Quotes about shape
page 13

Roberto Clemente photo

“We play too many games with too much traveling. We should stay in one city longer and have a day off now and then. It would be beneficial for the teams, keep them in top physical shape more.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Clemente Says Hitting Does Not Come Easy"
Baseball-related, <big><big>1960s</big></big>, <big>1968</big>

Thomas Sackville, 1st Earl of Dorset photo
Friedrich Hayek photo
Douglas MacArthur photo
Paul Manafort photo
James Thomson (B.V.) photo

“For life is but a dream whose shapes return,
Some frequently, some seldom, some by night
And some by day.”

James Thomson (B.V.) (1834–1882) Scottish writer (1834-1882)

Part I
The City of Dreadful Night (1870&ndash;74)

“The main virtue of geometric shapes is that they aren't organic, as all art otherwise is. A form that's neither geometric or organic would be a great discovery.”

Donald Judd (1928–1994) artist

Donald Judd (1967), quoted in: Alexander Alberro, ‎Blake Stimson (1999) Conceptual Art: A Critical Anthology. p. 204
1960s

Assata Shakur photo
Roger Ebert photo
John Green photo
Oliver Wendell Holmes photo

“You can hire logic, in the shape of a lawyer, to prove anything that you want to prove.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Autocrat of the Breakfast Table (1858)

Gregory Benford photo
Djuna Barnes photo

“I am not a critic; to me criticism is so often nothing more than the eye garrulously denouncing the shape of the peephole that gives access to hidden treasure.”

Djuna Barnes (1892–1982) American Modernist writer, poet and artist

"The Songs of Synge: The Man Who Shaped His Life as He Shaped His Plays", in New York Morning Telegraph (18 February 1917)

Jerome David Salinger photo
Shashi Tharoor photo

“Indian nationalism is the nationalism of an idea, the idea of an ever-ever land, emerging from an ancient civilization, shaped by a shared history, sustained by pluralist democracy.”

Shashi Tharoor (1956) Indian politician, diplomat, author

The 125th Anniversary Jubilee Lecture, St. Stephen's College, Delhi, November 12 2005, "India: from Midnight to the Millennium and Beyond" Available Online http://www.shashitharoor.com/books/midnight/lecture.html
2000s

Nathaniel Hawthorne photo
Alberto Manguel photo
Marshall McLuhan photo

“Societies have always been shaped more by the nature of the media by which humans communicate than by the content of the communication.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 23

Heinz Isler photo

“Among others there are three methods for shaping shells: the freely shaped hill, the membrane under pressure and the hanging cloth reversed.”

Heinz Isler (1926–2009) engineer

"New Shapes for Shells" (1961) Bulletin of the International Association for Shell Structures, No. 8: pp. 123-130, as quoted by John Chilton, "39 etc… : Heinz Isler’s infinite spectrum of new shapes for shells" (2009) Proceedings of the International Association for Shell and Spatial Structures (IASS) Symposium 2009, Valencia, Evolution and Trends in Design, Analysis and Construction of Shell and Spatial Structures, 28 September – 2 October 2009, Universidad Politecnica de Valencia, Spain, eds. Alberto Domingo, Carlos Lazaro.

Marvin Bower photo
Rose Wilder Lane photo
Ivan Illich photo
Bram van Velde photo
Wassily Kandinsky photo

“The fault we admit to is seldom the fault we have, but it has a certain relationship to it, a somewhat similar shape, like that of a sleeve to an arm.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Mohammad Reza Pahlavi photo
Randal Marlin photo
Frederick Douglass photo

“The old question as to what shall be done with the negro will have to give place to the greater question “What shall be done with the Mongolian,” and perhaps we shall see raised one still greater, namely, “What will the Mongolian do with both the negro and the white?” Already has the matter taken shape in California and on the Pacific coast generally. Already has California assumed a bitterly unfriendly attitude toward the Chinaman. Already has she driven them from her altars of justice. Already has she stamped them as outcasts and handed them over to popular contempts and vulgar jest. Already are they the constant victims of cruel harshness and brutal violence. Already have our Celtic brothers, never slow to execute the behests of popular prejudice against the weak and defenseless, recognized in the heads of these people, fit targets for their shilalahs. Already, too, are their associations formed in avowed hostility to the Chinese. In all this there is, of course, nothing strange. Repugnance to the presence and influence of foreigners is an ancient feeling among men. It is peculiar to no particular race or nation. It is met with, not only in the conduct of one nation towards another, but in the conduct of the inhabitants of the different parts of the same country, some times of the same city, and even of the same village. 'Lands intersected by a narrow frith abhor each other. Mountains interposed, make enemies of nations'. To the Greek, every man not speaking Greek is a barbarian. To the Jew, everyone not circumcised is a gentile. To the Mohametan, every one not believing in the Prophet is a kaffer.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

Douglas Adams photo
Francis Xavier photo
Anna Akhmatova photo
Howard Bloom photo
John Gray photo

“If you want to understand the beliefs that are shaping global politics, read the Book of Revelation.”

John Gray (1948) British philosopher

Review: Sacred Causes http://www.guardian.co.uk/books/2006/oct/28/politics by Michael Burleigh (2006-10-28)

Emma Lazarus photo

“Then Nature shaped a poet's heart — a lyre
From out whose chords the lightest breeze that blows
Drew trembling music.”

Emma Lazarus (1849–1887) American poet

Chopin http://www.poemhunter.com/poem/chopin/, IV

River Phoenix photo
Guillaume de Salluste Du Bartas photo

“Not unlike the bear which bringeth forth
In the end of thirty dayes a shapeless birth;
But after licking, it in shape she drawes,
And by degrees she fashions out the pawes,
The head, and neck, and finally doth bring
To a perfect beast that first deformed thing.”

Guillaume de Salluste Du Bartas (1544–1590) French writer

First Week, First Day. Compare: "I had not time to lick it into form, as a bear doth her young ones", Robert Burton, Anatomy of Melancholy. Democritus to the Reader.
La Semaine; ou, Création du monde (1578)

John Banville photo
Jacques Lacan photo

“Nature provides-I must use the word- signifies, and these signifies organize human relation in a creative way, providing them with structures and shaping them.”

Jacques Lacan (1901–1981) French psychoanalyst and psychiatrist

The Freudian Unconscious and Ours
The Four Fundamental Concepts of Psycho Analysis (1978)

C. Wright Mills photo
Henry Miller photo

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

“Yes it was 1949. How I came to that. That's like how one gets to know a human being. It so happens that I've always had a preference – as everyone has prejudices and preferences – for the square as a shape in preference to the circle as a shape. And I have known for a long time that a circle always fools me by not telling me whether it's standing still or not. And if a circle circulates you don't see it. The outer curve looks the same whether it moves or does not move. So the square is much more honest and tells me that it is sitting on one line of the four, usually a horizontal one, as a basis. And I have also come to the conclusion that the square is a human invention, which makes it sympathetic to me. Because you don't see it in nature. As we do not see squares in nature, I thought that it is man-made. But I have corrected myself. Because squares exist in salt crystals, our daily salt. We know this because we can see it in the microscope. On the other hand, we believe we see circles in nature. But rarely precise ones. Mature, it seems, is not a mathematician. Probably there are no straight lines either. Particularly not since Einstein says in his theory of relativity that there is no straight line, rod knows whether there are or not, I don't. I still like to believe that the square is a human invention. And that tickles me. So when I have a preference for it then I can only say excuse me.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Jordan Peterson photo
William Morris photo
John Dee photo
William Wordsworth photo
Roger Ebert photo
Dejan Stojanovic photo
Charles Lindbergh photo
William H. McNeill photo
Daniel Levitin photo
Daniel Levitin photo
Gloria Estefan photo
Jopie Huisman photo

“I worked for months on this painting [title 'The Stone-wheelbarrow of C. Adema', 1977], for instance that well-bucket on the wheelbarrow I painted a twenty times or more, and it is constructed exactly as nature has shaped it. I want to make it harder and harder for myself. 'That's how it is' doesn’t exist for me. Deepening, that's what it is all about. My wish is to make in due time a small painting in which I can hardly discover any longer that it is painted, that it is just there, like that. Just something very simple.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Maandenlang heb ik aan dit schilderij [titel: 'De steenkruiwagen van C. Adema', 1977] gewerkt en die putemmer bijvoorbeeld op de kruiwagen, heb ik wel twintig keer geschilderd en is precies zo opgebouwd als de natuur hem gevormd heeft. Ik wil het mezelf steeds moeilijker maken. Zo kan het wel – bestaat niet voor mij. Verdieping, daar gaat het om. Ik wil nog eens een keer een schilderijtje zo maken, dat ik haast niet meer kan zien dat het geschilderd is, dat het er gewoon is, zo, zonder meer. Iets heel eenvoudigs.
Source: Jopie Huisman', 1981, p. 80

“If I love you—
I never behave like a climbing trumpet vine
Using your high branches to show myself off;
If I love you—
I never mimic infatuated little birds
Repeating monotonous songs into the shadows,
Nor do I look at all like a wellspring
Sending out its cooling consolation all year round,
Or just another perilous crag
Augmenting your height, setting off your prestige.
Nor like the sunlight
Or even spring rain.
No, these are not enough.
I would be a kapok tree by your side
Standing with you—
both of us shaped like trees.
Our roots hold hands underground,
Our leaves touch in the clouds.
As a gust of wind passes by
We salute each other
And not a soul
Understands our language.
You have your bronze boughs and iron trunk
Like knives and swords,
Also like halberds;
I have my red flowers
Like heavy sighs,
Also like heroic torches.
We share cold waves, storms and thunderbolts;
Together we savor fog, haze and rainbows.
We seem to always live apart,
But actually depend upon each other forever.
This has to be called extraordinary love.
Faith resides in it:
Love—
I love not only your sublime body
But the space you occupy,
The land beneath your feet.”

Shu Ting (1952) Chinese writer

"To the Oak Tree" [ 致橡树 https://www.youtube.com/watch?v=APZjf9K6KX0, Zhi xiangshu] (27 March 1977), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin, trans. Fang Dai and Dennis Ding (University of Hawaii Press, 1990), ISBN 978-0824813208, pp. 102–103.

“.. [from Pollock Helen took over] the concern with line, fluid line, calligraphy, and.... experiments with line not as line but as shape.”

Helen Frankenthaler (1928–2011) American artist

Quote from MoMA Highlights, New York, The Museum of Modern Art, revised 2004, originally published in 1999, p. 219 http://www.moma.org/collection/object.php?object_id=78722
1990s - 2000s

Roy Lichtenstein photo
Neal Stephenson photo
George Bird Evans photo
Julian Huxley photo
Alexander McCall Smith photo
Charles T. Canady photo
Jane Roberts photo
Ward Cunningham photo
Indra Nooyi photo

“The whole perspectives in which companies are viewed needs to shift from short to the long-term, and as I would say, to a focus on shapes, not just numbers.”

Indra Nooyi (1955) Indian-born, naturalized American, business executive

CEOs need to change: Indra Nooyi

Omar Khayyám photo
Otto Lilienthal photo
Willem Roelofs photo

“We separate color and drawing because we have to. But nature doesn't. She doesn't give something a shape, for coloring it only afterwards. Form and color are inherent properties of the object that we have got as thing to paint. If we neglect one of both, we only give half.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Wij scheiden kleur en teekening af, omdat wij dat wel moeten. Maar de natuur doet dat niet. Zij geeft niet iets een vorm, om het daarna te kleuren. Vorm en kleur zijn inhaerente eigenschappen van het voorwerp, dat ons te schilderen is gegeven. Verwaarloozen wij een van beide, dan geven wij slechts de helft.
Quote of Roelofs, in Elsevier's geïllustreerd maandschrift..., Oct. / Nov. 1891; as cited in an excerpt in the RKD Archive https://rkd.nl/explore/excerpts/219, The Hague
undated quotes

Alan Hirsch photo
Jack Vance photo
Jacques Ellul photo
Kurt Schwitters photo
Paul Klee photo

“Yesterday was shaped by Kandinsky's move... This departure is what proves something for me... It is a friendship that overcomes a number of negative items, because the plus side stands firm and, in particular, because there is a link to my productive youth [in Munich].”

Paul Klee (1879–1940) German Swiss painter

Quote in a letter to his wife Lily Klee, 11 Dec. 1932; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
taken from Wikipedia: Following a Nazi smear campaign the Bauhaus academy left Dessau in 1932 for Berlin, until its dissolution in July 1933. Kandinsky then left Germany, settling in Paris.
1931 -1940

Justin D. Fox photo
Robert Frost photo

“Pressed into service means pressed out of shape.”

Robert Frost (1874–1963) American poet

"The Self-seeker" (1914)
1910s

Letitia Elizabeth Landon photo
Jack Vance photo
Wassily Kandinsky photo

“I am working again on my painting 'Moscow' ['Moscow I' ('Mockba I'), 1916]. It is slowly taking shape in my imagination. And what was in the realm of wishing is now assuming real forms. What I have been lacking with this idea was depth and richness of sound, very earnest, complex, and easy at the same time.”

Wassily Kandinsky (1866–1944) Russian painter

Quote in his letter to Gabriele Münter, September 4, 1916; as cited in Hans K. Rothel and Jean K. Benjamin, Kandinsky: Catalogue Raisonné of the Oil Paintings, Volume Two, 1916–1944; Cornell University Press, Ithaca, N.Y, 1984, p. 580
1916 -1920

Joel Barlow photo
David M. Buss photo
Elia M. Ramollah photo

“Solve the big problems inside the small ones. And it is from the small issues that a pattern can be shaped in solving the big ones.”

Elia M. Ramollah (1973) founder and leader of the El Yasin Community

The Great Master of Thought (Amen- Vol.3), Observing management

Dashiell Hammett photo
Greg Bear photo
Enes Kanter photo

“Maybe in June or July, I looked in the mirror. I’m like, ‘Man, I see a fat man. Look at that man, I feel fat.’ Not just feel fat, just look fat, too. I needed like a bra or something. I kept eating all this Turkish food. I was like, I need to stop doing it. I need to just — the season is coming. It’s a really important season for us. I need to be in shape.”

Enes Kanter (1992) Turkish basketball player

Interview https://twitter.com/ErikHorneOK/status/909508614259445760 with The Oklahoman’s Erik Horne (September 17, 2017); as quoted in "NBA players explain why they are going vegan and vegetarian" https://www.msn.com/en-us/sports/nba/nba-players-explain-why-they-are-going-vegan-and-vegetarian/ar-AAu21r4, MSN.com (October 25, 2017).

Tom Robbins photo
J.M. Coetzee photo
Thomas Carlyle photo

“Whatsoever is not beaverish seems to go forth in the shape of talk. To such length is human intellect wasted or suppressed in this world!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)

Jean Baudrillard photo