Quotes about space
page 18

Arthur Wesley Dow photo

“Painting, which is essentially a rhythmic harmony of coloured spaces.”

Arthur Wesley Dow (1857–1922) painter from the United States

Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers, Boston (1899)

Theodore Dalrymple photo

“If a lack of money had prevented people from improving their lot, then mankind would still be living in the caves: unless you believe that investment capital first arrived from outer space.”

Theodore Dalrymple (1949) English doctor and writer

Theodore Dalrymple remembers Ken Saro-Wiwa - and asks, if unearned income from oil has done so much harm to Nigeria, will increased unearned aid flows not do similar harm to Africa as a whole? http://www.socialaffairsunit.org.uk/blog/archives/000708.php (January 3, 2006).
The Social Affairs Unit (2006 - 2008)

Anatoliy Tymoshchuk photo
Vangelis photo
Hans Reichenbach photo
Gerry Rafferty photo

“There is only so much space on the planet. Fathers perish to make room for sons.”

Roger Kahn (1927–2020) American baseball writer

Afterwords on the Life of Kings, p. 434
The Boys Of Summer

Willem Roelofs photo

“I will soon have finished another drawing [= watercolor], in the spirit as Den Tessaro [art-seller in Antwerp] wished another one, that is 'airy' and 'thin', with 'lots of space', etc.-. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik zal binnenkort eene andere teekening [= aquarel] gereed hebben, in den geest zoals Den Heer Tessaro [kunst-handelaar in Antwerpen] er nog een wenschte, namenlijk 'luchtig' en 'dun', met 'veel ruimte', etc.-.
In a letter to art-seller Frans Buffa in Amsterdam, 1874; ; as cited in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum - ISBN13 * 978 90 6868 4322, 2006, p. 57
1870's

Jeffrey D. Sachs photo
Kathleen Hanna photo
Pope Benedict XVI photo
Hermann Hesse photo
Marshall McLuhan photo

“Acoustic space is totally discontinuous, like touch. It is a sphere without centers or margins.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, Culture Is Our Business (1970)

Anthony Watts photo

“There's a tendency to view ourselves, our endeavors, and our accomplishments as the pinnacle. Yet, compared to whats in our solar system, whats in our galaxy, and whats in our universe, we are but a mere speck in the vastness of time, space, mass, and energy.”

Anthony Watts (1958) American television meteorologist

Some Planetary Perspective http://wattsupwiththat.com/2008/06/07/some-planetary-perspective/, wattsupwiththat.com, June 7, 2008.
2008

James Howard Kunstler photo
Marshall McLuhan photo

“To say that a body or its gravitational field 'bends in space' in its vicinity is the discuss visual space in acoustic terms.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 40

Jayant Narlikar photo
Martin Luther King, Jr. photo
Kurt Lewin photo

“One should view the present situation – the status quo – as being maintained by certain conditions or forces. A culture – for instance, the food habits of a certain group at a given time – is not a static affair but a live process like a river which moves but still keeps to a recognizable form…Food habits do not occur in empty space. They are part and parcel of the daily rhythm of being awake and asleep; of being alone and in a group; of earning a living and playing; of being a member of a town, a family, a social class, a religious group... in a district with good groceries and restaurants or in an area of poor and irregular food supply. Somehow all these factors affect food habits at any given time. They determine the food habits of a group every day anew just as the amount of water supply and the nature of the river bed determine the flow of the river, its constancy or change.”

Kurt Lewin (1890–1947) German-American psychologist

Kurt Lewin (1943) "Psychological ecology". In: D. Cartwright (Ed.) Field Theory in Social Science. London: Social Science Paperbacks. As cited in: Bernard Burnes (2004) " Kurt Lewin and the Planned Approach to Change: A Re-appraisal https://blackboard.le.ac.uk/bbcswebdav/institution/College%20of%20Social%20Science/School%20of%20Management/DL%20Materials/MBA/2.%20Organizational%20Behaviour/Section%208/Burnes.pdf" in: Journal of Management Studies. Vol 41. Nr 6. p. 977-1002.
1940s

Albert Gleizes photo
Justus Dahinden photo
Margaret Sanger photo
Poul Anderson photo
Azar Nafisi photo
Abraham Joshua Heschel photo
Steven M. Greer photo
Lawrence Lessig photo
Vanna Bonta photo

“Space settlements would also contain biospheres replicating Earth conditions and atmosphere.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Source: Zero Gravity interview (2006), p. 75

Rudy Rucker photo
Willem de Sitter photo
Albert Gleizes photo
Robert E. Howard photo
Samuel Palmer photo
Ursula K. Le Guin photo
Leo Tolstoy photo
Jane Roberts photo
Jean Metzinger photo

“A divorced man talked about his experiences with women:Everybody is looking for a winner. They're impressed by position and status even if they're not being treated well. They evaluate a man by such things as his dress and his home.If you start saying you want freedom and space, they can't handle it. You can just tell that they wouldn't be there if you didn't have money. … It's really easy to get laid. Just go to a nice place dressed nice—everyone's looking for a well-off guy.Society preaches that you must be this or you must be that. Success has nothing to do with human qualities. I found that it was empty. I couldn't feel a damn thing emotionally. I was numb. Everything was in order, but nothing—no tears, no real happiness, no real sadness either. When you can't find anything to be sad about, that's really sad! I'm getting so I don't want to do anything. I'm emotionally upset by humanity. Not that I'm an angel, but it's discouraging to see that there's only one place you can go. Everyday I almost feel like vomiting.I've always had people crash on me, but I've never been able to crash on them. It scares the hell out of me. There's no one who cares enough. The only reason I'm here is to keep the whole damn thing up. I wonder why I can't sink. It's scary.</blockquote”

Herb Goldberg (1937–2019) American psychologist

The Liberation Crunch: Getting the Worst of Both Worlds, pp. 146&ndash;147
The New Male (1979)

“Osgood's semantic space as determined by subjects' ratings of words on the semantic differential test.”

James Grier Miller (1916–2002) biologist

Living Systems: Basic Concepts (1969)

Mata Amritanandamayi photo
Lee Smolin photo
Colin Wilson photo
Maleeha Lodhi photo
Amit Chaudhuri photo
Carl Sagan photo
H. G. Wells photo
Joseph Conrad photo
Hermann Weyl photo
William Golding photo
Sara Teasdale photo
Pink (singer) photo

“No attorneys
To plead my case.
No orbits
To send me into outta space.
And my fingers
Are bejeweled
With diamonds and gold.
But that ain't gonna help me now.”

Pink (singer) (1979) American singer-songwriter

Trouble, written by Pink and Tim Armstrong
Song lyrics, Try This (2003)

Bernhard Riemann photo

“I. Thesis. Finite elements of Space and Time. Antithesis.”

Bernhard Riemann (1826–1866) German mathematician

Continuity.
Antimonies
Gesammelte Mathematische Werke (1876)

Ernst Mach photo

“Mathematical and physiological researches have shown that the space of experience is simply an actual case of many conceivable cases, about whose peculiar properties experience alone can instruct us.”

Ernst Mach (1838–1916) Austrian physicist and university educator

Source: 20th century, Popular Scientific Lectures, (Chicago, 1910), p. 205; On the space of experience.

S. H. Raza photo
Kancha Ilaiah photo

“Hinduism is a religion of violence. All. Now, because of this, the consciousness of worshipping the killer or worshipping violence did not give any space for human rights. So my question is the human rights discourse must start with an anti-warrior position.”

Kancha Ilaiah (1952) Indian scholar, activist and writer

"The State of Dalit Mobilization : An Interview with Kancha Ilaiah" in Ghadar Vol. 1, No. 3 (26 November 1997) http://www.proxsa.org/resources/ghadar/v1n2/ilaiah.html.

Steve Jobs photo
Robert A. Heinlein photo
William Morris photo
Werner Erhard photo
Ann Druyan photo

“When my husband died, because he was so famous and known for not being a believer, many people would come up to me-it still sometimes happens-and ask me if Carl changed at the end and converted to a belief in an afterlife. They also frequently ask me if I think I will see him again. Carl faced his death with unflagging courage and never sought refuge in illusions. The tragedy was that we knew we would never see each other again. I don't ever expect to be reunited with Carl. But, the great thing is that when we were together, for nearly twenty years, we lived with a vivid appreciation of how brief and precious life is. We never trivialized the meaning of death by pretending it was anything other than a final parting. Every single moment that we were alive and we were together was miraculous-not miraculous in the sense of inexplicable or supernatural. We knew we were beneficiaries of chance.... That pure chance could be so generous and so kind.... That we could find each other, as Carl wrote so beautifully in Cosmos, you know, in the vastness of space and the immensity of time.... That we could be together for twenty years. That is something which sustains me and it’s much more meaningful.... The way he treated me and the way I treated him, the way we took care of each other and our family, while he lived. That is so much more important than the idea I will see him someday. I don't think I'll ever see Carl again. But I saw him. We saw each other. We found each other in the cosmos, and that was wonderful.”

Ann Druyan (1949) American author and producer

Ann Druyan interviewed by the Committee for Skeptical Inquiry. — "Ann Druyan Talks About Science, Religion, Wonder, Awe … and Carl Sagan" http://www.csicop.org/si/show/ann_druyan_talks_about_science_religion/. Skeptical Inquirer 27 (6). November–December 2003.

Humberto Maturana photo

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

Eric Hoffer photo

“Our passionate preoccupation with the sky, the stars, and a God somewhere in outer space is a homing impulse. We are drawn back to where we came from.”

Eric Hoffer (1898–1983) American philosopher

On the first moon-landing, as quoted in The New York Times (21 July 1969)

Albert Einstein photo

“How it happened that I in particular discovered the relativity theory, it seemed to lie in the following circumstance. The normal adult never bothers his head about space-time problems. Everything there is to be thought about it, in his opinion, has already been done in early childhood. I, on the contrary, developed so slowly that I only began to wonder about space and time when I was already grown up. In consequence I probed deeper into the problem than an ordinary child would have done.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

In Carl Seelig's Albert Einstein: A Documentary Biography (1956), Seelig reports that Einstein said this to James Franck, p. 71 http://books.google.com/books?id=VCbPAAAAMAAJ&q=%22how+it+happened%22#search_anchor.
I sometimes ask myself how did it come that I was the one to develop the theory of relativity. The reason, I think, is that a normal adult never stops to think about problems of space and time. But my intellectual development was retarded, as a result of which I began to wonder about space and time only when I had already grown up. Naturally, I could go deeper into the problem than a child with normal abilities.
Variant translation which appears in Einstein: The Life and Times by Ronald W. Clark (1971), p. 27 http://books.google.com/books?id=6IKVA0lY6MAC&lpg=PP1&pg=PA27#v=onepage&q&f=false
Attributed in posthumous publications

Ilan Halevi photo
Naomi Klein photo
Alan Bean photo
Maimónides photo
Oliver Lodge photo
Werner Erhard photo

“Of all the disciplines that I studied, practiced, learned, Zen was the essential one. It was not so much an influence on me, rather it created space. It allowed those things that were there to be there. It gave some form to my experience. And it built up in me the critical mass from which was kindled the experience that produced est.”

Werner Erhard (1935) Critical Thinker and Author

Interview with William Warren Bartley, cited in [Bartley, William Warren, w:William Warren Bartley, Werner Erhard: the Transformation of a Man: the Founding of est, Clarkson N. Potter, Inc., 1978, New York, 121, 0-517-53502-5]

Georges Braque photo

“I started above all by producing still-lives because in nature there is a tactile space, I would say almost manual.”

Georges Braque (1882–1963) French painter and sculptor

Source: 1946 - 1963, Cahiers d'art', 1954, p. 16 - In: 'Braque, la peinture et nous'

Anish Kapoor photo

“This is a terror of a space, probably much more difficult than the Turbine Hall. It's three times the size, huge horizontally and vertically and above all the light is a killer. It's almost brighter than it is outside.”

Anish Kapoor (1954) British contemporary artist of Indian birth

On the Levithian which Anish dedicated in Ai Weiwe
Anish Kapoor dedicates Leviathan sculpture to Ai Weiwei

Anish Kapoor photo
Pierre Louis Maupertuis photo

“The philosophy of the foundations of probability must be divorced from mathematics and statistics, exactly as the discussion of our intuitive space concept is now divorced from geometry.”

William Feller (1906–1970) Croatian-American mathematician

Introduction, The Nature of Probability Theory, p. 3.
An Introduction To Probability Theory And Its Applications (Third Edition)

Marshall McLuhan photo

“For tribal man, space was the uncontrollable mystery. For technological man it is time that occupies the same role.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1950s, The Mechanical Bride (1951), p. 85; "Magic that Changes Mood")

George W. Bush photo
Stephen R. Covey photo
Kevin Kelly photo

“People will inhabit places, but increasingly the economy inhabits a space.”

Kevin Kelly (1952) American author and editor

Out of Control: The New Biology of Machines, Social Systems and the Economic World (1995), New Rules for the New Economy: 10 Radical Strategies for a Connected World (1999)

“If I love you—
I never behave like a climbing trumpet vine
Using your high branches to show myself off;
If I love you—
I never mimic infatuated little birds
Repeating monotonous songs into the shadows,
Nor do I look at all like a wellspring
Sending out its cooling consolation all year round,
Or just another perilous crag
Augmenting your height, setting off your prestige.
Nor like the sunlight
Or even spring rain.
No, these are not enough.
I would be a kapok tree by your side
Standing with you—
both of us shaped like trees.
Our roots hold hands underground,
Our leaves touch in the clouds.
As a gust of wind passes by
We salute each other
And not a soul
Understands our language.
You have your bronze boughs and iron trunk
Like knives and swords,
Also like halberds;
I have my red flowers
Like heavy sighs,
Also like heroic torches.
We share cold waves, storms and thunderbolts;
Together we savor fog, haze and rainbows.
We seem to always live apart,
But actually depend upon each other forever.
This has to be called extraordinary love.
Faith resides in it:
Love—
I love not only your sublime body
But the space you occupy,
The land beneath your feet.”

Shu Ting (1952) Chinese writer

"To the Oak Tree" [ 致橡树 https://www.youtube.com/watch?v=APZjf9K6KX0, Zhi xiangshu] (27 March 1977), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin, trans. Fang Dai and Dennis Ding (University of Hawaii Press, 1990), ISBN 978-0824813208, pp. 102–103.

Wernher von Braun photo
Robert Hunter photo
Fernand Léger photo
Charles Sanders Peirce photo
Gerald James Whitrow photo
B. W. Powe photo