Quotes about steel
page 3

Halldór Laxness photo
Roger Williams (theologian) photo

“God needeth not the help of a material sword of steel to assist the sword of the Spirit in the affairs of conscience.”

Roger Williams (theologian) (1603–1684) English Protestant theologian and founder of the colony of Providence Plantation

The Bloudy Tenent of Persecution, for Cause of Conscience (1644)

Anacreon photo

“Nature gave horns to the bull,
Hoofs gave she to the horse.
To the lion cavernous jaws,
And swiftness to the hare.
The fish taught she to swim,
The bird to cleave the air;
To man she reason gave;
Not yet was woman dowered.
What, then, to woman gave she?
The priceless gift of beauty.
Stronger than any buckler,
Than any spear more piercing.
Who hath the gift of beauty.
Nor fire nor steel shall harm her.”

Anacreon (-570–-485 BC) Greek lyric poet, notable for his drinking songs and hymns

Odes, XXIV.
Variant: The bull by nature hath his horns, The horse his hoofs, to daunt their foes; The light-foot hare the hunter scorns; The lion's teeth his strength disclose.The fish, by swimming, 'scapes the weel; The bird, by flight, the fowler's net; With wisdom man is arm'd as steel; Poor women none of these can get. What have they then?—fair Beauty's grace, A two-edged sword, a trusty shield; No force resists a lovely face, Both fire and sword to Beauty yield.

Arthur Quiller-Couch photo

“Only the heel
Of splendid steel
Shall stand secure on sliding fate,
When golden navies weep their freight.”

Arthur Quiller-Couch (1863–1944) British writer and literary critic

Poem The Splendid Spur http://www.poemhunter.com/poem/the-splendid-spur/

Frank Popper photo
Sadao Araki photo

“The sword is our steel Bible!”

Sadao Araki (1877–1966) Japanese general

Quoted in "Irving Wallace: A Writer's Profile" - Page 373 - by John Leverence, Sam L. Grogg - 1974

Philip Kotler photo
Samuel Rogers photo

“Lo, steel-clad War his gorgeous standard rears!
The red-cross squadrons madly rage,
And mow thro' infancy and age”

Samuel Rogers (1763–1855) British poet

III.2. l. 1-3.
Ode to Superstition (1786)

Robert E. Howard photo
Joseph Stella photo
Aneurin Bevan photo

“We could manage to survive without money changers and stockbrokers. We should find it harder to do without miners, steel workers and those who cultivate the land.”

Aneurin Bevan (1897–1960) Welsh politician

In Place of Fear (William Heinemann Ltd, 1952), p. 157
1950s

Omar Bradley photo
Sören Kierkegaard photo

“Steel can be tempered and hardened, and so can men. In this world of struggle, which was not designed for softies, a man must be harder than what hits him. Yes, he must be diamond-hard. Then he'll not be "fed up" with his little personal troubles.”

Herbert N. Casson (1869–1951) Canadian journalist and writer

Herbert N. Casson cited in: Forbes magazine (1950) The Forbes scrapbook of Thoughts on the business of life. p. 236
1950s and later

Nikos Kazantzakis photo
George Grosz photo
James Howard Kunstler photo
Christopher Hitchens photo
Russell Brand photo
Letitia Elizabeth Landon photo
John Kenneth Galbraith photo
Cyrano de Bergerac photo
Raymond Kethledge photo
George Carlin photo
Letitia Elizabeth Landon photo
Moshe Dayan photo
Thomas Fuller (writer) photo

“4797. The Tongue is not Steel, yet it cuts sorely.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

Tryon Edwards photo
John Zerzan photo
Frank Bunker Gilbreth, Sr. photo
Frederick Winslow Taylor photo

“You gentlemen may laugh, but that is true, all right; it sounds ridiculous, I know, but it is fact. Now if the problem were put up to any of you man to develop science of shoveling as it was put up to us, that is, to a group of men who had deliberately set out to develop the science of all kinds of all laboring work, where do you think you would begin? When you started to study the science of shoveling I make the assertion that you would be within two days – just as we were in two days –well on the way toward development of the science of shoveling. At least you would outlined in your minds those elements which required careful, scientific study in order to understand science of shoveling. I do not want to go into all of the details of shoveling, but I will give you some of the elements, one or two of the most important elements of the science of shoveling; that is, the elements that reach further and have more serious consequences than any other. Probably the most important element in the science of shoveling is this: There must be some shovel load at which a first-class shoveler will do his biggest day’s work. What is that load? To illustrate: when we went to the Bethlehem Steel Works and observed the shoveler in the yard of that company, we found that each of the good shovelers in that yard owned his own shovel; they preferred to buy their own shovels rather than to have the company furnish them. There was a larger tonnage of ore shoveled in that woks than of any other material and rice coal came next in tonnage. We would see a first-class shoveler go from shoveling rice coal with a load of 3.5 ponds to the shovel to handling ore from the Massaba Range, with 38 pounds to the shove Now, is 3.5 pounds the proper shovel load or is the 38 pounds the proper load? They cannot both be right. Under scientific management the answer to this question is not a matter of anyone’s opinion; it is a question for accurate, careful, scientific investigation.”

Frederick Winslow Taylor (1856–1915) American mechanical engineer and tennis player

Source: Testimony of Frederick W. Taylor... 1912, p. 111.

Toby Keith photo
José Martí photo

“My poems please the brave:
My poems, short and sincere,
Have the force of steel
Which forges swords.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Source: Simple Verses (1891), V

Arthur Scargill photo
Mohammad Reza Pahlavi photo
Robert E. Howard photo
Luís de Camões photo
Richard Overy photo
John Byrne photo

“If ^^***** had the stones they’d say “Screw continuity! As of January 2007, we’re hitting ‘rewind’ and resetting all the books to where they were in 1972—just set in modern time.” No “cosmic events,” no 100 issue crossovers. Just an editorial fiat, like Man of Steel. Only way to get things done.”

John Byrne (1950) American author and artist of comic books

2006
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=11794
On taking comics back to the basics; ‘rewinding’ or ‘resetting’ to the status quo

Amir Khusrow photo
Winfield Scott photo

“Brave rifles! Veterans! You have been baptized in fire and blood and have come out steel!”

Winfield Scott (1786–1866) Union United States Army general

Address to US forces after the of Battle of Chapultepec in the Mexican-American War (September 1847) as quoted in The Life and Military and Civic Services of Lieut-Gen. Winfield Scott (1861) by Orville James Victor, p. 106.

Douglas Coupland photo
Harriet Beecher Stowe photo
Sergei Prokofiev photo

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

George W. Bush photo

“Terrorist attacks can shake the foundations of our biggest buildings, but they cannot touch the foundation of America. These acts shatter steel, but they cannot dent the steel of American resolve.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, A Great People Has Been Moved to Defend a Great Nation (September 2001)

Chris Jericho photo
Adolf Hitler photo

“We want this people to be hard, not soft, and you must steel yourselves for it in your youth!”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

1930s, From the film Triumph of the Will (1935)

Filippo Tommaso Marinetti photo

“O my brother Futurists! All of you, look at yourselves!.... In the name of that Human Pride we so adore, I proclaim that the hour is nigh when men with broad temples and steel chins will give birth magnificently, with a single trust of their bulging will, to giants with flawless gestures.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

Quote of Marinetti, from the 'Preface' of his novel Mafraka, le Futuriste, Filippo Marinetti, 1909; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 313, note 15
1900's

William O. Douglas photo

“We have here the problem of bigness. Its lesson should by now have been burned into our memory by Brandeis. The Curse of Bigness' shows how size can become a menace – both industrial and social. It can be an industrial menace because it creates gross inequalities against existing or putative competitors. It can be a social menace – because of its control of prices. Control of prices in the steel industry is powerful leverage on our economy. For the price of steel determines the price of hundreds of other articles. Our price level determines in large measure whether we have prosperity or depression – an economy of abundance or scarcity. Size in steel should therefore be jealously watched. In final analysis, size in steel is the measure of the power of a handful of men over our economy. That power can be utilized with lightning speed. It can be benign or it can be dangerous. The philosophy of the Sherman Act is that it should not exist. For all power tends to develop into a government in itself. Power that controls the economy should be in the hands of elected representatives of the people, not in the hands of an industrial oligarchy. Industrial power should be decentralized. It should be scattered into many hands so that the fortunes of the people will not be dependent on the whim or caprice, the political prejudices, the emotional stability of a few self-appointed men. The fact that they are not vicious men but respectable and social minded is irrelevant. That is the philosophy and the command of the Sherman Act. It is founded on a theory of hostility to the concentration in private hands of power so great that only a government of the people should have it.”

William O. Douglas (1898–1980) Associate Justice of the Supreme Court of the United States

Dissenting, United States v. Columbia Steel Co., 334 U.S. 495 (1948)
Judicial opinions

Neville Chamberlain photo

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Richard Serra photo

“The steel and the space, or the object and the void, become one and the same.”

Richard Serra (1939) American sculptor

Charlie Rose interview (2001)

Robert Stawell Ball photo
Jeremiah O'Donovan Rossa photo
Ben Hecht photo
Charlie Daniels photo
Hugo Chávez photo

“Every factory must be a school to educate, like Che Guevara said, to produce not only briquettes, steel, and aluminum, but also, above all, the new man and woman, the new society, the socialist society.”

Hugo Chávez (1954–2013) 48th President of Venezuela

Speech to a May 2009 "Socialist Transformation Workshop" in Guayana, as quoted in Venezuela Nationalizes Gas Plant and Steel Companies, Pledges Worker Control: James Suggett at Venezuela Analysis (22 May 2009) http://www.venezuelanalysis.com/news/4464
2009

Filippo Tommaso Marinetti photo

“11. We shall sing the great masses shaken with work, pleasure, or rebellion: we shall sing the multicolored and polyphonic tidal waves of revolution in the modern metropolis; shall sing the vibrating nocturnal fervor of factories and shipyards burning under violent electrical moons; bloated railroad stations that devour smoking serpents; factories hanging from the sky by the twisting threads of spiraling smoke; bridges like gigantic gymnasts who span rivers, flashing at the sun with the gleam of a knife; adventurous steamships that scent the horizon, locomotives with their swollen chest, pawing the tracks like massive steel horses bridled with pipes, and the oscillating flight of airplanes, whose propeller flaps at the wind like a flag and seems to applaud like a delirious crowd.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

Original Italian text:
Noi canteremo le grandi folle agitate dal lavoro, dal piacere o dalla sommossa: canteremo le maree multicolori e polifoniche delle rivoluzioni nelle capitali moderne; canteremo il vibrante fervore notturno degli arsenali e dei cantieri incendiati da violente lune elettriche; le stazioni ingorde, divoratrici di serpi che fumano; le officine appese alle nuvole pei contorti fili dei loro fumi; i ponti simili a ginnasti giganti che scavalcano i fiumi, balenanti al sole con un luccichio di coltelli; i piroscafi avventurosi che fiutano l'orizzonte, le locomotive dall'ampio petto, che scalpitano sulle rotaie, come enormi cavalli d'acciaio imbrigliati di tubi, e il volo scivolante degli aereoplani, la cui elica garrisce al vento come una bandiera e sembra applaudire come una folla entusiasta.
Source: 1900's, The Founding and Manifesto of Futurism' 1909, p. 52 : Last bullet-item in THE MANIFESTO OF FUTURISM

James Jeffrey Roche photo
Robinson Jeffers photo
Donald J. Trump photo

“Today, I would like to provide the American people with an update on the White House transition and our policy plans for the first 100 days. Our transition team is working very smoothly, efficiently, and effectively. Truly great and talented men and women, patriots indeed are being brought in and many will soon be a part of our government, helping us to Make America Great Again. My agenda will be based on a simple core principle: putting America First. Whether it's producing steel, building cars, or curing disease, I want the next generation of production and innovation to happen right here, in our great homeland: America – creating wealth and jobs for American workers. As part of this plan, I've asked my transition team to develop a list of executive actions we can take on day one to restore our laws and bring back our jobs. It's about time. These include the following: On trade, I am going to issue our notification of intent to withdraw from the Trans-Pacific Partnership, a potential disaster for our country. Instead, we will negotiate fair, bilateral trade deals that bring jobs and industry back onto American shores. On energy, I will cancel job-killing restrictions on the production of American energy – including shale energy and clean coal – creating many millions of high-paying jobs. That's what we want, that's what we've been waiting for. On regulation, I will formulate a rule which says that for every one new regulation, two old regulations must be eliminated, it's so important. On national security, I will ask the Department of Defense and the Chairman of the Joint Chiefs of Staff to develop a comprehensive plan to protect America's vital infrastructure from cyber-attacks, and all other form of attacks. On immigration, I will direct the Department of Labor to investigate all abuses of visa programs that undercut the American worker. On ethics reform, as part of our plan to Drain the Swamp, we will impose a five-year ban on executive officials becoming lobbyists after they leave the Administration – and a lifetime ban on executive officials lobbying on behalf of a foreign government. These are just a few of the steps we will take to reform Washington and rebuild our middle class. I will provide more updates in the coming days, as we work together to Make America Great Again for everyone.”

Donald J. Trump (1946) 45th President of the United States of America

A Message from President-Elect Donald J. Trump https://www.youtube.com/watch?v=7xX_KaStFT8 (21 November 2016)
2010s, 2016, November

Robert E. Howard photo
El Lissitsky photo
Lord Dunsany photo
Michael Moorcock photo
Morarji Desai photo
Tanith Lee photo
Robert E. Howard photo
Joel Barlow photo

“No! 'tis the present world that prompts the song,
The world we see, the world that feels the wrong,
The world of men, whose arguments ye know,
Of men, long curb'd to servitude and wo,
Men, rous'd from sloth, by indignation stung,
Their strong hands loos'd, and found their fearless tongue;
Whose voice of fire, whose deep-descending steel
Shall speak to souls, and teach dull nerves to feel.”

Joel Barlow (1754–1812) American diplomat

The Conspiracy of Kings (1792)
Context: Think not, ye knaves, whom meanness styles the Great,
Drones of the Church and harpies of the State, —
Ye, whose curst sires, for blood and plunder fam'd,
Sultans or kings or czars or emp'rors nam'd,
Taught the deluded world their claims to own,
And raise the crested reptiles to a throne, —
Ye, who pretend to your dark host was given
The lamp of life, the mystic keys of heaven;
Whose impious arts with magic spells began
When shades of ign'rance veil'd the race of man;
Who change, from age to age, the sly deceit
As Science beams, and Virtue learns the cheat;
Tyrants of double powers, the soul that blind,
To rob, to scourge, and brutalize mankind,
Think not I come to croak with omen'd yell
The dire damnations of your future hell,
To bend a bigot or reform a knave,
By op'ning all the scenes beyond the grave.
I know your crusted souls: while one defies
In sceptic scorn the vengeance of the skies,
The other boasts, — “I ken thee, Power divine,
“But fear thee not; th' avenging bolt is mine." No! 'tis the present world that prompts the song,
The world we see, the world that feels the wrong,
The world of men, whose arguments ye know,
Of men, long curb'd to servitude and wo,
Men, rous'd from sloth, by indignation stung,
Their strong hands loos'd, and found their fearless tongue;
Whose voice of fire, whose deep-descending steel
Shall speak to souls, and teach dull nerves to feel.

Frank Lloyd Wright photo

“If you would see how interwoven it is in the warp and woof of civilization … go at night-fall to the top of one of the down-town steel giants and you may see how in the image of material man, at once his glory and his menace, is this thing we call a city.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

Lecture to the Chicago chapter of the Daughters of the American Revolution (1904); later published as "The Art and Craft of the Machine" in On Architecture: Selected Writings (1894-1940) (1941) <!-- Duell, Sloan, & Pearce publishers -->
Context: If you would see how interwoven it is in the warp and woof of civilization … go at night-fall to the top of one of the down-town steel giants and you may see how in the image of material man, at once his glory and his menace, is this thing we call a city. There beneath you is the monster, stretching acre upon acre into the far distance. High over head hangs the stagnant pall of its fetid breath, reddened with light from myriad eyes endlessly, everywhere blinking. Thousands of acres of cellular tissue, the city’s flesh outspreads layer upon layer, enmeshed by an intricate network of veins and arteries radiating into the gloom, and in them, with muffled, persistent roar, circulating as the blood circulates in your veins, is the almost ceaseless beat of the activity to whose necessities it all conforms. The poisonous waste is drawn from the system of this gigantic creature by infinitely ramifying, thread-like ducts, gathering at their sensitive terminals matter destructive of its life, hurrying it to millions of small intestines to be collected in turn by larger, flowing to the great sewers, on to the drainage canal, and finally to the ocean.

Stephen Vincent Benét photo

“This is he.
This is the man they ate at the green table
Putting their gloves on ere they touched the meat.
This is the fruit of war, the fruit of peace,
The ripeness of invention, the new lamb,
The answer to the wisdom of the wise.
And still he hangs, and still he will not die
And still, on the steel city of our years
The light falls and the terrible blood streams down.”

Stephen Vincent Benét (1898–1943) poet, short story writer, novelist

Litany for Dictatorships (1935)
Context: For the man crucified on the crossed machine guns
Without name, without resurrection, without stars,
His dark head heavy with death and his flesh long sour
With the smell of his many prisons — John Smith, John Doe,
John Nobody — oh, crack your mind for his name!
Faceless as water, naked as the dust,
Dishonored as the earth the gas-shells poison
And barbarous with portent.
This is he.
This is the man they ate at the green table
Putting their gloves on ere they touched the meat.
This is the fruit of war, the fruit of peace,
The ripeness of invention, the new lamb,
The answer to the wisdom of the wise.
And still he hangs, and still he will not die
And still, on the steel city of our years
The light falls and the terrible blood streams down.

Robert M. Pirsig photo

“I've noticed that people who have never worked with steel have trouble seeing this—that the motorcycle is primarily a mental phenomenon.”

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 8
Context: I've noticed that people who have never worked with steel have trouble seeing this—that the motorcycle is primarily a mental phenomenon. They associate metal with given shapes—pipes, rods, girders, tools, parts—all of them fixed and inviolable, and think of it as primarily physical. But a person who does machining or foundry work or forge work or welding sees "steel" as having no shape at all. Steel can be any shape you want if you are skilled enough, and any shape but the one you want if you are not.

Vita Sackville-West photo

“I have some weeks in which to steel
My heart and teach myself to feel
Only a sober tenderness
Where once was passion's loveliness.”

Vita Sackville-West (1892–1962) English writer and gardener

"And so it ends", a poem cited as probably directed to her sister-in-law, Gwen St. Aubyn, in V. Sackville-West : A Critical Biography (1974) by Michael Stevens, p. 91
Context: And so it ends,
We who were lovers may be friends.
I have some weeks in which to steel
My heart and teach myself to feel
Only a sober tenderness
Where once was passion's loveliness.

“The second and third sons, feeling the discrimination, will grow up hard as nails. Year by year they will become harder and harder, like steel, so that in the end they are going to succeed even more and the eldest will fail even more.”

Robert Kuok (1923) Malaysian businessman

Cap 14 "Malaysian Crossroads"
Context: You're going to be the leader of a nation, and you have three sons, Hussein. The first-born is Malay, the second-born is Chinese, the third-born is Indian. What we have been witnessing is that the first-born is more favoured than the second or third. Hussein, if you do that in a family, your eldest son will grow up very spoiled. As soon as he attains manhood, he will be in the nightclubs every night because Papa is doting on him. The second and third sons, feeling the discrimination, will grow up hard as nails. Year by year they will become harder and harder, like steel, so that in the end they are going to succeed even more and the eldest will fail even more.

Robert M. Pirsig photo

“Steel can be any shape you want if you are skilled enough, and any shape but the one you want if you are not.”

Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 8
Context: I've noticed that people who have never worked with steel have trouble seeing this—that the motorcycle is primarily a mental phenomenon. They associate metal with given shapes—pipes, rods, girders, tools, parts—all of them fixed and inviolable, and think of it as primarily physical. But a person who does machining or foundry work or forge work or welding sees "steel" as having no shape at all. Steel can be any shape you want if you are skilled enough, and any shape but the one you want if you are not.

“A vision of gaunt shapes, sharp shiny steel, dim lamps flaring in the rain. The war machine was rolling.”

John Jakes (1932) American historical novelist and fantasy writer

North and South Trilogy (1982-1987), March into Darkness
Context: He saw it all summed up in the blind marching of that nameless unit. A vision of gaunt shapes, sharp shiny steel, dim lamps flaring in the rain. The war machine was rolling.

John Perry Barlow photo

“Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone.”

A Declaration of the Independence of Cyberspace (1996)
Context: Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather.
We have no elected government, nor are we likely to have one, so I address you with no greater authority than that with which liberty itself always speaks. I declare the global social space we are building to be naturally independent of the tyrannies you seek to impose on us. You have no moral right to rule us nor do you possess any methods of enforcement we have true reason to fear.
Governments derive their just powers from the consent of the governed. You have neither solicited nor received ours. We did not invite you. You do not know us, nor do you know our world. Cyberspace does not lie within your borders.

Taliesin photo

“I am a harmonious one; I am a clear singer.
I am steel; I am a druid.
I am an artificer; I am a scientific one.
I am a serpent; I am love; I will indulge in feasting.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Fold of the Bards
Context: I am a harmonious one; I am a clear singer.
I am steel; I am a druid.
I am an artificer; I am a scientific one.
I am a serpent; I am love; I will indulge in feasting.
I am not a confused bard drivelling,
When songsters sing a song by memory,
They will not make wonderful cries;
May I be receiving them.
Like receiving clothes without a hand,
Like sinking in a lake without swimming
The stream boldly rises tumultuously in degree.

Franklin D. Roosevelt photo

“It is another conflict, a conflict as fundamental as Lincoln's, fought not with glint of steel, but with appeals to reason and justice on a thousand fronts — seeking to save for our common country opportunity and security for citizens in a free society. We are near to winning this battle. In its winning and through the years may we live by the wisdom and the humanity of the heart of Abraham Lincoln.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

1930s, Address at the Dedication of the Memorial on the Gettysburg Battlefield (1938)
Context: To the hurt of those who came after him, Lincoln's plea was long denied. A generation passed before the new unity became accepted fact. In later years new needs arose, and with them new tasks, worldwide in their perplexities, their bitterness and their modes of strife. Here in our land we give thanks that, avoiding war, we seek our ends through the peaceful processes of popular government under the Constitution. It is another conflict, a conflict as fundamental as Lincoln's, fought not with glint of steel, but with appeals to reason and justice on a thousand fronts — seeking to save for our common country opportunity and security for citizens in a free society. We are near to winning this battle. In its winning and through the years may we live by the wisdom and the humanity of the heart of Abraham Lincoln.

Bram Stoker photo

“My first impression of the man as of steel was consolidated and enhanced.”

On a later meeting of Richard Francis Burton, on 8 February 1879, in, Vol. 1, p. 225
Personal Reminiscences of Henry Irving (1907)
Context: My first impression of the man as of steel was consolidated and enhanced. He told us, amongst other things, of the work he had in hand. Three great books were partially done. The translation of the Arabian Nights, the metrical translation of Camoëns, and the Book of the Sword. These were all works of vast magnitude and requiring endless research. But he lived to complete them all.

Frederick Douglass photo

“It is not uncommon to charge slaves with great treachery toward each other, but I must say I never loved, esteemed, or confided in men more than I did in these. They were as true as steel, and no band of brothers could be more loving.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

The Life and Times of Frederick Douglass (1892), Part 1, Chapter 18: New Relations and Duties
1890s, The Life and Times of Frederick Douglass (1892)
Context: It is not uncommon to charge slaves with great treachery toward each other, but I must say I never loved, esteemed, or confided in men more than I did in these. They were as true as steel, and no band of brothers could be more loving. There were no mean advantages taken of each other, as is sometimes the case where slaves are situated as we were, no tattling, no giving each other bad names to Mr. Freeland, and no elevating one at the expense of the other. We never undertook to do any thing of any importance which was likely to affect each other, without mutual consultation. We were generally a unit, and moved together. Thoughts and sentiments were exchanged between us which might well be called incendiary had they been known by our masters.

Bram Stoker photo

“He is steel! He would go through you like a sword!”

Describing his first meeting of Sir Richard Francis Burton and his wife Isabel, on 13 August 1878, Vol. 1, p. 224
Personal Reminiscences of Henry Irving (1907)
Context: I could not but be struck by the strangers. The lady was a big, handsome blonde woman, clever-looking and capable. But the man riveted my attention. He was dark, and forceful, and masterful, and ruthless. I have never seen so iron a countenance. I did not have much time to analyse the face; the bustle of arrival prevented that. But an instant was enough to make up my mind about him. We separated in the carriage after cordial wishes that we might meet again. When we were on the platform, I asked Irving:
"Who is that man?"
"Why," he said, " I thought I introduced you!"
"So you did, but you did not mention the names of the others!" He looked at me for an instant and said inquiringly as though something had struck him:
"Tell me, why do you want to know?"
"Because," I answered, "I never saw any one like him. He is steel! He would go through you like a sword!"
"You are right!" he said. "But I thought you knew him. That is Burton — Captain Burton who went to Mecca!

Gore Vidal photo

“Big oil, big steel, big agriculture avoid the open marketplace.”

Gore Vidal (1925–2012) American writer

"The State of the Union" (1978)
1970s, Homage to Daniel Shays : Collected Essays (1972), Matters of Fact and Fiction : Essays 1973 - 1976 (1978)
Context: Big oil, big steel, big agriculture avoid the open marketplace. Big corporations fix prices among themselves and thus drive out of business the small entrepreneur. Also, in their conglomerate form, the huge corporations have begun to challenge the very legitimacy of the state.

Buckminster Fuller photo

“The dark ages still reign over all humanity, and the depth and persistence of this domination are only now becoming clear.
This Dark Ages prison has no steel bars, chains, or locks. Instead, it is locked by misorientation and built of misinformation.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

From 1980s onwards, Cosmography (1992)
Context: The dark ages still reign over all humanity, and the depth and persistence of this domination are only now becoming clear.
This Dark Ages prison has no steel bars, chains, or locks. Instead, it is locked by misorientation and built of misinformation. Caught up in a plethora of conditioned reflexes and driven by the human ego, both warden and prisoner attempt meagerly to compete with God. All are intractably skeptical of what they do not understand.
We are powerfully imprisoned in these Dark Ages simply by the terms in which we have been conditioned to think.

Langston Hughes photo

“The steel of freedom does not stain.
From those who live like leeches on the people's lives,
We must take back our land again,
America!”

Langston Hughes (1902–1967) American writer and social activist

Let America Be America Again (1935)
Context: Sure, call me any ugly name you choose —
The steel of freedom does not stain.
From those who live like leeches on the people's lives,
We must take back our land again,
America!

Philip Pullman photo

“This edge," said Giacomo Paradisi, touching the steel with the handle of a spoon, "will cut through any material in the world. Look.”

And he pressed the silver spoon against the blade. Will, holding the knife, felt only the slightest resistance as the tip of the spoon's handle fell to the table, cut clean off.
"The other edge," the old man went on, "is more subtle still. With it you can cut an opening out of this world altogether. Try it now. Do as I say — you are the bearer. You have to know. No one can teach you but me, and I have not much time left. Stand up and listen."
Source: His Dark Materials, The Subtle Knife (1997), Ch. 8 : The Tower of the Angels

Edmond Rostand photo

“Of my broad felt made lighter,
I cast my mantle broad,
And stand, poet and fighter,
To do and to record.
I bow, I draw my sword …
En garde! With steel and wit
I play you at first abord …
At the last line, I hit!”

Edmond Rostand (1868–1918) French writer

Act IV, scene 1, as translated by Getrude Hall
Cyrano de Bergerac (1897)
Context: Valvert: Villain, clod-poll, flat-foot, refuse of the earth!
Cyrano: [taking off his hat and bowing as if the Vicomte had been introducing himself] Ah? … And mine, Cyrano-Savinien-Hercule of Bergerac!
Valvert: [exasperated] Buffoon!
Cyrano: [giving a sudden cry, as if seized with a cramp] Aï! …
Valvert: [who had started toward the back, turning] What is he saying now?
Cyrano: [screwing his face as if in pain] It must have leave to stir … it has a cramp! It is bad for it to be kept still so long!
Valvert: What is the matter?
Cyrano: My rapier prickles like a foot asleep!
Valvert: [drawing] So be it!
Cyrano: I shall give you a charming little hurt!
Valvert: [contemptous] Poet!
Cyrano: Yes, a poet, … and, to such an extent, that while we fence, I will, hop!, extempore, compose you a ballade!
Valvert: A ballade?
Cyrano: I fear you do not know what that is.
Valvert: But …
Cyrano: [as if saying a lesson] The ballade is composed of three stanzas of eight lines each …
Valvert: [stamps with his feet] Oh!
Cyrano: [continuing] And an envoi of four.
Valvert: You …
Cyrano: I will with the same breath fight you and compose one. And, at the last line, I will hit you. Valvert: Indeed you will not!
Cyrano: No? … [Declaiming]
Ballade of the duel which in Burgundy house
Monsieur de Bergerac fought with a jackanape …
Valvert: And what is that, if you please?
Cyrano: That is the title.
[ … ]
Cyrano: [closing his eyes a second] Wait. I am settling upon the rhymes. There. I have them. [in declaiming, he suits the action to the word]
Of my broad felt made lighter,
I cast my mantle broad,
And stand, poet and fighter,
To do and to record.
I bow, I draw my sword …
En garde! With steel and wit
I play you at first abord …
At the last line, I hit! [They begin fencing] You should have been politer;
Where had you best be gored?
The left side or the right — ah?
Or next your azure cord?
Or where the spleen is stored?
Or in the stomach pit?
Come we to quick accord …
At the last line, I hit! You falter, you turn whiter?
You do so to afford
Your foe a rhyme in "iter"? …
You thrust at me — I ward —
And balance is restored.
Laridon! Look to your spit! …
No, you shall not be floored
Before my cue to hit! [He announces solemnly] Envoi Prince, call upon the Lord! …
I skirmish … feint a bit …
I lunge! … I keep my word!
[The Vicomte staggers, Cyrano bows. ]
At the last line, I hit!

Harry Harrison photo

“It takes a very smart rat indeed to find these openings. Only a stainless steel rat can be at home in this environment.”

A Stainless Steel Rat is Born (1985)
The Stainless Steel Rat
Context: We must be as stealthy as rats in the wainscoting of their society. It was easier in the old days, of course, and society had more rats when the rules were looser, just as old wooden buildings have more rats than concrete buildings. But there are rats in the building now as well. Now that society is all ferrocrete and stainless steel there are fewer gaps in the joints. It takes a very smart rat indeed to find these openings. Only a stainless steel rat can be at home in this environment.

David Bowie photo

“Steel on the skyline
Sky made of glass
Made for a real world
All things must pass”

David Bowie (1947–2016) British musician, actor, record producer and arranger

"Heathen (The Rays)"
Song lyrics, Heathen (2002)
Context: Steel on the skyline
Sky made of glass
Made for a real world
All things must pass
Ooo
Waiting for something
Looking for someone
Is there no reason?

Benjamin Franklin photo

“There are three things extremely hard: steel, a diamond, and to know one's self.”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …
Peter Mandelson photo
Charles Stross photo
Ralph Waldo Emerson photo
Michael Moorcock photo

“We are still ruled, in some ways, by our Church. We are a people more cursed by religion and its manifestations and assumptions than any other. The Steel Tsar, with his messianic socialism, offers us religion again, perhaps. You English have never had quite the same need for God. We have known despair and conquest too often to ignore Him altogether.”

Michael Moorcock (1939) English writer, editor, critic

He shrugged. “Old habits, Mr Bastable. Religion is the panacea for defeat. We have a great tendency to rationalize our despair in mystical and utopian terms.”
Book 2, Chapter 4 “The Black Ships” (p. 361)
Oswald Bastable, The Steel Tsar (1981)