Quotes about sight
page 7

Hugh Blair photo

“The sun along the mountain bows,
the Yellow River seawards flows.
You will enjoy a grander sight
by climbing to a greater height.”

Wang Zhihuan (688–742) Chinese poet

"On the Stork Tower" (《登鹳雀楼》), trans. Yuanchong Xu

Théodore Guérin photo
Koxinga photo

“On land you saw how the pride of Captain Pedel was so much humbled that he with his men, who are as foolish as himself, could not even bear the look of my men; and how, on the mere sight of my warriors, they threw down their arms and willingly awaited their well-deserved punishment with outstretched necks. Are these not sufficient proofs of your incompetency and inability to resist my forces?”

Koxinga (1624–1662) Chinese military leader

Formosa under the Dutch: described from contemporary records, with explanatory notes and a bibliography of the island, 1903, William Campbell, Kegan Paul, 424, Dec. 20 2011 http://books.google.com/books?id=OpdMq-YJoeoC&pg=PA423&dq=koxinga+formosa+always+belonged+to+china&hl=en&ei=vsjiTergDM3TgAekqbzKBg&sa=X&oi=book_result&ct=result&resnum=7&ved=0CEQQ6AEwBg#v=onepage&q=same%20doom%20had%20they%20not%20taken%20to%20flight%20and%20gone%20out%20to%20sea.&f=false, Original from the University of Michigan(LONDON : KEGAN PAUL, TRENCH, TRUBNER & CO. LTD DRYDEN HOUSE, 43 GERRARD STREET, SOHO MDCCCCIII Edinburgh : T. and A. CONSTABLE, Printers to His Majesty)

Dana Gioia photo

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Charlie Brooker photo
Philo photo
Samuel Taylor Coleridge photo

“Forth from his dark and lonely hiding place
(Portentous-sight!) the owlet Atheism,
Sailing an obscene wings athwart the noon,
Drops his blue-fringèd lids, and holds them close,
And hooting at the glorious sun in Heaven,
Cries out, "Where is it?"”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

" Fears in Solitude http://etext.lib.virginia.edu/stc/Coleridge/poems/Fears_in_Solitude.html", l. 81 (1798)

Miss Shangay Lily photo
Wang Wei photo

“Empty hills, no one in sight,
only the sound of someone talking;
late sunlight enters the deep wood,
shining over the green moss again.”

Wang Wei (699–759) a Tang dynasty Chinese poet, musician, painter, and statesman

"Deer Fence" (鹿柴), trans. Burton Watson
Variant translations:
No one is seen in deserted hills,
Only the echoes of speech is heard.
Sunlight cast back comes deep in the woods,
And shines once again upon the green moss.
Translated by Stephen Owen
On the empty mountain, seeing no one,
Only hearing the echoes of someone's voice;
Returning light enters the deep forest,
Again shining upon the green moss.
Translated by Richard W. Bodman and Victor H. Mair

Wallace Stevens photo
Edward R. Murrow photo

“It seems to me that any action that arbitrarily limits the citizen's access to sight, sound and print, upon which opinion can be based, is, in the true sense of the phrase, un-American.”

Edward R. Murrow (1908–1965) Television journalist

In response to the House Un-American Activities Committee's ban on radio recording and television cameras from public hearings (1 February 1949), quoted in The New York Times http://query.nytimes.com/gst/abstract.html?res=9500E1DC173FE03ABC4E53DFB4668382659EDE&legacy=true

John F. Kennedy photo
Charlotte Brontë photo

“The theatre was full — crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising.She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos — hollow, half-consumed: an orb perished or perishing — half lava, half glow.I had heard this woman termed "plain," and I expected bony harshness and grimness — something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.For awhile — a long while — I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength — for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.It was a marvellous sight: a mighty revelation.It was a spectacle low, horrible, immoral.Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public — a milder condiment for a people's palate — than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster — like silver: rather, be it said, like Death.”

Source: Villette (1853), Ch. XXIII: Vashi

Julian of Norwich photo
Karlheinz Deschner photo

“The greater the damage to the roof, the clearer the sight of the stars.”

Karlheinz Deschner (1924–2014) German writer and activist

Je größer der Dachschaden, desto schöner der Ausblick zum Himmel.
Tele-Akadamie, SWF, 20 January 2002

Ben Carson photo

“God loves us all, and all of us are equal in God's sight.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Think Big (1996), p. 56

Ayumi Hamasaki photo

“It is sad
To lose sight of myself for the sake of myself
I believe in scenery no one has ever seen,
And next to you, I wish to stay in that place that doesn't exist”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Will
Lyrics, (Miss)Understood

Lois McMaster Bujold photo

“A stunning first impression was not the same thing as love at first sight. But surely it was an invitation to consider the matter.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

Source: World of the Five Gods series, Paladin of Souls (2003), p. 125

Ilana Mercer photo
Roger Ebert photo
Joseph Heller photo
Mark Pattison photo
George Chapman photo

“None ever loved but at first sight they loved.”

The Blind Beggar of Alexandria (1596); reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Compare: "Who ever loved that loved not at first sight?" Christopher Marlowe, Hero and Leander (1598).

Joseph Heller photo
Agatha Christie photo
Spider Robinson photo

“I smelled her before I saw her. Even so, the first sight was shocking.”

Spider Robinson (1948) Canadian author

First lines
God Is An Iron (1977)

Julian of Norwich photo
Peter Tatchell photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Donovan photo

“When I look out my window,
Many sights to see.
And when I look in my window,
So many different people to be…”

Donovan (1946) Scottish singer, songwriter and guitarist

Sunshine Superman (1966), Season Of The Witch

Neville Chamberlain photo

“Mussolini…hoped Herr Hitler would see his way to postpone action [against Czechoslovakia] which the Chancellor had told Sir Horace Wilson was to be taken at 2 p. m. to-day for at least 24 hours so as to allow Signor Mussolini time to re-examine the situation and endeavour to find a peaceful settlement. In response, Herr Hitler has agreed to postpone mobilisation for 24 hours. Whatever views hon. Members may have had about Signor Mussolini in the past, I believe that everyone will welcome his gesture of being willing to work with us for peace in Europe. That is not all. I have something further to say to the House yet. I have now been informed by Herr Hitler that he invites me to meet him at Munich to-morrow morning. He has also invited Signor Mussolini and M. Daladier. Signor Mussolini has accepted and I have no doubt M. Daladier will also accept. I need not say what my answer will be. [An HON. MEMBER: "Thank God for the Prime Minister!"] We are all patriots, and there can be no hon. Member of this House who did not feel his heart leap that the crisis has been once more postponed to give us once more an opportunity to try what reason and good will and discussion will do to settle a problem which is already within sight of settlement. Mr. Speaker, I cannot say any more. I am sure that the House will be ready to release me now to go and see what I can make of this last effort. Perhaps they may think it will be well, in view of this new development, that this Debate shall stand adjourned for a few days, when perhaps we may meet in happier circumstances.”

Neville Chamberlain (1869–1940) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1938/sep/28/prime-ministers-statement in the House of Commons (28 September 1938). Chamberlain received Hitler's invitation to Munich as he was ending his speech.
Prime Minister

Vannevar Bush photo
Jack Benny photo

“Rochester: That's for me. I can't stand the sight of blood.”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

Julian of Norwich photo
Matthew Arnold photo
Jared Yates Sexton photo
George Savile, 1st Marquess of Halifax photo

“The sight of a drunkard is a better sermon against that vice than the best that was ever preached on that subject.”

George Savile, 1st Marquess of Halifax (1633–1695) English politician

The Lady's New Year's Gift: or Advice to a Daughter (1688)

Jonathan Edwards photo
Nathaniel Parker Willis photo

“It is the month of June,
The month of leaves and roses,
When pleasant sights salute the eyes,
And pleasant scents the noses.”

Nathaniel Parker Willis (1806–1867) American magazine writer, editor, and publisher

The Month of June.
Bartlett's Familiar Quotations (1919)

Julian of Norwich photo
Francisco De Goya photo

“My dear soul, I can stand on my own feet, but so poorly that I don't know if my head is on my shoulders. I have no appetite or desire to do anything at all. Only your letters cheer me up – only yours. I don't know what will become of me now that I have lost sight of you; I who idolize you have given up hope that you'll ever glance at these blurred lines and get consolation from them.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Martín Zapater https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg, March 1793; from: 'Francisco de Goya. MS Letters to Martín Zapater 1774-99', Collection of Prado - published as Cartas a Martín Zapater; ed, X. de Salas & M. Agueda, Madrid 1982, p. 211; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003, p. 127
Goya started to become deaf then, had fainting fits and spells of semi-blindness. From 1793 onward [he was 46] he became functionally deaf, till his death
1790s

Nelson Mandela photo
Christina Rossetti photo

“Sleeping at last, the trouble and tumult over,
Sleeping at last, the struggle and horror past,
Cold and white, out of sight of friend and of lover,
Sleeping at last.”

Christina Rossetti (1830–1894) English poet

Sleeping at Last http://classiclit.about.com/library/bl-etexts/crossetti/bl-crossetti-sleep.htm, st. 1 (1893) .

Percy Bysshe Shelley photo

“It is only by softening and disguising dead flesh by culinary preparation, that it is rendered susceptible of mastication or digestion; and that the sight of its bloody juices and raw horror does not excite intolerable loathing and disgust.”

Notes
Queen Mab (1813)
Variant: It is only by softening and disguising dead flesh by culinary preparation, that it is rendered susceptible of mastication or digestion; and that the sight of its bloody juices and raw horror does not excite intolerable loathing and disgust.

Richard Wilbur photo
Henry James photo
Lois McMaster Bujold photo
Arthur Stanley Eddington photo
Richard Dawkins photo

“It is often said, mainly by the 'no-contests', that although there is no positive evidence for the existence of God, nor is there evidence against his existence. So it is best to keep an open mind and be agnostic. At first sight that seems an unassailable position, at least in the weak sense of Pascal's wager. But on second thoughts it seems a cop-out, because the same could be said of Father Christmas and tooth fairies. There may be fairies at the bottom of the garden. There is no evidence for it, but you can't prove that there aren't any, so shouldn't we be agnostic with respect to fairies?”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

From speech at the Edinburgh International Science Festival, . Frequently misattributed to The God Delusion.
quoted in [EDITORIAL: A scientist's case against God, The Independent (London), April 20, 1992, 17] and [2011-05-27, What Should I Believe?: Philosophical Essays for Critical Thinking, Paul Gomberg, Broadview Press, 9781554810130, 146, http://books.google.com/books?id=76WxxHN9I0kC&pg=PA146&dq=%22Faith+is+the+great+cop-out%22]

Greg Egan photo
Paul Bourget photo

“Well, you must now imagine my friend at my age or almost there. You must picture him growing gray, tired of life and convinced that he had at last discovered the secret of peace. At this time he met, while visiting some relatives in a country house, a mere girl of twenty, who was the image, the haunting image of her whom he had hoped to marry thirty years before. It was one of those strange resemblances which extend from the color of the eyes to the 'timbre' of the voice, from the smile to the thought, from the gestures to the finest feelings of the heart. I could not, in a few disjointed phrases describe to you the strange emotions of my friend. It would take pages and pages to make you understand the tenderness, both present and at the same time retrospective, for the dead through the living; the hypnotic condition of the soul which does not know where dreams and memories end and present feeling begins; the daily commingling of the most unreal thing in the world, the phantom of a lost love, with the freshest, the most actual, the most irresistibly naïve and spontaneous thing in it, a young girl. She comes, she goes, she laughs, she sings, you go about with her in the intimacy of country life, and at her side walks one long dead. After two weeks of almost careless abandon to the dangerous delights of this inward agitation imagine my friend entering by chance one morning one of the less frequented rooms of the house, a gallery, where, among other pictures, hung a portrait of himself, painted when he was twenty-five. He approaches the portrait abstractedly. There had been a fire in the room, so that a slight moisture dimmed the glass which protected the pastel, and on this glass, because of this moisture, he sees distinctly the trace of two lips which had been placed upon the eyes of the portrait, two small delicate lips, the sight of which makes his heart beat. He leaves the gallery, questions a servant, who tells him that no one but the young woman he has in mind has been in the room that morning.”

Paul Bourget (1852–1935) French writer

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

Lee Myung-bak photo
Julian of Norwich photo
Alastair Reynolds photo
Jacques Ellul photo
Robert Burton photo

“Carcasses bleed at the sight of the murderer.”

Section 1, member 2, subsection 5.
The Anatomy of Melancholy (1621), Part I

James Frazer photo
Joseph Conrad photo

“Reality, as usual, beats fiction out of sight.”

Joseph Conrad (1857–1924) Polish-British writer

Letter (September 1915), published in The Collected Letters of Joseph Conrad, edited by Frederick R. Karl and Laurence Davies, Vol. 5, p. 509 ISBN 0521323894

Robert Southwell photo
Julian of Norwich photo
Winston S. Churchill photo
Hugh Blair photo
James Braid photo
Philip Pullman photo

“Lyra and her dæmon moved through the darkening hall, taking care to keep to one side, out of sight of the kitchen.”

First line, introducing Lyra Belacqua (also known as Lyra Silvertongue), in Ch. 1 : The Decanter of Tokay
His Dark Materials, The Golden Compass (1995)

Will Eisner photo
Julian of Norwich photo

“For in the sight of God all man is one man, and one man is all man. This man was hurt in his might and made full feeble; and he was stunned in his understanding so that he turned from the beholding of his Lord. But his will was kept whole in God’s sight; — for his will I saw our Lord commend and approve. But himself was letted and blinded from the knowing of this will; and this is to him great sorrow and grievous distress: for neither doth he see clearly his loving Lord, which is to him full meek and mild, nor doth he see truly what himself is in the sight of his loving Lord. And well I wot when these two are wisely and truly seen, we shall get rest and peace here in part, and the fulness of the bliss of Heaven, by His plenteous grace.
And this was a beginning of teaching which I saw in the same time, whereby I might come to know in what manner He beholdeth us in our sin.”

Julian of Norwich (1342–1416) English theologian and anchoress

Summations, Chapter 51
Context: The Lord that sat stately in rest and in peace, I understood that He is God. The Servant that stood afore the Lord, I understood that it was shewed for Adam: that is to say, one man was shewed, that time, and his falling, to make it thereby understood how God beholdeth All-Man and his falling. For in the sight of God all man is one man, and one man is all man. This man was hurt in his might and made full feeble; and he was stunned in his understanding so that he turned from the beholding of his Lord. But his will was kept whole in God’s sight; — for his will I saw our Lord commend and approve. But himself was letted and blinded from the knowing of this will; and this is to him great sorrow and grievous distress: for neither doth he see clearly his loving Lord, which is to him full meek and mild, nor doth he see truly what himself is in the sight of his loving Lord. And well I wot when these two are wisely and truly seen, we shall get rest and peace here in part, and the fulness of the bliss of Heaven, by His plenteous grace.
And this was a beginning of teaching which I saw in the same time, whereby I might come to know in what manner He beholdeth us in our sin. And then I saw that only Pain blameth and punisheth, and our courteous Lord comforteth and sorroweth; and ever He is to the soul in glad Cheer, loving, and longing to bring us to His bliss.

Emily Dickinson photo
Bernard Cornwell photo
Kwame Nkrumah photo

“I was introduced to the great philosophical systems of the past to which the Western universities have given their blessing, arranging and classifying them with the delicate care lavished on museum pieces. When once these systems were so handled, it was natural that they should be regarded as monuments of human intellection. And monuments, because they mark achievements at their particular point in history, soon become conservative in the impression which they make on posterity. I was introduced to Plato, Aristotle, Descartes, Kant, Hegel, Schopenhauer, Nietzsche, Marx and other immortals, to whom I should like to refer as the university philosophers. But these titans were expounded in such a way that a student from a colony could easily find his breast agitated by Conflicting attitudes. These attitudes can have effects which spread out over a whole society, should such a student finally pursue a political life. A colonial student does not by origin belong to the intellectual history in which the university philosophers are such impressive landmarks. The colonial student can be so seduced by these attempts to give a philosophical account of the universe, that surrenders his whole personality to them. When he does this, he loses sight of the fundamental social fact that he is a colonial subject. In this way, he omits to draw from his education and from the concern displayed by the great philosophers for human problems, anything which he might relate to the very real problem of colonial domination, which, as it happens, conditions the immediate life of every colonized African. With single-minded devotion, the colonial student meanders through the intricacies of the philosophical systems. And yet these systems did aim at providing a philosophical account ofthe world in the circumstances and conditions of their time. For even philosophical systems are facts of history. By the time, however, that they come to be accepted in the universities for exposition, they have lost the vital power which they had at their first statement, they have shed their dynamism and polemic reference. This is a result of the academic treatment which they are given. The academic treatment is the result of an attitude to philosophical systems as though there was nothing to them hut statements standing in logical relation to one another. This defective approach to scholarship was suffered hy different categories of colonial student. Many of them had heen handpicked and, so to say, carried certificates ofworthiness with them. These were considered fit to become enlightened servants of the colonial administration. The process by which this category of student became fit usually started at an early age, for not infrequently they had lost contact early in life with their traditional background. By reason of their lack of contact with their own roots, they became prone to accept some theory of universalism, provided it was expressed in vague, mellifluous terms. Armed with their universalism, they carried away from their university courses an attitude entirely at variance with the concrete reality of their people and their struggle. When they came across doctrines of a combative nature, like those of Marxism, they reduced them to arid abstractions, to common-room subtleties. In this way, through the good graces oftheir colonialist patrons, these students, now competent in the art of forming not a concrete environmental view of social political problems, but an abstract, 'liberal' outlook, began to fulfil the hopes and expectations oftheir guides and guardians.”

Kwame Nkrumah (1909–1972) Pan Africanist and First Prime Minister and President of Ghana

Source: Consciencism (1964), Introduction, pp. 2-4.

Herrick Johnson photo
André Breton photo
Maimónides photo
Albert Einstein photo

“Somebody who reads only newspapers and at best books of contemporary authors appears to me like an extremely near-sighted person who scorns eyeglasses. He is completely dependent on the prejudices and fashions of his times, since he never gets to see or hear anything else. And what a person thinks on his own, without being stimulated by the thoughts and experiences of other people, is, similarly, even in the best case rather paltry and monotonous.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Einer, der nur Zeitungen liest und, wenn's hochkommt, Bücher zeitgenössischer Autoren, kommt mir vor wie ein hochgradig Kurzsichtiger, der es verschmäht, Augengläser zu tragen. Er ist völlig abhängig von den vorurteilen und Moden seiner Zeit, denn er bekommt nichts anderes zu sehen und zu hören. Und was einer selbständig denkt ohne Anlehnung an das Denken und Erleben anderer, ist auch im besten Falle Ziemlich ärmlich und monoton.
Article in Der Jungkaufmann, April 1952 http://www.archive.org/stream/alberteinstein_03_reel03#page/n302/mode/1up, Einstein Archives 28-972
1950s

Jacques Ellul photo
Ann Coulter photo

“It was this idea (Be nice!) that fueled liberals' rage at Reagan when he vanquished the Soviet Union with his macho "cowboy diplomacy" that was going to get us all blown up. As the Times editorial page hysterically described Reagan's first year in office: "Mr. Reagan looked at the world through gun sights."”

Ann Coulter (1961) author, political commentator

Yes, he did! And now the Evil Empire is no more.
"Are videotaped beheadings covered by Geneva?" (20 September 2006) http://www.anncoulter.com/columns/2006-09-20.html.
2006

Brandon Boyd photo

“If this is right, I'd rather be wrong. If this is sight, I'd rather be blind.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Morning View (2001)

Samuel Taylor Coleridge photo
Josh Billings photo

“It iz a darned sight eazier tew find six men who kan tell exactly how a thing ought tew be did than tew find one who will do it.”

Josh Billings (1818–1885) American humorist

Josh Billings: His Works, Complete (1873)

David Quammen photo
Henry Wadsworth Longfellow photo
Elizabeth Rowe photo
Thomas Carlyle photo
Julian of Norwich photo
Will Durant photo
Syama Prasad Mookerjee photo
Peter Kropotkin photo
Julian of Norwich photo
Milton Friedman photo

“Whether it is in the slums of New Delhi or in the affluence of Las Vegas, it simply isn't fair that there should be any losers. Life is unfair — there is nothing fair about one man being born blind and another man being born with sight. There is nothing fair about one man being born of a wealthy parent and one of an impecunious parent. There is nothing fair about Muhammad Ali having been born with a skill that enables him to make millions of dollars one night. There is nothing fair about Marlene Dietrich having great legs that we all want to watch. There is nothing fair about any of that. But on the other hand, don't you think a lot of people who like to look at Marlene Dietrich's legs benefited from nature's unfairness in producing a Marlene Dietrich. What kind of a world would it be if everybody was an absolute identical duplicate of anybody else. You might as well destroy the whole world and just keep one specimen left for a museum. In the same way, it's unfair that Muhammad Ali should be a great fighter and should be able to earn millions. But would it not be even more unfair to the people who like to watch him if you said that in the pursuit of some abstract idea of equality we're not going to let Muhammad Ali get more for one nights fight than the lowest man on the totem pole can get for a days unskilled work on the docks. You can do that but the result of that would be to deny people the opportunity to watch Muhammad Ali. I doubt very much he would be willing to subject himself to the kind of fights he's gone through if he were to get the pay of an unskilled docker.”

Milton Friedman (1912–2006) American economist, statistician, and writer

From Created Equal, an episode of the PBS Free to Choose television series (1980, vol. 5 transcript) http://www.freetochoosemedia.org/broadcasts/freetochoose/detail_ftc1980_transcript.php?page=5.

Clive Staples Lewis photo
C. Wright Mills photo

“The more we understand what is happening in the world, the more frustrated we often become, for our knowledge leads to feelings of powerlessness.
We feel that we are living in a world in which the citizen has become a mere spectator or a forced actor, and that our personal experience is politically useless and our political will a minor illusion. Very often, the fear of total permanent war paralyzes the kind of morally oriented politics, which might engage our interests and our passions. We sense the cultural mediocrity around us-and in us-and we know that ours is a time when, within and between all the nations of the world, the levels of public sensibilities have sunk below sight; atrocity on a mass scale has become impersonal and official; moral indignation as a public fact has become extinct or made trivial.
We feel that distrust has become nearly universal among men of affairs, and that the spread of public anxiety is poisoning human relations and drying up the roots of private freedom. We see that people at the top often identify rational dissent with political mutiny, loyalty with blind conformity, and freedom of judgment with treason. We feel that irresponsibility has become organized in high places and that clearly those in charge of the historic decisions of our time are not up to them. But what is more damaging to us is that we feel that those on the bottom-the forced actors who take the consequences-are also without leaders, without ideas of opposition, and that they make no real demands upon those with power.”

C. Wright Mills (1916–1962) American sociologist

Source: Letters & Autobiographical Writings (1954), pp. 184-185.