Quotes about rock
page 7

John Updike photo

“[Harry listening to car radio] …he resents being made to realise, this late, that the songs of his life were as moronic as the rock the brainless kids now feed on, or the Sixties and Seventies stuff that Nelson gobbled up – all of it designed for empty heads and overheated hormones, an ocean white with foam, and listening to it now is like trying to eat a double banana split the way he used to. It's all disposable, cooked up to turn a quick profit. They lead us down the garden path, the music manufacturers, then turn around and lead the next generation down with a slightly different flavour of glop.
Rabbit feels betrayed. He was reared in a world where war was not strange but change was: the world stood still so you could grow up in it. He knows when the bottom fell out. When they closed down Kroll's, Kroll's that had stood in the centre of Brewer all those years, bigger than a church, older than a courthouse, right at the head of Weiser Square there,… […] So when the system just upped one summer and decided to close Kroll's down, just because shoppers had stopped coming in because the downtown had become frightening to white people, Rabbit realised the world was not solid and benign, it was a shabby set of temporary arrangements rigged up for the time being, all for the sake of money. You just passed through, and they milked you for what you were worth, mostly when you were young and gullible. If Kroll's could go, the courthouse could go, the banks could go. When the money stopped, they could close down God himself.”

Rabbit at Rest (1990)

“Treasure maps; Czarist bonds; a case of stuffed dodos; Scarlett O'Hara's birth certificate; two flattened and deformed silver bullet heads in an old matchbox; Baedeker's guide to Atlantis (seventeenth edition, 1902); the autograph score of Schubert's Unfinished Symphony, with Das Ende written neatly at the foot of the last page; three boxes of moon rocks; a dumpy, heavy statuette of a bird covered in dull black paint, which reminded him of something but he couldn't remember what; a Norwich Union life policy in the name of Vlad Dracul; a cigar box full of oddly shaped teeth, with CAUTION: DO NOT DROP painted on the lid in hysterical capitals; five or six doll's-house-sized books with titles like Lilliput On $2 A Day; a small slab of green crystal that glowed when he opened the envelope; a thick bundle of love letters bound in blue ribbon, all signed Margaret Roberts; a left-luggage token from North Central railway terminus, Ruritania; Bartholomew's Road Atlas of Oz (one page, with a yellow line smack down the middle); a brown paper bag of solid gold jelly babies; several contracts for the sale and purchase of souls; a fat brown envelope inscribed To Be Opened On My Death: E. A. Presley, unopened; Oxford and Cambridge Board O-level papers in Elvish language and literature, 1969-85; a very old drum in a worm-eaten sea-chest marked F. Drake, Plymouth, in with a load of minute-books and annual accounts of the Winchester Round Table; half a dozen incredibly ugly portraits of major Hollywood film stars; Unicorn-Calling, For Pleasure & Profit by J. R. Hartley; a huge collection of betting slips, on races to be held in the year 2019; all water, as far as Paul was concerned, off a duck's {back]”

Tom Holt (1961) British writer

The Portable Door (2003)

Andrew Sega photo

“Unfortunately Sting's jazz work isn't nearly as inventive as his rock songs.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

Salvador Dalí photo
Han-shan photo
Bono photo
Bon Scott photo
Steph Davis photo
Auguste Rodin photo
Roger Manganelli photo
Chuck Palahniuk photo
Pete Doherty photo
Victor Villaseñor photo
Richard Leakey photo
Ralph Ellison photo

“Commercial rock ’n’ roll music is a brutalization of the stream of contemporary Negro church music … an obscene looting of a cultural expression.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"Some Questions and Some Answers" (1958), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 298.

Gene Simmons photo

“Elvis is the king of rock and roll, who made white kids shake there shackle.”

Gene Simmons (1949) Israeli-born American rock bass guitarist, singer-songwriter, record producer, entrepreneur, and actor

19 February, 2010. At "Viva Elvis Cirque du soleil.

William Wordsworth photo
Phoebe Cary photo

“Father, perfect my trust;
Let my spirit feel in death,
That her feet are firmly set
On the rock of a living faith!”

Phoebe Cary (1824–1871) American writer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 596.

Charles Fort photo
Robert M. Pirsig photo
Cyril Connolly photo
Ben Moody photo

“That's the most rock-and-roll story in the world. No one can top it.”

Ben Moody (1981) American musician

On how he and Amy met in a youth camp.
Random stuff

Paul Cézanne photo
Sinclair Lewis photo
William Davenant photo

“For angling-rod he took a sturdy oake;
For line, a cable that in storm ne'er broke;
His hooke was such as heads the end of pole
To pluck down house ere fire consumes it whole;
The hook was baited with a dragon's tale,—
And then on rock he stood to bob for whale.”

William Davenant (1606–1668) English poet and playwright

Britannia Triumphans (1637; licensed Jan. 8, 1638; printed 1638), p. 15.
Compare:
"For angling rod he took a sturdy oak; / For line, a cable that in storm ne'er broke;... His hook was baited with a dragon's tail,— / And then on rock he stood to bob for whale."
From The Mock Romance, a rhapsody attached to The Loves of Hero and Leander, published in London in 1653 and 1677, republished in Chambers's Book of Days, vol. i. p. 173; Samuel Daniel, Rural Sports, Supplement, p. 57.
"His angle-rod made of a sturdy oak;
His line, a cable which in storms ne'er broke;
His hook he baited with a dragon’s tail,—
And sat upon a rock, and bobb'd for whale"
William King (1663–1712), Upon a Giant’s Angling (in Chalmers's British Poets, ascribed to King).

Miguel de Unamuno photo
Amit Chaudhuri photo
George W. Bush photo
Courtney Love photo
Miyamoto Musashi photo
Theodore Roszak photo
Torquato Tasso photo

“About the hill lay other islands small,
Where other rocks, crags, cliffs, and mountains stood,
The Isles Fortunate these elder time did call,
To which high Heaven they reigned so kind and good,
And of his blessings rich so liberal,
That without tillage earth gives corn for food,
And grapes that swell with sweet and precious wine
There without pruning yields the fertile vine.The olive fat there ever buds and flowers,
The honey-drops from hollow oaks distil,
The falling brook her silver streams downpours
With gentle murmur from their native hill,
The western blast tempereth with dews and showers
The sunny rays, lest heat the blossoms kill,
The fields Elysian, as fond heathen sain,
Were there, where souls of men in bliss remain.”

Torquato Tasso (1544–1595) Italian poet

Ecco altre isole insieme, altre pendíci
Scoprian alfin men erte ed elevate.
Ed eran queste l'isole felici;
Così le nominò la prisca etate,
A cui tanto stimava i Cieli amici,
Che credea volontarie, e non arate
Quì partorir le terre, e in più graditi
Frutti, non culte, germogliar le viti.<p>Quì non fallaci mai fiorir gli olivi,
E 'l mel dicea stillar dall'elci cave:
E scender giù da lor montagne i rivi
Con acque dolci, e mormorio soave:
E zefiri e rugiade i raggj estivi
Temprarvi sì, che nullo ardor v'è grave:
E quì gli Elisj campi, e le famose
Stanze delle beate anime pose.
Canto XV, stanzas 35–36 (tr. Fairfax)
Gerusalemme Liberata (1581)

John Muir photo
Maxfield Parrish photo
Jean Henri Fabre photo
Neil Gaiman photo
Theodore L. Cuyler photo
Krist Novoselic photo
James Taylor photo
David Sedaris photo
Christopher Hitchens photo

“Three words for those who want to put the Christ back in Christmas: Jingle Bell Rock.”

Christopher Hitchens (1949–2011) British American author and journalist

2011-12-24
Christopher Hitchens on The True Spirit of Christmas
The Wall Street Jorunal
0099-9660
http://online.wsj.com/article/SB10001424052970204791104577110880355067656.html
2010s, 2011

John Muir photo
Ray Comfort photo
Mike Scott photo
Rousas John Rushdoony photo
Robert Southey photo

“And then they knew the perilous Rock,
And blest the Abbot of Aberbrothok.”

Robert Southey (1774–1843) British poet

The Inchcape Rock http://www.poemhunter.com/p/m/poem.asp?poet=6688&poem=28859, st. 4 (1802).

Theognis of Megara photo

“Don’t wag the tail of life if it goes well,
But leave in undisturbed. If it should go
Badly, rock it until it straightens up.”

Theognis of Megara (-570–-485 BC) Greek lyric poet active in approximately the sixth century BC

Source: Elegies, Lines 303-305, as translated by Dorothea Wender.

Stewart Lee photo
Noel Gallagher photo

“There is a limited supply of excellent songs, but I am not the only one. Paul McCartney, one of the best songwriters of all time, has only produced manure for the past 25 years. Rock musicians over 30 only produce unimportant material.”

Noel Gallagher (1967) British musician

Noel Gallagher cited in ‘Sir Paul has just written manure for years’ http://www.scotsman.com/what-s-on/music/sir-paul-has-just-written-manure-for-years-1-611044 at scotsman.com, originally published 2 July 2002 (see here http://www.scotsman.com/what-s-on/music/sir-paul-has-just-written-manure-for-years-1-611044)
Controversy with other artists

Alphonse de Lamartine photo
William Shockley photo

“I am overwhelmed by an irresistible temptation to do my climb by moonlight and unroped. This is contrary to all my rock climbing teaching & does not mean poor training, but only a strong-headedness.”

William Shockley (1910–1989) American physicist and inventor

Memo to himself in 1947, regarding work on the transistor, as quoted in Broken Genius : The Rise and Fall of William Shockley, Creator of the Electronic Age (2006) by Joel N. Shurkin, Ch. 7, p. 125.

Nick Cave photo

“Holy cow! You were totally right-- whipped cream ROCKS!”

Darby Conley (1970) American cartoonist

Bucky Katt's Big Book of fun, page 61
Bucky Katt, Satchel Pooch

André Maurois photo
Elfriede Jelinek photo
Maurice Glasman, Baron Glasman photo
Paul Simon photo
Letitia Elizabeth Landon photo
Phil Brooks photo

“Punk: "Story time is over, Rock. Every time you want to 'bring it,' because it belongs to me, I'm just going to take it!"”

Phil Brooks (1978) American professional wrestler and mixed martial artist

February 11, 2013
WWE Raw

Ellsworth Kelly photo
Cormac McCarthy photo
Anthony Kiedis photo
MF Doom photo

“After rocking parties they depart in a jalopy, watch the drop top poppy”

MF Doom (1971) hip hop artist from America

As Madvillain, "Rhinestone Cowboy", Madvillainy (2004)
Sourced Lines

John Stuart Blackie photo

“Rocking on a lazy billow
With roaming eyes,
Cushioned on a dreamy pillow,
Thou art now wise.
Wake the power within thee slumbering,
Trim the plot that's in thy keeping,
Thou wilt bless the task when reaping
Sweet labour's prize.”

John Stuart Blackie (1809–1895) Scottish scholar and man of letters

Address to the Edinburgh Students. Quoted by Lord Iddlesleigh, Desultory Reading; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 756.

Phillip Guston photo
Stanley Baldwin photo
Judith Sheindlin photo

“You pulled out a gun, and you shot the gun over FLOWERS! Are you a MORON?!! … You should be hiding under a rock, not acting as plaintiff in a lawsuit!”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

http://www.youtube.com/watch?v=u1cYWq1bm_Q
Quotes from Judge Judy cases, Dismissing a statement or case

Walter Raleigh photo

“Shall I, like an hermit, dwell
On a rock or in a cell?”

Walter Raleigh (1554–1618) English aristocrat, writer, poet, soldier, courtier, spy, and explorer

Poem reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Chris Cornell photo
Bert McCracken photo

“I think about it sometimes, but it definitely doesn't bother me because genres are meant to last and we're a rock 'n roll band and screamo, emo, grunge, punk, prog … it s still rock 'n roll to me. I think that we're four really talented dudes, and I'm ready to take on the whole world. I'm not afraid.”

Bert McCracken (1982) American musician

On his "singer emo poster-child status", interview in John Benson (March 4, 2005) "Emo disorder It's not called chaos for nothing, says nonheadlining headliner", The Plain Dealer, Cleveland Plain Dealer, p. 4.

Anthony Kiedis photo
Mirkka Rekola photo
Sinclair Lewis photo
James Macpherson photo
Joe Trohman photo
Statius photo

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis Aethiopasque alios, nulli penetrabilis astro, lucus iners, subterque cavis graue rupibus antrum it uacuum in montem, qua desidis atria Somni securumque larem segnis Natura locavit. limen opaca Quies et pigra Oblivio servant et numquam vigili torpens Ignauia vultu. Otia vestibulo pressisque Silentia pennis muta sedent abiguntque truces a culmine ventos et ramos errare vetant et murmura demunt alitibus. non hic pelagi, licet omnia clament litora, non ullus caeli fragor; ipse profundis vallibus effugiens speluncae proximus amnis saxa inter scopulosque tacet: nigrantia circum armenta omne solo recubat pecus, et nova marcent germina, terrarumque inclinat spiritus herbas. mille intus simulacra dei caelaverat ardens Mulciber: hic haeret lateri redimita Voluptas, hic comes in requiem vergens Labor, est ubi Baccho, est ubi Martigenae socium puluinar Amori obtinet. interius tecti in penetralibus altis et cum Morte jacet, nullique ea tristis imago cernitur. hae species. ipse autem umentia subter antra soporifero stipatos flore tapetas incubat; exhalant vestes et corpore pigro strata calent, supraque torum niger efflat anhelo ore vapor; manus haec fusos a tempore laevo sustentat crines, haec cornu oblita remisit.

Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

Arshile Gorky photo

“About a hundred and ninety-four feet away from our house [Gorky was born in Armenia] on the road to the spring, my father had a little garden with a few apple trees which had retired from giving fruit. There was a ground constantly in shade where grew incalculable amounts of wild carrots, and porcupines had made their nests. There was a blue rock half buried in the black earth with a few patches of moss placed here and there like fallen clouds. But from where came all the shadows in constant battle like the lancers of w:Paolo Ucello's painting? This garden was identified as the Garden of Wish Fulfilment and often I had seen my mother and other village women opening their bosoms and taking out their soft breasts in their hands to rub them on the rock. Above this all stood an enormous tree all bleached under the sun, the rain, the cold, and deprived of leaves. This was the Holy Tree. I myself don't know why this tree was holy but I had witnessed many people, whoever did pass by, that would tear voluntarily a strip of their clothes and attach this to the tree. Thus through many years of the same ac, like a veritable parade of banners under the pressure of wind all these personal inscriptions of signatures, very softly to my innocent ear used to give echo to the sh-h—h-sh—h of silver leaves of the poplars.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23

André Breton photo

“Its decadence, satiety, and languor [of Roman civilization] interested me. And I kept looking and returning to their wall paintings with their veiled melancholy and their elegant plasticity. I admired the way they used their geology in their art — the sense of mineral, clay. rock, marble, and stone.”

William Baziotes (1912–1963) American painter

from his letter to Alfred H. Barr, Jr. 6 November, 1955; as cited in the text of 'The Baziotes Memorial Exhibition' and its accompanying catalogue by Lawrence Alloway; Solomon R. Guggenheim Museum 1965, p. 11
1950s

Amitabh Bachchan photo
Oprah Winfrey photo

“My reaction is that free speech not only lives, it rocks!”

Oprah Winfrey (1954) American businesswoman, talk show host, actress, producer, and philanthropist

On being acquitted of violating Texas' food libel laws in Texas Beef Group v. Winfrey over her "Dangerous Food" episode of The Oprah Winfrey Show (11 April 1996), as quoted in "Oprah: 'Free speech rocks' " in CNN (26 February 1998) http://edition.cnn.com/US/9802/26/oprah.verdict/

Statius photo

“Whence first arose among unhappy mortals throughout the world that sickly craving for the future? Sent by heaven, wouldst thou call it? Or is it we ourselves, a race insatiable, never content to abide on knowledge gained, that search out the day of our birth and the scene of our life's ending, what the kindly Father of the gods is thinking, or iron-hearted Clotho? Hence comes it that entrails occupy us, and the airy speech of birds, and the moon's numbered seeds, and Thessalia's horrid rites. But that earlier golden age of our forefathers, and the races born of rock or oak were not thus minded; their only passion was to gain the mastery of the woods and the soil by might of hand; it was forbidden to man to know what to-morrow's day would bring. We, a depraved and pitiable crowd, probe deep the counsels of the gods.”
Unde iste per orbem primus venturi miseris animantibus aeger crevit amor? divumne feras hoc munus, an ipsi, gens avida et parto non umquam stare quieti, eruimus quae prima dies, ubi terminus aevi, quid bonus ille deum genitor, quid ferrea Clotho cogitet? hinc fibrae et volucrum per nubila sermo astrorumque vices numerataque semita lunae Thessalicumque nefas. at non prior aureus ille sanguis avum scopulisque satae vel robore gentes mentibus his usae; silvas amor unus humumque edomuisse manu; quid crastina volveret aetas scire nefas homini. nos, pravum et flebile vulgus, scrutati penitus superos.

Source: Thebaid, Book III, Line 551 (tr. J. H. Mozley)

“When the tempest rages,
In the Rock of Ages
I will safely hide;
Though the earth be shaking,
And all hearts be quaking,
Christ is at my side.”

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 101.

Nick Drake photo
Michael Savage photo

“At least some Americans are still having children. Unfortunately, many of those children spend their formative years being taught how to surrender. The emasculation of American boys is one step short of suicide. […] Schoolyards used to be filled with kids at recess playing games like "kill the guy with the ball." Nobody died. Boys played with G. I. Joes and girls played with dolls. Kids played freeze tag without a single incident of sexual harassment. […] Not too many years ago, cartoons were filled with violence. Bugs Bunny tied a gun barrel in a knot and Elmer Fudd's gun went kaboom, covering his own head in black soot. Wile E. Coyote chased the Road Runner and fell off a cliff to his destruction. We as children watched Superman cartoons, but we knew not to try and jump off the roof. Teenage boys watched Rocky and Rambo and Conan films. Then they went home without trying to kill anybody. […] We did not need liberals to tell us the difference between pretend and real life. Common sense and our parents handled that. Now schools across the country are canceling gym class. Dodgeball apparently promotes aggression […]. Even rock-paper-scissors is too violent. Rocks and scissors could be used by children to harm each other. Paper requires murdering trees. It's no wonder that Islamists produce strapping young men while America produces sensitive crybabies […]. Muslim children are taught hate in madrassas. They are taught how to kill infidels and the blasphemers. American boys are suspended from school for arranging their school lunch vegetables in the shape of a gun. […] During World War II, young boys volunteered to go overseas to save the world. […] Now American kids on college campuses retreat to their safe spaces to escape from potential microagressions. Islamists cut off heads and limbs and our young boys shriek at the drop of a microaggression. And we haven't seen the worst of it.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

Scorched Earth: Restoring the Country after Obama (2016)

Paul Simon photo

“A winter's day
In a deep and dark
December;
I am alone,
Gazing from my window to the streets below
On a freshly fallen silent shroud of snow.
I am a rock,
I am an island.”

Paul Simon (1941) American musician, songwriter and producer

I Am a Rock
Song lyrics, Sounds of Silence (1966)

Simone de Beauvoir photo
Fisher Ames photo
Patrick Stump photo

“I'm sure it's gotta be a great job 'cause rock stars are known for their punctuality and politeness, so…”

Patrick Stump (1984) American musician

YouTube.com
Source: http://www.youtube.com/watch?v=2r2CeQsvIzY&feature=related

Sylvia Plath photo
Jean-François Millet photo

“In the morning we saw that the sea was rough, and people said there would be trouble.... Fifty men volunteered to go at once, and followed the old sailor without a word. We descended the cliffs to the beach, and there we saw a terrible sight : several vessels rushing, one after the other, at fearful speed, upon our rocks. Our men put three boats out to sea, but before they had rowed ten strokes one boat sank, another was upset by a huge breaker, while a third was thrown upon the beach.... The sea threw up hundreds of corpses, as well as quantities of cargo... Then came a fourth, fifth and sixth vessel, all of which were lost with their crew and cargo alike, upon the rocks. The tempest was furious... The next morning.... As I was passing by a hollow in the cliff, I saw a large sail spread, as I thought, over a bale of merchandise. I lifted the sail and saw a heap of corpses. I was so frightened that I ran home, and found my mother and grandmother on their knees, praying for the shipwrecked sailors.”

Jean-François Millet (1814–1875) French painter

Quote c. 1870; cited by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 22
taken from Millet's youth-memories, about the years he lived as an boy close to the wild coast of Normandy, written down on request of his friend and later biographer Alfred Sensier
1870 - 1875

“What do you think makes a good rock front man? Shamelessness, I’d imagine.”

http://www.dailynexus.com/artsweek/2006/11307.html
Interviews