Quotes about space
page 19

Francis Wayland Parker photo

“The science of arithmetic may be called the science of exact limitation of matter and things in space, force, and time.”

Francis Wayland Parker (1837–1902) Union Army officer

Source: Talks on Pedagogics, (1894), p. 64. Reported in Robert Edouard Moritz. Memorabilia mathematica; or, The philomath's quotation-book https://archive.org/stream/memorabiliamathe00moriiala#page/81/mode/2up, (1914), p. 263

Vanna Bonta photo

“The view from space is described as life-changing…seeing Earth, our home planet, the jewel it is, a mass, a rock suspended in its neighborhood, our neighborhood, the universe.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)

“Up to a certain time I was cutting into things. Then I realized that the thing I was cutting was the cut. Rather than cut into the material, I now use the material as the cut in space.”

Carl Andre (1935) American artist

Source: Minimal Art: A Critical Anthology', 1995, p. 104; from original source: a quote by David Bourdon, in A Redefinition of Sculpture, in 'Carl Andre: Sculpture 1959–1977', New York 1978, pp.19

Niklas Luhmann photo
Janna Levin photo

“(By moving) I'm making sounds on the drums of spacetime"… "Space itself wobbles and rumbles like a drum… Black holes can bang on spacetime like mallets on a drum”

Janna Levin (1967) American theoretical cosmologist

(2010) http://youtube.com/watch?v=eLz9TvxGoKs

Clifford D. Simak photo
Zhuangzi photo
John F. Kennedy photo
Ludwig Boltzmann photo
Peter Greenaway photo
Richard Lovelace photo
Yehuda Ashlag photo

“Anything that is perceived and sensed by the five senses, or which takes time and space, is called 'Corporeal.”

Yehuda Ashlag (1886–1954) Orthodox Jewish Rabbi and Kabbalist

Assorted Themes, What is Corporeality?

“She’s got space. Lots of space in her house. What about in her heart?”

Source: Summer of Love (1994), Chapter 6 “Purple Haze” (p. 124)

John Dalberg-Acton, 1st Baron Acton photo

“The government of the Israelites was a Federation, held together by no political authority, but by the unity of… faith and founded not on physical force but on a voluntary covenant. The principle of self-government was carried out not only in each tribe, but in every group of at least 120 families; and there was neither privilege of rank nor inequality before the law. Monarchy was so alien to the primitive spirit of the community that it was resisted by Samuel… The throne was erected on a compact; and the king was deprived of the right of legislation among a people that recognised no lawgiver but God, whose highest aim in politics was to… make its government conform to the ideal type that was hallowed by the sanctions of heaven. The inspired men who rose in unfailing succession to prophesy against the usurper and the tyrant, constantly proclaimed that the laws, which were divine, were paramount over sinful rulers, and appealed… to the healing forces that slept in the uncorrupted consciences of the masses. Thus the… Hebrew nation laid down the parallel lines on which all freedom has been won—the doctrine of national tradition and the doctrine of the higher law; the principle that a constitution grows from a root, by process of development… and the principle that all political authorities must be tested and reformed according to a code which was not made by man. The operation of these principles… occupies the whole of the space we are going over together.”

John Dalberg-Acton, 1st Baron Acton (1834–1902) British politician and historian

Source: The History of Freedom in Antiquity (1877)

Kurt Schwitters photo
Theodore Dalrymple photo
Prem Rawat photo
Ralph Waldo Emerson photo
Max Beckmann photo

“But some years after, a letter, which he received from Dr. Hooke, put him on inquiring what was the real figure, in which a body let fall from any high place descends, taking the motion of the earth round its axis into consideration. Such a body, having the same motion, which by the revolution of the earth the place has whence it falls, is to be considered as projected forward and at the same time drawn down to the centre of the earth. This gave occasion to his resuming his former thoughts concerning the moon, and Picard in France having lately measured the earth, by using his measures the moon appeared to be kept in her orbit purely by the power of gravity; and consequently, that this power decreases, as you recede from the centre of the earth, in the manner our author had formerly conjectured. Upon this principle he found the line described by a falling body to be an ellipsis, the centie of the earth being one focus. And the primary planets moving in such orbits round the sun, he had the satisfaction to see, that this inquiry, which he had undertaken merely out of curiosity, could be applied to the greatest purposes. Hereupon he composed near a dozen propositions, relating to the motion of the primary planets about the sun. Several years after this, some discourse he had with Dr. Halley, who at Cambridge made him a visit, engaged Sir Isaac Newton to resume again the consideration of this subject; and gave occasion to his writing the treatise, which he published under the title of Mathematical Principles of Natural Philosophy. This treatise, full of such a variety of profound inventions, was composed by him, from scarce any other materials than the few propositions before mentioned, in the space of a year and a half.”

Henry Pemberton (1694–1771) British doctor

Republished in: Stephen Peter Rigaud (1838) Historical Essay on the First Publication of Sir Newton's Principia http://books.google.com/books?id=uvMGAAAAcAAJ&pg=RA1-PA49. p. 519
Preface to View of Newton's Philosophy, (1728)

Van Morrison photo

“Rave on, down through the industrial revolution
Empiricism, atomic and nuclear age
Rave on down through time and space down through the corridors
Rave on words on printed page.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Rave On, John Donne
Song lyrics, Inarticulate Speech of the Heart (1983)

George W. Bush photo

“On board was a crew of seven: Colonel Rick Husband; Lt. Colonel Michael Anderson; Commander Laurel Clark; Captain David Brown; Commander William McCool; Dr. Kalpana Chawla; and Ilan Ramon, a Colonel in the Israeli Air Force. These men and women assumed great risk in the service to all humanity.
In an age when space flight has come to seem almost routine, it is easy to overlook the dangers of travel by rocket, and the difficulties of navigating the fierce outer atmosphere of the Earth. These astronauts knew the dangers, and they faced them willingly, knowing they had a high and noble purpose in life. Because of their courage and daring and idealism, we will miss them all the more.
All Americans today are thinking, as well, of the families of these men and women who have been given this sudden shock and grief. You're not alone. Our entire nation grieves with you. And those you loved will always have the respect and gratitude of this country.
The cause in which they died will continue. Mankind is led into the darkness beyond our world by the inspiration of discovery and the longing to understand. Our journey into space will go on.
In the skies today we saw destruction and tragedy. Yet farther than we can see there is comfort and hope. In the words of the prophet Isaiah, "Lift your eyes and look to the heavens. Who created all these? He who brings out the starry hosts one by one and calls them each by name. Because of His great power and mighty strength, not one of them is missing.
The same Creator who names the stars also knows the names of the seven souls we mourn today. The crew of the shuttle Columbia did not return safely to Earth; yet we can pray that all are safely home.
May God bless the grieving families, and may God continue to bless America.”

George W. Bush (1946) 43rd President of the United States

2000s, 2003, Remarks after Columbia space shuttle disaster (February 2003)

Carl Friedrich Gauss photo

“May the dream which we call life be for you a happy dream, a foretaste of that true life which we shall inherit in our real home, when the awakened spirit shall labour no longer under the grievous bondage of the flesh, the fetters of space, the whips of earthly pain, and the sting of our paltry needs and desires. Let us carry our burdens to the end, stoutly and uncomplainingly, never losing sight of that higher goal. Glad then shall we be to lay down our weary lives, and to see the dropping of the curtain.”

Carl Friedrich Gauss (1777–1855) German mathematician and physical scientist

As quoted in Kneller, Karl Alois, Kettle, Thomas Michael, 1911. "Christianity and the leaders of modern science; a contribution to the history of culture in the nineteenth century" https://archive.org/stream/christianitylead00kneluoft#page/46/mode/2up, Freiburg im Breisgau, p. 46

Abraham Joshua Heschel photo
Ian McEwan photo

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Page 164-165.
Black Dogs (1992)

John Dewey photo
David Allen photo

“Top need for top professionals: psychic space. Fewer distractions & more contexts for thinking. Not more time.”

David Allen (1945) American productivity consultant and author

12 October 2010 https://twitter.com/gtdguy/status/27175167967
Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

Benoît Mandelbrot photo

“The Mandelbrot set covers a small space yet carries a large number of different implications. Is it a fitting epitaph? Absolutely.”

Benoît Mandelbrot (1924–2010) Polish-born, French and American mathematician

New Scientist interview (2004)

John F. Kennedy photo
Roald Amundsen photo
John Updike photo

“There had been a lot of death in the newspapers lately. […] and then before Christmas that Pan Am Flight 103 ripping open like a rotten melon five miles above Scotland and dropping all these bodies and flaming wreckage all over the golf course and the streets of this little town like Glockamorra, what was its real name, Lockerbie. Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bringing the clinking drinks caddy and the feeling of having caught the plane and nothing to do now but relax and then with a roar and a giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurised hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them. […] Those bodies with hearts pumping tumbling down in the dark. How much did they know as they fell, through air dense like tepid water, tepid gray like this terminal where people blow through like dust in an air duct, to the airline we're all just numbers on the computer, one more or less, who cares? A blip on the screen, then no blip on the screen. Those bodies tumbling down like wet melon seeds.”

Rabbit at Rest (1990)

Michael Polanyi photo
Jenny Lewis photo
Manuel Castells photo

“But we are not just witnessing a relativisation of time according to social contexts or alternatively the return to time reversibility as if reality could become entirely captured in cyclical myths. The transformation is more profound: it is the mixing of tenses to create a forever universe, not self-expanding but self-maintaining, not cyclical but random, not recursive but incursive: timeless time, using technology to escape the contexts of its existence, and to appropriate selectively any value each context could offer to the ever-present. I argue that this is happening now not only because capitalism strives to free itself from all constraints, since this has been the capitalist system’s tendency all along, without being able fully to materialize it. Neither is it sufficient to refer to the cultural and social revolts against clock time, since they have characterized the history of the last century without actually reversing its domination, indeed furthering its logic by including clock time distribution of life in the social contract. Capital’s freedom from time and culture’s escape from the clock are decisively facilitated by new information technologies, and embedded in the structure of the network society.
The transformation of time as surveyed in this chapter does not concern all processes, social groupings, and territories in our societies, although it does affect the entire planet. What I call timeless time is only the emerging, dominant form of social time in the network society, as the space of flows does not negate the existence of places. It is precisely my argument that social domination is exercised through the selective inclusion and exclusion of functions and people in different temporal and spatial frames.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: The Rise of the Network Society, 1996, p. 433–434 as quoted in: Wayne Hope (2006) Global Capitalism and the Critique of Real Time http://www.sagepub.com/dicken6/Sociology%20Online%20readings/CH%202%20-%20HOPE.pdf. Sage publications. p. 289

Pope Benedict XVI photo
Ellsworth Kelly photo
William Hazlitt photo
Lou Reed photo

“Life's like a mayonnaise soda
And life's like space without room
And life's like bacon and ice cream
That's what life's like without you”

Lou Reed (1942–2013) American musician

What's Good Full lyrics online http://www.lyricsforall.com/display/lyric/7312/2147393643/Lou+Reed/What%27s+Good/
Lyrics

Neal Stephenson photo
Jordan Peterson photo

“You plunge into that underworld space, and that's also where you begin to nurse feelings of resentment and aggrievement and murder and homicide, and even worse. If people are betrayed enough, they become obsessed with the futility of being itself, and they go to places where perhaps no one would ever want to go if they were in their right mind. And they begin to nurse fantasies of the ultimate revenge, and that's a horrible place to be. And that's hell. That's why hell has always been a suburb of the underworld, because if you get plunged into a situation that you don't understand, and things are not good for you anymore, it's only one step from being completely confused, to being completely outraged and resentful, and then it's only one step from there to really looking for revenge. And that can take you places – well, that merely to imagine properly can be traumatic. And I've seen that with people many times. And I think that anybody who uses their imagination on themselves can see how that happens, because I can't imagine that there isn't a single person in the room who hasn't nursed fairly intense fantasies of revenge, at least at one point in their life – and usually for what appear to be good reasons. It can shake your faith in being to be betrayed, but if it shakes it so badly that you turn against being itself, that's certainly no solution. All it does is make everything that's bad, even worse.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

“The deep spaces between stars,
Fathomless as the cold shadow
His mind cast.”

R.S. Thomas (1913–2000) Welsh poet

"Wallace Stevens", p. 25
The Bread of Truth (1963)

Ai Weiwei photo

“Before blogging, I was living in the Middle Ages. Now my feelings for time and space are entirely different.”

Ai Weiwei (1957) Chinese concept artist

2000-09, The Bold and the Beautiful, 2009

Giorgio de Chirico photo
Julia Klöckner photo

“Children need a safe space free from crude gender images, and that space should be school.”

Julia Klöckner (1972) German politician

About banning headscarves in Germany. German state looks to ban headscarves for girls https://www.telegraph.co.uk/news/2018/04/10/german-state-looks-ban-headscarves-girls/ (10 April 2018), The Daily Telegraph.

Poul Anderson photo
Edwin Abbott Abbott photo
Joseph Fourier photo
Marcus Aurelius photo
Phil Brooks photo

“Punk: Hey, Jeff. Jeff, aren't you nervous sitting way up there so… high? Especially in the condition you're in, and by "condition", I mean that you're probably drunk right now, just like all these people here tonight. (Crowd boos) Yeah, that's something to be proud of, I mean, you'd have to be under the influence to stomach this "live in the moment" crap that you spew. What's living in the moment gotten you, Jeff? I know it got you a night in a hospital, and for what? The adulation of these people? One brief moment of attention? (Crowd chants "Hardy") You know, I don't know what's more pathetic—all these people hanging on your every word, waiting for the next pitiful example for you to set that they can lead, or you and your egotistical addiction to their cheers and support and adulation. Listen, listen to them, Jeff. They actually believe that you can beat me at SummerSlam. (Crowd cheers)
Jeff: So do I.
Punk: So does our general manager. Teddy Long's the guy that said TLC is your match. It's Jeff Hardy's match, everybody. They're right, it is your match. This TLC is your last match. I know what I have to accomplish to get everything I want. When I beat you at SummerSlam and I take back my World Heavyweight Title, it will validate everything I've said in the past. I will prove once and for all, beyond the shadow of a doubt, that straight edge is the right way, that straight edge means I'm better than you. Jeff, I have to get rid of you to teach these people the difference between right and wrong. I have to get rid of you to teach them how to say, "just say no." I have to get rid of you so they stop living in your moment, and they wake up, and they start living in my reality. Make no mistake about it, Jeff; there's no turning back from this point on. You can talk about the space from the top of that ladder to this mat, but from here on out, there's nothing left. At SummerSlam, I will hurt you, and I will remove you and the stain of all your bad examples from the WWE forever.
Jeff: Punk, you can't destroy me, you can't destroy what I've created over my ten years here. Kansas City's not gonna listen to you. You won't beat me at SummerSlam, Punk. I will prove that I'm better than you in my specialty: Tables, Ladders, & Chairs.
Punk: You're right, Jeff. You know what, you wouldn't be here if it wasn't for them, because you need them to enable you. You need them to justify your reckless behavior with their support and their cheers, just like they need you to somehow justify their reckless behavior, with their smoking and their drinking and their use of prescription medication. They try in vain to live vicariously through a man who, by way of his lifestyle, thinks he can fly.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Interrupting Jeff Hardy's promo from the top of a ladder. August 21, 2009.
Friday Night SmackDown

Detlef Dürr photo

“It is widely believed that in our quantum world physical facts about occurrences in space time must be grounded in the wave function. There are several long recognized and much discussed difficulties with this view.”

Detlef Dürr (1951) German mathematician and physicist

Daniel Bedingham, Detlef Dürr, GianCarlo Ghirardi, Sheldon Goldstein, Roderich Tumulka, Nino Zanghì, "Matter Density and Relativistic Models of Wave Function Collapse", J Stat Phys (2014) 154:623–631

John Buchan photo
Gabrielle Roy photo
Lisa Randall photo
Joseph Beuys photo

“The outward appearance of every object I make is the equivalent of some aspect of inner human life... My feelings then had this special kind of darkness – almost black like this mixture of rubber and tar. It is certainly an equivalent of the pathological state mentioned before, and expresses the need to create a space in the mind from which all disturbances were moved: an empty insulated space.”

Joseph Beuys (1921–1986) German visual artist

As cited in: Joseph Beuys, Dia Art Foundation. Joseph Beuys, Dia Art Foundation, 1988. p. 23 ; Statement about the ' Rubberized Box http://rubberizedbox.blogspot.nl/2007/10/rubberized-box-by-joseph-beuys-1957.html' by Joseph Beuys, 1957
1970's, Interviews with Caroline Tisdall, 1974 & 1978

Frank Wilczek photo
Barbara Hepworth photo
Piet Mondrian photo
Garth Nix photo
El Lissitsky photo
Orson Scott Card photo

“You speak metaphorically, I hope,” said Peggy.
“I hope not,” said Becca. “Metaphors have a way of holding the most truth in the least space.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Alvin Journeyman (1995), Chapter 3.

Philip Schaff photo
Amit Chaudhuri photo
Bernhard Riemann photo
John Keats photo
Athanasius of Alexandria photo

“Architecture is the concrete presentment in space of the soul of a people.”

Claude Bragdon (1866–1946) American architect

Architecture and Democracy http://books.google.com/books?id=_88YAAAAYAAJ&q=%22Architecture+is+the+concrete+presentment+in+space+of+the+soul+of+a+people%22&pg=PA176#v=onepage (1918)

James Fenimore Cooper photo

“For a time our efforts seem to create, and to adorn, and to perfect, until we forget our origin and destination, substituting self for that divine hand which alone can unite the elements of worlds as they float in gasses, equally from His mysterious laboratory, and scatter them again into thin air when the works of His hand cease to find favour in His view.
Let those who would substitute the voice of the created for that of the Creator, who shout "the people, the people," instead of hymning the praises of their God, who vainly imagine that the masses are sufficient for all things, remember their insignificance and tremble. They are but mites amid millions of other mites, that the goodness of providence has produced for its own wise ends; their boasted countries, with their vaunted climates and productions, have temporary possessions of but small portions of a globe that floats, a point, in space, following the course pointed out by an invisible finger, and which will one day be suddenly struck out of its orbit, as it was originally put there, by the hand that made it. Let that dread Being, then, be never made to act a second part in human affairs, or the rebellious vanity of our race imagine that either numbers, or capacity, or success, or power in arms, is aught more than a short-lived gift of His beneficence, to be resumed when His purposes are accomplished.”

James Fenimore Cooper (1789–1851) American author

The Crater; or, Vulcan's Peak: A Tale of the Pacific http://www.gutenberg.org/files/11573/11573-h/11573-h.htm (1847), Ch. XXX

Fred Rogers photo

“Our world hangs like a magnificent jewel in the vastness of space. Every one of us is a part of that jewel. A facet of that jewel. And in the perspective of infinity, our differences are infinitesimal.”

Fred Rogers (1928–2003) American television personality

Commencement Address at Dartmouth College June 9th, 2002 http://www.dartmouth.edu/~news/releases/2002/june/060902c.html

Philip José Farmer photo
Stephen Wolfram photo

“I'm committed to seeing this project done. To see if within this decade we can finally hold in our hands the rule for our universe, and know where our universe lies in the space of all possible universes.”

Stephen Wolfram (1959) British-American computer scientist, mathematician, physicist, writer and businessman

"Computing a Theory of Everything" (2010)

Connie Willis photo
Timothy Leary photo

“We saw ourselves as anthropologists from the twenty-first century inhabiting a time module set somewhere in the dark ages of the 1960s. On this space colony we were attempting to create a new paganism and a new dedication to life as art.”

Timothy Leary (1920–1996) American psychologist

On the Castalia Institute in Millbrook, New York; quoted in Storming Heaven : LSD and the American Dream (1998) by Jay Stevens, p. 208

Yves Klein photo

“Space is waiting for our love, as I am longing for you; go with me, travelling through space.. [line in a poem of Klein himself]”

Yves Klein (1928–1962) French artist

De Tweede Helft, Ad de Visser, SUN, Nijmegen 1998, p. 107
from posthumous publications

Albert Gleizes photo
Bell Hooks photo
Herbert Marcuse photo

“In the most advanced areas of this civilization, the social controls have been introjected to the point where even individual protest is affected at its roots. The intellectual and emotional refusal “to go along” appears neurotic and impotent. This is the socio-psychological aspect of the political event that marks the contemporary period: the passing of the historical forces which, at the preceding stage of industrial society, seemed to represent the possibility of new forms of existence. But the term “introjection” perhaps no longer describes the way in which the individual by himself reproduces and perpetuates the external controls exercised by his society. Introjection suggests a variety of relatively spontaneous processes by which a Self (Ego) transposes the “outer” into the “inner.” Thus introjection implies the existence of an inner dimension distinguished from and even antagonistic to the external exigencies—an individual consciousness and an individual unconscious apart from public opinion and behavior. The idea of “inner freedom” here has its reality: it designates the private space in which man may become and remain “himself.” Today this private space has been invaded and whittled down by technological reality. Mass production and mass distribution claim the entire individual, and industrial psychology has long since ceased to be confined to the factory. The manifold processes of introjection seem to be ossified in almost mechanical reactions. The result is, not adjustment but mimesis: an immediate identification of the individual with his society and, through it, with the society as a whole. This immediate, automatic identification (which may have been characteristic of primitive forms of association) reappears in high industrial civilization; its new “immediacy,” however, is the product of a sophisticated, scientific management and organization. In this process, the “inner” dimension of the mind in which opposition to the status quo can take root is whittled down. The loss of this dimension, in which the power of negative thinking—the critical power of Reason—is at home, is the ideological counterpart to the very material process in which advanced industrial society silences and reconciles the opposition. The impact of progress turns Reason into submission to the facts of life, and to the dynamic capability of producing more and bigger facts of the same sort of life. The efficiency of the system blunts the individuals' recognition that it contains no facts which do not communicate the repressive power of the whole. If the individuals find themselves in the things which shape their life, they do so, not by giving, but by accepting the law of things—not the law of physics but the law of their society.”

Source: One-Dimensional Man (1964), pp. 9-11

Marshall McLuhan photo

“The pre-atomist multisensory void was an animate, pulsating, and moving vibrant interval, neither container nor contained, acoustic space penetrated by tactility.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 34

Dejan Stojanovic photo

“Without space, there is no time.”

Dejan Stojanovic (1959) poet, writer, and businessman

A Star Deep In the Mind http://www.poetrysoup.com/famous/poem/21369/A_Star_Deep_In_the_Mind
From the poems written in English

Robert Hunter photo
Roberto Saviano photo
John Steinbeck photo
Umberto Boccioni photo
Arthur Stanley Eddington photo
Karl Jaspers photo

“Reason is like an open secret that can become known to anyone at any time; it is the quiet space into which everyone can enter through his own thought.”

Karl Jaspers (1883–1969) German psychiatrist and philosopher

As quoted in Philosophy for a Time of Crisis : An Interpretation, with Key Writings by Fifteen Great Modern Thinkers (1959) by Adrienne Koch, Ch. 18, "Karl Jaspers : A New Humanism"

Émile Durkheim photo