Quotes about river
page 5

Guru Arjan photo

“There was a Hindu named Arjan in Gobindwal on the banks of the Beas River. Pretending to be a spiritual guide, he had won over as devotees many simple-minded Indians and even some ignorant, stupid Muslims by broadcasting his claims to be a saint. They called him guru. Many fools from all around had recourse to him and believed in him implicitly. For three or four generations they had been peddling this same stuff. For a long time I had been thinking that either this false trade should be eliminated or that he should be brought into the embrace of Islam. At length, when Khusraw passed by there, this inconsequential little fellow wished to pay homage to Khusraw. When Khusraw stopped at his residence, [Arjan] came out and had an interview with [Khusraw]. Giving him some elementary spiritual precepts picked up here and there, he made a mark with saffron on his forehead, which is called qashqa in the idiom of the Hindus and which they consider lucky. When this was reported to me, I realized how perfectly false he was and ordered him brought to me. I awarded his houses and dwellings and those of his children to Murtaza Khan, and I ordered his possessions and goods confiscated and him executed.”

Guru Arjan (1563–1606) The fifth Guru of Sikhism

– Emperor Jahangir's Memoirs, Jahangirnama 27b-28a, (Translator: Wheeler M. Thackston) [Jahangir, Emperor of Hindustan, 1999, The Jahangirnama: Memoirs of Jahangir, Emperor of India, Thackston, Wheeler M., Wheeler Thackston, Oxford University Press, 59, 978-0-19-512718-8]

Samuel Taylor Coleridge photo
William Wordsworth photo
Richard Holbrooke photo

“The fighting in western Bosnia intensified as the cease-fire approached. (…) Facing the end of the fighting, the Croats and the Bosnians finally buried their differences, if only momentarily, and took Sanski Most and several other smaller towns. But Prijedor still eluded them. For reasons we never fully undestood, they did not capture this important town, a famous symbol of ethnic cleansing.* (*In March 1997, I attended a showing at the Council on Foreign Relations in New York of a powerful documentary film, Calling the ghosts, that recounted the brual treatmen two Bosnian women from Prijedor had suffered during their incarceration at the notorious Omarska prison camp. Following the film, the two women angrily asked me why they were still unable to return to their hometown. I told them we'd repeatedly encouraged an assault on Prijedor. They were stonished; they said General Dudakovic, the Bosnian commander, had told them personally that "Holbrooke would not let us capture Prijedor and Bosanski Novi". I subsequently learned that this story was widely believed in the region. This revisionism was not surprising; it absolved Dudakovic and his associates of responsibility for the failure to take Prijedor. I suspect the truth is that after the disaster at the Una River the Croatians did not want to fight for a town the would have to turn over to the Muslims - and the Bosnians could not capture it unaided.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 206

Joseph Addison photo
Dennis Miller photo

“Joan Rivers telling Lauren Bacall her dress is all wrong is like Carrot Top telling Lenny Bruce he needs to get an edge.”

Dennis Miller (1953) American stand-up comedian, television host, and actor

Ranting Again

David D. Friedman photo
Nathanael Greene photo
Alexander H. Stephens photo

“Again, the subject of internal improvements, under the power of Congress to regulate commerce, is put at rest under our system. The power, claimed by construction under the old constitution, was at least a doubtful one; it rested solely upon construction. We of the South, generally apart from considerations of constitutional principles, opposed its exercise upon grounds of its inexpediency and injustice. Notwithstanding this opposition, millions of money, from the common treasury had been drawn for such purposes. Our opposition sprang from no hostility to commerce, or to all necessary aids for facilitating it. With us it was simply a question upon whom the burden should fall. In Georgia, for instance, we have done as much for the cause of internal improvements as any other portion of the country, according to population and means. We have stretched out lines of railroads from the seaboard to the mountains; dug down the hills, and filled up the valleys at a cost of not less than $25,000,000. All this was done to open an outlet for our products of the interior, and those to the west of us, to reach the marts of the world. No State was in greater need of such facilities than Georgia, but we did not ask that these works should be made by appropriations out of the common treasury. The cost of the grading, the superstructure, and the equipment of our roads was borne by those who had entered into the enterprise. Nay, more not only the cost of the iron no small item in the aggregate cost was borne in the same way, but we were compelled to pay into the common treasury several millions of dollars for the privilege of importing the iron, after the price was paid for it abroad. What justice was there in taking this money, which our people paid into the common treasury on the importation of our iron, and applying it to the improvement of rivers and harbors elsewhere? The true principle is to subject the commerce of every locality, to whatever burdens may be necessary to facilitate it. If Charleston harbor needs improvement, let the commerce of Charleston bear the burden. If the mouth of the Savannah river has to be cleared out, let the sea-going navigation which is benefited by it, bear the burden. So with the mouths of the Alabama and Mississippi river. Just as the products of the interior, our cotton, wheat, corn, and other articles, have to bear the necessary rates of freight over our railroads to reach the seas. This is again the broad principle of perfect equality and justice, and it is especially set forth and established in our new constitution.”

Alexander H. Stephens (1812–1883) Vice President of the Confederate States (in office from 1861 to 1865)

The Cornerstone Speech (1861)

Robert Mayer photo
Adam Smith photo
George Eliot photo
Terence McKenna photo
P.G. Wodehouse photo
W. S. Gilbert photo
Henry Wadsworth Longfellow photo
Alauddin Khalji photo
Harry Turtledove photo
Jiddu Krishnamurti photo
Oscar Niemeyer photo

“It is not the right angle that attracts me, nor the straight line, hard and inflexible, created by man. What attracts me is the free and sensual curve — the curve that I find in the mountains of my country, in the sinuous course of its rivers, in the body of the beloved woman.”

Oscar Niemeyer (1907–2012) Brazilian architect

As quoted in Plans, Sections and Elevations : Key Buildings of the Twentieth Century (2004) by Richard Weston
Variant translations:
It is not the right angle that attracts me,
Nor the hard, inflexible straight line, man-made.
What attracts me are free and sensual curves.
The curves in my country’s mountains,
In the sinuous flow of its rivers,
In the beloved woman’s body.
As quoted in "Architect of Optimism" http://www.ft.com/cms/s/0/db740a7a-e897-11db-b2c3-000b5df10621.html?nclick_check=1, Angel Gurria-Quintana, Financial Times (2007-04-13)
It is not the right angle that attracts me.
nor the straight line, tough, inflexible,
created by man.
what attracts me is the free, sensual curve.
the curve I find in the mountains of my country,
in the sinuous course of its rivers,
in the waves of the sea,
in the clouds of the sky,
in the body of the favourite woman.
Of curves is made all the universe.
As quoted on a Photo page on the Museum of Contemporary Art over Baia da Guanabara http://app.tabblo.com/studio/stories/view/122423/?nextnav=favs&navuser=1

Robert T. Bakker photo
Mata Amritanandamayi photo

“I am in this same river. I can't much help it. I admit it: I'm racist. The other night I saw a group (or maybe a pack?) or white teenagers standing in a vacant lot, clustered around a 4x4, and I crossed the street to avoid them; had they been black, I probably would have taken another street entirely. And I'm misogynistic. I admit that, too. I'm a shitty cook, and a worse house cleaner, probably in great measure because I've internalized the notion that these are woman's work. Of course, I never admit that's why I don't do them: I always say I just don't much enjoy those activities (which is true enough; and it's true enough also that many women don't enjoy them either), and in any case, I've got better things to do, like write books and teach classes where I feel morally superior to pimps. And naturally I value money over life. Why else would I own a computer with a hard drive put together in Thailand by women dying of job-induced cancer? Why else would I own shirts made in a sweatshop in Bangladesh, and shoes put together in Mexico? The truth is that, although many of my best friends are people of color (as the cliche goes), and other of my best friends are women, I am part of this river: I benefit from the exploitation of others, and I do not much want to sacrifice this privilege. I am, after all, civilized, and have gained a taste for "comforts and elegancies" which can be gained only through the coercion of slavery. The truth is that like most others who benefit from this deep and broad river, I would probably rather die (and maybe even kill, or better, have someone kill for me) than trade places with the men, women, and children who made my computer, my shirt, my shoes.”

Source: The Culture of Make Believe (2003), p. 69

Gerard Manley Hopkins photo
George Gordon Byron photo

“She was his life,
The ocean to the river of his thoughts,
Which terminated all.”

Stanza 2; this can be compared to: "She floats upon the river of his thoughts", Henry W. Longfellow, The Spanish Student, act ii, scene 3.
The Dream (1816)

Garth Brooks photo
Lupe Fiasco photo
Narendra Modi photo
Frida Kahlo photo

“Up the River of Death
Sailed the Great Admiral!”

Henry Howard Brownell (1820–1872) American writer and historian

The River Fight (published 1864).

Thich Nhat Hanh photo

“Venerable Svasti and the young buffalo boys were rivers that flowed from that source. Wherever the rivers flowed, the Buddha would be there.”

Thich Nhat Hanh (1926) Religious leader and peace activist

Old Path White Clouds : Walking in the Footsteps of the Buddha (1991) Parallax Press ISBN 81-216-0675-6

Jahangir photo

“On the 24th of the same month I went to see the fort of Kangra, and gave an order that the Qazi, the Chief Justice (Mir'Adl), and other learned men of Islam should accompany me and carry out in the fort whatever was customary, according to the religion of Muhammad. Briefly, having traversed about one koss, I went up to the top of the fort, and by the grace of God, the call to prayer and the reading of the Khutba and the slaughter of a bullock which had not taken place from the commencement of the building of the fort till now, were carried out in my presence. I prostrated myself in thanksgiving for this great gift, which no king had hoped to receive, and ordered a lofty mosque to be built inside the fort' ….'After going round the fort I went to see the temple of Durga, which is known as Bhawan. A world has here wandered in the desert of error. Setting aside the infidels whose custom is the worship of idols, crowds of the people of Islam, traversing long distances, bring their offerings and pray to the black stone (image)' Some maintain that this stone, which is now a place of worship for the vile infidels, is not the stone which was there originally, but that a body of the people of Islam came and carried off the original stone, and threw it into the bottom of the river, with the intent that no one could get at it. For a long time the tumult of the infidels and idol-worshippers had died away in the world, till a lying brahman hid a stone for his own ends, and going to the Raja of the time said: 'I saw Durga in a dream, and she said to me: They have thrown me into a certain place: quickly go and take me up.”

Jahangir (1569–1627) 4th Mughal Emperor

The Raja, in the simplicity of his heart, and greedy for the offerings of gold that would come to him, accepted the tale of the brahman and sent a number of people with him, and brought that stone, and kept it in this place with honour, and started again the shop of error and misleading
Kangra (Himachal Pradesh) , Tuzuk-i-Jahangiri, translated into English by Alexander Rogers, first published 1909-1914, New Delhi Reprint, 1978, Vol. II, pp. 223-25.

John Keats photo
Paul Laurence Dunbar photo
Bruce Springsteen photo
Hilaire Belloc photo
David Thomas (born 1813) photo
Algernon Charles Swinburne photo
Bruce Springsteen photo
Rush Limbaugh photo

“Too many whites are getting away with drug use…Too many whites are getting away with drug sales…The answer is to go out and find the ones who are getting away with it, convict them and send them up the river, too.”

Rush Limbaugh (1951) U.S. radio talk show host, Commentator, author, and television personality

The Rush Limbaugh Show (October 5, 1995), quoted in * Words of wisdom for Rush: Just hush
http://www.palmbeachpost.com/localnews/content/news/limbaugh/120703_limbaugh.html
The Palm Beach Post
2003-12-07
Frank
Cerabino

“p>One translucent day I leave the city
to visit my home, the land of Champa.Here are stupas gaunt with yearning,
ancient temples ruined by time,
streams that creep alone through the dark
past peeling statues that moan of Champa.Here are dense and drooping forests
where long processions, lost souls of Champa,
march; and evening spills through thick,
fragrant leaves, mingling with the cries of moorhens.Here is the field where two great armies
were reduced to a horde of clamoring souls.
Champa blood still cascades in streams of hatred
to grinding oceans filled with Champa bones.Here too are placid images: hamlets at rest
in evening sun, Champa girls gliding homeward,
their light chatter floating
with the pink and saffron of their dresses.Here are magnificent sunbaked palaces,
temples that blaze in cerulean skies.
Here battleships dream on the glossy river, while the thunder
of sacred elephants shakes the walls.Here, in opaque light sinking through lapis lazuli,
the Champa king and his men are lost in a maze of flesh
as dancers weave, wreathe, entranced,
their bodies harmonizing with the flutes.All this I saw on my way home years ago
and still I am obsessed,
my mind stunned, sagged with sorrow
for the race of Champa.”

Chế Lan Viên (1920–1989) Vietnamese writer

"On the Way Home", in A Thousand Years of Vietnamese Poetry, ed. Nguyễn Ngọc Bích (Alfred A. Knopf, 1975), p. 167; quoted in full in Buddhism & Zen in Vietnam by Thich Thien-an (Tuttle Publishing, 1992)

Jeff VanderMeer photo

“A fresh river in a beautiful meadow
Imagined in his mind
The good Painter, who would some day paint it”

"The Transformation of Martin Lake", epigram, p. 130
City of Saints and Madmen (2001–2004)

Thomas Chalmers photo
James Hogg photo

“Where the pools are bright and deep
Where the gray trout lies asleep,
Up the river and o'er the lea
That's the way for Billy and me.”

James Hogg (1770–1835) British writer

"A Boy's Song" (1831), line 1; cited from Songs and Ballads by the Ettrick Shepherd (Glasgow: Blackie, 1852) p. 196.

Mark Tobey photo
Ralph Waldo Emerson photo

“Announced by all the trumpets of the sky
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden's end.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

The Snow-Storm http://www.emersoncentral.com/poems/snow_storm.htm
1840s, Poems (1847)

Viktor Schauberger photo

“It is possible to regulate watercourses over any given distance without embankment works; to transport timber and other materials, even when heavier than water, for example ore, stones, etc., down the centre of such water-courses; to raise the height of the water table in the surrounding countryside and to endow the water with all those elements necessary for the prevailing vegetation. Furthermore it is possible in this way to render timber and other such materials non-inflammable and rot resistant; to produce drinking and spa-water for man, beast and soil of any desired composition and performance artificially, but in the way that it occurs in Nature; to raise water in a vertical pipe without pumping devices; to produce any amount of electricity and radiant energy almost without cost; to raise soil quality and to heal cancer, tuberculosis and a variety of nervous disorders… the practical implementation of this … would without doubt signify a complete reorientation in all areas of science and technology. By application of these new found laws, I have already constructed fairly large installations in the spheres of log-rafting and river regulation, which as is known, have functioned faultlessly for a decade, and which today still present insoluble enigmas to the various scientific disciplines concerned.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Viktor Schauberger: Our Senseless Toil (1934)

John Smith (explorer) photo

“Heaven & earth never agreed better to frame a place for man's habitation; were it fully manured and inhabited by industrious people. Here are mountaines, hils, plaines, valleyes, rivers, and brookes, all running most pleasantly into a faire Bay, compassed but for the mouth, with fruitfull and delightsome land.”

John Smith (explorer) (1580–1631) Admiral of New England, was an English soldier, explorer, and author

Describing the countryside around Chesapeake Bay (1606); reported in The Generall Historie of Virginia, New England & The Summer Isles (1907), vol. 2, pp. 44–45.

Ryan Adams photo

“I would've held your mother's hand on the day you was born.
She runs through my veins like a long black river and rattles my cage like a thunderstorm.”

Ryan Adams (1974) American alt-country/rock singer-songwriter

How Do You Keep Love Alive?
29 (2005)

George Eliot photo

“The sun along the mountain bows,
the Yellow River seawards flows.
You will enjoy a grander sight
by climbing to a greater height.”

Wang Zhihuan (688–742) Chinese poet

"On the Stork Tower" (《登鹳雀楼》), trans. Yuanchong Xu

Joseph Conrad photo

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Arundhati Roy photo
River Phoenix photo

“There's a River born to be a giver
Keep you warm, wont let you shiver
His heart is never gonna wither
come on everybody time to deliver.”

River Phoenix (1970–1993) American actor, musician, and activist

Give It Away by Red Hot Chili Peppers

Jacques Herzog photo
Gildas photo

“[Description of Britain] Its plains are spacious, its hills are pleasantly situated, adapted for superior tillage, and its mountains are admirably calculated for the alternate pasturage of cattle, where flowers of various colours, trodden by the feet of man, give it the appearance of a lovely picture. It is decked, like a man's chosen bride, with divers jewels, with lucid fountains and abundant brooks wandering over the snow white sands; with transparent rivers, flowing in gentle murmurs, and offering a sweet pledge of slumber to those who recline upon their banks, whilst it is irrigated by abundant lakes, which pour forth cool torrents of refreshing water.”
[Descriptio Britanniae] Campis late pansis collibusque amoeno situ locatis, praepollenti culturae aptis, montibus alternandis animalium pastibus maxime covenientibus, quorum diversorum colorum flores humanis gressibus pulsati non indecentem ceu picturam eisdem imprimebant, electa veluti sponsa monilibus diversis ornata, fontibus lucidis crebris undis niveas veluti glareas pellentibus, pernitidisque rivis leni murmure serpentibus ipsorumque in ripis accubantibus suavis soporis pignus praetendentibus, et lacubus frigidum aquae torrentem vivae exundantibus irrigua.

Section 3.
De Excidio Britanniae (On the Ruin of Britain)

Statius photo

“For what cause, youthful Sleep, kindest of gods, or what error have I deserved, alas to lack your boon? All cattle are mute and birds and beasts, and the nodding tree-tops feign weary slumbers, and the raging rivers abate their roar; the ruffling of the waves subsides, the sea is still, leaning against the shore.”
Crimine quo merui, juvenis placidissime divum, quove errore miser, donis ut solus egerem, Somne, tuis? tacet omne pecus volucresque feraeque et simulant fessos curvata cacumina somnos, nec trucibus fluviis idem sonus; occidit horror aequoris, et terris maria adclinata quiescunt.

iv, line 1
Silvae, Book V

Vyasa photo
Mikhail Bulgakov photo
Guru Arjan photo
Mahmud of Ghazni photo
Ilya Kabakov photo

“For me the art world is like a huge river, which began somewhere in the past and keeps flowing towards the future.”

Ilya Kabakov (1933) Soviet and American conceptual artist

Source: Boris Groĭs, ‎David A. Ross, ‎Iwona Blazwick (1998). Ilya Kabakov, p. 22

Nassim Nicholas Taleb photo

“Don't cross a river if it is four feet deep on average.”

Nassim Nicholas Taleb (1960) Lebanese-American essayist, scholar, statistician, former trader and risk analyst

Source: The Black Swan: The Impact of the Highly Improbable (2007), p. 161

Orson Welles photo

“My father once told me that the art of receiving a compliment is, of all things, the sign of a civilized man. He died soon afterwards, leaving my education in this important matter sadly incomplete; I'm only glad that, on this, the occasion of the rarest compliment he ever could have dreamed of, that he isn't here to see his son so publicly at a loss. In receiving a compliment, or in trying to, the words are all worn out by now. They're polluted by ham and corn. And, when you try to scratch around for some new ones, it's just an exercise in empty cleverness. What I feel this evening, is not very clever. it's the very opposite of emptiness. The corny old phrase is the only one I know to say it: my heart is full; with a full heart, with all of it, I thank you. This is Samuel Johnson, on the subject of what he calls contrarieties: "there are goods, so opposed that we cannot seize both, and, in trying, fail to seize either. Flatter not yourself, he says, with contrarieties. Of the blessings set before you, make your choice. No man can, at the same time, fill his cup from the source, and from the mouth of the nile." For this business of contrarieties has to do with us. With you, who are paying me this compliment, and for me, who has strayed so far from this hometown of ours. Not that I am alone in this, or unique, I am never that; but there are a few of us left in this conglomerated world of us who still trudge stubbornly along this lonely rocky road; and this is in fact our contrariety. We don't move nearly as fast as our cousins on the freeway; we don't even get as much accomplished just as the family sized farm can't possibly raise as many crops or get as much profit as the agricultural factory of today. What we do come up with has no special right to call itself better it's just.. different. No if there's any excuse for us it all, it's that we're simply following the old American tradition of the maverick, and we are a vanishing breed. This honor I can only accept in the name of all the mavericks. And also, as a tribute to the generosity of all the rest of you; to the givers, to the ones with fixed addresses. A maverick may go his own way but he doesn't think that it's the only way, or ever claim that it's the best one, except maybe for himself. And don't imagine that this raggle-taggle gypsy-o is claiming to be free. It's just that some of the necessities to which I am a slave are different from yours. As a director, for instance, I pay myself out of my acting jobs. I use my own work to subsidize my work (in other words I'm crazy). But not crazy enough to pretend to be free. But it's a fact that many of the films you've seen tonight could never have been made otherwise. Or, if otherwise, well, they might have been better, but certainly they wouldn't have been mine. The truth is I don't believe that this great evening would ever have brightened my life if it wasn't for this: my own, particular, contrariety. Let us raise our cups, then, standing as some of us do on opposite ends of the river, to what really matters to us all: to our crazy, beloved profession, to the movies — to good movies, to every possible kind.”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given upon his acceptance of the AFI Lifetime Achievement award. Viewable http://www.youtube.com/watch?v=oXJnxClGamA&list=HL1349840607&feature=mh_lolz

William Hazlitt photo
Wilfred Thesiger photo
Hayley Jensen photo

“Dicko: The mountain was too high, the river too deep. Cabaret.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 5

Octavio Paz photo
Letitia Elizabeth Landon photo
Mike Oldfield photo

“Down to the River
Was this all some
Cry for love?
It's a cry for love:
Are you a victim of
That Money Bug
In your blood,
Mr. Shame?”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Heaven's Open (1991)

Jacqueline Kennedy Onassis photo

“The river of sludge will go on and on. It isn’t about me.”

Jacqueline Kennedy Onassis (1929–1994) public figure, First Lady to 35th U.S. President John F. Kennedy

On tabloid stories, as quoted in Newsweek (30 August 1994)

Louisa May Alcott photo
Czeslaw Milosz photo

“I was left behind with the immensity of existing things. A sponge, suffering because it cannot saturate itself; a river, suffering because reflections of clouds and trees are not clouds and trees.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"Esse" (1954), trans. Czesław Miłosz and Robert Pinsky
Uncollected Poems (1954-1969)

Kunti photo
Anthony Burgess photo
Mata Amritanandamayi photo
Ralph Vary Chamberlin photo
Cristoforo Colombo photo
Pablo Neruda photo

“If you should ask me where I've been all this time
I have to say "Things happen."
I have to dwell on stones darkening the earth,
on the river ruined in its own duration:
I know nothing save things the birds have lost,
the sea I left behind, or my sister crying.
Why this abundance of places? Why does day lock
with day? Why the dark night swilling round
in our mouths? And why the dead?”

Pablo Neruda (1904–1973) Chilean poet

Si me preguntáis en dónde he estado
debo decir "Sucede."
Debo de hablar del suelo que oscurecen las piedras,
del río que durando se destruye:
no sé sino las cosas que los pájaros pierden,
el mar dejado atrás, o mi hermana llorando.
¿Por qué tantas regiones, por qué un día
se junta con un día? ¿Por qué una negra noche
se acumula en la boca? ¿Por qué muertos?
No Hay Olvido (Sonata) (There's No Forgetting (Sonata) or There is No Oblivion (Sonata)), Residencia II (Residence II), VI, stanza 1.
Alternate translation by Donald D. Walsh:
If you ask me where I have been
I must say "It so happens."
I must speak of the ground darkened by stones,
of the river that enduring is destroyed:
I know only the things that the birds lose,
the sea left behind, or my sister weeping.
Why so many regions, why does a day
join a day? Why does a black night
gather in the mouth? Why dead people?
Residencia en la Tierra (Residence on Earth) (1933)

Rajiv Malhotra photo
Henry Wadsworth Longfellow photo

“Standing, with reluctant feet,
Where the brook and river meet,
Womanhood and childhood fleet!”

Henry Wadsworth Longfellow (1807–1882) American poet

Maidenhood http://www.americanpoems.com/poets/longfellow/12212, st. 3 (1842).

Shi Nai'an photo

“What excites pleasure in me is the meeting and conversing with old friends. But it is very galling when my friends do not visit me because there is a biting wind, or the roads are muddy through the rain, or perhaps because they are sick. Then I feel isolated. Although I myself do not drink, yet I provide spirits for my friends, […]. In front of my house runs a great river, and there I can sit with my friends in the shadow of the lovely trees. […] When they come they drink and chat, just as they please, but our pleasure is in the conversation and not in the liquor. We do not discuss politics because we are so isolated here that our news is simply composed of rumors, and it would only be a waste of time to talk with untrustworthy information. We also never talk about other people's faults, because in this world nobody is wrong, and we should beware of backbiting. We do not wish to injure anyone, and therefore our conversation is of no consequence to anyone. We discuss human nature about which people know so little because they are too busy to study it.”

Shi Nai'an (1296–1372) Chinese writer

Variant translation by Lin Yutang: "When all my friends come together to my house, there are sixteen persons in all, but it is seldom that they all come. But except for rainy or stormy days, it is also seldom that none of them comes. Most of the days, we have six or seven persons in the house, and when they come, they do not immediately begin to think; they would take a sip when they feel like it and stop when they feel like it, for they regard the pleasure as consisting in the conversation, and not in the wine. We do not talk about court politics, not only because it lies outside our proper occupation, but also because at such a distance most of the news is based upon hearsay; hearsay news is mere rumour, and to discuss rumours would be a waste of our saliva. We also do not talk about people's faults, for people have no faults, and we should not malign them. We do not say things to shock people and no one is shocked; on the other hand, we do wish people to understand what we say, but people still don't understand what we say. For such things as we talk about lie in the depths of the human heart, and the people of the world are too busy to hear them." (The Importance of Living, 1937; pp. 218–219)
Preface to Water Margin

Gerald Durrell photo
Langston Hughes photo

“I've known rivers:
Ancient, dusky rivers.
My soul has grown deep like the rivers.”

Langston Hughes (1902–1967) American writer and social activist

"The Negro Speaks of Rivers," from The Weary Blues (1926)

Radhanath Swami photo

“They had both changed in eight years, eroded or subtly augmented by the sweep of time’s river.”

Source: No Enemy But Time (1982), Chapter 30 “Marakoi, Zarakal” (p. 303)

Wang Wei photo
Bernard Cornwell photo
André Maurois photo
Edgar Rice Burroughs photo