Quotes about sunshine
page 3

Kate Bush photo

“Here comes the sunshine
Here comes that son of mine
Here comes the everything
Here's a song and a song for him.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sea of Honey (Disc 1)

Horace Walpole photo
James A. Garfield photo

“The chief duty of government is to keep the peace and stand out of the sunshine of the people.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

Letter to H. N. Eldridge (12 December 1869) as quoted in Garfield (1978) by Allen Peskin, Ch. 13
1860s
Variant: The chief duty of government is to keep the peace and stand out of the sunshine of the people.

Laurence Sterne photo
Drashti Dhami photo
John Fante photo
George Parsons Lathrop photo
William Wordsworth photo

“How fast has brother followed brother,
From sunshine to the sunless land!”

William Wordsworth (1770–1850) English Romantic poet

Extempore Effusion upon the Death of James Hogg.
Bartlett's Familiar Quotations, 10th ed. (1919)

Joseph Addison photo

“A cloudy day or a little sunshine have as great an influence on many constitutions as the most real blessings or misfortunes.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 162 (5 September 1711).
The Spectator (1711–1714)

Letitia Elizabeth Landon photo

“The sunshine of the morning
Is abroad upon the hills,
With the singing of the green-wood leaves,
And of a thousand rills.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

One Day
The Golden Violet (1827)

Siad Barre photo
Frank Herbert photo
Caroline Elizabeth Sarah Norton photo
Max Stirner photo
Noel Gallagher photo
George Eliot photo

“He had a sense that the old man meant to be good-natured and neighbourly; but the kindness fell on him as sunshine falls on the wretched — he had no heart to taste it, and felt that it was very far off him.”

George Eliot (1819–1880) English novelist, journalist and translator

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 10 (at page 79)

Diogenes Laërtius photo

“Just step aside for me to enjoy the sunshine.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Actually said by his namesake Diogenes of Sinope, when asked by Alexander the Great if there was anything he wanted.
Plutarch, Parallel Lives, "Alexander", ch. 14, section 4.
Misattributed

Letitia Elizabeth Landon photo
Henry Francis Lyte photo

“I need Thy presence every passing hour;
What, but Thy grace, can foil the tempter's power?
Who, like Thyself, my guide and stay can be?
Through cloud and sunshine, oh, abide with me!”

Henry Francis Lyte (1793–1847) Anglican priest, hymn-writer and poet

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 276.

Letitia Elizabeth Landon photo
John Harvey Kellogg photo
Bram Stoker photo
Mark Knopfler photo
James Taylor photo

“In my mind I'm goin' to Carolina.
Can't you see the sunshine?
Can't you just feel the moonshine?
Ain't it just like a friend of mine
To hit me from behind?
Yes, I'm goin' to Carolina in my mind.”

James Taylor (1948) American singer-songwriter and guitarist

"Carolina in My Mind" · BBC performance https://www.youtube.com/watch?v=sXmgkvIgc0w
Song lyrics, James Taylor (1968)

Sadegh Hedayat photo
John Milton photo
Christopher Hitchens photo

“We are introduced to Iraq, "a sovereign nation"…In this peaceable kingdom, according to Moore's flabbergasting choice of film shots, children are flying little kites, shoppers are smiling in the sunshine, and the gentle rhythms of life are undisturbed. Then—wham! From the night sky come the terror weapons of American imperialism. Watching the clips Moore uses, and recalling them well, I can recognize various Saddam palaces and military and police centers getting the treatment. But these sites are not identified as such. In fact, I don't think Al Jazeera would, on a bad day, have transmitted anything so utterly propagandistic. You would also be led to think that the term "civilian casualty" had not even been in the Iraqi vocabulary until March 2003…the "insurgent" side is presented in this film as justifiably outraged, whereas the 30-year record of Baathist war crimes and repression and aggression is not mentioned once.That this—his pro-American moment—was the worst Moore could possibly say of Saddam's depravity is further suggested by some astonishing falsifications. Moore asserts that Iraq under Saddam had never attacked or killed or even threatened (his words) any American. I never quite know whether Moore is as ignorant as he looks, or even if that would be humanly possible…Baghdad was the safe house for the man whose "operation" murdered Leon Klinghoffer…In 1991, a large number of Western hostages were taken by the hideous Iraqi invasion of Kuwait and held in terrible conditions for a long time. After that same invasion was repelled—Saddam having killed quite a few Americans and Egyptians and Syrians and Brits in the meantime and having threatened to kill many more—the Iraqi secret police were caught trying to murder former President Bush during his visit to Kuwait. Never mind whether his son should take that personally…Iraqi forces fired, every day, for 10 years, on the aircraft that patrolled the no-fly zones and staved off further genocide in the north and south of the country…And it was after, and not before, the 9/11 attacks that Abu Mussab al-Zarqawi moved from Afghanistan to Baghdad and began to plan his now very open and lethal design for a holy and ethnic civil war.”

Christopher Hitchens (1949–2011) British American author and journalist

2004-06-21
Unfairenheit 9/11
Slate
1091-2339
http://www.slate.com/articles/news_and_politics/fighting_words/2004/06/unfairenheit_911.html: On Michael Moore
2000s, 2004

William Cowper photo

“Fate steals along with silent tread,
Found oftenest in what least we dread,
Frowns in the storm with angry brow,
But in the sunshine strikes the blow.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

"A Fable" (or "The Raven"), line 36.

Robert Graves photo
John Muir photo
Charlotte Brontë photo
Stevie Wonder photo

“You are the sunshine of my life,
That's why I'll always be around,
You are the apple of my eye,
Forever you'll stay in my heart.”

Stevie Wonder (1950) American musician

You Are The Sunshine of My Life
Song lyrics, Talking Book (1972)

Dolores O'Riordan photo
Ai Weiwei photo
Robert Southey photo
Amber Benson photo

“Tara: No more talk of gloomy Angel, though. Only happy thoughts. Sunshine, picnic, that spell we did last night. With the oil?”

Amber Benson (1977) actress from the United States

Seeing Red [6.19]
Willow & Tara (2000-2002)

John Fante photo
Alfred George Gardiner photo
Letitia Elizabeth Landon photo
Thomas Moore photo

“As sunshine broken in the rill,
Though turned astray, is sunshine still.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Lalla Rookh http://www.columbia.edu/itc/mealac/pritchett/00generallinks/lallarookh/index.html (1817), Part V-VIII: The Fire-Worshippers

Robert Ley photo
Anne Brontë photo

“A light wind swept over the corn; and all nature laughed in the sunshine.”

Source: The Tenant of Wildfell Hall (1848), Ch. XV : An Encounter and its Consequences; Gilbert Markham

Mike Oldfield photo
Annie Proulx photo

“Dad, are we scared?' said Sunshine. 'No, honey. It's an adventure.”

Source: The Shipping News (1993), P. 51

Ian Fleming photo
John Muir photo
Paul Cézanne photo
Edmund Spenser photo

“As the great eye of heaven, shyned bright,
And made a sunshine in the shady place.”

Canto 3, stanza 4
The Faerie Queene (1589–1596), Book I

Letitia Elizabeth Landon photo
Ford Madox Ford photo
Jeffrey Moussaieff Masson photo
Mike Patton photo
Frederick William Faber photo
Tenzin Gyatso photo

“Through violence, you may 'solve' one problem, but you sow the seeds for another.

One has to try to develop one's inner feelings, which can be done simply by training one's mind. This is a priceless human asset and one you don't have to pay income tax on!

First one must change. I first watch myself, check myself, then expect changes from others.

Love and compassion are necessities, not luxuries. Without them, humanity cannot survive.

I myself feel, and also tell other Buddhists that the question of Nirvana will come later.
There is not much hurry.
If in day to day life you lead a good life, honesty, with love,
with compassion, with less selfishness,
then automatically it will lead to Nirvana.

The universe that we inhabit and our shared perception of it are the results of a common karma. Likewise, the places that we will experience in future rebirths will be the outcome of the karma that we share with the other beings living there. The actions of each of us, human or nonhuman, have contributed to the world in which we live. We all have a common responsibility for our world and are connected with everything in it.

If the love within your mind is lost and you see other beings as enemies, then no matter how much knowledge or education or material comfort you have, only suffering and confusion will ensue.

It is under the greatest adversity that there exists the greatest potential for doing good, both for oneself and others.

Whenever Buddhism has taken root in a new land, there has been a certain variation in the style in which it is observed. The Buddha himself taught differently according to the place, the occasion and the situation of those who were listening to him.

Samsara - our conditioned existence in the perpetual cycle of habitual tendencies and nirvana - genuine freedom from such an existence- are nothing but different manifestations of a basic continuum. So this continuity of consciousness us always present. This is the meaning of tantra.

According to Buddhist practice, there are three stages or steps. The initial stage is to reduce attachment towards life.
The second stage is the elimination of desire and attachment to this samsara. Then in the third stage, self-cherishing is eliminated.

The creatures that inhabit this earth-be they human beings or animals-are here to contribute, each in its own particular way, to the beauty and prosperity of the world.

To develop genuine devotion, you must know the meaning of teachings. The main emphasis in Buddhism is to transform the mind, and this transformation depends upon meditation. in order to meditate correctly, you must have knowledge.

Anything that contradicts experience and logic should be abandoned.

The ultimate authority must always rest with the individual's own reason and critical analysis.

From one point of view we can say that we have human bodies and are practicing the Buddha's teachings and are thus much better than insects. But we can also say that insects are innocent and free from guile, where as we often lie and misrepresent ourselves in devious ways in order to achieve our ends or better ourselves. From this perspective, we are much worse than insects.

When the days become longer and there is more sunshine, the grass becomes fresh and, consequently, we feel very happy. On the other hand, in autumn, one leaf falls down and another leaf falls down. The beautiful plants become as if dead and we do not feel very happy. Why? I think it is because deep down our human nature likes construction, and does not like destruction. Naturally, every action which is destructive is against human nature. Constructiveness is the human way. Therefore, I think that in terms of basic human feeling, violence is not good. Non-violence is the only way.

We humans have existed in our present form for about a hundred thousand years. I believe that if during this time the human mind had been primarily controlled by anger and hatred, our overall population would have decreased. But today, despite all our wars, we find that the human population is greater than ever. This clearly indicates to me that love and compassion predominate in the world. And this is why unpleasant events are "news"; compassionate activities are so much a part of daily life that they are taken for granted and, therefore, largely ignored.

The fundamental philosophical principle of Buddhism is that all our suffering comes about as a result of an undisciplined mind, and this untamed mind itself comes about because of ignorance and negative emotions. For the Buddhist practitioner then, regardless of whether he or she follows the approach of the Fundamental Vehicle, Mahayana or Vajrayana, negative emotions are always the true enemy, a factor that has to be overcome and eliminated. And it is only by applying methods for training the mind that these negative emotions can be dispelled and eliminated. This is why in Buddhist writings and teachings we find such an extensive explanation of the mind and its different processes and functions. Since these negative emotions are states of mind, the method or technique for overcoming them must be developed from within. There is no alternative. They cannot be removed by some external technique, like a surgical operation."”

Tenzin Gyatso (1935) spiritual leader of Tibet

Dzogchen: The Heart Essence of the Great Perfection, Snow Lion Publications, Ithaca, 2004

Mukesh Ambani photo
Conor Oberst photo
Charles Sanders Peirce photo

“Be it understood, then, that what we have to do, as students of phenomenology, is simply to open our mental eyes and look well at the phenomenon and say what are the characteristics that are never wanting in it, whether that phenomenon be something that outward experience forces upon our attention, or whether it be the wildest of dreams, or whether it be the most abstract and general of the conclusions of science.
The faculties which we must endeavor to gather for this work are three. The first and foremost is that rare faculty, the faculty of seeing what stares one in the face, just as it presents itself, unreplaced by any interpretation, unsophisticated by any allowance for this or for that supposed modifying circumstance. This is the faculty of the artist who sees for example the apparent colors of nature as they appear. When the ground is covered by snow on which the sun shines brightly except where shadows fall, if you ask any ordinary man what its color appears to be, he will tell you white, pure white, whiter in the sunlight, a little greyish in the shadow. But that is not what is before his eyes that he is describing; it is his theory of what ought to be seen. The artist will tell him that the shadows are not grey but a dull blue and that the snow in the sunshine is of a rich yellow. That artist's observational power is what is most wanted in the study of phenomenology. The second faculty we must strive to arm ourselves with is a resolute discrimination which fastens itself like a bulldog upon the particular feature that we are studying, follows it wherever it may lurk, and detects it beneath all its disguises. The third faculty we shall need is the generalizing power of the mathematician who produces the abstract formula that comprehends the very essence of the feature under examination purified from all admixture of extraneous and irrelevant accompaniments.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

Lecture II : The Universal Categories, § 1 : Presentness, CP 5.41 - 42
Pragmatism and Pragmaticism (1903)

William Stukeley photo
Robert A. Heinlein photo
Dinah Craik photo

“The buttercups across the field
Made sunshine rifts of splendor.”

Dinah Craik (1826–1887) English novelist and poet

"A Silly Song"

“He had come there dissatisfied with his work, even though his multi-kinetic work was admired and winning him professional recognition. However, at that moment, other ideas were gestating and he wanted to add what he called a "fifth dimension" to his art - that of artificial intelligence. […] : [At the colony, ] he was able to turn his thoughts inward, hoping to discover the new methods and direction that would more deeply satisfy his creative needs. It was at this point, while watching the motions and patterns of sun on leaves in the New Hampshire woods one morning, that Tsai finally achieved the revelatory breakthrough that changed his art and liberated his creative energies. As he put it, he wanted to create "natural movements in dynamic equilibrium, with intelligence," and he found his solution in an unlikely combination of natural phenomenon, the precedent of Gabo's singular (and unrepeated) kinetic sculpture, and the new resource of contemporary analog and digital technology. Speaking of this moment of revelation, Tsai said that he had quite deliberately turned himself into "a sort of plant": facing his chair into the sunshine in the morning, he turned his body in stages throughout the day, mulling over ways of make an "art that presented the observer with natural movements in dynamic equilibrium, and art that could convey the awe I felt while watching sunbeams shimmer through forest leaves." But a work that would "shimmer" simply did not do enough either for the artist or viewer, Tsai concluded. It must also respond in some way to the observer; it would have to work on a new feedback principle and actually engage the observer directly. In short, a cybernetic sculpture was required. To create such radically participatory works, he understood, would require that he draw on his engineering skills rather than suppress them, as he had been trying to do in his period of oil painting.”

Sam Hunter (1923–2014) American art historian

Source: The Cybernetic Sculpture of Tsai Wen-Ying, 1989, p. 67

Alexander Maclaren photo
Bawa Muhaiyaddeen photo
Joseph Conrad photo

“Only a moment; a moment of strength, of romance, of glamour — of youth!… A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and — goodbye!”

Joseph Conrad (1857–1924) Polish-British writer

Night — Goodbye!
Youth, A Narrative http://www.gutenberg.org/files/525/525.txt (1902)

Bram Stoker photo

“Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.”

Source: Dracula (1897), Chapter XIV, Dr. Seward's Diary entry for 22 September
Context: Van Helsing and I came on here. The moment we were alone in the carriage he gave way to a regular fit of hysterics. He has denied to me since that it was hysterics, and insisted that it was only his sense of humour asserting itself under very terrible conditions. He laughed till he cried, and I had to draw down the blinds lest any one should see us and misjudge; and then he cried, till he laughed again; and laughed and cried together, just as a woman does. I tried to be stern with him, as one is to a woman under the circumstances; but it had no effect. Men and women are so different in manifestations of nervous strength or weakness! Then when his face grew grave and stern again I asked him why his mirth, and why at such a time. His reply was in a way characteristic of him, for it was logical and forceful and mysterious. He said:—
“Ah, you don't comprehend, friend John. Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, ‘I am here.’ Behold, in example I grieve my heart out for that so sweet young girl; I give my blood for her, though I am old and worn; I give my time, my skill, my sleep; I let my other sufferers want that so she may have all. And yet I can laugh at her very grave — laugh when the clay from the spade of the sexton drop upon her coffin and say ‘Thud, thud!’ to my heart, till it send back the blood from my cheek. My heart bleed for that poor boy — that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same. There, you know now why I love him so. And yet when he say things that touch my husband-heart to the quick, and make my father-heart yearn to him as to no other man — not even you, friend John, for we are more level in experiences than father and son — yet even at such a moment King Laugh he come to me and shout and bellow in my ear, ‘Here I am! here I am!’ till the blood come dance back and bring some of the sunshine that he carry with him to my cheek. Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall — all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.”

George Eliot photo

“Nature repairs her ravages, — repairs them with her sunshine, and with human labor.”

The Mill on the Floss (1860)
Context: Nature repairs her ravages, — repairs them with her sunshine, and with human labor. The desolation wrought by that flood had left little visible trace on the face of the earth, five years after. The fifth autumn was rich in golden cornstacks, rising in thick clusters among the distant hedgerows; the wharves and warehouses on the Floss were busy again, with echoes of eager voices, with hopeful lading and unlading.
And every man and woman mentioned in this history was still living, except those whose end we know.

Juliana Hatfield photo

“I've been sleeping through my life
Now I'm waking up
And I want to stand in the sunshine”

Juliana Hatfield (1967) American guitarist/singer-songwriter and author

Sunshine
In Exile Deo (2004)
Context: I've been sleeping through my life
Now I'm waking up
And I want to stand in the sunshine
I have never been ecstatic
Had a flower but it never bloomed
In the darkness of my wasted youth
It was hiding in the shadows
Learning to become invisible
Uncover me

Michael Franti photo
Edward Everett photo

“No gilded dome swells from the lowly roof to catch the morning or evening beam; but the love and gratitude of united America settle upon it in one eternal sunshine.”

Edward Everett (1794–1865) American politician, orator, statesman

Oration on the Character of Washington (1856); as published in A Library of American Literature from the Earliest Settlement to the Present Time Vol. V (1888) by Edmund Clarence Stedman and Ellen Mackay Hutchinson.
Context: No gilded dome swells from the lowly roof to catch the morning or evening beam; but the love and gratitude of united America settle upon it in one eternal sunshine. From beneath that humble roof went forth the intrepid and unselfish warrior, the magistrate who knew no glory but his country’s good; to that he returned, happiest when his work was done. There he lived in noble simplicity, there he died in glory and peace. While it stands, the latest generations of the grateful children of America will make this pilgrimage to it as to a shrine; and when it shall fall, if fall it must, the memory and the name of Washington shall shed an eternal glory on the spot.

John Ruysbroeck photo

“You should watch the wise bee and do as it does. It dwells in unity, in the congregation of its fellows, and goes forth, not in the storm, but in calm and still weather, in the sunshine, towards all those flowers in which sweetness may be found.”

John Ruysbroeck (1293–1381) Flemish mystic

The Spiritual Espousals (c. 1340)
Context: You should watch the wise bee and do as it does. It dwells in unity, in the congregation of its fellows, and goes forth, not in the storm, but in calm and still weather, in the sunshine, towards all those flowers in which sweetness may be found. It does not rest on any flower, neither on any beauty nor on any sweetness; but it draws from them honey and wax, that is to say, sweetness and light-giving matter, and brings both to the unity of the hive, that therewith it may produce fruits, and be greatly profitable. Christ, the Eternal Sun, shining into the open heart, causes that heart to grow and to bloom, and it overflows with all the inward powers with joy and sweetness. So the wise man will do like the bee, and he will fly forth with attention and with reason and with discretion, towards all those gifts and towards all that sweetness which he has ever experienced, and towards all the good which God has ever done to him. And in the light of love and with inward observation, he will taste of the multitude of consolations and good things; and will not rest upon any flower of the gifts of God, but, laden with gratitude and praise, will fly back into the unity, wherein he wishes to rest and to dwell eternally with God.

Joss Whedon photo

“I think there's a lot of people out there who say we must not have horror in any form, we must not say scary things to children because it will make them evil and disturbed… That offends me deeply, because the world is a scary and horrifying place, and everyone's going to get old and die, if they're that lucky. To set children up to think that everything is sunshine and roses is doing them a great disservice.”

Joss Whedon (1964) American director, writer, and producer for television and film

Said to Michael Silverberg of NPR; quote featured in the Buffy Monster Book (2000)
Context: I think there's a lot of people out there who say we must not have horror in any form, we must not say scary things to children because it will make them evil and disturbed... That offends me deeply, because the world is a scary and horrifying place, and everyone's going to get old and die, if they're that lucky. To set children up to think that everything is sunshine and roses is doing them a great disservice. Children need horror because there are things they don't understand. It helps them to codify it if it is mythologized, if it's put into the context of a story, whether the story has a happy ending or not. If it scares them and shows them a little bit of the dark side of the world that is there and always will be, it's helping them out when they have to face it as adults.

Richard Wright photo
Donovan photo

“Sunshine came softly through my a-window today
Could've tripped out easy a-but I've a-changed my ways”

Donovan (1946) Scottish singer, songwriter and guitarist

"Sunshine Superman"
Sunshine Superman (1966)
Context: Sunshine came softly through my a-window today
Could've tripped out easy a-but I've a-changed my ways
It'll take time, I know it but in a while
You're gonna be mine, I know it, we'll do it in style
'Cause I made my mind up you're going to be mine.

Francois Mauriac photo
Eric Rücker Eddison photo
David Foster Wallace photo
J. Howard Moore photo
Winston S. Churchill photo

“I marvel at the complacency of Ministers in the face of the frightful experiences through which we have all so newly passed. I look with wonder upon our thoughtless crowds disporting themselves in the summer sunshine, and upon this unfocused, unheeding House of Commons, which seems to have no higher function than to cheer a Minister. But what is happening across the narrow seas? A terrible process is astir. Germany is arming.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

That mighty race who fought and almost vanquished the whole world is on the march again. The whole nation is inspired with the idea of retrieving and avenging their defeat in the Great War. They have arisen from the pit of disaster in monstrous guise. ... And we are still pestering France to disarm, and we are still disarmed ourselves!
'How I Would Procure Peace', Daily Mail (9 July 1934), quoted in Martin Gilbert, The Churchill Documents, Volume 12: The Wilderness Years, 1929–1935 (Michigan: Hillsdale Press, 2012), p. 825, n. 3
The 1930s

Ken Livingstone photo
Townes Van Zandt photo
Bill Withers photo
Bill Withers photo

“Ain't no sunshine when she's gone
It's not warm when she's away
Ain't no sunshine when she's gone
And she's always gone too long
Anytime she's goes away”

Bill Withers (1938–2020) American singer-songwriter and musician

"Ain't No Sunshine", on Just as I Am (1971) · 1972 performance https://www.youtube.com/watch?v=CICIOJqEb5c

Stephen Vincent Benét photo
Annie Besant photo
Fannie Hurst photo
Thomas Carlyle photo

“Such laughter, like sunshine on the deep sea, is very beautiful to me.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Thomas Jefferson photo
David Hume photo

“During such calm sunshine of the mind, these spectres of false divinity never make their appearance.”

Part XIV - Bad influence of popular religions on morality
The Natural History of Religion (1757)

Ben Aaronovitch photo
Фаррелл Уильямс photo