
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
After completing a zero-gravity flight in a specially modified plane, as quoted in "Hawking takes zero-gravity flight" BBC News (27 April 2007) http://news.bbc.co.uk/1/hi/sci/tech/6594821.stm
Bhagavad-Gita As It Is, Bhaktivedanta Book Trust, 1972. Chapter 10, verse 21, purport. Vedabase http://www.vedabase.com/en/bg/10/21
Quotes from Books: Loving God, Quotes from Books: Regression of Science
Query 20
Opticks (1704)
"James Lovelock: The Earth is about to catch a morbid fever that may last as long as 100,000 years" The Independent (January 16, 2006)
Jean Vanier, From Brokenness to Community, 1992, pp 35-36
From books
Source: 1920s, Review of The Meaning of Meaning (1926), p. 114
Source: Liber Null & Psychonaut (1987), p. 52
The Need for Transcendence in the Postmodern World (1994)
Query 21
Opticks (1704)
Letter to Virgil Finlay (25 September 1936), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 310
Non-Fiction, Letters
[On Riemannian manifolds of four dimensions, Bulletin of the American Mathematical Society, 51, 12, 1945, 964–971, http://www.ams.org/journals/bull/1945-51-12/S0002-9904-1945-08483-3/S0002-9904-1945-08483-3.pdf]
Source: Projective methods for the study of personality (1939), p. 402 as cited in: Jerry S. Wiggins (2003) Paradigms of personality assessment. p. 33
Remarks by President Obama in Conversation with Members of Civil Society at YALI Regional Leadership Center, Kenyatta University,Nairobi, Kenya https://www.whitehouse.gov/the-press-office/2015/07/26/remarks-president-obama-conversation-members-civil-society (July 26, 2015)
2015
The Autobiography of Charles H. Spurgeon, Compiled from His Diaries, Letters, and Records by His Wife and His Private Secretary, 1899, Fleming H. Revell, Vol. 2, (1854-1860), pp. 371-372. http://books.google.com/books?id=t3RAAAAAYAAJ&pg=PA371&dq=%22I+saw+this+medal,+bearing+the+venerated+likeness+of+John+Calvin,+I+kissed+it%22&hl=en&ei=JP4LTd-SMcX_lgf0--yzDA&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCMQ6AEwAA#v=onepage&q=%22I%20saw%20this%20medal%2C%20bearing%20the%20venerated%20likeness%20of%20John%20Calvin%2C%20I%20kissed%20it%22&f=false
Final lines, Ch. III : An afternoon party at the house of the Princesse de Guermantes"; translation by Stephen Hudson, Time Regained (1931)
If enough time was left to me to complete my work, my first concern would be to describe the people in it, even at the risk of making them seem colossal and unnatural creatures, as occupying a place far larger than the very limited one reserved for them in space, a place in fact almost infinitely extended, since they are in simultaneous contact, like giants immersed in the years, with such distant periods of their lives, between which so many days have taken up their place – in Time.
Translation by Ian Patterson, Finding Time Again (2002)
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol. VII: The Past Recaptured (1927)
Letter to Élie Diodati (2 January 1638), as translated in The Private Life of Galileo : Compiled primarily from his correspondence and that of his eldest daughter, Sister Maria Celeste (1870) by Mary Allan-Olney, p. 279
Other quotes
In a statement about Jesus Christ. While exiled on the rock of St. Helena, Napoleon called Count Montholon to his side and asked him, "Can you tell me who Jesus Christ was?" Upon the Count declining to respond Napoleon countered. Ravi Zacharias, Jesus Among Other Gods http://books.google.com/books?id=jSI9HnMHdPsC&pg=PA149&lpg=PA149&dq=napoleon+jesus+among+gods&source=bl&ots=CdsDSjamnm&sig=K3l7Ek972r7pyEFT681lbf3PVSQ&hl=en&sa=X&ei=nBqhUf3RL4au9AS37ICwCQ&ved=0CBYQ6AEwAA, p. 149, in Henry Parry Liddon (1868) The Divinity of Our Lord and Saviour Jesus Christ; Eight Lectures. New edition. https://books.google.com/books?id=IcINAAAAYAAJ&pg=PA148&dq#v=onepage&q&f=false pp. 147-148, and in Henry Parry Liddon (1869) The Divinity of Our Lord and Saviour Jesus Christ; Eight Lectures. Fourth edition. https://ia800203.us.archive.org/15/items/divinityofourlord00libbrich/divinityofourlord00libbrich.pdf pp. 147-148.
Attributed
"Betelgeuse", from The Unknown Goddess (London: Methuen, [1925] 1927) p. 34.
ABC News interview (16 August 2006)
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Richard Long (1980), five, six, pick up sticks, seven, eight, lay them straight, London: Anthony D'Offay Gallery
1980s
II 12 as translated by Dorothea Waley Singer (1950)
De immenso (1591)
"Experiments With Alternate Currents Of High Potential And High Frequency" http://www.tfcbooks.com/tesla/1892-02-03.htm an address to the Institution of Electrical Engineers, London (February 1892)
Socrates, p. 125
Valéry alludes to a famous pensée of Blaise Pascal: 'The eternal silence of these infinite spaces affrights me.' (Pensées, no. 201).
Eupalinos ou l'architecte (1921)
1859 letter to Eugène Boudin, June 3, 1859; as cited in Rodolphe Rapetti (1990) Monet, p. 11
Monet wrote Boudin this letter just after he visited the 1859 Salon.
1850 - 1870
2016, Remarks to the People of Cuba (March 2016)
Context: The ideals that are the starting point for every revolution -- America’s revolution, Cuba’s revolution, the liberation movements around the world -- those ideals find their truest expression, I believe, in democracy. Not because American democracy is perfect, but precisely because we’re not. And we -- like every country -- need the space that democracy gives us to change. It gives individuals the capacity to be catalysts to think in new ways, and to reimagine how our society should be, and to make them better.
Anarchism: Its Philosophy and Ideal (1896)
Context: Take any work on astronomy of the last century, or the beginning of ours. You will no longer find in it, it goes without saying, our tiny planet placed in the center of the universe. But you will meet at every step the idea of a central luminary — the sun — which by its powerful attraction governs our planetary world. From this central body radiates a force guiding the course of the planets, and maintaining the harmony of the system. Issued from a central agglomeration, planets have, so to say, budded from it; they owe their birth to this agglomeration; they owe everything to the radiant star that represents it still: the rhythm of their movements, their orbits set at wisely regulated distances, the life that animates them and adorns their surfaces. And when any perturbation disturbs their course and makes them deviate from their orbits, the central body re-establishes order in the system; it assures and perpetuates its existence.
This conception, however, is also disappearing as the other one did. After having fixed all their attention on the sun and the large planets, astronomers are beginning to study now the infinitely small ones that people the universe. And they discover that the interplanetary and interstellar spaces are peopled and crossed in all imaginable directions by little swarms of matter, invisible, infinitely small when taken separately, but all-powerful in their numbers.
Source: The Magic Mountain (1924), Ch. 1
Context: Space, like time, engenders forgetfulness; but it does so by setting us bodily free from our surroundings and giving us back our primitive, unattached state. Yes, it can even, in the twinkling of an eye, make something like a vagabond of the pedant and Philistine. Time, we say, is Lethe; but change of air is a similar draught, and, if it works less thoroughly, does so more quickly.
The Other World (1657)
Context: As God has made the soul immortal, he has made the universe infinite, if it is true that eternity is nothing other than unlimited duration and infinity is space without limits. Suppose the universe were not infinite: God himself would be finite, because he could not be where there is nothing, and he could not increase the size of the universe without adding to his own size and come to be where he had not been before.
Discourse Delivered at the Royal Society (30 November 1825), published in Six Discourses delivered before the Royal Society, at their Anniversary Meetings, on the Award of the Royal and Copley Medals, preceded by an Address to the Society on the Progress and Prospects of Science (1827); also in The Edinburgh Review Or Critical Journal (October 1827)
Context: Fortunately science, like that nature to which it belongs, is neither limited by time nor by space. It belongs to the world, and is of no country and of no age. The more we know, the more we feel our ignorance; the more we feel how much remains unknown; and in philosophy, the sentiment of the Macedonian hero can never apply, — there are always new worlds to conquer.
Letter to August Derleth (21 November 1930), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 220
Non-Fiction, Letters, to August Derleth
Context: Time, space, and natural law hold for me suggestions of intolerable bondage, and I can form no picture of emotional satisfaction which does not involve their defeat—especially the defeat of time, so that one may merge oneself with the whole historic stream and be wholly emancipated from the transient and the ephemeral. Yet I can assure you that this point of view is joined to one of the plainest, naivest, and most unobtrusively old-fashioned of personalities—a retiring old hermit and ascetic who does not even know what your contemporary round of activities and "parties" is like, and who during the coming winter will probably not address two consecutive sentences to any living person—tradesmen apart—save a pair of elderly aunts! Some people—a very few, perhaps—are naturally cosmic in outlook, just as others are naturally 'of and for the earth'. I am myself less exclusively cosmic than Klarkash-Ton and Wandrei... I begin with the individual and the soil and think outward—appreciating the sensation of spatial and temporal liberation only when I can scale it against the known terrestrial scene. They, on the other hand, are able to think of wholly non-human abysses of ultimate space—without reference-points—as realities neither irrelevant nor less significant than immediate human life. With me, the very quality of being cosmically sensitive breeds an exaggerated attachment to the familiar and the immediate—Old Providence, the woods and hills, the ancient ways and thoughts of New England—whilst with them it seems to have the opposite effect of alienating them from immediate anchorages. They despise the immediate as trivial; I know that it is trivial, but cherish rather than despise it—because everything, including infinity itself, is trivial. In reality I am the profoundest cynic of them all, for I recognize no absolute values whatever.
“I do not define time, space, place, and motion, as being well known to all.”
Definitions - Scholium
Philosophiae Naturalis Principia Mathematica (1687)
Context: I do not define time, space, place, and motion, as being well known to all. Only I must observe, that the common people conceive those quantities under no other notions but from the relation they bear to sensible objects. And thence arise certain prejudices, for the removing of which it will be convenient to distinguish them into absolute and relative, true and apparent, mathematical and common.
“The point, being indivisible, occupies no space. That which occupies no space is nothing.”
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: The point, being indivisible, occupies no space. That which occupies no space is nothing. The limiting surface of one thing is the beginning of another.
“No matter how finely you subdivide time and space, each tiny division contains infinity.”
Dune Genesis (1980)
Context: No matter how finely you subdivide time and space, each tiny division contains infinity.
But this could imply that you can cut across linear time, open it like a ripe fruit, and see consequential connections. You could be prescient, predict accurately. Predestination and paradox once more.
The flaw must lie in our methods of description, in languages, in social networks of meaning, in moral structures, and in philosophies and religions — all of which convey implicit limits where no limits exist. Paul Muad'Dib, after all, says this time after time throughout Dune.
Query 31 : Have not the small particles of bodies certain powers, virtues, or forces, by which they act at a distance, not only upon the rays of light for reflecting, refracting, and inflecting them, but also upon one another for producing a great part of the Phenomena of nature? <br/> How these Attractions may be perform'd, I do not here consider. What I call Attraction may be perform'd by impulse, or by some other means unknown to me. I use that Word here to signify only in general any Force by which Bodies tend towards one another, whatsoever be the Cause. For we must learn from the Phaenomena of Nature what Bodies attract one another, and what are the Laws and Properties of the attraction, before we enquire the Cause by which the Attraction is perform'd, The Attractions of Gravity, Magnetism and Electricity, react to very sensible distances, and so have been observed by vulgar Eyes, and there may be others which reach to so small distances as hitherto escape observation; and perhaps electrical Attraction may react to such small distances, even without being excited by Friction
Opticks (1704)
Context: It seems probable to me that God, in the beginning, formed matter in solid, massy, hard, impenetrable, moveable particles, of such sizes and figures, and with such other properties, and in such proportions to space, as most conduced to the end for which He formed them; and that these primitive particles, being solids, are incomparably harder than any porous bodies compounded of them, even so very hard as never to wear or break in pieces; no ordinary power being able to divide what God had made one in the first creation. While the particles continue entire, they may compose bodies of one and the same nature and texture in all ages: but should they wear away or break in pieces, the nature of things depending on them would be changed.<!-- Book III, Part I, pp.375-376 http://books.google.com/books?id=XXu4AkRVBBoC
Death (1912)
Context: It is childish to talk of happiness and unhappiness where infinity is in question. The idea which we entertain of happiness and unhappiness is something so special, so human, so fragile that it does not exceed our stature and falls to dust as soon as we go beyond its little sphere. It proceeds entirely from a few accidents of our nerves, which are made to appreciate very slight happenings, but which could as easily have felt everything the reverse way and taken pleasure in that which is now pain. We believe that we see nothing hanging over us but catastrophes, deaths, torments and disasters; we shiver at the mere thought of the great interplanetary spaces, with their cold and formidable and gloomy solitudes; and we imagine that the revolving worlds are as unhappy as ourselves because they freeze, or clash together, or are consumed in unutterable flames. We infer from this that the genius of the universe is an outrageous tyrant, seized with a monstrous madness, and that it delights only in the torture of itself and all that it contains. To millions of stars, each many thousand times larger than our sun, to nebulee whose nature and dimensions no figure, no word in our languages is able to express, we attribute our momentary sensibility, the little ephemeral and chance working of our nerves; and we are convinced that life there must be impossible or appalling, because we should feel too hot or too cold. It were much wiser to say to ourselves that it would need but a trifle, a few papilla more or less to our skin, the slightest modification of our eyes and ears, to turn the temperature, the silence and the darkness of space into a delicious spring-time, an unequalled music, a divine light. It were much more reasonable to persuade ourselves that the catastrophes which we think that we behold are life itself, the joy and one or other of those immense festivals of mind and matter in which death, thrusting aside at last our two enemies, time and space, will soon permit us to take part. Each world dissolving, extinguished, crumbling, burnt or colliding with another world and pulverized means the commencement of a magnificent experiment, the dawn of a marvelous hope and perhaps an unexpected happiness drawn direct from the inexhaustible unknown. What though they freeze or flame, collect or disperse, pursue or flee one another: mind and matter, no longer united by the same pitiful hazard that joined them in us, must rejoice at all that happens; for all is but birth and re-birth, a departure into an unknown filled with wonderful promises and maybe an anticipation of some unutterable event …
And, should they stand still one day, become fixed and remain motionless, it will not be that they have encountered calamity, nullity or death; but they will have entered into a thing so fair, so great, so happy and bathed in such certainties that they will for ever prefer it to all the prodigious chances of an infinity which nothing can impoverish.
Scholastic interview (1998)
Context: When you're getting ready to launch into space, you're sitting on a big explosion waiting to happen. By sally ride. So most astronauts getting ready to lift off are excited and very anxious and worried about that explosion — because if something goes wrong in the first seconds of launch, there's not very much you can do.
"Through the Gates of the Silver Key " - written with E. Hoffman Price, October 1932 - Apr 1933; first published in Weird Tales, Vol. 24, No. 1 (July 1934)<!-- p. 60-85 -->
Fiction
Context: It was an All-in-One and One-in-All of limitless being and self — not merely a thing of one Space-Time continuum, but allied to the ultimate animating essence of existence's whole unbounded sweep — the last, utter sweep which has no confines and which outreaches fancy and mathematics alike. It was perhaps that which certain secret cults of earth have whispered of as YOG-SOTHOTH, and which has been a deity under other names; that which the crustaceans of Yuggoth worship as the Beyond-One, and which the vaporous brains of the spiral nebulae know by an untranslatable Sign...
“Since before time and space were,
the Tao is.
It is beyond is and is not.”
Source: Tao Te Ching, Ch. 21, as interpreted by Stephen Mitchell (1992)
Context: Since before time and space were,
the Tao is.
It is beyond is and is not.
How do I know this is true?
I look inside myself and see.
Sādhanā : The Realisation of Life http://www.spiritualbee.com/spiritual-book-by-tagore/ (1916)
Context: Indeed, the realisation of the paramātman, the supreme soul, within our antarātman, our inner individual soul, is in a state of absolute completion. We cannot think of it as non-existent and depending on our limited powers for its gradual construction. If our relation with the divine were all a thing of our own making, how should we rely on it as true, and how should it lend us support?
Yes, we must know that within us we have that where space and time cease to rule and where the links of evolution are merged in unity. In that everlasting abode of the ātaman, the soul, the revelation of the paramātman, the supreme soul, is already complete. Therefore the Upanishads say: He who knows Brahman, the true, the all-conscious, and the infinite as hidden in the depths of the soul, which is the supreme sky (the inner sky of consciousness), enjoys all objects of desire in union with the all-knowing Brahman.
"Gauss's Abstract of the Disquisitiones Generales circa Superficies Curvas presented to the Royal Society of Gottingen" (1827) Tr. James Caddall Morehead & Adam Miller Hiltebeitel in General Investigations of Curved Surfaces of 1827 and 1825 http://books.google.com/books?id=SYJsAAAAMAAJ& (1902)
Context: In researches in which an infinity of directions of straight lines in space is concerned, it is advantageous to represent these directions by means of those points upon a fixed sphere, which are the end points of the radii drawn parallel to the lines. The centre and the radius of this auxiliary sphere are here quite arbitrary. The radius may be taken equal to unity. This procedure agrees fundamentally with that which is constantly employed in astronomy, where all directions are referred to a fictitious celestial sphere of infinite radius. Spherical trigonometry and certain other theorems, to which the author has added a new one of frequent application, then serve for the solution of the problems which the comparison of the various directions involved can present.
Just Like That: Talks on Sufism (1993)
Context: Just a few days ago a man came to see me and he said, "I am a humble man. I am just like the dust on your feet. I have been trying for almost twenty years to achieve higher consciousness, but I have been a failure. Why can't I attain?" And on and on he went. Every sentence started with I. If the grammar allowed, every sentence would have ended with I. And if everything was allowed, every sentence would have consisted only of I's. "I etcetera, I etcetera, I etcetera," it went on and on. You are filled too much. There is no room, no space for God to enter in you. You are too crowded. A thousand I's milling inside — they don't leave any space for anything to enter in you.
Responsible Scientific Investigation and Application (1976)
Context: Without wanting to seem overly partisan, I would like simply to point out that the space program has by all standards become America's greatest generator of new ideas in science and technology. It is essentially an organization for opening new frontiers, physically and intellectually. Today we live in a different world because in 1958 Americans accepted the challenge of space and made the required national investment to meet it.
Young people today are learning a new science, but even more importantly, they are viewing the earth and man's relationship to it quite differently — and I think perhaps more humanly — than we did fifteen years ago. The space program is the first large scientific and technological activity in history that offers to bring the people of all nations together instead of setting them further apart.
“Come near, come near, come near — Ah, leave me still
A little space for the rose-breath to fill!”
To The Rose Upon The Rood Of Time
The Rose (1893)
Context: Come near, come near, come near — Ah, leave me still
A little space for the rose-breath to fill!
Lest I no more hear common things that crave;
The weak worm hiding down in its small cave,
The field-mouse running by me in the grass,
And heavy mortal hopes that toil and pass;
But seek alone to hear the strange things said
By God to the bright hearts of those long dead,
And learn to chaunt a tongue men do not know.
Come near; I would, before my time to go,
Sing of old Eire and the ancient ways:
Red Rose, proud Rose, sad Rose of all my days.
Death (1912)
Context: It is childish to talk of happiness and unhappiness where infinity is in question. The idea which we entertain of happiness and unhappiness is something so special, so human, so fragile that it does not exceed our stature and falls to dust as soon as we go beyond its little sphere. It proceeds entirely from a few accidents of our nerves, which are made to appreciate very slight happenings, but which could as easily have felt everything the reverse way and taken pleasure in that which is now pain. We believe that we see nothing hanging over us but catastrophes, deaths, torments and disasters; we shiver at the mere thought of the great interplanetary spaces, with their cold and formidable and gloomy solitudes; and we imagine that the revolving worlds are as unhappy as ourselves because they freeze, or clash together, or are consumed in unutterable flames. We infer from this that the genius of the universe is an outrageous tyrant, seized with a monstrous madness, and that it delights only in the torture of itself and all that it contains. To millions of stars, each many thousand times larger than our sun, to nebulee whose nature and dimensions no figure, no word in our languages is able to express, we attribute our momentary sensibility, the little ephemeral and chance working of our nerves; and we are convinced that life there must be impossible or appalling, because we should feel too hot or too cold. It were much wiser to say to ourselves that it would need but a trifle, a few papilla more or less to our skin, the slightest modification of our eyes and ears, to turn the temperature, the silence and the darkness of space into a delicious spring-time, an unequalled music, a divine light. It were much more reasonable to persuade ourselves that the catastrophes which we think that we behold are life itself, the joy and one or other of those immense festivals of mind and matter in which death, thrusting aside at last our two enemies, time and space, will soon permit us to take part. Each world dissolving, extinguished, crumbling, burnt or colliding with another world and pulverized means the commencement of a magnificent experiment, the dawn of a marvelous hope and perhaps an unexpected happiness drawn direct from the inexhaustible unknown. What though they freeze or flame, collect or disperse, pursue or flee one another: mind and matter, no longer united by the same pitiful hazard that joined them in us, must rejoice at all that happens; for all is but birth and re-birth, a departure into an unknown filled with wonderful promises and maybe an anticipation of some unutterable event …
And, should they stand still one day, become fixed and remain motionless, it will not be that they have encountered calamity, nullity or death; but they will have entered into a thing so fair, so great, so happy and bathed in such certainties that they will for ever prefer it to all the prodigious chances of an infinity which nothing can impoverish.
"Eliot Rosewater" to a group of science fiction writers
God Bless You, Mr. Rosewater (1965)
Context: I love you sons of bitches. You’re all I read any more. You're the only ones who’ll talk all about the really terrific changes going on, the only ones crazy enough to know that life is a space voyage, and not a short one, either, but one that’ll last for billions of years. You’re the only ones with guts enough to really care about the future, who really notice what machines do to us, what wars do to us, what cities do to us, what big, simple ideas do to us, what tremendous misunderstanding, mistakes, accidents, catastrophes do to us. You're the only ones zany enough to agonize over time and distance without limit, over mysteries that will never die, over the fact that we are right now determining whether the space voyage for the next billion years or so is going to be Heaven or Hell.
Letter to Clark Ashton Smith (17 October 1930), quoted in Lord of a Visible World: An Autobiography in Letters edited by S.T. Joshi, p. 213
Non-Fiction, Letters
Context: My conception of phantasy, as a genuine art-form, is an extension rather than a negation of reality. Ordinary tales about a castle ghost or old-fashioned werewolf are merely so much junk. The true function of phantasy is to give the imagination a ground for limitless expansion, and to satisfy aesthetically the sincere and burning curiosity and sense of awe which a sensitive minority of mankind feel toward the alluring and provocative abysses of unplumbed space and unguessed entity which press in upon the known world from unknown infinities and in unknown relationships of time, space, matter, force, dimensionality, and consciousness. This curiosity and sense of awe, I believe, are quite basic among the sensitive minority in question; and I see no reason to think that they will decline in the future—for as you point out, the frontier of the unknown can never do more than scratch the surface of eternally unknowable infinity. But the truly sensitive will never be more than a minority, because most persons—even those of the keenest possible intellect and aesthetic ability—simply have not the psychological equipment or adjustment to feel that way. I have taken pains to sound various persons as to their capacity to feel profoundly regarding the cosmos and the disturbing and fascinating quality of the extra-terrestrial and perpetually unknown; and my results reveal a surprisingly small quota. In literature we can easily see the cosmic quality in Poe, Maturin, Dunsany, de la Mare, and Blackwood, but I profoundly suspect the cosmicism of Bierce, James, and even Machen. It is not every macabre writer who feels poignantly and almost intolerably the pressure of cryptic and unbounded outer space.
“Q, which would include quantity of space or time or force, in fact almost any kind of quantity.”
Preface To The Second Edition, p. 6.
The Theory of Political Economy (1871)
Context: A correspondent, Captain Charles Christie R. E., to whom I have shown these sections after they were printed, objects reasonably enough that commodity should not have been represented by M, or Mass, but by some symbol, for instance Q, which would include quantity of space or time or force, in fact almost any kind of quantity.
As closing scene in the 1968 musical Jacques Brel is Alive and Well and Living in Paris (1975 film version) http://www.youtube.com/watch?v=wdSXpC8fbNA
Translations and adaptations, If We Only Have Love (1968)
Context: If we only have love
We will never bow down
We'll be tall as the pines
Neither heroes nor clowns.
If we only have love
Then we'll only be men
And we'll drink from the Grail
To be born once again
Then with nothing at all
But the little we are
We'll have conquered all time
All space, the sun, and the stars.
An Outline of Philosophy Ch.4 Language (1927)
1920s
Context: Written words differ from spoken words in being material structures. A spoken word is a process in the physical world, having an essential time-order; a written word is a series of pieces of matter, having an essential space-order.
Fiction, The Colour Out of Space (1927)
Context: What it is, only God knows. In terms of matter I suppose the thing Ammi described would be called a gas, but this gas obeyed the laws that are not of our cosmos. This was no fruit of such worlds and suns as shine on the telescopes and photographic plates of our observatories. This was no breath from the skies whose motions and dimensions our astronomers measure or deem too vast to measure. It was just a colour out of space — a frightful messenger from unformed realms of infinity beyond all Nature as we know it; from realms whose mere existence stuns the brain and numbs us with the black extra-cosmic gulfs it throws open before our frenzied eyes.
Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 26-27
“Nothing is that which fills no space.”
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective
Context: Nothing is that which fills no space. If one single point placed in a circle may be the starting point of an infinite number of lines, and the termination of an infinite number of lines, there must be an infinite number of points separable from this point, and these when reunited become one again; whence it follows that the part may be equal to the whole.
"Dreamland", st. 1 (1845).
Context: By a route obscure and lonely,
Haunted by ill angels only,
Where an Eidolon, named NIGHT,
On a black throne reigns upright,
I have reached these lands but newly
From an ultimate dim Thule —
From a wild weird clime that lieth, sublime,
Out of SPACE — out of TIME.
Source: Contact (1985), Chapter 24 (p. 431)
Context: The universe was made on purpose, the circle said. In whatever galaxy you happen to find yourself, you take the circumference of a circle, divide it by its diameter, measure closely enough, and uncover a miracle — another circle, drawn kilometers downstream of the decimal point. There would be richer messages farther in. It doesn't matter what you look like, or what you're made of, or where you come from. As long as you live in this universe, and have a modest talent for mathematics, sooner or later you'll find it. It's already here. It's inside everything. You don't have to leave your planet to find it. In the fabric of space and in the nature of matter, as in a great work of art, there is, written small, the artist’s signature. Standing over humans, gods, and demons, subsuming Caretakers and Tunnel builders, there is an intelligence that antedates the universe.
The Rhythm of Time
Context: It is found in every light of hope,
It knows no bounds nor space
It has risen in red and black and white,
It is there in every race. It lies in the hearts of heroes dead,
It screams in tyrants’ eyes,
It has reached the peak of mountains high,
It comes searing ‘cross the skies. It lights the dark of this prison cell,
It thunders forth its might,
It is "the undauntable thought", my friend,
That thought that says "I'm right!"
Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 293
Non-Fiction, Letters, to Frank Belknap Long
2019-06-22
Ben Shapiro: Why Celebrity Politics Matters
The New Revere
https://thenewrevere.com/2019/06/ben-shapiro-why-celebrity-politics-matters/
2019
pg 42
A More Complete Beast (2018)
Source: Lectures on Quantum Mechanics (2012, 2nd ed. 2015), Ch. 2: Particle States in a Central Potential
“Cyberspace is not the space out of law.”
网络不是法外之地。
2010s
The Immortal Profession: The Joys of Teaching and Learning (1976)
And I strongly believe that "Education enables us to envision and to pursue our dreams."
Source: Space and I, Chiaki Mukai http://www.globaleducationmagazine.com/space-and-i/
“Damn, girl. You space so hard, you ought to look into a career at NASA.”
Source: Carpe Corpus
“Quiet Spaces
We had gone far enough together to listen easily in the quiet spaces.”
“What art offers is space – a certain breathing room for the spirit.”
“The road to success is dotted with many tempting parking spaces.”
“Come here, cat. You wouldn’t want to destroy the space-time continuum, would you? Meow. Meow.”
Source: To Say Nothing of the Dog