Quotes about ski
page 2

Anne Brontë photo
Mike Tyson photo

“Her suffering ended with the day,
Yet lived she at its close,
And breathed the long, long night away
In statue-like repose.But when the sun in all his state
Illumed the eastern skies,
She passed through Glory's morning-gate,
And walked in Paradise.”

James Aldrich (1810–1856) American editor and minor poet

A Death-Bed, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: Thomas Hood, The Death Bed, p. 591; Phoebe Cary, The Wife, p. 171.

Conrad Aiken photo
Corneliu Zelea Codreanu photo
Thomas Gray photo

“See the wretch that long has tost
On the thorny bed of pain,
At length repair his vigour lost,
And breathe and walk again:
The meanest floweret of the vale,
The simplest note that swells the gale,
The common sun, the air, the skies,
To him are opening paradise.”

Thomas Gray (1716–1771) English poet, historian

Source: Ode on the Pleasure Arising from Vicissitude http://www.thomasgray.org/cgi-bin/display.cgi?text=oopv (1754), Line 41

Benjamín Netanyahu photo

“Fortunately, President Obama and most world leaders understand that the idea that Iran's goal is not to develop nuclear weapons is ridiculous. Yet incredibly, some are prepared to accept an idea only slightly less preposterous: That we should accept a world in which the Ayatollahs have atomic bombs. Sure, they say, Iran is cruel, but it's not crazy. It's detestable but it's deterrable. Responsible leaders should not bet the security of their countries on the belief that the world's most dangerous regime won't use the world's most dangerous weapons. And I promise you that as Prime Minister, I will never gamble with the security of Israel. From the beginning, the Ayatollah regime has broken every international rule and flouted every norm. It has seized embassies, targeted diplomats and sent its own children through mine fields. It hangs gays and stones women. It supports Assad's brutal slaughter of the Syrian people. Iran is the world's foremost sponsor of terror. It sponsors Hezbollah in Lebanon, Hamas in Gaza and terrorists throughout the Middle East, Africa, and South America. Iran's proxies have dispatched hundreds of suicide bombers, planted thousands of roadside bombs, and fired over twenty thousand missiles at civilians. Through terror from the skies and terror on the ground, Iran is responsible for the murder of hundreds, if not thousands, of Americans. In 1983, Iran's proxy Hezbollah blew up the Marine barracks in Lebanon, killing 240 American servicemen. In the last decade, its been responsible for murdering and maiming American soldiers in Afghanistan and Iraq. Just a few months ago, it tried to assassinate the Saudi Ambassador in a restaurant just a few blocks from here. The assassins didn't care that several Senators and members of Congress would have been murdered in the process. Iran accuses the American government of orchestrating 9/11, and it denies the Holocaust. Iran brazenly calls for Israel's destruction, and they work for its destruction – each day, every day. This is how Iran behaves today, without nuclear weapons. Think of how they will behave tomorrow, with nuclear weapons. Iran will be even more reckless and far more dangerous.”

Benjamín Netanyahu (1949) Israeli prime minister

Speech at the American Israel Public Affairs Committee Policy Conference http://www.aipac.org/pc/videos/2012/monday-gala-plenary/prime-minister-benjamin-netanyahu (March 2012).
2010s, 2012

Alan Lindsay Mackay photo

“Like the ski resort full of girls hunting for husbands and husbands hunting for girls the situation is not as symmetrical as it might seem.”

Alan Lindsay Mackay (1926) British crystallographer

[2007, New Theories of Everything, https://books.google.cz/books?id=JJ1aDC_wYM0C&printsec=frontcover#v=onepage&q&f=false, Oxford University Press] by John D. Barrow.

Glen Cook photo
R. A. Lafferty photo
Thomas De Witt Talmage photo
Miguel de Cervantes photo

“Fear is sharp-sighted, and can see things underground, and much more in the skies.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part I, Book III, Ch. 6.

Robert Stanley Weir photo
Ernest Hemingway photo
Gerard Bilders photo

“. I don't love less the gray waters of my Holland, their serious and somewhat sad color, which corresponds so well with the similar gray skies and vapors that are hanging there. (translation from the Dutch original: Fons Heijnsbroek)”

Gerard Bilders (1838–1865) painter from the Netherlands

(version in original Dutch / citaat van Bilders' brief, in het Nederlands:) ..niet minder bemin ik toch de graauwe wateren van mijn Holland, hunne ernstige, eenigsinds droeve kleur, die zoo goed overeenkomt met de even grijze luchten en dampen, dier er overeen hangen.
as cited in The land of Mauve: utopia or a reality? / Het land van Mauve: utopie of werkelijkheid? https://www.rug.nl/research/kenniscentrumlandschap/mscripties/christina_vlasma-het_land_van_mauve-masterscriptie.pdf; master-scriptie by Christina van Staats-Vlasma; Rijksuniversiteit Groningen, La Broquerie, Manitoba Canada, Nov. 2010, p. 97
undated quotes

Aldous Huxley photo
Gerard Bilders photo

“I agree completely with your remark that in the struggle against nature lies already a part of art, and really pleasant is for me already the feeling of returning as a victor from small skirmishes, although in the great battle one always feels still defeated. As you advised me, I have made sketches of skies, indicating the effect in them, and making a note for the important colors; I also did better in making a small sky; at least people think so.”

Gerard Bilders (1838–1865) painter from the Netherlands

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Gerard Bilders' brief, in het Nederlands: Uwe opmerking, dat in den strijd tegen de natuur reeds een gedeelte der kunst ligt, vind ik volkomen juist, en regt aangenaam is reeds het gevoel, waarmede men als overwinnaar terugkeert uit kleine schermutselingen, hoewel men zich in den grooten slag toch steeds als verslagen gevoelt. Zoo als u mij aanraadt, heb ik schetsen van luchten gemaakt, het effect er in aangeduid en de voornaamste kleuren er bij geschreven; ik ben dan nu ook in een klein luchtje wat beter geslaagd; men vindt het ten minste.
Quote of Gerard Bilders, in a letter to his maecenas Johannes Kneppelhout, 5 Feb. 1858; from an excerpt of this letter https://rkd.nl/nl/explore/excerpts/526, in the RKD-Archive, The Hague
1850's

Šantidéva photo

“May I act as the mighty earth
Or like the free and open skies
To support and provide the space
Whereby I and all others may grow.”

Šantidéva (685–763) 8th-century Indian Buddhist monk and scholar

Bodhicaryavatara

Mike Scott photo
John Constable photo

“England, with her climate of more than vernal freshness, and in whose summer skies, and rich autumnal clouds, the observer of Nature may daily watch her endless varieties of effect.... to one brief moment caught [by the artist] from fleeting time..”

John Constable (1776–1837) English Romantic painter

Quote from Constable's Introduction of the 1833 edition of English landscape scenery, as cited in Constable's English Landscape Scenery, Andrew Wilton, British Museum Prints and Drawings Series, 1979; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 368
Constable expressed - in his Introduction to the 1833 edition of English landscape scenery - similar sentiments as contemporary landscape-painter Turner, according to Andrew Wilton
1830s

John Constable photo

“I know very well what I am about, & that my skies have not been neglected, though they often failed in execution — and often, no doubt, from an over-anxiety about them — which will alone destroy that easy appearance which nature always has — in all her movements.”

John Constable (1776–1837) English Romantic painter

Quote from John Constable's letter to Rev. John Fisher (23 October 1821), from John Constable's Correspondence, part 6, pp. 76-78
1820s

John Dryden photo

“The gates of hell are open night and day;
Smooth the descent, and easy is the way:
But to return, and view the cheerful skies,
In this the task and mighty labor lies.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Aeneis, Book VI, lines 192–195.
The Works of Virgil (1697)

Pete Doherty photo
C. Rajagopalachari photo
Roger Waters photo
Isaac Watts photo

“From all who dwell below the skies
Let the Creator's praise arise;
Let the Redeemer's name be sung
Through every land, by every tongue.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Psalm 117.
1710s, "Our God, our help in ages past" (1719)

Edouard Manet photo
John Howard Payne photo

“Mid pleasures and palaces though we may roam,
Be it ever so humble, there 's no place like home;
A charm from the skies seems to hallow us there,
Which sought through the world is ne'er met with elsewhere.”

John Howard Payne (1791–1852) American actor and writer

Home, Sweet Home (1822), from the opera of "Clari, the Maid of Milan", reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Home is home, though it be never so homely", John Clarke, Paræmiologia, p. 101. (1639).

“p>One translucent day I leave the city
to visit my home, the land of Champa.Here are stupas gaunt with yearning,
ancient temples ruined by time,
streams that creep alone through the dark
past peeling statues that moan of Champa.Here are dense and drooping forests
where long processions, lost souls of Champa,
march; and evening spills through thick,
fragrant leaves, mingling with the cries of moorhens.Here is the field where two great armies
were reduced to a horde of clamoring souls.
Champa blood still cascades in streams of hatred
to grinding oceans filled with Champa bones.Here too are placid images: hamlets at rest
in evening sun, Champa girls gliding homeward,
their light chatter floating
with the pink and saffron of their dresses.Here are magnificent sunbaked palaces,
temples that blaze in cerulean skies.
Here battleships dream on the glossy river, while the thunder
of sacred elephants shakes the walls.Here, in opaque light sinking through lapis lazuli,
the Champa king and his men are lost in a maze of flesh
as dancers weave, wreathe, entranced,
their bodies harmonizing with the flutes.All this I saw on my way home years ago
and still I am obsessed,
my mind stunned, sagged with sorrow
for the race of Champa.”

Chế Lan Viên (1920–1989) Vietnamese writer

"On the Way Home", in A Thousand Years of Vietnamese Poetry, ed. Nguyễn Ngọc Bích (Alfred A. Knopf, 1975), p. 167; quoted in full in Buddhism & Zen in Vietnam by Thich Thien-an (Tuttle Publishing, 1992)

James Weldon Johnson photo

“The glory of the day was in her face,
The beauty of the night was in her eyes.
And over all her loveliness, the grace
Of Morning blushing in the early skies.”

James Weldon Johnson (1871–1938) writer and activist

The Glory of the Day Was in Her Face, st. 1.
Fifty Years and Other Poems (1917)

Eugene V. Debs photo
Sara Bareilles photo
Elias Canetti photo

“You can tirelessly keep on reading the same author, revere, admire, praise him, exalt him to the skies, know and recite each of his sentences by heart, and yet remain completely unaffected by him, as if he had never demanded anything of you and not said anything at all.”

Elias Canetti (1905–1994) Bulgarian-born Swiss and British jewish modernist novelist, playwright, memoirist, and non-fiction writer

J. Agee, trans. (1989), p. 43
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)

Thomas Gainsborough photo
John Betjeman photo

“He sipped at a weak hock and seltzer
As he gazed at the London skies
Through the Nottingham lace of the curtains
Or was it his bees-winged eyes?”

John Betjeman (1906–1984) English poet, writer and broadcaster

"The Arrest of Oscar Wilde at the Cadogan Hotel" line 1, from Continual Dew.
Poetry

Isaac Watts photo

“When I can read my title clear
To mansions in the skies,
I'll bid farewell to every fear,
And wipe my weeping eyes.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Hymn 65 Hymns and Spiritual Songs, Book II.
Attributed from postum publications, Hymns and Spiritual Songs (1773)

Barbara (singer) photo

“One fine day, or perhaps one night,
Near a lake, when I'm sleeping,
Suddenly, the skies cave in,
And out of nowhere,
Surges an eagle, black.”

Barbara (singer) (1930–1997) French singer

Un beau jour, ou peut-etre une nuit,
Près d'un lac, je m'étais endormie,
Quand soudain, semblant crever le ciel,
Et venant de nulle part,
Surgit un aigle noir.
L'Aigle noir.
Song lyrics

Robert Herrick photo
Tecumseh photo

“The Muscogee was once a mighty people. The Georgians trembled at your war-whoop, and the maidens of my tribe, on the distant lakes, sung the prowess of your warriors and sighed for their embraces. Now your very blood is white; your tomahawks have no edge; your bows and arrows were buried with your fathers. Oh! Muscogees, brethren of my mother, brush from your eyelids the sleep of slavery; once more strike for vengeance; once more for your country. The spirits of the mighty dead complain. Their tears drop from the weeping skies. Let the white race perish! They seize your land, they corrupt your women, they trample on your dead! Back! whence they came, upon a trail of blood, they must be driven! Back! back — ay, into the great water whose accursed waves brought them to our shores! Burn their dwellings! Destroy their stock! Slay their wives and children! The red man owns the country, and the pale-face must never enjoy it! War now! War forever! War upon the living! War upon the dead! Dig their very corpses from the graves! Our country must give no rest to the white man's bones.”

Tecumseh (1768–1813) Native American leader of the Shawnee

Speech to the Creek people, quoted in Great Speeches by Native Americans by Robert Blaisdel. This quote appeared in J. F H. Claiborne, Life and Times of Gen. Sam Dale, the Mississippi Partisan (Harper, New York, 1860). However, historian John Sugden writes, "Claiborne's description of Tecumseh at Tuckabatchie in the alleged autobiography of the Fontiersman, Samuel Dale, however, is fraudulent. … Although they adopt the style of the first person, as in conventional autobiography, the passages dealing with Tecumseh were largely based upon published sources, including McKenney, Pickett and Drake's Life of Tecumseh. The story is cast in the exaggerated and sensational language of the dime novelist, with embellishments more likely supplied by Claiborne than Dale, and the speech put into Tecumseh's mouth is not only unhistorical (it has the British in Detroit!) but similar to ones the author concocted for other Indians in different circumstances." Sugden also finds it "unreliable" and "bogus." Sugden, John. "Early Pan-Indianism; Tecumseh’s Tour of the Indian Country, 1811-1812." American Indian Quarterly 10, no. 4 (1986): 273–304. doi:10.2307/1183838.
Misattributed, "Let the White Race Perish" (October 1811)

George Bernard Shaw photo

“Beware of the man whose god is in the skies.”

George Bernard Shaw (1856–1950) Irish playwright

#83
1900s, Maxims for Revolutionists (1903)

John Ogilby photo

“Go, raise great Troy by prowess to the Skies.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

Charles Wesley photo
Enoch Powell photo

“The House of Commons is at this moment being asked to agree to the renunciation of its own independence and supreme authority—but not the House of Commons by itself. The House of Commons is the personification of the people of Britain: its independence is synonymous with their independence; its supremacy is synonymous with their self-government and freedom. Through the centuries Britain has created the House of Commons and the House of Commons has moulded Britain, until the history of the one and the life of the one cannot be separated from the history and life of the other. In no other nation in the world is there any comparable relationship. Let no one therefore allow himself to suppose that the life-and-death decision of the House of Commons is some private affair of some privileged institution which at intervals swims into his ken and out of it again. It is the life-and-death decision of Britain itself, as a free, independent and self-governing nation. For weeks, for months the battle on the floor of the House of Commons will swing backwards and forwards, through interminable hours of debates and procedures and votes in the division lobbies; and sure enough the enemies and despisers of the House of Commons will represent it all as some esoteric game or charade which means nothing for the outside world. Do not be deceived. With other weapons and in other ways the contention is as surely about the future of Britain's nationhood as were the combats which raged in the skies over southern England in the autumn of 1940. The gladiators are few; their weapons are but words; and yet the fight is everyman's.”

Enoch Powell (1912–1998) British politician

Speech at Newton, Montgomeryshire (4 March 1972), from The Common Market: Renegotiate or Come Out (Elliot Right Way Books, 1973), pp. 57-8
1970s

John Constable photo

“My observations on clouds and skies are on scraps and bits of paper, and I have never yet put them together so as to form a lecture, which I shall do.... next summer.”

John Constable (1776–1837) English Romantic painter

1836
Quoted in Leslie Parris and Ian Fleming-Williams, Constable, (Tate Gallery Publications, London, 1993), p. 37
1830s

Christopher Pitt photo
Kunti photo
Adelaide Anne Procter photo
William Henry Davies photo
John Constable photo

“I have likewise made many 'skies' and effects — for I wish it could be said of me as Fuselli says of Rembrandt, 'he followed nature in her calmest abodes and could pluck a flower on every hedge — yet he was born to cast a steadfast eye on the bolder phenomena of nature'… We have had noble clouds & effects of light & dark & color.”

John Constable (1776–1837) English Romantic painter

Quote from a letter to Rev. John Fisher in 1821 on his oil-sketches of stormy weather, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London 1993), p. 222
1820s

William Wordsworth photo
Phillis Wheatley photo
Robert Burns photo

“The voice of Nature loudly cries,
And many a message from the skies,
That something in us never dies.”

Robert Burns (1759–1796) Scottish poet and lyricist

New Year's Day, st. 3 (1790)

Arthur Hugh Clough photo
Zooey Deschanel photo

“Shut your eyes, there are bluer skies
For you're embraced in my heart”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"If You Can't Sleep".
Volume Two (2010)

Thomas Moore photo
Lillian Smith (author) photo
Vālmīki photo

“Alpine skiers look like their feet are stuck in cement. Telly skiing is about mobility, rhythm, and balance.”

Kasha Rigby (1970) American skier

Interview with Outside Magazine (February 1996) http://outside.away.com/outside/magazine/0296/9602disk.html

Eliezer Yudkowsky photo
Jan Hendrik Weissenbruch photo

“Light and air, that's art! I can never give enough light in my paintings, especially in the skies. The air in a painting, that is really a thing! It is the main thing! Air and light are the great magicians. It is the sky which prescribes the painting. Painters never look enough at the sky. We must get it from above. (translation from Dutch, Fons Heijnsbroek, 2018)”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: Licht en lucht, dat is de kunst! Ik kan in m'n schilderijen, vooral in de luchten, nooit licht genoeg brengen.. .De lucht op een schilderij, dat is een ding! Een hoofdzaak! Lucht en licht zijn de groote toovenaars. De lucht bepaalt het schilderij. Schilders kunnen nooit genoeg naar de lucht kijken. Wij moeten het van boven hebben.
Quote of J. H. Weissenbruch; as cited in J.H. Weissenbruch 1824-1903, ed. E. Jacobs, H. Janssen & M. van Heteren; exposition-catalog, Museum Jan Cunen / Gemeentemuseum Den Haag, Zwolle 1999, pp. 227-233

Ann Coulter photo
William Cowper photo

“The son of parents pass'd into the skies.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

On the Receipt of my Mother's Picture.
Bartlett's Familiar Quotations, 10th ed. (1919)

Kenneth Goldsmith photo
Gerard Manley Hopkins photo
Alfred Noyes photo
Guillaume de Salluste Du Bartas photo

“Oft seen in forehead of the frowning skies.”

Guillaume de Salluste Du Bartas (1544–1590) French writer

First Week, Second Day. Compare: "Flames in the forehead of the morning sky", John Milton, Lycidas, line 168.
La Semaine; ou, Création du monde (1578)

Vangelis photo
Joseph Rodman Drake photo
Garth Brooks photo
Josh Homme photo

“Close your eyes, and see the skies are falling.”

Josh Homme (1973) American musician

"The Sky Is Fallin'", Songs for the Deaf (2002)
Lyrics, Queens of the Stone Age

Joyce Brothers photo
Henry Wotton photo

“You meaner beauties of the night,
That poorly satisfy our eyes
More by your number than your light;
You common people of the skies,
What are you when the sun shall rise?”

Henry Wotton (1568–1639) English ambassador

On His Mistress, the Queen of Bohemia, stanza 1 (1624). In some versions "moon" replaces "sun". This was printed with music as early as 1624, in Est's "Sixth Set of Books", for example.

Edmund Spenser photo

“Death slue not him, but he made death his ladder to the skies.”

Edmund Spenser (1552–1599) English poet

Another [Epitaph] of the Same (1586), line 20

Anne Morrow Lindbergh photo
Frederick Douglass photo
Michael Szenberg photo

“To rephrase what Cicero wrote of Socrates, Paul called down modern economics from the skies and implanted it in the universities throughout the world.”

Michael Szenberg (1934) American economist

2.Paul Samuelson is a Pioneer
Ten Ways to Know Paul A. Samuelson (2006)

Kalle Päätalo photo
Christopher Pitt photo

“The shrill echoes ring amidst the skies.”

Christopher Pitt (1699–1748) English poet

Book IV, line 960
The Æneid of Virgil (1740)

William Cullen Bryant photo

“The stormy March has come at last,
With winds and clouds and changing skies;
I hear the rushing of the blast
That through the snowy valley flies.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

March. Reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Attributed

Mark Tully photo

“England struck me as a very miserable place, dark and drab, without the bright skies of India.”

Mark Tully (1935) British journalist

" Mark Tully: The voice of India http://news.bbc.co.uk/2/hi/uk_news/1735083.stm," BBC News, 31 December 2001

George MacDonald photo
James Russell Lowell photo
Robert Jordan photo
Letitia Elizabeth Landon photo
Martin Luther King, Jr. photo

“By the waters of Life we sat together,
Hand in hand, in the golden days
Of the beautiful early summer weather,
When skies were purple and breath was praise.”

Thomas Noel (poet) (1799–1861) English poet

An old Man’s Idyll, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

John Dryden photo

“Let old Timotheus yield the prize,
Or both divide the crown;
He rais’d a mortal to the skies;
She drew an angel down.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Source: Alexander’s Feast http://www.bartleby.com/40/265.html (1697), l. 167–170.

George Santayana photo
Nassim Nicholas Taleb photo

“The morn was fair, the skies were clear,
No breath came o'er the sea.”

Charles Jefferys (1807–1865) British music publisher

The Rose of Allandale, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Phoebe Cary photo

“Her washing ended with the day,
Yet lived she at its close,
And passed the long, long night away
In darning ragged hose.

But when the sun in all its state
Illumed the Eastern skies,
She passed about the kitchen grate
And went to making pies.”

Phoebe Cary (1824–1871) American writer

The Wife, reported in Bartlett's Familiar Quotations, 10th ed. (1919). The second stanza is also found in James Aldrich, A death-bed.

John Keats photo

“The worst possible time to invest is when the skies are the clearest.”

William J. Bernstein (1948) economist

Source: The Four Pillars of Investing (2002), Chapter 2, Measuring The Beast, p. 66.

Homér photo

“It's light work for the gods who rule the skies
to exalt a mortal man or bring him low.”

XVI. 211–212 (tr. Robert Fagles).
Odyssey (c. 725 BC)