Quotes about someone

page 44

Source: Aeneid (29–19 BC), Book IV, Line 625

Harry Potter in Ch. 65 http://www.fanfiction.net/s/5782108/65/Harry_Potter_and_the_Methods_of_Rationality
Harry Potter and the Methods of Rationality (2010 - 2015)
Context: Lies propagate, that’s what I’m saying. You’ve got to tell more lies to cover them up, lie about every fact that’s connected to the first lie. And if you kept on lying, and you kept on trying to cover it up, sooner or later you’d even have to start lying about the general laws of thought. Like, someone is selling you some kind of alternative medicine that doesn’t work, and any double-blind experimental study will confirm that it doesn’t work. So if someone wants to go on defending the lie, they’ve got to get you to disbelieve in the experimental method. Like, the experimental method is just for merely scientific kinds of medicine, not amazing alternative medicine like theirs. Or a good and virtuous person should believe as strongly as they can, no matter what the evidence says. Or truth doesn’t exist and there’s no such thing as objective reality. A lot of common wisdom like that isn’t just mistaken, it’s anti-epistemology, it’s systematically wrong. Every rule of rationality that tells you how to find the truth, there’s someone out there who needs you to believe the opposite. If you once tell a lie, the truth is ever after your enemy; and there’s a lot of people out there telling lies.

(24 July 2005)
Unfit for Mass Consumption (blog entries), 2005
Context: There are many words and phrases that should be forever kept out of the hands of book reviewers. It's sad, but true. And one of these is "self-indulgent." And this is one of those things that strikes me very odd, like reviewers accusing an author of writing in a way that seems "artificial" or "self-conscious." It is, of course, a necessary prerequisite of fiction that one employ the artifice of language and that one exist in an intensely self-conscious state. Same with "self-indulgent." What could possibly be more self-indulgent than the act of writing fantastic fiction? The author is indulging her- or himself in the expression of the fantasy, and, likewise, the readers are indulging themselves in the luxury of someone else's fantasy. I've never written a story that wasn't self-indulgent. Neither has any other fantasy or sf author. We indulge our interests, our obsessions, and assume that someone out there will feel as passionately about X as we do.

Statement of 1984, as quoted in Don't Panic: The Official Hitchhikers Guide to the Galaxy Companion (1988) by Neil Gaiman, p. 2
Context: When you're a student or whatever, and you can't afford a car, or a plane fare, or even a train fare, all you can do is hope that someone will stop and pick you up.
At the moment we can't afford to go to other planets. We don't have the ships to take us there. There may be other people out there (I don't have any opinions about Life Out There, I just don't know) but it's nice to think that one could, even here and now, be whisked away just by hitchhiking.

The Exemplar, The Little Book of Truth
Context: Eternity is life that is beyond time but includes within itself all time but without a before or after. And whoever is taken into the Eternal Nothing possesses all in all and has no 'before or after'. Indeed a person taken within today would not have been there for a shorter period from the point of view of eternity than someone who had been taken Whoever is taken into the Eternal Nothing possesses all in all and has no 'before or after' within a thousand years ago.

Seeing is important. Smelling is important. Hearing is important. Everything is important and you have to look at, study, get involved with everything, and you have to believe what you find out, and test, and finally prove! None of this nonsense about not believing in fossils because God was just playing around in order to confuse us. If you ignore the evidence of your (dare one say God-given) senses, if you define myth as reality, and if you claim divine revelation allows you to destroy any part of creation, you have committed absolute evil.
Do we have any way of knowing exactly what is intended for the universe to be or become? No, but given the age and complexity of the whole shebang, we can be fairly sure creation is important.
Strange Horizons interview (2008)

"Forgiveness" (7 July 2007) http://www.youtube.com/watch?v=yVwUSubBH6k
Context: I am speaking of something that is no longer happening — that is not currently going on. If someone is abusing you, or doing something illegal, or even something you refuse to tolerate, and it's still continuing, that is not an issue of forgiveness, that is an issue of making sure that stops — even if you have to get away from that situation — that's very important.

Book 7, Ch. 226.
The Histories

"Neil Postman Ponders High Tech" at Online Newshour : Online Forum (17 January 1996)
Context: Someone needs to mention what may be lost. Of course, one of the problems is that what I would judge to be a negative consequence, someone else might see as a positive consequence. For example, telephones in automobiles seem to me a very bad idea. So does spending a lot of hours "communicating" on the Internet when one could use that time reading Cervantes' Don Quixote.

It's partly because I'm a better sculptor than I am a drawer. Considering the amount of time it would take me to draw exactly what I want, I might as well sculpt it. I paint most of it too. It's incredibly time consuming so I end up turning down a lot of jobs I want to do.
As quoted in "The Lively Arts" in Connoisseur No. 219 (1989), p. 72

Source: A Gift From Earth (1968), Ch. 11 : Interview with the Head
Context: Someone or something was in this room, something or someone with the power to make people forget. … He was reaching for the stunner on his desk when something caught his eye. It was the dossier for Matthew Keller, senior. A crude drawing defaced its yellow cover.
Two open arcs, joined, in black ink. Three small closed loops beneath.
The bleeding heart. It certainly hadn't been there before.
Jesus Pietro opened the folder. He could smell his own fear, and feel it, in the cool perspiration that soaked his shirt. As if he'd been afraid for hours.

Letter to his brother Rev. William N. Cleveland (7 November 1882); published in The Writings and Speeches of Grover Cleveland (1892), p. 534.
Context: I feel as if it were time for me to write to someone who will believe what I write.
I have been for some time in the atmosphere of certain success, so that I have been sure that I should assume the duties of the high office for which I have been named. I have tried hard, in the light of this fact, to appreciate properly the responsibilities that will rest upon me, and they are much, too much underestimated. But the thought that has troubled me is, can I well perform my duties, and in such a manner as to do some good to the people of the State? I know there is room for it, and I know that I am honest and sincere in my desire to do well; but the question is whether I know enough to accomplish what I desire.
The social life which seems to await me has also been a subject of much anxious thought. I have a notion that I can regulate that very much as I desire; and, if I can, I shall spend very little time in the purely ornamental part of the office. In point of fact, I will tell you, first of all others, the policy I intend to adopt, and that is, to make the matter a business engagement between the people of the State and myself, in which the obligation on my side is to perform the duties assigned me with an eye single to the interest of my employers. I shall have no idea of re-election, or any higher political preferment in my head, but be very thankful and happy I can serve one term as the people's Governor.

"The End and the Beginning"
Poems New and Collected (1998), The End and the Beginning (1993)

Speaking at Columbia University, as quoted in The Journal of Imaging Science and Technology, Vol. 37, No. 3 (1992), p. 537
Context: We have not found anti-intellectualism a problem at the Polaroid Corporation, except in the very initial state of penetration. It only takes a day to change someone from an anti-intellectual to an intellectual by persuading him that he might be one!

William Shakespeare, portrayed as looking back over his career as he finishes writing The Tempest as one of two plays commissioned by Morpheus (aka Dream, aka The Sandman). "The Tempest," issue #75 of The Sandman (1996), collected in The Wake.
Context: Whatever happened to me in my life, happened to me as a writer of plays. I'd fall in love, or fall in lust. And at the height of my passion, I would think, "So this is how it feels," and I would tie it up in pretty words. I watched my life as if it were happening to someone else. My son died. And I was hurt, but I watched my hurt, and even relished it, a little, for now I could write a real death, a true loss. My heart was broken by my dark lady, and I wept, in my room, alone; but while I wept, somewhere inside I smiled. For I knew I could take my broken heart and place it on the stage of The Globe, and make the pit cry tears of their own.

Part 5: "The World of One Physicist", "But Is It Art?", p. 261
Surely You're Joking, Mr. Feynman! (1985)
Context: I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.

"Doing Good — for the right reasons!" (13 March 2008)
Context: We should not, certainly, punish other people in general because of an apparent lack of gratitude on the part of some. It could be that people are so busy they seem ungrateful — or they actually are thankless! But this is OK — I'd rather be nice to someone spoiled than mean to someone who really could use a hand.

Words to Avoid (or Use with Care) Because They Are Loaded or Confusing (1996) http://www.gnu.org/philosophy/words-to-avoid.html
1990s
Context: A hacker is someone who enjoys playful cleverness — not necessarily with computers. The programmers in the old MIT free software community of the 60s and 70s referred to themselves as hackers. Around 1980, journalists who discovered the hacker community mistakenly took the term to mean “security breaker.”

Source: 1850s, Practice in Christianity (September 1850), p. 220
Context: In hidden inwardness all are Christians; who would dare deny this? Anyone who would take it upon himself to deny it surely runs the risk of wanting to play the knower of hearts. So no one can deny it. That everyone is Christian in hidden inwardness is in this way a secretiveness that is almost locked up, so to speak, behind a jammed lock: it is impossible to find out whether all these thousands upon thousands actually are Christians, for they all are that, so it is said, in hidden inwardness. And not only for the Church but for everybody it holds true that one does not pass judgment on hidden and secret things, because one is unable to judge. Should it not, however, be possible to break this secretiveness and have a little disclosure without becoming guilty of being a knower of hearts? Yes, indeed! How so? In this way, that someone quite simply on his own responsibility takes it upon himself to confess Christ in the midst of Christendom. He does not judge a single person, far from it, but many will disclose themselves by the way they judge him. He does not claim to be a better Christian than others, no, far from it; on the contrary, to the others he makes the admission that they undoubtedly are better Christians than he, they who keep it hidden out of religious fear of winning honor and esteem, whereas he, poor simpleton that he is, on his own behalf is so afraid that it might prove to be shadowboxing with such an extreme Christianity, and therefore he holds to the old Christianity of confessing Christ. Therefore he does not inform against any of the others, that they are not Christians; far from it, he informs only against himself, that he is such a poor simpleton. Nevertheless the thoughts of many hearts would be disclosed by how they judge this poor simpleton, this imperfect Christian.

Paris Review interview (1958)
Context: If I had not existed, someone else would have written me, Hemingway, Dostoevsky, all of us. Proof of that is that there are about three candidates for the authorship of Shakespeare's plays. But what is important is Hamlet and A Midsummer Night's Dream, not who wrote them, but that somebody did. The artist is of no importance. Only what he creates is important, since there is nothing new to be said. Shakespeare, Balzac, Homer have all written about the same things, and if they had lived one thousand or two thousand years longer, the publishers wouldn’t have needed anyone since.

Context: I constantly get people telling me I should be selling as much as Katie Melua... but there's a reason she sells that many and I don't - she makes music that's easy on the ear and even easier on the brain. She's the perfect good girl in the middle of the road. I'm not keen to make things too easy for anyone. I like to provoke a response, whether that's someone telling me they love what I do or throwing a bottle at me. The trouble is that the bottle-throwing faction won't buy the album. You've immediately limited your audience.

Welcome to the Hellmouth (1997) DVD Commentary
Context: The first thing I ever thought of when I thought of Buffy, the movie, was the little... blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise … genre-busting is very much at the heart of both the movie and the series.

"Does Religion Poison Everything?", Festival of Dangerous Ideas, October 2009.
2000s, 2009
Context: If this was the plan - was it made by someone who likes us? And if so, why have 99.9% of all the other species that have ever been created already died out? And part of what plan was that?; If it is a plan or a design, the planner must be either very capricious - really toying with his creation; and/or very clumsy, very tinkering and fantastically wasteful - throw away 99.9% of what you've made; or very cruel and very callous; or just perhaps very indifferent; or some combination of all the above. And so it's no good saying that He moves in mysterious ways, or that He has purposes that are opaque to us, because even that kind of evasion has to make itself predicate on the assumption that the person saying this knows more than I do about the supernatural, and I haven't yet met anyone who does have a private line to the creator, of the sort that would be required even to speculate about it. In other words, I haven't met anyone, in holy orders or out of it, who isn't also a primate. And neither have you. http://www.youtube.com/watch?v=IVvJf9wTQXo

Unfit for Mass Consumption (blog entries), 2010
Context: I'm wondering how the new crop of teens and twentysomethings became so afraid of emotion and the expression thereof.* Did their parents teach them? Did they learn it somewhere else? Is this a spontaneous cultural phenomenon? Are they afraid of appearing weak? Is this capitalism streamlining the human psyche to be more useful by eliminating anything that might hamper productivity? Is it a sort of conformism? I don't know, but I could go the rest of my life and never again hear anyone whine about someone else being "emo," and it would be a Very Good Thing.

1990s, Long Walk to Freedom (1995)
Context: It was during those long and lonely years that my hunger for the freedom of my own people became a hunger for the freedom of all people, white and black. I knew as well as I knew anything that the oppressor must be liberated just as surely as the oppressed. A man who takes away another man's freedom is a prisoner of hatred, he is locked behind the bars of prejudice and narrow-mindedness. I am not truly free if I am taking away someone else's freedom, just as surely as I am not free when my freedom is taken from me. The oppressed and the oppressor alike are robbed of their humanity.
When I walked out of prison, that was my mission, to liberate the oppressed and the oppressor both. Some say that has now been achieved. But I know that that is not the case. The truth is that we are not yet free; we have merely achieved the freedom to be free, the right not to be oppressed. We have not taken the final step of our journey, but the first step on a longer and even more difficult road. For to be free is not merely to cast off one's chains, but to live in a way that respects and enhances the freedom of others. The true test of our devotion to freedom is just beginning.

Bill Moyers interview (2002)
Context: I used to say that arts were talked about in the arts and leisure page. Now, why would it be arts and leisure? Why do we think that arts are leisure? Why isn't it arts and science or arts and the most important thing in your life? I think that art has become a big scarlet letter in our culture.
It's a big "A." And it says, you are an elitist, you're effete, or whatever those things... do you know what I mean? It means you don't connect. And I don't believe that. I think we've patronized our audiences long enough.
You can do things that would bring people to another place and still get someone on a very daily mundane moving level but you don't have to separate art from the masses.

"Seek for the Road" (1925)
Context: For thousands of years men have striven and suffered and begotten and women have brought forth in pain. A hundred years ago, perhaps, another man sat on this spot; like you he gazed with awe and yearning in his heart at the dying light on the glaciers. Like you he was begotten of man and born of woman. He felt pain and brief joy as you do. Was he someone else? Was it not you yourself? What is this Self of yours? What was the necessary condition for making the thing conceived this time into you, just you and not someone else?

De Abaitua interview (1998)
Context: I understand that the word ‘occult’ means hidden, but surely that is not meant to be the final state of all this information, hidden forever. I don’t see why there is any need to further obscure things that are actually lucid and bright. Language and strange terminology – to keep them as some private mystery. I think there is too much darkness in magic. I can understand that it is part of the theatre. I can understand Aleister Crowley – who I think was a great intellect that was sometimes let down by his own flair for showmanship — but he did a lot to generate the scary aura of the magician that you find these sad, Crowleyite fucks making a fetish of. The ones who say ‘oh we’re into Aleister Crowley because he was the wickedest man in the world, and we’re also into Charles Manson because we’re bad. And we are middle-class as well, but we’re bad’. There are some people who seek evil – I don’t think there is such a thing as evil – but there are people who seek it as a kind of Goth thing. That just adds to the murk to what to me is a very lucid and flourescent subject. What occultism needs is someone to open the window, it’s too stuffy and it smells. Let’s get some fresh air, throw open the curtains – I can’t go for that posturing, spooky guy stuff. When they wanted me to do Fortean TV it became apparent that they wanted me to be Spooky Bloke. But I’m not actually trying to look spooky. I dress in black because it makes me look less fat, it’s as simple as that. It’s not a gothic flourish. I don’t want to be thought of as a figure of mystery or a master of the occult, surely this is about illumination, casting light on things. I’m an illuminist, that’d do for me.

1920s, Truth is a Pathless Land (1929)
Context: You are accustomed to being told how far you have advanced, what is your spiritual status. How childish! Who but yourself can tell you if you are beautiful or ugly within? Who but yourself can tell you if you are incorruptible? You are not serious in these things.
But those who really desire to understand, who are looking to find that which is eternal, without beginning and without an end, will walk together with a greater intensity, will be a danger to everything that is unessential, to unrealities, to shadows. And they will concentrate, they will become the flame, because they understand. Such a body we must create, and that is my purpose. Because of that real understanding there will be true friendship. Because of that true friendship – which you do not seem to know – there will be real cooperation on the part of each one. And this not because of authority, not because of salvation, not because of immolation for a cause, but because you really understand, and hence are capable of living in the eternal. This is a greater thing than all pleasure, than all sacrifice.
So these are some of the reasons why, after careful consideration for two years, I have made this decision. It is not from a momentary impulse. I have not been persuaded to it by anyone. I am not persuaded in such things. For two years I have been thinking about this, slowly, carefully, patiently, and I have now decided to disband the Order, as I happen to be its Head. You can form other organizations and expect someone else. With that I am not concerned, nor with creating new cages, new decorations for those cages. My only concern is to set men absolutely, unconditionally free.

If you were to say of these men that they are not guilty, it would be as true to say that there has been no war, there are no slain, there has been no crime.
Summation for the Prosecution, July 26, 1946
Quotes from the Nuremberg Trials (1945-1946)

Addressing a gathering of 200 Marines in al Asad, as quoted in the Armed Forces Journal article "Fiasco", published on August 1, 2006. http://www.armedforcesjournal.com/fiasco/
Context: The first time you blow someone away is not an insignificant event. That said, there are some assholes in the world that just need to be shot. There are hunters and there are victims. By your discipline, cunning, obedience and alertness, you will decide if you are a hunter or a victim. It’s really a hell of a lot of fun. You’re gonna have a blast out here!

Charlie Rose interview http://www.charlierose.com/shows/2004/09/29/1/a-conversation-with-comedy-centrals-jon-stewart, September 29, 2004, describing his ideal news network.
Context: Here is what I believe is the paradigm that would be effective and what I would love to see, and you're going to laugh because Fox News is my model. What Fox has done is they've got a guy, Roger Ailes, who's passionate and has created a model for a 24-hour news station that makes money based on a point of view... Using Fox's model, find someone with the passion and the huevos to just lay it on the line — not in a partisan way, not in the pursuit of political power and political gain, but in the pursuit of credibility. In the pursuit of being a judge, an arbiter, and earning the trust of the audience over time as an oversight to the shenanigans of the political world.

As quoted in a profile at HarperCollins http://www.harpercollins.com/global_scripts/product_catalog/author_xml.asp?authorid=8773
Context: It seems beyond the comprehension of people that someone can be born to draw comic strips, but I think I was. My ambition from earliest memory was to produce a daily comic strip.

The Other World (1657)
Context: You are amazed that matter can form a man when matter is all mixed up at random and so many things go into making a person. But do you not realize that before matter forms someone it has also stopped along the way to make a stone, lead, coral, a flower, or a comet because there was too much or too little of it to make a human being? No wonder, then, that an infinite amount of incessantly moving and changing matter makes up the few animals, vegetables and minerals that we see. No wonder, either, that if you throw dice a hundred times, they will all show the same numbers at some point.
This movement of matter, then, could not fail to produce something, and whatever it is will always be admired by the unthinking person who does not realize how close it came to not being made.

Source: The Gospel of Sri Ramakrishna (1942), p. 423
Context: Truth is one; only It is called by different names. All people are seeking the same Truth; the variance is due to climate, temperament, and name. A lake has many ghats. From one ghat the Hindus take water in jars and call it "jal". From another ghat the Mussalmāns take water in leather bags and call it "pāni". From a third the Christians take the same thing and call it "water". Suppose someone says that the thing is not "jal" but "pāni", or that it is not "pāni" but "water", or that it is not "water" but "jal", It would indeed be ridiculous. But this very thing is at the root of the friction among sects, their misunderstandings and quarrels. This is why people injure and kill one another, and shed blood, in the name of religion. But this is not good. Everyone is going toward God. They will all realize Him if they have sincerity and longing of heart.

Citation- ffb-132, Part 4
Fifty Freedom-Boats To One Golden Shore (1974)
Context: Where love is thick, faults are thin. If you really love someone, then it is difficult to find fault with him. His faults seem negligible, for love means oneness.

Beautiful Losers (1966)
Context: What is a saint? A saint is someone who has achieved a remote human possibility. It is impossible to say what that possibility is. I think it has something to do with the energy of love. Contact with this energy results in the exercise of a kind of balance in the chaos of existence. A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory. He rides the drifts like an escaped ski. His course is the caress of the hill. His track is a drawing of the snow in a moment of its particular arrangement with wind and rock. Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape. His house is dangerous and finite, but he is at home in the world. He can love the shape of human beings, the fine and twisted shapes of the heart. It is good to have among us such men, such balancing monsters of love.

Bewilderness (DVD, 2001)

Shoptalk: Conversations About Theater and Film with Twelve Writers, One Producer — and Tennessee Williams' Mother by Dennis Brown (1993), Ch. 6 : A Certain Amount of Spleen, p. 122
Context: Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.

"Forgiveness" (7 July 2007)
Context: When you forgive someone, you're not justifying what they've done — you're not saying it was ok, you're letting it go, to stay in the past, where it happened, and moving away from it, so it doesn't sink its teeth into you, and follow you wherever you go. And of course, we don't know what events are going on in that person's life that perhaps led them to do what they were doing, or inspired them, or what kind of person they are sometimes. We never will know everything about what is going on with the whole situation - we only know what has happened to us. And the truth is - there's no point in hanging on to it.

Title of Lesson 8
Don’t Sweat the Small Stuff…and it’s all Small Stuff (1997)

Hagakure (c. 1716)
Context: Although it is unfitting for someone like me to say this, in dying it is my hope not to become a Buddha. Rather, my will is permeated with the resolution to help manage the affairs of the province, though I be reborn as a Nabeshima samurai seven times. One needs neither vitality nor talent. In a word, it is a matter of having the will to shoulder the clan by oneself.

University of Havana address (2005)
Context: All sense of dialectics is lost when someone believes that today’s economy is identical to the economy 50 or 100 or 150 years ago, or that it is identical to the one in Lenin’s day or to the time when Karl Marx lived. Revisionism is a thousand miles away from my mind and I truly revere Marx, Engels and Lenin.

Finding Life after Death http://richardcarlson.com/RC_Words/life_after_death.html
What About the Big Stuff (2002)
Context: When our familiar world falls apart, especially through the pain of death — of losing someone we love — we are shaken at our very core. We realize, perhaps for the first time, that there is no easy or quick way out. We must go through the process, which will be a little different for each of us — the common thread being pain.
In the midst of that inner struggle, however, something begins to happen. There are the moments that are most resisted — and there is extreme pain. Simultaneously, however, there are voluntary or involuntary bursts of letting go. Perhaps the pain is too much for the moment — the mind takes a break, shuts down, or wakes up, I’m not really sure. But in those moments, there is a release from the pain; an acknowledgment that although we don’t understand it, and it hurts like hell, the universe somehow knows what it’s doing.

The Saviors of God (1923)
Context: Someone within me is struggling to lift a great weight, to cast off the mind and flesh by overcoming habit, laziness, necessity.
I do not know from where he comes or where he goes. I clutch at his onward march in my ephemeral breast, I listen to his panting struggle, I shudder when I touch him.

Alexis (1929)
Context: Every silence is composed of nothing but unspoken words. Perhaps that is why I became a musician. Someone had to express this silence, make it render up all the sadness it contained, make it sing as it were. Someone had to use not words, which are always too precise not to be cruel, but simply music.

Letter to Monica Jones (1 November 1951) as quoted in "Philip Larkin's women" (23 October 2010) http://www.guardian.co.uk/books/2010/oct/23/martin-amis-philip-larkin-letters-monica
Context: I think … someone might do a little research on some of the inherent qualities of sex – its cruelty, its bullyingness, for instance. It seems to me that bending someone else to your will is the very stuff of sex, by force or neglect if you are male, by spitefulness or nagging or scenes if you are female. And what's more, both sides would sooner have it that way than not at all. I wouldn't. And I suspect that means not that I can enjoy sex in my own quiet way but that I can't enjoy it at all. It's like rugby football: either you like kicking & being kicked, or your soul cringes away from the whole affair. There's no way of quietly enjoying rugby football.

Dulce et Decorum Est (1917)
Context: Gas! GAS! Quick, boys! — An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

Statement about Julius and Ethel Rosenberg having performed espionage for the Soviet Union, as quoted in The FBI-KGB War : A Special Agent's Story (1995), by Robert J. Lamphere and Tom Shachtman, p. 306
Context: Someone helped us a lot with the atomic bomb. The intelligence (service) played a huge role. These Rosenbergs suffered in America. It is not excluded that they helped us. But we shouldn't really speak about it, because we might receive this kind of help in the future.

On the song "Wuthering Heights"
The Kate Bush Story (2014)
Context: For that to have come out of someone's brain, period, is a remarkable feat. For that to have come out of someone's brain, at 17 years old — this incredible song, incredible song … there aren't that many amazing pop songs that have two or three key changes in them —‚ and I'm not talking about some modulations, I'm talking: "Okay, now we're in the key of Q." It's like WHAT?! But it's so brilliant, it's so memorable. I always karaoke that song — if I drink enough.

As quoted in """"Ingmar Bergman: Summing Up A Life In Film"""" by Michiko Kakutani in The New York Times Magazine (26 June 1983).
Context: I am so 100 percent Swedish... Someone has said a Swede is like a bottle of ketchup — nothing and nothing and then all at once — splat. I think I'm a little like that. And I think I'm Swedish because I like to live here on this island. You can't imagine the loneliness and isolation in this country. In that way, I'm very Swedish — I don't dislike to be alone

1970s, Remarks on pardoning Nixon (1974)
Context: I have asked your help and your prayers, not only when I became President but many times since. The Constitution is the supreme law of our land and it governs our actions as citizens. Only the laws of God, which govern our consciences, are superior to it.
As we are a nation under God, so I am sworn to uphold our laws with the help of God. And I have sought such guidance and searched my own conscience with special diligence to determine the right thing for me to do with respect to my predecessor in this place, Richard Nixon, and his loyal wife and family.
Theirs is an American tragedy in which we all have played a part. It could go on and on and on, or someone must write "The End" to it. I have concluded that only I can do that, and if I can, I must.

As quoted in Setting the Tempo : Fifty Years of Great Jazz Liner Notes (1996) by Tom Piazza. p. 339
Context: What do you think happens to a composer who is sincere and loves to write and has to wait thirty years to have someone play a piece of his music? Had I been born in a different country or had I been born white, I am sure I would have expressed my ideas long ago. Maybe they wouldn't have been as good because when people are born free — I can't imagine it, but I've got a feeling that if it's so easy for you — the struggle and the initiative are not as strong as they are for a person who has to struggle and therefore has more to say.

Vorkosigan Saga, Mirror Dance (1994)
Context: It's important that someone celebrate our existence... People are the only mirror we have to see ourselves in. The domain of all meaning. All virtue, all evil, are contained only in people. There is none in the universe at large. Solitary confinement is a punishment in every human culture.

"Society, Morality and the Novel" (1957), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), pp. 699-700.
Context: Perhaps the novel evolved in order to deal with man's growing awareness that behind the facade of social organisations, manners, customs, myths, rituals and religions of the post-Christian era lies chaos. Man knows, despite the certainties which it is the psychological function of his social institutions to give him, that he did not create the universe, and that the universe is not at all concerned with human values. Man knows that even in this day of marvelous technology and the tenuous subjugation of the atom, that nature can crush him, and that at the boundaries of human order the arts and the instruments of technology are hardly more than magic objects which serve to aid us in our ceaseless quest for certainty. We cannot live, as someone has said, in the contemplation of chaos, but neither can we live without an awareness of chaos, and the means through which we achieve that awareness, and through which we assert our humanity most significantly against it, is in great art. In our time the most articulate art form for defining ourselves and for asserting our humanity is the novel. Certainly it is our most rational art form for dealing with the irrational.

The Tragic Sense of Life (1913), I : The Man of Flesh and Bone
Context: It has often been said that every man who has suffered misfortunes prefers to be himself, even with his misfortunes, rather than to be someone else without them. For unfortunate men, when they preserve their normality in their misfortune — that is to say, when they endeavor to persist in their own being — prefer misfortune to non-existence. For myself I can say that when a as a youth, and even as a child, I remained unmoved when shown the most moving pictures of hell, for even then nothing appeared to me quite so horrible as nothingness itself. It was a furious hunger of being that possessed me, an appetite for divinity, as one of our ascetics [San Juan de los Angeles] has put it.

What Will Get Us Ready (1944)
Context: Most persons are awakened and set on their new track of life through the quickening and kindling power of some person who becomes for them the instrument of inspiration and of the creation of faith and the vision of a nobler way of life. Persons are set on fire by someone who is already aflame. It is a trumpet call to high adventure that starts the forward movements away from old forms.
That is one of the greatest stories in the long history of religion. It was through a long and wonderful circuit of souls, in a succession of forerunners, that the kindling idea of “Something of God in the soul of man” came to George Fox.

The Rickover Effect (1992)
Context: Responsibility is a unique concept... You may share it with others, but your portion is not diminished. You may delegate it, but it is still with you... If responsibility is rightfully yours, no evasion, or ignorance or passing the blame can shift the burden to someone else. Unless you can point your finger at the man who is responsible when something goes wrong, then you have never had anyone really responsible.

As quoted in "Salma Hayek's Condom Campaign" at femalefirst.co.uk http://www.femalefirst.co.uk/health/3382004.htm
Context: Before you do anything, think. If you do something to try and impress someone, to be loved, accepted or even to get someone's attention, stop and think. So many people are busy trying to create an image, they die in the process. Sleeping with the wrong person is one thing, but not using a condom because you want to please someone, or because you're in a romantic bubble, is another. … I wish we weren't so busy trying to impress people.

"Would you like to see a little of it?" said the Mock Turtle. (3 April 2010) http://greygirlbeast.livejournal.com/639337.html
Unfit for Mass Consumption (blog entries), 2010

1960s, Freedom From The Known (1969)
Context: What can a human being do — what can you and I do — to create a completely different society? We are asking ourselves a very serious question. Is there anything to be done at all? What can we do? Will somebody tell us? People have told us. The so-called spiritual leaders, who are supposed to understand these things better than we do, have told us by trying to twist and mould us into a new pattern, and that hasn't led us very far; sophisticated and learned men have told us and that has led us no further. We have been told that all paths lead to truth — you have your path as a Hindu and someone else has his path as a Christian and another as a Muslim, and they all meet at the same door — which is, when you look at it, so obviously absurd. Truth has no path, and that is the beauty of truth, it is living. A dead thing has a path to it because it is static, but when you see that truth is something living, moving, which has no resting place, which is in no temple, mosque or church, which no religion, no teacher, no philosopher, nobody can lead you to — then you will also see that this living thing is what you actually are — your anger, your brutality, your violence, your despair, the agony and sorrow you live in. In the understanding of all this is the truth, and you can understand it only if you know how to look at those things in your life. And you cannot look through an ideology, through a screen of words, through hopes and fears.

Isha Insights Magazine, Spring Edition 2009
Sourced from newspapers and magazines
Context: A leader is someone who takes a chance on the destiny of a large mass of people. He's a leader because he is capable of organizing and directing situations to the desired goal. But that only happens if a leader has some mastery over himself. -Sadhguru

I Ain't Got Time To Bleed (1999)
Context: How come life in prison doesn't mean life? Until it does, we're not ready to do away with the death penalty. Stop thinking in terms of "punishment" for a minute and think in terms of safeguarding innocent people from incorrigible murderers. Americans have a right to go about their lives without worrying about these people being back out on the street. So until we can make sure they're off the street permanently, we have to grit our teeth and put up with the death penalty. So we need to work toward making a life sentence meaningful again. If life meant life, I could, if you'll excuse the pun, live without the death penalty.
We don't have it here in Minnesota, thank God, and I won't advocate to get it. But I will advocate to make life in prison mean life. I don't think I would want the responsibility for enforcing the death penalties. There's always the inevitable question of whether someone you gave the order to execute might truly have been innocent.

Metro Weekly interview (2006)
Context: I respect her talent and her brain and who she is as a person — and that kind of admiration and respect is a big factor in binding someone in a relationship. I know what a good heart she has, and how empathetic she is with all kinds of people and issues — she's so brilliant on top of it that she can voice these things. And she's as funny as she can possibly be. She makes me laugh.

Context: I don't think I could see myself with someone who's famous. I don't like the lifestyle and everything it stands for. Too superficial. That attention is too much. For me to go home and be surrounded by that sounds like a fucking nightmare. But a musician or someone who's into music is different.

The Tragic Sense of Life (1913), VI : In the Depths of the Abyss
Context: To all this, someone is sure to object that life ought to subject itself to reason, to which we will reply that nobody ought to do what he is unable to do, and life cannot subject itself to reason. "Ought, therefore can," some Kantian will retort. To which we shall demur: "Cannot, therefore ought not." And life cannot submit itself to reason, because the end of life is living and not understanding.

The Shared Patio (2005)
Context: I pretended that I was pausing before telling him about the secret feeling of joy that I hide in my chest, waiting, waiting, waiting for someone to notice that I rise each morning seemingly with nothing to live for, but I do rise, and it is only because of this secret joy, God's love, in my chest. I looked down from the sky and into his eyes and I said, It wasn't your fault. I excused him for the cover and for everything else. For not yet being a New Man. We fell into silence then; he did not ask me any more questions. I was still happy to sit there beside him, but that is only because I have very, very low expectations of most people, and he had now become Most People.

Book Two in 'The Burial', B/O
The Master and Margarita (1967)
Context: The procurator studied the new arrival with avid, and slightly fearful eyes. It was the kind of look one gives someone one has heard of and thought a lot about, and whom one is meeting for the first time.

"Man, Androids and Machine" (1975), reprinted in The Shifting Realities of Philip K. Dick (1995) Lawrence Sutin, ed.
Context: These creatures are among us, although morphologically they do not differ from us; we must not posit a difference of essence, but a difference of behavior. In my science fiction I write about about them constantly. Sometimes they themselves do not know they are androids. Like Rachel Rosen, they can be pretty but somehow lack something; or, like Pris in We Can Build You, they can be absolutely born of a human womb and even design androids — the Abraham Lincoln one in that book — and themselves be without warmth; they then fall within the clinical entity "schizoid," which means lacking proper feeling. I am sure we mean the same thing here, with the emphasis on the word "thing." A human being without the proper empathy or feeling is the same as an android built so as to lack it, either by design or mistake. We mean, basically, someone who does not care about the fate which his fellow living creatures fall victim to; he stands detached, a spectator, acting out by his indifference John Donne's theorem that "No man is an island," but giving that theorem a twist: that which is a mental and a moral island is not a man.

42
Ki Sayings (2003)
Context: Instructors must always be positive. Even if someone fails at something, you must have the energy to help them turn it into success. When teaching, always compare the correct way with the incorrect way, side by side. Then the reasons for the correct way become obvious. You must know both.

Teaching as a Subversive Activity (1969)
Context: In order to understand what kind of behaviors classrooms promote, one must become accustomed to observing what, in fact, students actually do in them. What students do in a classroom is what they learn (as Dewey would say), and what they learn to do is the classroom's message (as McLuhan would say). Now, what is it that students do in the classroom? Well, mostly they sit and listen to the teacher. Mostly, they are required to believe in authorities, or at least pretend to such belief when they take tests. Mostly they are required to remember. They are almost never required to make observations, formulate definitions, or perform any intellectual operations that go beyond repeating what someone else says is true. They are rarely encouraged to ask substantive questions, although they are permitted to ask about administrative and technical details. (How long should the paper be? Does spelling count? When is the assignment due?) It is practically unheard of for students to play any role in determining what problems are worth studying or what procedures of inquiry ought to be used. Examine the types of questions teachers ask in classrooms, and you will find that most of them are what might technically be called "convergent questions," but what might more simply be called "Guess what I am thinking " questions.

"The Banality of Heroism" in The Greater Good (Fall/Winter 2006/2007), co-written with Zeno Franco
Context: The idea of the banality of heroism debunks the myth of the “heroic elect,” a myth that reinforces two basic human tendencies. The first is to ascribe very rare personal characteristics to people who do something special — to see them as superhuman, practically beyond comparison to the rest of us. The second is the trap of inaction — sometimes known as the "bystander effect." Research has shown that the bystander effect is often motivated by diffusion of responsibility, when different people witnessing an emergency all assume someone else will help. Like the “good guards,” we fall into the trap of inaction when we assume it’s someone else’s responsibility to act the hero.

As quoted by Luc de Barochez, Reza Pahlavi : «Lançons une campagne de désobéissance civile» http://www.lefigaro.fr/international/20060608.FIG000000177_reza_pahlavi_lancons_une_campagne_de_desobeissance_civile.html, June 8, 2006.
Interviews, 2006

Book Sometimes you win Sometimes you Learn

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Islam and Revolution, Writings and Declarations of Imam Khomeini, Translated and Annotated by Hamid Algar, Mizan Press, Berkley, pp 36.
Islam and civilization