
Sjálfstætt fólk (Independent People) (1935), Book One, Part I: Icelandic Pioneers
Sjálfstætt fólk (Independent People) (1935), Book One, Part I: Icelandic Pioneers
The Bloudy Tenent of Persecution, for Cause of Conscience (1644)
Across a Red World (1968)
Odes, XXIV.
Variant: The bull by nature hath his horns, The horse his hoofs, to daunt their foes; The light-foot hare the hunter scorns; The lion's teeth his strength disclose.The fish, by swimming, 'scapes the weel; The bird, by flight, the fowler's net; With wisdom man is arm'd as steel; Poor women none of these can get. What have they then?—fair Beauty's grace, A two-edged sword, a trusty shield; No force resists a lovely face, Both fire and sword to Beauty yield.
Poem The Splendid Spur http://www.poemhunter.com/poem/the-splendid-spur/
Frank Popper, Art--Action and Participation, New York University Press, 1975, p. 214
“The sword is our steel Bible!”
Quoted in "Irving Wallace: A Writer's Profile" - Page 373 - by John Leverence, Sam L. Grogg - 1974
Philip Kotler (2012). Kotler On Marketing, p. 125: About defining the Target Market
From a letter to Tevis Clyde Smith (August 24, 1923)
Letters
Joseph Stella (1912); As cited in: Metropolitan Museum of Art (1965) American Painting in the Twentieth Century. p. 69
In Place of Fear (William Heinemann Ltd, 1952), p. 157
1950s
Source: A Soldier's Story (1951), p. 310
S. Kierkegaard 1846 Journals, Hannay 1996, VII IB200, p. 252
1840s, The Journals of Søren Kierkegaard, 1840s
Herbert N. Casson cited in: Forbes magazine (1950) The Forbes scrapbook of Thoughts on the business of life. p. 236
1950s and later
as cited by Otto Friedrich in Before the Deluge, Fromm International Publishing Corporation, 1987, p. 37 - ISBN 0-88064-054-5
No way, 'cause it'll go straight through that as well. They'll be dead, in other words.
Quoted in * 2002-09-23
The Left and 9/11
Adam
Shatz
The Nation
http://www.thenation.com/docprint.mhtml?i=20020923&s=shatz
2000s, 2002
The Golden Violet - The Ring
The Golden Violet (1827)
Source: The Age of Uncertainty (1977), Chapter 2, p. 84
Elijah to Cyrano
The Other World (1657)
Confirmation of Raymond Kethledge https://www.congress.gov/110/chrg/shrg48894/CHRG-110shrg48894.htm (May 7, 2008)
The Deserter from The London Literary Gazette (8th June 1822) Poetic Sketches. Second Series - Sketch the Sixth
The Improvisatrice (1824)
“4797. The Tongue is not Steel, yet it cuts sorely.”
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)
Source: Elements of Refusal (1988), p. 165
Source: Primer of scientific management, 1912, p. 7
Source: Testimony of Frederick W. Taylor... 1912, p. 111.
Big Ol' Truck.
Song lyrics, Boomtown (1994)
“My poems please the brave:
My poems, short and sincere,
Have the force of steel
Which forges swords.”
Source: Simple Verses (1891), V
Speech (2 March 1983), quoted in Ronald Kershaw, "Scargill demands strike solidarity", The Times (3 March 1983), p. 2
Message of the Shahanshah of Iran, Now Rouz, 1976 http://members.cybertrails.com/~pahlavi/speech1.html
Speeches, 1976
Stanza 87, lines 5–8 (as translated by William Julius Mickle)-->
Epic poetry, Os Lusíadas (1572), Canto IV
2006
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=11794
On taking comics back to the basics; ‘rewinding’ or ‘resetting’ to the status quo
About Sultan ‘Alau’d-Din Khalji (AD 1296-1316) in Delhi. S.A.A. Rizvi, Khalji Kalina Bharata, Aligarh, 1955, pp. 156-57.
Khazainu’l-Futuh
“Brave rifles! Veterans! You have been baptized in fire and blood and have come out steel!”
Address to US forces after the of Battle of Chapultepec in the Mexican-American War (September 1847) as quoted in The Life and Military and Civic Services of Lieut-Gen. Winfield Scott (1861) by Orville James Victor, p. 106.
Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)
2000s, 2001, A Great People Has Been Moved to Defend a Great Nation (September 2001)
February 28, 2005 - WWE Raw
“We want this people to be hard, not soft, and you must steel yourselves for it in your youth!”
1930s, From the film Triumph of the Will (1935)
quote, early 1950's
Source: 1950s, from 'Abstract Expressionism' (1990), p. 41
Quote of Marinetti, from the 'Preface' of his novel Mafraka, le Futuriste, Filippo Marinetti, 1909; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 313, note 15
1900's
p, 125
Ken Kern's Masonry Stove (1983)
Dissenting, United States v. Columbia Steel Co., 334 U.S. 495 (1948)
Judicial opinions
Budget speech http://hansard.millbanksystems.com/commons/1934/apr/17/financial-statement in the House of Commons (17 April 1934)
Chancellor of the Exchequer
”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)
“The steel and the space, or the object and the void, become one and the same.”
Charlie Rose interview (2001)
"Moods of Washington" (p.36)
So This Is Depravity (1980)
Jeremiah O'Donovan Rossa, "Rossa's Recollections 1838 to 1898: Memoirs of an Irish Revolutionary" (Globe Pequot, 2004) ISBN 1 59228 362 4, p. 189
This statement was greeted with loud cheers.
Speech to a May 2009 "Socialist Transformation Workshop" in Guayana, as quoted in Venezuela Nationalizes Gas Plant and Steel Companies, Pledges Worker Control: James Suggett at Venezuela Analysis (22 May 2009) http://www.venezuelanalysis.com/news/4464
2009
Original Italian text:
Noi canteremo le grandi folle agitate dal lavoro, dal piacere o dalla sommossa: canteremo le maree multicolori e polifoniche delle rivoluzioni nelle capitali moderne; canteremo il vibrante fervore notturno degli arsenali e dei cantieri incendiati da violente lune elettriche; le stazioni ingorde, divoratrici di serpi che fumano; le officine appese alle nuvole pei contorti fili dei loro fumi; i ponti simili a ginnasti giganti che scavalcano i fiumi, balenanti al sole con un luccichio di coltelli; i piroscafi avventurosi che fiutano l'orizzonte, le locomotive dall'ampio petto, che scalpitano sulle rotaie, come enormi cavalli d'acciaio imbrigliati di tubi, e il volo scivolante degli aereoplani, la cui elica garrisce al vento come una bandiera e sembra applaudire come una folla entusiasta.
Source: 1900's, The Founding and Manifesto of Futurism' 1909, p. 52 : Last bullet-item in THE MANIFESTO OF FUTURISM
My Comrade, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 451.
A Message from President-Elect Donald J. Trump https://www.youtube.com/watch?v=7xX_KaStFT8 (21 November 2016)
2010s, 2016, November
Quotes from: 'Ideological Superstructure'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)
Romance of Modern Stage; National Review of London; 1911
Morarji Desai speaks about life and celibacy
The Conspiracy of Kings (1792)
Context: Think not, ye knaves, whom meanness styles the Great,
Drones of the Church and harpies of the State, —
Ye, whose curst sires, for blood and plunder fam'd,
Sultans or kings or czars or emp'rors nam'd,
Taught the deluded world their claims to own,
And raise the crested reptiles to a throne, —
Ye, who pretend to your dark host was given
The lamp of life, the mystic keys of heaven;
Whose impious arts with magic spells began
When shades of ign'rance veil'd the race of man;
Who change, from age to age, the sly deceit
As Science beams, and Virtue learns the cheat;
Tyrants of double powers, the soul that blind,
To rob, to scourge, and brutalize mankind,
Think not I come to croak with omen'd yell
The dire damnations of your future hell,
To bend a bigot or reform a knave,
By op'ning all the scenes beyond the grave.
I know your crusted souls: while one defies
In sceptic scorn the vengeance of the skies,
The other boasts, — “I ken thee, Power divine,
“But fear thee not; th' avenging bolt is mine." No! 'tis the present world that prompts the song,
The world we see, the world that feels the wrong,
The world of men, whose arguments ye know,
Of men, long curb'd to servitude and wo,
Men, rous'd from sloth, by indignation stung,
Their strong hands loos'd, and found their fearless tongue;
Whose voice of fire, whose deep-descending steel
Shall speak to souls, and teach dull nerves to feel.
Lecture to the Chicago chapter of the Daughters of the American Revolution (1904); later published as "The Art and Craft of the Machine" in On Architecture: Selected Writings (1894-1940) (1941) <!-- Duell, Sloan, & Pearce publishers -->
Context: If you would see how interwoven it is in the warp and woof of civilization … go at night-fall to the top of one of the down-town steel giants and you may see how in the image of material man, at once his glory and his menace, is this thing we call a city. There beneath you is the monster, stretching acre upon acre into the far distance. High over head hangs the stagnant pall of its fetid breath, reddened with light from myriad eyes endlessly, everywhere blinking. Thousands of acres of cellular tissue, the city’s flesh outspreads layer upon layer, enmeshed by an intricate network of veins and arteries radiating into the gloom, and in them, with muffled, persistent roar, circulating as the blood circulates in your veins, is the almost ceaseless beat of the activity to whose necessities it all conforms. The poisonous waste is drawn from the system of this gigantic creature by infinitely ramifying, thread-like ducts, gathering at their sensitive terminals matter destructive of its life, hurrying it to millions of small intestines to be collected in turn by larger, flowing to the great sewers, on to the drainage canal, and finally to the ocean.
Litany for Dictatorships (1935)
Context: For the man crucified on the crossed machine guns
Without name, without resurrection, without stars,
His dark head heavy with death and his flesh long sour
With the smell of his many prisons — John Smith, John Doe,
John Nobody — oh, crack your mind for his name!
Faceless as water, naked as the dust,
Dishonored as the earth the gas-shells poison
And barbarous with portent.
This is he.
This is the man they ate at the green table
Putting their gloves on ere they touched the meat.
This is the fruit of war, the fruit of peace,
The ripeness of invention, the new lamb,
The answer to the wisdom of the wise.
And still he hangs, and still he will not die
And still, on the steel city of our years
The light falls and the terrible blood streams down.
Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 8
Context: I've noticed that people who have never worked with steel have trouble seeing this—that the motorcycle is primarily a mental phenomenon. They associate metal with given shapes—pipes, rods, girders, tools, parts—all of them fixed and inviolable, and think of it as primarily physical. But a person who does machining or foundry work or forge work or welding sees "steel" as having no shape at all. Steel can be any shape you want if you are skilled enough, and any shape but the one you want if you are not.
"And so it ends", a poem cited as probably directed to her sister-in-law, Gwen St. Aubyn, in V. Sackville-West : A Critical Biography (1974) by Michael Stevens, p. 91
Context: And so it ends,
We who were lovers may be friends.
I have some weeks in which to steel
My heart and teach myself to feel
Only a sober tenderness
Where once was passion's loveliness.
Cap 14 "Malaysian Crossroads"
Context: You're going to be the leader of a nation, and you have three sons, Hussein. The first-born is Malay, the second-born is Chinese, the third-born is Indian. What we have been witnessing is that the first-born is more favoured than the second or third. Hussein, if you do that in a family, your eldest son will grow up very spoiled. As soon as he attains manhood, he will be in the nightclubs every night because Papa is doting on him. The second and third sons, feeling the discrimination, will grow up hard as nails. Year by year they will become harder and harder, like steel, so that in the end they are going to succeed even more and the eldest will fail even more.
Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 8
Context: I've noticed that people who have never worked with steel have trouble seeing this—that the motorcycle is primarily a mental phenomenon. They associate metal with given shapes—pipes, rods, girders, tools, parts—all of them fixed and inviolable, and think of it as primarily physical. But a person who does machining or foundry work or forge work or welding sees "steel" as having no shape at all. Steel can be any shape you want if you are skilled enough, and any shape but the one you want if you are not.
North and South Trilogy (1982-1987), March into Darkness
Context: He saw it all summed up in the blind marching of that nameless unit. A vision of gaunt shapes, sharp shiny steel, dim lamps flaring in the rain. The war machine was rolling.
A Declaration of the Independence of Cyberspace (1996)
Context: Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather.
We have no elected government, nor are we likely to have one, so I address you with no greater authority than that with which liberty itself always speaks. I declare the global social space we are building to be naturally independent of the tyrannies you seek to impose on us. You have no moral right to rule us nor do you possess any methods of enforcement we have true reason to fear.
Governments derive their just powers from the consent of the governed. You have neither solicited nor received ours. We did not invite you. You do not know us, nor do you know our world. Cyberspace does not lie within your borders.
Book of Taliesin (c. 1275?), The Fold of the Bards
Context: I am a harmonious one; I am a clear singer.
I am steel; I am a druid.
I am an artificer; I am a scientific one.
I am a serpent; I am love; I will indulge in feasting.
I am not a confused bard drivelling,
When songsters sing a song by memory,
They will not make wonderful cries;
May I be receiving them.
Like receiving clothes without a hand,
Like sinking in a lake without swimming
The stream boldly rises tumultuously in degree.
1930s, Address at the Dedication of the Memorial on the Gettysburg Battlefield (1938)
Context: To the hurt of those who came after him, Lincoln's plea was long denied. A generation passed before the new unity became accepted fact. In later years new needs arose, and with them new tasks, worldwide in their perplexities, their bitterness and their modes of strife. Here in our land we give thanks that, avoiding war, we seek our ends through the peaceful processes of popular government under the Constitution. It is another conflict, a conflict as fundamental as Lincoln's, fought not with glint of steel, but with appeals to reason and justice on a thousand fronts — seeking to save for our common country opportunity and security for citizens in a free society. We are near to winning this battle. In its winning and through the years may we live by the wisdom and the humanity of the heart of Abraham Lincoln.
“My first impression of the man as of steel was consolidated and enhanced.”
On a later meeting of Richard Francis Burton, on 8 February 1879, in, Vol. 1, p. 225
Personal Reminiscences of Henry Irving (1907)
Context: My first impression of the man as of steel was consolidated and enhanced. He told us, amongst other things, of the work he had in hand. Three great books were partially done. The translation of the Arabian Nights, the metrical translation of Camoëns, and the Book of the Sword. These were all works of vast magnitude and requiring endless research. But he lived to complete them all.
The Life and Times of Frederick Douglass (1892), Part 1, Chapter 18: New Relations and Duties
1890s, The Life and Times of Frederick Douglass (1892)
Context: It is not uncommon to charge slaves with great treachery toward each other, but I must say I never loved, esteemed, or confided in men more than I did in these. They were as true as steel, and no band of brothers could be more loving. There were no mean advantages taken of each other, as is sometimes the case where slaves are situated as we were, no tattling, no giving each other bad names to Mr. Freeland, and no elevating one at the expense of the other. We never undertook to do any thing of any importance which was likely to affect each other, without mutual consultation. We were generally a unit, and moved together. Thoughts and sentiments were exchanged between us which might well be called incendiary had they been known by our masters.
“He is steel! He would go through you like a sword!”
Describing his first meeting of Sir Richard Francis Burton and his wife Isabel, on 13 August 1878, Vol. 1, p. 224
Personal Reminiscences of Henry Irving (1907)
Context: I could not but be struck by the strangers. The lady was a big, handsome blonde woman, clever-looking and capable. But the man riveted my attention. He was dark, and forceful, and masterful, and ruthless. I have never seen so iron a countenance. I did not have much time to analyse the face; the bustle of arrival prevented that. But an instant was enough to make up my mind about him. We separated in the carriage after cordial wishes that we might meet again. When we were on the platform, I asked Irving:
"Who is that man?"
"Why," he said, " I thought I introduced you!"
"So you did, but you did not mention the names of the others!" He looked at me for an instant and said inquiringly as though something had struck him:
"Tell me, why do you want to know?"
"Because," I answered, "I never saw any one like him. He is steel! He would go through you like a sword!"
"You are right!" he said. "But I thought you knew him. That is Burton — Captain Burton who went to Mecca!
“Big oil, big steel, big agriculture avoid the open marketplace.”
"The State of the Union" (1978)
1970s, Homage to Daniel Shays : Collected Essays (1972), Matters of Fact and Fiction : Essays 1973 - 1976 (1978)
Context: Big oil, big steel, big agriculture avoid the open marketplace. Big corporations fix prices among themselves and thus drive out of business the small entrepreneur. Also, in their conglomerate form, the huge corporations have begun to challenge the very legitimacy of the state.
From 1980s onwards, Cosmography (1992)
Context: The dark ages still reign over all humanity, and the depth and persistence of this domination are only now becoming clear.
This Dark Ages prison has no steel bars, chains, or locks. Instead, it is locked by misorientation and built of misinformation. Caught up in a plethora of conditioned reflexes and driven by the human ego, both warden and prisoner attempt meagerly to compete with God. All are intractably skeptical of what they do not understand.
We are powerfully imprisoned in these Dark Ages simply by the terms in which we have been conditioned to think.
Let America Be America Again (1935)
Context: Sure, call me any ugly name you choose —
The steel of freedom does not stain.
From those who live like leeches on the people's lives,
We must take back our land again,
America!
And he pressed the silver spoon against the blade. Will, holding the knife, felt only the slightest resistance as the tip of the spoon's handle fell to the table, cut clean off.
"The other edge," the old man went on, "is more subtle still. With it you can cut an opening out of this world altogether. Try it now. Do as I say — you are the bearer. You have to know. No one can teach you but me, and I have not much time left. Stand up and listen."
Source: His Dark Materials, The Subtle Knife (1997), Ch. 8 : The Tower of the Angels
Act IV, scene 1, as translated by Getrude Hall
Cyrano de Bergerac (1897)
Context: Valvert: Villain, clod-poll, flat-foot, refuse of the earth!
Cyrano: [taking off his hat and bowing as if the Vicomte had been introducing himself] Ah? … And mine, Cyrano-Savinien-Hercule of Bergerac!
Valvert: [exasperated] Buffoon!
Cyrano: [giving a sudden cry, as if seized with a cramp] Aï! …
Valvert: [who had started toward the back, turning] What is he saying now?
Cyrano: [screwing his face as if in pain] It must have leave to stir … it has a cramp! It is bad for it to be kept still so long!
Valvert: What is the matter?
Cyrano: My rapier prickles like a foot asleep!
Valvert: [drawing] So be it!
Cyrano: I shall give you a charming little hurt!
Valvert: [contemptous] Poet!
Cyrano: Yes, a poet, … and, to such an extent, that while we fence, I will, hop!, extempore, compose you a ballade!
Valvert: A ballade?
Cyrano: I fear you do not know what that is.
Valvert: But …
Cyrano: [as if saying a lesson] The ballade is composed of three stanzas of eight lines each …
Valvert: [stamps with his feet] Oh!
Cyrano: [continuing] And an envoi of four.
Valvert: You …
Cyrano: I will with the same breath fight you and compose one. And, at the last line, I will hit you. Valvert: Indeed you will not!
Cyrano: No? … [Declaiming]
Ballade of the duel which in Burgundy house
Monsieur de Bergerac fought with a jackanape …
Valvert: And what is that, if you please?
Cyrano: That is the title.
[ … ]
Cyrano: [closing his eyes a second] Wait. I am settling upon the rhymes. There. I have them. [in declaiming, he suits the action to the word]
Of my broad felt made lighter,
I cast my mantle broad,
And stand, poet and fighter,
To do and to record.
I bow, I draw my sword …
En garde! With steel and wit
I play you at first abord …
At the last line, I hit! [They begin fencing] You should have been politer;
Where had you best be gored?
The left side or the right — ah?
Or next your azure cord?
Or where the spleen is stored?
Or in the stomach pit?
Come we to quick accord …
At the last line, I hit! You falter, you turn whiter?
You do so to afford
Your foe a rhyme in "iter"? …
You thrust at me — I ward —
And balance is restored.
Laridon! Look to your spit! …
No, you shall not be floored
Before my cue to hit! [He announces solemnly] Envoi Prince, call upon the Lord! …
I skirmish … feint a bit …
I lunge! … I keep my word!
[The Vicomte staggers, Cyrano bows. ]
At the last line, I hit!
A Stainless Steel Rat is Born (1985)
The Stainless Steel Rat
Context: We must be as stealthy as rats in the wainscoting of their society. It was easier in the old days, of course, and society had more rats when the rules were looser, just as old wooden buildings have more rats than concrete buildings. But there are rats in the building now as well. Now that society is all ferrocrete and stainless steel there are fewer gaps in the joints. It takes a very smart rat indeed to find these openings. Only a stainless steel rat can be at home in this environment.
“Steel on the skyline
Sky made of glass
Made for a real world
All things must pass”
"Heathen (The Rays)"
Song lyrics, Heathen (2002)
Context: Steel on the skyline
Sky made of glass
Made for a real world
All things must pass
Ooo
Waiting for something
Looking for someone
Is there no reason?
“There are three things extremely hard: steel, a diamond, and to know one's self.”
Jason Beattie, Jon Hibbs, "Triumphant Mandelson hails new Labour victory", Scotsman, 8 June 2001, p. 5.
Acceptance speech after re-election as MP for Hartlepool in the 2001 General Election.
1840s, Essays: Second Series (1844), Nominalist and Realist
He shrugged. “Old habits, Mr Bastable. Religion is the panacea for defeat. We have a great tendency to rationalize our despair in mystical and utopian terms.”
Book 2, Chapter 4 “The Black Ships” (p. 361)
Oswald Bastable, The Steel Tsar (1981)