Quotes about spectacles

A collection of quotes on the topic of spectacle, spectacles, use, making.

Quotes about spectacles

Thomas Wolfe photo
John Lennon photo
José Baroja photo

“Neofascism dresses up in makeup, glamour, and pure spectacle.”

José Baroja (1983) Chilean author and editor

Source: 1480 AM Rock & Pop. Guadalajara, Mexico.

Tamora Pierce photo
Michael Oakeshott photo
George Orwell photo
Hannah Arendt photo

“Persecution of powerless or power-losing groups may not be a very pleasant spectacle, but it does not spring from human meanness alone.”

Part 1, Ch. 1, § 1.
The Origins of Totalitarianism (1951)
Context: Persecution of powerless or power-losing groups may not be a very pleasant spectacle, but it does not spring from human meanness alone. What makes men obey or tolerate real power and, on the other hand, hate people who have wealth without power, is the rational instinct that power has a certain function and is of some general use. Even exploitation and oppression still make society work and establish some kind of order. Only wealth without power or aloofness without a policy are felt to be parasitical, useless, revolting, because such conditions cut all the threads which tie men together. Wealth which does not exploit lacks even the relationship which exists between exploiter and exploited; aloofness without policy does not imply even the minimum concern of the oppressor for the oppressed.

George Orwell photo
Oscar Wilde photo

“A simile committing suicide is always a depressing spectacle.”

Oscar Wilde (1854–1900) Irish writer and poet

"The Poets' Corner III," The Pall Mall Gazette http://www.online-literature.com/wilde/1307/ (May 30, 1887)

Bertrand Russell photo

“How much longer is the world willing to endure this spectacle of wanton cruelty?”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

"Message from Bertrand Russell to the International Conference of Parlimentarians in Cairo, February 1970," reprinted in The New York Times (23 February 1970)
1960s
Context: The tragedy of the people of Palestine is that their country was "given" by a foreign power to another people for the creation of a new state. The result was that many hundreds of thousands of innocent people were made permanently homeless. With every new conflict their numbers increased. How much longer is the world willing to endure this spectacle of wanton cruelty? It is abundantly clear that the refugees have every right to the homeland from which they were driven, and the denial of this right is at the heart of the continuing conflict. No people anywhere in the world would accept being expelled en masse from their country; how can anyone require the people of Palestine to accept a punishment which nobody else would tolerate? A permanent just settlement of the refugees in their homeland is an essential ingredient of any genuine settlement in the Middle East.

George Washington photo

“Gentlemen, you will permit me to put on my spectacles, for, I have grown not only gray, but almost blind in the service of my country.”

George Washington (1732–1799) first President of the United States

Statement as he put on his glasses before delivering his response to the first Newburgh Address http://www.earlyamerica.com/milestone-events/newburgh-address/ (15 March 1783), quoted in a letter https://democraticthinker.wordpress.com/2010/01/08/newburgh-crisis-viwashingtons-newburgh-address/ from General David Cobb http://en.wikipedia.org/wiki/David_Cobb_(Massachusetts) to Colonel Timothy Pickering http://en.wikipedia.org/wiki/Timothy_Pickering (25 November 1825)
1780s, The Newburgh Address (1783)

Aimé Césaire photo
Elizabeth Cady Stanton photo
Guy Debord photo
Mark Hamill photo
Ghalib photo
Galileo Galilei photo
Friedrich Nietzsche photo
Theodore Roosevelt photo
Ramana Maharshi photo
Slavoj Žižek photo
Mark Twain photo
Thomas De Quincey photo

“It was a Sunday afternoon, wet and cheerless; and a duller spectacle this earth of ours has not to show than a rainy Sunday in London.”

Pt. II, Recalling the day in 1804 when he first took opium.
Confessions of an English Opium-Eater (1822-1856)

Mark Twain photo
Apollonius of Tyana photo
Thomas De Quincey photo
E.M. Forster photo

“You are quite right; life to me is just a spectacle, which — thank God, and thank Italy, and thank you — is now more beautiful and heartening than it has ever been before.”

Source: Where Angels Fear to Tread (1905), Ch. 8
Context: I never expect anything to happen now, and so I am never disappointed. You would be surprised to know what my great events are. Going to the theatre yesterday, talking to you now — I don't suppose I shall ever meet anything greater. I seem fated to pass through the world without colliding with it or moving it — and I'm sure I can't tell you whether the fate's good or evil. I don't die — I don't fall in love. And if other people die or fall in love they always do it when I'm just not there. You are quite right; life to me is just a spectacle, which — thank God, and thank Italy, and thank you — is now more beautiful and heartening than it has ever been before.

Emile Zola photo

“We have before us the ignoble spectacle of men who are sunken in debts and crimes being hailed as innocent, whereas the honor of a man whose life is spotless is being vilely attacked: A society that sinks to that level has fallen into decay.”

J'accuse! (1898)
Context: It came down, once again, to the General Staff protecting itself, not wanting to admit its crime, an abomination that has been growing by the minute.
In disbelief, people wondered who Commander Esterhazy's protectors were. First of all, behind the scenes, Lt. Colonel du Paty de Clam was the one who had concocted the whole story, who kept it going, tipping his hand with his outrageous methods. Next General de Boisdeffre, then General Gonse, and finally, General Billot himself were all pulled into the effort to get the Major acquitted, for acknowledging Dreyfus's innocence would make the War Office collapse under the weight of public contempt. And the astounding outcome of this appalling situation was that the one decent man involved, Lt. Colonel Picquart who, alone, had done his duty, was to become the victim, the one who got ridiculed and punished. O justice, what horrible despair grips our hearts? It was even claimed that he himself was the forger, that he had fabricated the letter-telegram in order to destroy Esterhazy. But, good God, why? To what end? Find me a motive. Was he, too, being paid off by the Jews? The best part of it is that Picquart was himself an anti-Semite. Yes! We have before us the ignoble spectacle of men who are sunken in debts and crimes being hailed as innocent, whereas the honor of a man whose life is spotless is being vilely attacked: A society that sinks to that level has fallen into decay.

Barack Obama photo
Antoine de Saint-Exupéry photo

“This viscous whiteness became in my mind the frontier between the real and the unreal, between the known and the unknowable. Already I was beginning to realize that a spectacle has no meaning except it be seen through the glass of a culture, a civilization, a craft.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

Source: Terre des Hommes (1939), Ch. I : The Craft
Context: "Navigating by the compass in a sea of clouds over Spain is all very well, it is very dashing, but—"
And I was struck by the graphic image:
"But you want to remember that below the sea of clouds lies eternity."
And suddenly that tranquil cloud-world, that world so harmless and simple that one sees below on rising out of the clouds, took on in my eyes a new quality. That peaceful world became a pitfall. I imagined the immense white pitfall spread beneath me. Below it reigned not what one might think — not the agitation of men, not the living tumult and bustle of cities, but a silence even more absolute than in the clouds, a peace even more final. This viscous whiteness became in my mind the frontier between the real and the unreal, between the known and the unknowable. Already I was beginning to realize that a spectacle has no meaning except it be seen through the glass of a culture, a civilization, a craft. Mountaineers too know the sea of clouds, yet it does not seem to them the fabulous curtain it is to me.

Thucydides photo

“Again, in our enterprises we present the singular spectacle of daring and deliberation, each carried to its highest point, and both united in the same persons; although usually decision is the fruit of ignorance, hesitation of reflection.”

Book II, 2.40-[3]
History of the Peloponnesian War, Book II
Context: Again, in our enterprises we present the singular spectacle of daring and deliberation, each carried to its highest point, and both united in the same persons; although usually decision is the fruit of ignorance, hesitation of reflection. But the palm of courage will surely be adjudged most justly to those, who best know the difference between hardship and pleasure and yet are never tempted to shrink from danger. In generosity we are equally singular, acquiring our friends by conferring, not by receiving, favours.

Ivan Illich photo

“By his silence Jesus recognizes power that is established as "devil" and defines Himself as The Powerless. He who cannot accept this view on power cannot look at establishments through the spectacle of the Gospel. This is what clergy and churches often have difficulty doing.”

Ivan Illich (1926–2002) austrian philosopher and theologist

The Educational enterprise in the Light of the Gospel (13 November 1988) http://www.davidtinapple.com/illich/1988_Educational.html.
Context: Jesus was an anarchist savior. That's what the Gospels tell us.
Just before He started out on His public life, Jesus went to the desert. He fasted, and after 40 days he was hungry. At this point the diabolos, appeared to tempt Him. First he asked Him to turn stone into bread, then to prove himself in a magic flight, and finally the devil, diabolos, "divider," offered Him power. Listen carefully to the words of this last of the three temptations: (Luke 4,6:) "I give you all power and glory, because I have received them and I give them to those whom I choose. Adore me and the power will be yours." It is astonishing what the devil says: I have all power, it has been given to me, and I am the one to hand it on — submit, and it is yours. Jesus of course does not submit, and sends the devilcumpower to Hell. Not for a moment, however, does Jesus contradict the devil. He does not question that the devil holds all power, nor that this power has been given to him, nor that he, the devil, gives it to whom he pleases. This is a point which is easily overlooked. By his silence Jesus recognizes power that is established as "devil" and defines Himself as The Powerless. He who cannot accept this view on power cannot look at establishments through the spectacle of the Gospel. This is what clergy and churches often have difficulty doing. They are so strongly motivated by the image of church as a "helping institution" that they are constantly motivated to hold power, share in it or, at least, influence it.

Natalie Wynn photo
Eugene V. Debs photo
Juvenal photo

“If your stars go against you, the fantastic size of your cock will get you precisely nowhere, however much Virro may have drooled at the spectacle of your naked charms, though love-letters come in by the dozen, imploring your favors.”

Nam si tibi sidera cessant,
nil faciet longi mensura incognita nervi,
quamvis te nudum spumanti Virro labello
viderit et blandae adsidue densaeque tabellae
sollicitent, autos gar ephelketai andra kinaidos.
IX, line 33.
Satires, Satire IX

Umberto Eco photo
Susan Sontag photo
Julia Quinn photo
Jean-Luc Godard photo

“i've always wanted, basically, to do research in the form of a spectacle.”

Jean-Luc Godard (1930) French-Swiss film director, screenwriter and film critic
Guy Debord photo

“The spectacle is not a collection of images; rather, it is a social relationship between people that is mediated by images.”

Source: Society of the Spectacle (1967), Ch. 1, sct. 4.
Source: The Society of the Spectacle

Libba Bray photo
Jean Genet photo

“It's a true image, born of a false spectacle.”

Source: The Balcony

Jennifer Egan photo
Rachel Caine photo
Kerry Greenwood photo
Guy Debord photo

“In societies where modern conditions of production prevail, all of life presents itself as an immense accumulation of spectacles. Everything that was directly lived has moved away into a representation.”

Guy Debord (1931–1994) French Marxist theorist, writer, filmmaker and founding member of the Situationist International (SI)

Source: Society of the Spectacle (1967), Ch. 1, sct. 1.

Aimé Césaire photo

“A man screaming is not a dancing bear. Life is not a spectacle.”

Aimé Césaire (1913–2008) Martiniquais politician

Source: Notebook of a Return to the Native Land

Richelle Mead photo
Jennifer Egan photo
Kate Chopin photo
David Sedaris photo
Ralph Waldo Emerson photo
Victor Hugo photo
Gustave Courbet photo
Michael Chabon photo
Roman Polanski photo

“I want people to go to the movies. I am the man of the spectacle. I'm playing.”

Roman Polanski (1933) Polish-French film director, producer, writer, actor, and rapist

Polanski : His Life and Films (1982)

African Spir photo
Chris Hedges photo
Alexis De Tocqueville photo
P.G. Wodehouse photo
Robert A. Heinlein photo

“He considered horoscopes as silly as spectacles on a cow.”

Source: Between Planets (1951), Chapter 4, “The Glory Road” (p. 43)

Peter Greenaway photo
Vitruvius photo

“There will be no propriety in the spectacle of an elegant interior approached by a low mean entrance.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 6

Edmund Burke photo
Pierre Trudeau photo
André Maurois photo
George Soros photo
Max Beckmann photo
Georges Duhamel photo
James Fenimore Cooper photo
Stephen King photo
Winston S. Churchill photo
Daniel Bell photo
Camille Paglia photo
Slavoj Žižek photo
Charles Hamilton (writer) photo

“A somewhat short junior, with a broad, pleasant face and an enormous pair of spectacles”

Charles Hamilton (writer) (1876–1961) English writer of school stories

The first mention of Bunter
Oxford Companion to Children's Literature: "Billy Bunter" (pages 62-4)

Percy Bysshe Shelley photo
Gary Gygax photo
Tertullian photo
R. A. Salvatore photo
Jean de La Bruyère photo

“The Opera is obviously the first draft of a fine spectacle; it suggests the idea of one.”

L'on voit bien que l'Opéra est l'ébauche d'un grand spectacle; il en donne l'idée.
Aphorism 47
Les Caractères (1688), Des Ouvrages de l'Esprit

Germaine Greer photo
Christopher Hitchens photo

“As well as being a vulgar producer of her own spectacle, and an embarrassment to her family, Cindy Sheehan is at best a shifty fantasist.”

Christopher Hitchens (1949–2011) British American author and journalist

2005-08-19
http://www.slate.com/articles/news_and_politics/fighting_words/2005/08/what_cindy_sheehan_really_wants.html
What Cindy Sheehan Really Wants
Slate
1091-2339
2000s, 2005

Ralph Waldo Emerson photo
James K. Polk photo
André Maurois photo
Hakim Bey photo

“No more starry eyes from behind these dusty spectacles. I’ll wipe them and follow my own shadow for a change.”

Dawud Wharnsby (1972) Canadian musician

"Upon My Shelf"
Blue Walls and The Big Sky (1995)

James K. Morrow photo
H. G. Wells photo

“"You don't understand," he said, "who I am or what I am. I'll show you. By Heaven! I'll show you." Then he put his open palm over his face and withdrew it. The centre of his face became a black cavity. "Here," he said. He stepped forward and handed Mrs. Hall something which she, staring at his metamorphosed face, accepted automatically. Then, when she saw what it was, she screamed loudly, dropped it, and staggered back. The nose—it was the stranger's nose! pink and shining—rolled on the floor.Then he removed his spectacles, and everyone in the bar gasped. He took off his hat, and with a violent gesture tore at his whiskers and bandages. For a moment they resisted him. A flash of horrible anticipation passed through the bar. "Oh, my Gard!" said some one. Then off they came.It was worse than anything. Mrs. Hall, standing open-mouthed and horror-struck, shrieked at what she saw, and made for the door of the house. Everyone began to move. They were prepared for scars, disfigurements, tangible horrors, but nothing! The bandages and false hair flew across the passage into the bar, making a hobbledehoy jump to avoid them. Everyone tumbled on everyone else down the steps. For the man who stood there shouting some incoherent explanation, was a solid gesticulating figure up to the coat-collar of him, and then—nothingness, no visible thing at all!”

Source: The Invisible Man (1897), Chapter 7: The Unveiling of the Stranger

Michel Foucault photo

“The disappearance of public executions marks therefore the decline of the spectacle; but it also marks a slackening of the hold on the body.”

Source: Discipline and Punish (1977), Chapter One, The Spectacle of the Scaffold

Robert Menzies photo
Marshall McLuhan photo

“The “natural magic” of the camera obscura anticipated Hollywood in turning the spectacle of the external world into a consumer commodity or package.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 146