your Soul (2008)

Letitia Elizabeth Landon photo
Bouck White photo
Oliver Wendell Holmes photo
John Green photo
Louisa May Alcott photo
Jeanette Winterson photo
Letitia Elizabeth Landon photo
James Hudson Taylor photo
Van Morrison photo
David Attenborough photo
Elizabeth Drew Stoddard photo

“Oh, wow, what a scene that place was - that heavenly drug down sexual perversion get their rocks off health spa. I was already so bombed I don't know how I got there. I got down to the pool, where all the freaks were. I met Paul America at the pool and I told him we were probably in danger if we stayed, but we were so blasted we forgot what was good for us and what wasn't, and the whole place turned into a giant orgy... every kind of sex freak, from homosexuals to nymphomaniacs... oh, everybody eating each other on the raft, and drinking, guzzling tequila and vodka and Scotch and bourbon and shooting up every other second... losing syringes down the pool drains, the needles of the mainline scene, blocking the water infiltration system with broken syringes. Oh, it was really some night just going on an incredible sexual tailspin. Gobble, gobble, gobble. Couldn't get enough of it. It was one of the wildest scenes I've ever been in or ever hope to be in. I should be ashamed of myself. I'm not, but I should be. Sex and speed, wow! Like, oh God. A twenty-four-hour climax that can go on for days. And there's no way to explain it unless you've been through it; there's no way to tell anyone who hasn't tasted it. I'd like to turn on the whole world for just a moment... just for a moment. I'm greedy; I'd like to keep most of it for myself and a few others, a few of my friends... to keep that superlative high, just on the cusp of each day... so that I'd radiate sunshine.”

Edie Sedgwick (1943–1971) Socialite, actress, model

Ciao! Manhattan tapes, recalling its pool spa orgy scene
Edie : American Girl (1982)

Maxwell D. Taylor photo
KT Tunstall photo
Anne Louise Germaine de Staël photo
Letitia Elizabeth Landon photo
Frederick William Faber photo

“If our love were but more simple,
We should take Him at His word;
And our lives would be all sunshine
In the sweetness of the Lord.”

Frederick William Faber (1814–1863) British hymn writer and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 545.

Waylon Jennings photo

“Oh rainy day woman,
I've never seem to see you for the good times or the sunshine.
You have been a friend of mine, rainy day woman.”

Waylon Jennings (1937–2002) American country music singer, songwriter, and musician

Rainy Day Woman, from The Ramblin' Man (1974).
Song lyrics

James Russell Lowell photo

“Under the yaller pines I house,
When sunshine makes 'em all sweet-scented,
An' hear among their furry boughs
The baskin' west-wind purr contented.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

No. 10.
The Biglow Papers (1848–1866), Series II (1866)

Letitia Elizabeth Landon photo
Winston S. Churchill photo
Sarah Doudney photo
John Constable photo

“My canvas soothes me into forgetfulness of the scene of turmoil and folly — and worse — of the scene around me. Every gleam of sunshine is blighted to me in the art at least. Can it therefore be wondered at that I paint continual storms? "Tempest o'er tempest roll'd"”

John Constable (1776–1837) English Romantic painter

still the "darkness" is majestic.
Letter to C.R. Leslie (1834), John Constable's Correspondence, ed. R.B. Beckett, (Ipswich, Suffolk Records Society, 1962-1970), vol. 3, p. 122; also quoted in Hugh Honour, Romanticism (Westview Press, 1979, ISBN 0-064-30089-7, ch. 3, p. 91
1830s

J. M. Barrie photo

“Those who bring sunshine into the lives of others cannot keep it from themselves.”

J. M. Barrie (1860–1937) Scottish writer

As quoted in Christ's Second Coming Fulfilled (1917) by Marion Morris, p. 144

Johnny Cash photo
Ben Carson photo

“I have sunshine in my heart regardless of conditions around me.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Gifted Hands: The Ben Carson Story (1990), p. 60

Robert Charles Wilson photo
Sören Kierkegaard photo

“After a considerable walk through the forest, where I became acquainted with several of the little lakes I am so fond of, I came to Hestehaven and Lake Carl. Here is one of the most beautiful regions I have ever seen. The countryside is somewhat isolated and slopes steeply down to the lake, but with the beech forests growing on either side, it is not barren. A growth of rushes forms the background and the lake itself the foreground; a fairly large part of the lake is clear, but a still larger part is overgrown with the large green leaves of the waterlily, under which the fish seemingly try to hide but now and then peek out and flounder about on the surface in order to bathe in sunshine. The land rises on the opposite side, a great beech forest, and in the morning light the lighted areas make a marvelous contrast to the shadowed areas. The church bells call to prayer, but not in a temple made by human hands. If the birds do not need to be reminded to praise God, then ought men not be moved to prayer outside of the church, in the true house of God, where heaven's arch forms the ceiling of the church, where the roar of the storm and the light breezes take the place of the organ's bass and treble, where the singing of the birds make up the congregational hymns of praise, where echo does not repeat the pastor's voice as in the arch of the stone church, but where everything resolves itself in an endless antiphony — Hillerød, July 25, 1835”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

1830s, The Journals of Søren Kierkegaard, 1830s

Kyuzo Mifune photo
Thomas Carlyle photo
James Anthony Froude photo

“We start with enthusiasm — out we go each of us to our task in all the brightness of sunrise, and hope beats along our pulses; we believe the world has no blanks except to cowards, and we find, at last, that, as far as we ourselves are concerned, it has no prizes; we sicken over the endless unprofitableness of labour most when we have most succeeded, and when the time comes for us to lay down our tools we cast them from us with the bitter aching sense, that it were better for us if it had been all a dream. We seem to know either too much or too little of ourselves — too much, for we feel that we are better than we can accomplish; too little, for, if we have done any good at all, it has heen as we were servants of a system too vast for us to comprehend. We get along through life happily between clouds and sunshine, forgetting ourselves in our employments or our amusements, and so long as we can lose our consciousness in activity we can struggle on to the end. But when the end comes, when the life is lived and done, and stands there face to face with us; or if the heart is weak, and the spell breaks too soon, as if the strange master-worker has no longer any work to offer us, and turns us off to idleness and to ourselves; in the silence then our hearts lift up their voices, and cry out they can find no rest here, no home. Neither pleasure, nor rank, nor money, nor success in life, as it is called, have satisfied, or can satisfy; and either earth has nothing at all which answers to our cravings, or else it is something different from all these, which we have missed finding — this peace which passes understanding — and from which in the heyday of hope we had turned away, as lacking the meretricious charm which then seemed most alluring.
I am not sermonizing of Religion, or of God, or of Heaven, at least not directly.”

Confessions Of A Sceptic
The Nemesis of Faith (1849)

Emily Dickinson photo
Charles Kingsley photo

“The world goes up and the world goes down,
And the sunshine follows the rain;
And yesterday's sneer and yesterday's frown
Can never come over again.”

Charles Kingsley (1819–1875) English clergyman, historian and novelist

Dolcino to Margaret, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Attributed

Joseph Strutt photo
James Freeman Clarke photo

“Take thy self-denials gaily and cheerfully, and let the sunshine of thy gladness fall on dark things and bright alike, like the sunshine of the Almighty.”

James Freeman Clarke (1810–1888) American theologian and writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 534.

John Lubbock, 1st Baron Avebury photo
James Allen photo
Noel Gallagher photo
Margaret Junkin Preston photo

“Gracious as sunshine, sweet as dew
Shut in a lily's golden core.”

Margaret Junkin Preston (1820–1897) American writer

Agnes, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 458.

John Ruysbroeck photo
Alexander Smith photo

“Time has fallen asleep in the afternoon sunshine.”

Alexander Smith (1829–1867) Scottish poet and essayist

Dreamthorp: Essays written in the Country (1863).

Halldór Laxness photo
P.G. Wodehouse photo

“It is never difficult to distinguish between a Scotsman with a grievance and a ray of sunshine.”

P.G. Wodehouse (1881–1975) English author

Blandings Castle (1935)

Mark Wahlberg photo
Coventry Patmore photo
Simon Hoggart photo

“Mr Arbuthnot did not respond, but sat with a thin, weak smile, like winter sunshine upon a coffin lid.”

Simon Hoggart (1946–2014) English journalist and broadcaster

Quoted by Rod Liddell, Guardian, 18 Sep 2002 http://www.guardian.co.uk/g2/story/0,3604,793988,00.html