Quotes about rock
page 7
The Portable Door (2003)
Source: Argonautica (3rd century BC), Book II. Onward to Colchis, Lines 317–340
“Unfortunately Sting's jazz work isn't nearly as inventive as his rock songs.”
Static Line interview, 1998
Quote from the catalog of the exhibition 'Dali una vida de libro', Bibliotheca de Catalunya, Barcelona 2004
Dali's memory is written in a mixture of French and Catalan accent
Quotes of Salvador Dali, 1981 - 1989
Australian Music to the World interview at Symphony Hall, Atlanta, August 1978.
High Infatuation: A Climber's Guide to Love and Gravity (2007)
Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 7
page 312
The Monkey Wrench Gang (1975)
Origins Reconsidered: In Search of What Makes Us Human (1992)
Source: Leonardo da Vinci (1939), Ch. Six: 1497-1503
"Some Questions and Some Answers" (1958), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 298.
“Elvis is the king of rock and roll, who made white kids shake there shackle.”
19 February, 2010. At "Viva Elvis Cirque du soleil.
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 596.
Pt 1, Ch. 3 http://www.resologist.net/lo103.htm; part of this has sometimes been misquoted as: "I cannot accept that the products of the mind are subject-matter for belief."
Lo! (1931)
¶ 159 - 160.
An Humble, Earnest and Affectionate Address to the Clergy (1761)
“That's the most rock-and-roll story in the world. No one can top it.”
On how he and Amy met in a youth camp.
Random stuff
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 161, in: 'What he told me – I. The motif'
Britannia Triumphans (1637; licensed Jan. 8, 1638; printed 1638), p. 15.
Compare:
"For angling rod he took a sturdy oak; / For line, a cable that in storm ne'er broke;... His hook was baited with a dragon's tail,— / And then on rock he stood to bob for whale."
From The Mock Romance, a rhapsody attached to The Loves of Hero and Leander, published in London in 1653 and 1677, republished in Chambers's Book of Days, vol. i. p. 173; Samuel Daniel, Rural Sports, Supplement, p. 57.
"His angle-rod made of a sturdy oak;
His line, a cable which in storms ne'er broke;
His hook he baited with a dragon’s tail,—
And sat upon a rock, and bobb'd for whale"
William King (1663–1712), Upon a Giant’s Angling (in Chalmers's British Poets, ascribed to King).
The Tragic Sense of Life (1913), IX : Faith, Hope, and Charity
2000s, 2001, First inaugural address (January 2001)
On her goals in songwriting, The Guardian (December 11, 1991)
1991–1995
Go Rin No Sho (1645), The Fire Book
The Making of an Elder Culture (2009)
Ecco altre isole insieme, altre pendíci
Scoprian alfin men erte ed elevate.
Ed eran queste l'isole felici;
Così le nominò la prisca etate,
A cui tanto stimava i Cieli amici,
Che credea volontarie, e non arate
Quì partorir le terre, e in più graditi
Frutti, non culte, germogliar le viti.<p>Quì non fallaci mai fiorir gli olivi,
E 'l mel dicea stillar dall'elci cave:
E scender giù da lor montagne i rivi
Con acque dolci, e mormorio soave:
E zefiri e rugiade i raggj estivi
Temprarvi sì, che nullo ardor v'è grave:
E quì gli Elisj campi, e le famose
Stanze delle beate anime pose.
Canto XV, stanzas 35–36 (tr. Fairfax)
Gerusalemme Liberata (1581)
"Maxfield Parrish Will Discard 'Girl-on-Rock' Idea in Art" Associated Press (27 April 1931)
"Mythcon 35 Guest of Honor Speech", in Mythprint (October 2004) http://www.mythsoc.org.nyud.net:8090/mythcon/35/speech/
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 236.
11:43–15:10, about the value of decentralisation
"Nirvana's Krist Novoselic on Punk, Politics, & Why He Dumped the Dems" https://www.youtube.com/watch?v=k4TPRH2uK9w
"London Town"
Song lyrics, Dad Love His Work (1981)
“Three words for those who want to put the Christ back in Christmas: Jingle Bell Rock.”
2011-12-24
Christopher Hitchens on The True Spirit of Christmas
The Wall Street Jorunal
0099-9660
http://online.wsj.com/article/SB10001424052970204791104577110880355067656.html
2010s, 2011
Los Angeles Times, January 26, 2005.
Source: 1890s, The Mountains of California (1894), chapter 1: The Sierra Nevada
The Pit of Hell!: Unbelievable Satanic Deception Flooding the Earth! (1983)
"I've Lived Here Before" (co-written with Liam Ó Maonlaí)
Universal Hall (2003)
Audio lectures, Dangers Inherent in Public Education (March 24, 1986)
“And then they knew the perilous Rock,
And blest the Abbot of Aberbrothok.”
The Inchcape Rock http://www.poemhunter.com/p/m/poem.asp?poet=6688&poem=28859, st. 4 (1802).
Source: Elegies, Lines 303-305, as translated by Dorothea Wender.
[914171029.329464@watserv4.uwaterloo.ca, 1998]
1990s
Noel Gallagher cited in ‘Sir Paul has just written manure for years’ http://www.scotsman.com/what-s-on/music/sir-paul-has-just-written-manure-for-years-1-611044 at scotsman.com, originally published 2 July 2002 (see here http://www.scotsman.com/what-s-on/music/sir-paul-has-just-written-manure-for-years-1-611044)
Controversy with other artists
Fourth measure “Lords and Ladies” (p. 170)
Pavane (1968)
Book IV, Note III, p. 50
Les confidences (1849)
Memo to himself in 1947, regarding work on the transistor, as quoted in Broken Genius : The Rise and Fall of William Shockley, Creator of the Electronic Age (2006) by Joel N. Shurkin, Ch. 7, p. 125.
“Holy cow! You were totally right-- whipped cream ROCKS!”
Bucky Katt's Big Book of fun, page 61
Bucky Katt, Satchel Pooch
Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old
Blue Labour, Tackling Poverty Together http://www.bluelabour.org/2013/11/24/tackling-poverty-together/
Interview in Musician (March 1984), p. 66-68
Canto I, I opening lines
The Fate of Adelaide (1821)
February 11, 2013
WWE Raw
Quote in an interview by Henry Geldzahler, 'Art International 1.', February 1964, p. 48
1950 - 1968
“After rocking parties they depart in a jalopy, watch the drop top poppy”
As Madvillain, "Rhinestone Cowboy", Madvillainy (2004)
Sourced Lines
Address to the Edinburgh Students. Quoted by Lord Iddlesleigh, Desultory Reading; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 756.
Broadcast from London (6 March 1934); published in This Torch of Freedom (1935), p. 23
1934
http://www.youtube.com/watch?v=u1cYWq1bm_Q
Quotes from Judge Judy cases, Dismissing a statement or case
“Shall I, like an hermit, dwell
On a rock or in a cell?”
Poem reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Kerrang! Magazine, March 1, 1997 http://web.stargate.net/soundgarden/articles/kerr_3-1-97.shtml,
On his family
On his "singer emo poster-child status", interview in John Benson (March 4, 2005) "Emo disorder It's not called chaos for nothing, says nonheadlining headliner", The Plain Dealer, Cleveland Plain Dealer, p. 4.
Book I
The Poems of Ossian, Fingal, an ancient Epic Poem
My Heart Will Always Be The B-Side To My Tongue (2004), Ultimate Guitar Interview (2008)
“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis
Aethiopasque alios, nulli penetrabilis astro,
lucus iners, subterque cavis graue rupibus antrum
it uacuum in montem, qua desidis atria Somni
securumque larem segnis Natura locavit.
limen opaca Quies et pigra Oblivio servant
et numquam vigili torpens Ignauia vultu.
Otia vestibulo pressisque Silentia pennis
muta sedent abiguntque truces a culmine ventos
et ramos errare vetant et murmura demunt
alitibus. non hic pelagi, licet omnia clament
litora, non ullus caeli fragor; ipse profundis
vallibus effugiens speluncae proximus amnis
saxa inter scopulosque tacet: nigrantia circum
armenta omne solo recubat pecus, et nova marcent
germina, terrarumque inclinat spiritus herbas.
mille intus simulacra dei caelaverat ardens
Mulciber: hic haeret lateri redimita Voluptas,
hic comes in requiem vergens Labor, est ubi Baccho,
est ubi Martigenae socium puluinar Amori
obtinet. interius tecti in penetralibus altis
et cum Morte jacet, nullique ea tristis imago
cernitur. hae species. ipse autem umentia subter
antra soporifero stipatos flore tapetas
incubat; exhalant vestes et corpore pigro
strata calent, supraque torum niger efflat anhelo
ore vapor; manus haec fusos a tempore laevo
sustentat crines, haec cornu oblita remisit.
Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)
Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23
Quote from Anthologie de l'humour noir, André Breton; as cited in Arp, ed. Serge Fauchereau, Ediciones Poligrafa S. A., Barcelona, Spain, 1988
after 1930
The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter III. Greece and Rome
from his letter to Alfred H. Barr, Jr. 6 November, 1955; as cited in the text of 'The Baziotes Memorial Exhibition' and its accompanying catalogue by Lawrence Alloway; Solomon R. Guggenheim Museum 1965, p. 11
1950s
“My reaction is that free speech not only lives, it rocks!”
On being acquitted of violating Texas' food libel laws in Texas Beef Group v. Winfrey over her "Dangerous Food" episode of The Oprah Winfrey Show (11 April 1996), as quoted in "Oprah: 'Free speech rocks' " in CNN (26 February 1998) http://edition.cnn.com/US/9802/26/oprah.verdict/
“Whence first arose among unhappy mortals throughout the world that sickly craving for the future? Sent by heaven, wouldst thou call it? Or is it we ourselves, a race insatiable, never content to abide on knowledge gained, that search out the day of our birth and the scene of our life's ending, what the kindly Father of the gods is thinking, or iron-hearted Clotho? Hence comes it that entrails occupy us, and the airy speech of birds, and the moon's numbered seeds, and Thessalia's horrid rites. But that earlier golden age of our forefathers, and the races born of rock or oak were not thus minded; their only passion was to gain the mastery of the woods and the soil by might of hand; it was forbidden to man to know what to-morrow's day would bring. We, a depraved and pitiable crowd, probe deep the counsels of the gods.”
Unde iste per orbem
primus venturi miseris animantibus aeger
crevit amor? divumne feras hoc munus, an ipsi,
gens avida et parto non umquam stare quieti,
eruimus quae prima dies, ubi terminus aevi,
quid bonus ille deum genitor, quid ferrea Clotho
cogitet? hinc fibrae et volucrum per nubila sermo
astrorumque vices numerataque semita lunae
Thessalicumque nefas. at non prior aureus ille
sanguis avum scopulisque satae vel robore gentes
mentibus his usae; silvas amor unus humumque
edomuisse manu; quid crastina volveret aetas
scire nefas homini. nos, pravum et flebile vulgus,
scrutati penitus superos.
Source: Thebaid, Book III, Line 551 (tr. J. H. Mozley)
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 101.
One of These Things First
Song lyrics, Bryter Later (1970)
Scorched Earth: Restoring the Country after Obama (2016)
I Am a Rock
Song lyrics, Sounds of Silence (1966)
Source: All Men are Mortal (1946), p. 72
Emerson, Ralph Waldo (1844): Politics http://www.panarchy.org/emerson/politics.1844.html
Attributed
YouTube.com
Source: http://www.youtube.com/watch?v=2r2CeQsvIzY&feature=related
Quote c. 1870; cited by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 22
taken from Millet's youth-memories, about the years he lived as an boy close to the wild coast of Normandy, written down on request of his friend and later biographer Alfred Sensier
1870 - 1875
“What do you think makes a good rock front man? Shamelessness, I’d imagine.”
http://www.dailynexus.com/artsweek/2006/11307.html
Interviews