
Bible Series V: Cain and Abel: The Hostile Brothers
Concepts
A collection of quotes on the topic of representation, use, other, form.
Bible Series V: Cain and Abel: The Hostile Brothers
Concepts
"On the Method of Theoretical Physics" The Herbert Spencer Lecture, delivered at Oxford (10 June 1933); also published in Philosophy of Science, Vol. 1, No. 2 (April 1934), pp. 163-169., p. 165. [thanks to Dr. Techie @ www.wordorigins.org and JSTOR]
There is a quote attributed to Einstein that may have arisen as a paraphrase of the above quote, commonly given as “Everything should be made as simple as possible, but no simpler,” "Everything should be made as simple as possible, but not simpler", or “Make things as simple as possible, but not simpler.” See this article from the Quote Investigator http://quoteinvestigator.com/2011/05/13/einstein-simple/ for a discussion of where these later variants may have arisen.
The original quote is very similar to Occam's razor, which advocates that among all hypotheses compatible with all available observations, the simplest hypothesis is the most plausible one.
The aphorism "everything should be made as simple as possible, but no simpler" is normally taken to be a warning against too much simplicity and emphasizes that one cannot simplify things to a point where the hypothesis is no more compatible with all observations. The aphorism does not contradict or extend Occam's razor, but rather stresses that both elements of the razor, simplicity and compatibility with the observations, are essential.
The earliest known appearance of Einstein's razor is an essay by Roger Sessions in the New York Times (8 January 1950) http://select.nytimes.com/gst/abstract.html?res=F30615FE3559137A93CAA9178AD85F448585F9, where Sessions appears to be paraphrasing Einstein: “I also remember a remark of Albert Einstein, which certainly applies to music. He said, in effect, that everything should be as simple as it can be, but not simpler.”
Another early appearance, from Time magazine (14 December 1962) http://www.time.com/time/magazine/article/0,9171,872923,00.html: “We try to keep in mind a saying attributed to Einstein—that everything must be made as simple as possible, but not one bit simpler.”
1930s
In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's
Note to Stanza 29 part 8
Spiritual Canticle of The Soul and The Bridegroom, Notes to the Stanzas
Book B (sketchbook), c 1967: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 62
1960s
Livre d'architecture as quoted by Edward Fenton, "Messer Philibert Delorme" The Metropolitan Museum of Art Bulletin Vol. 13, No. 4, Dec., 1954
[Parameswaran, Uma, C.V. Raman: A Biography, http://books.google.com/books?id=RbgXRdnHkiAC, 2011, Penguin Books India, 978-0-14-306689-7] page=xiv
Introduction
Postmodernism: Or, The Cultural Logic of Late Capitalism (1991)
Source: The Greening of America (1970), Chapter V : Anatomy Of The Corporate State, p. 107
Source: Semiology of graphics (1967/83), p. 2
Speech at banquet of the National Union of Conservative and Constitutional Associations, Crystal Palace, London (24 June 1872), cited in "Mr. Disraeli at Sydenham," The Times (25 June 1872), p. 8.
1870s
Concepts
Other
“All that is said by any of us can only be imitation and representation.”
107b
Critias
General Relation of the Concept System of Thesis and Antithesis
Gesammelte Mathematische Werke (1876)
The Ballot or the Bullet (1964), Speech in Detroit, Michigan (12 April 1964)
Other
Source: https://www.youtube.com/watch?v=hdrLQ7DpiWs "Biblical Series II: Genesis 1: Chaos & Order"
Lecture to Fabian Soiety 1917 Art and Life from Vision and design by Roger Fry , Forgotten Books , 2012
Art Quotes
1941 - 1967
Source: Three Hundred Years of American Painting, Alexander Eliot; New York: Time Inc., 1957, p. 298
Letter to Markus Fierz (1948)
Context: What now is the answer to the question as to the bridge between the perception of the senses and the concepts, which is now reduced to the question as to the bridge between the outer perceptions and those inner image-like representations. It seems to me one has to postulate a cosmic order of nature — outside of our arbitrariness— to which the outer material objects are subjected as are the inner images... The organizing and regulating has to be posited beyond the differentiation of physical and psychical... I am all for it to call this "organizing and regulating" "archetypes." It would then be inadmissible to define these as psychic contents. Rather, the above-mentioned inner pictures (dominants of the collective unconscious, see Jung) are the psychic manifestations of the archetypes, but which would have to produce and condition all nature laws belonging to the world of matter. The nature laws of matter would then be the physical manifestation of the archetypes.
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
Context: A picture or representation of human figures, ought to be done in such a way as that the spectator may easily recognise, by means of their attitudes, the purpose in their minds. Thus, if you have to represent a man of noble character in the act of speaking, let his gestures be such as naturally accompany good words; and, in the same way, if you wish to depict a man of a brutal nature, give him fierce movements; as with his arms flung out towards the listener, and his head and breast thrust forward beyond his feet, as if following the speaker's hands. Thus it is with a deaf and dumb person who, when he sees two men in conversation — although he is deprived of hearing — can nevertheless understand, from the attitudes and gestures of the speakers, the nature of their discussion.
XI, 26, Parts of this passage has been heavily compared with later statements of René Descartes; in Latin and with a variant translations:
The City of God (early 400s)
Context: We both are, and know that we are, and delight in our being, and our knowledge of it. Moreover, in these three things no true-seeming illusion disturbs us; for we do not come into contact with these by some bodily sense, as we perceive the things outside of us of all which sensible objects it is the images resembling them, but not themselves which we perceive in the mind and hold in the memory, and which excite us to desire the objects. But, without any delusive representation of images or phantasms, I am most certain that I am, and that I know and delight in this. In respect of these truths, I am not at all afraid of the arguments of the Academicians, who say, What if you are deceived? For if I am deceived, I am. For he who is not, cannot be deceived; and if I am deceived, by this same token I am. And since I am if I am deceived, how am I deceived in believing that I am? for it is certain that I am if I am deceived. Since, therefore, I, the person deceived, should be, even if I were deceived, certainly I am not deceived in this knowledge that I am. And, consequently, neither am I deceived in knowing that I know. For, as I know that I am, so I know this also, that I know. And when I love these two things, I add to them a certain third thing, namely, my love, which is of equal moment. For neither am I deceived in this, that I love, since in those things which I love I am not deceived; though even if these were false, it would still be true that I loved false things. For how could I justly be blamed and prohibited from loving false things, if it were false that I loved them? But, since they are true and real, who doubts that when they are loved, the love of them is itself true and real? Further, as there is no one who does not wish to be happy, so there is no one who does not wish [themself] to be [into being]. For how can he be happy, if he is nothing?
Vol. I, Part 1, [The Materialist Conception of History].
The German Ideology (1845/46)
Context: Where speculation ends — in real life — there real, positive science begins: the representation of the practical activity, of the practical process of development of men. Empty talk about consciousness ceases, and real knowledge has to take place. When reality is depicted, philosophy as an independent branch of activity loses its medium of existence. At the best its place can only be taken by a summing-up of the most general results, abstractions which arise from the observation of the historical development of men. Viewed apart from real history, these abstractions have in themselves no value whatsoever. They can only serve to facilitate the arrangement of historical material, to indicate the sequence of its separate strata. But they by no means afford a recipe or schema, as does philosophy, for neatly trimming the epochs of history. On the contrary, our difficulties begin only when we set about the observation and the arrangement — the real depiction — of our historical material, whether of a past epoch or of the present.
The Art of Living: Living within the Laws of Life (2006)
Source: May 12, 2019 The Tiananmen Massacre, 30 years on – Survivor Q&A: Zhou Fengsuo https://hongkongfp.com/2019/05/12/tiananmen-massacre-30-years-survivor-qa-zhou-fengsuo/
“We have always sought explanations when it was only representations that we could seek to invent.”
Original: (fr) On a toujours cherché des explications quand c’était des représentations qu’on pouvait seulement essayé d’inventer.
Source: Unsourced
Source: The Letters of John and Abigail Adams
Source: Society of the Spectacle (1967), Ch. 1, sct. 1.
Source: 1970s, Ecodynamics: A New Theory Of Societal Evolution, 1978, p. 122, cited in: Jorge Reina Schement, Brent D. Ruben (1993) Information and Behavior - Volume 4. p. 517
Robert A. Solo (1994) " Kenneth Ewart Boulding: 1910-1993. An Appreciation http://www.jstor.org/stable/4226892" commented: "The image appears as crucial in Boulding's treatment of societal evolution. Here the record is in human artifacts, not only in material structures such as buildings and machines, telephones and radios, but also in organizations including the extended family, the tribe, the nation, and the corporation. All such artifacts originate in and are sustained by images in the human mind. Civilization and civilized man, in the language that he knows, the skills he acquires, the whole heritage of tradition and manners he has learned, are human artifacts."
1860s, Oration at Ravenna, Ohio (1865)
Source: 1930s, On my Painting (1938), pp. 17-18
Speech in the House of Lords, on the taxation of Americans by the British parliament, 7 March 1766; as reported in The Oxford Dictionary of Quotations (1990), 2nd edn., p. 60.
Source: Jacques Lipchitz: My life in sculpture, 1972, p. 40
Arthur Jensen, "The Debunking of Scientific Fossils and Straw Persons" http://www.mugu.com/cgi-bin/Upstream/jensen-gould-fossils Contemporary Education Review 1:2, 1982
The Quality You Need Most, from Green Book Magazine (April 1914)
Prelude.
The Egoist http://www.gutenberg.org/dirs/etext99/egost11.txt (1879)
in a letter to his friend Gustav Schiefler, 1906, in 'Gustav Schiefler and Christel Mosel', Emil Nolde: Das graphische Werk, vol. 2.; M. DuMont Schauberg, Cologne, 1966-67, p. 8; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p.50
Nolde described how the exhilarating new sense of collaboration with the medium had freed him from the constraints of traditional etching techniques and encouraged a bolder, freer expression
1900 - 1920
Letter to Mrs. Priestman (23 April 1848), quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), p. 183.
1840s
Source: A Framework for Information Systems Architecture, 1987, p. 281 as cited in: San Murugesan, Yogesh Deshpande (2001) Web Engineering: Managing Diversity and Complexity of Web. p, 126
Varela (1998) " The Cosmos Letter http://www.expo-cosmos.or.jp/letter/letter12e.html", Expo'90 Foundation, Japan
“We are going to have perhaps a thousand years of non-representational painting.”
1950s, Conversations With Artists, 1957
Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75
Thompson (1991) Play, from The American Replacement of Nature.
Tideman and Tullock 1976
James Buchanan, Gordon Tullock, and The Calculus (2012)
Stephen M. Kosslyn, "Mental images and the brain." Cognitive Neuropsychology 22.3-4 (2005): p. 333
Source: Semiology of graphics (1967/83), p. 4
Source: New Testament and Mythology and Other Basic Writings (1941), p. 10
Paragraphs 6-7
2006, Letter to George W. Bush, 2006
Quote, c. 1921; from Lyubov' Popova, in 'Commentary on Drawings', trans. ed. James West, in Art Into Life: Russian Constructivism, 1914-1932; catalogue for exhibition Rizzoli, New York: 1990, p. 69 (Popova's original text, in the Manuscript Division, State Tretiakov Gallery, Moscow, f. 148, ed. khr. 17, 1. 4.)
"What must be an essential feature of any future fundamental physics?" Letter to Max Born (March 1948); published in Albert Einstein-Hedwig und Max Born (1969) "Briefwechsel 1916-55"<!-- p. 223 Nymphenburger, Munich-->, and in Potentiality, Entanglement and Passion-at-a-Distance: Quantum Mechanical Studies for Abner Shimony, Volume Two edited by Robert Cohen, Michael Horn, and John Stachel (1997), p. 121 http://books.google.com/books?id=DsNoIcQemTsC&lpg=PP1&pg=PA121#v=onepage&q&f=false
1940s
Mathematics in Action (1954) page 1
Letter to George Washington (24 April 1779)
Source: 1960s, Scientific method: optimizing applied research decisions, 1962, p. 108 as cited in: Joe H. Ward, Earl Jennings (1973) Introduction to linear models. p. 4.
Israel's Proclamation of Independence, read on (14 May 1948)
1915 - 1925, Suprematism' in World Reconstruction (1920)
as quoted in 'Tàpies: From Within', June/November 2013 - Presse Release text, Museu Nacional d'Art de Catalunya (MNAC), pp. 7-8
1971 - 1980, Memòria Personal', 1977
"The fictions of factual representation"
Ackoff’s (1994) The Democratic Corporation: A Radical Prescription for Recreating Corporate America and Rediscovering Success. p. 117 cited in: Stuart A. Umpleby and Eric B. Dent. (1999) "The Origins and Purposes of Several Traditions. in Systems Theory and Cybernetics". in Cybernetics and Systems: An International Journal, Vol 30. pp. 79-103.
1990s
in The Romantics were prompted, essay by Mark Rothko, 1947/48; as quoted in Possibilities, vol 1, no. 1, winter 1947-48, Kate Rothko Prizel and Christophor Rothko.
1940's
Source: Complexity and Postmodernism (1998), p. 88; as cited by David Byrne (1999)
Quote in: 'The Death of Painting'; from the MoMA-website: Interactives: texts https://www.moma.org/interactives/exhibitions/1998/rodchenko/texts/death_of_painting.html
Rodchenko is looking back: in 1921 he executed what were arguably some of the first true monochromes (artworks of one color; source, Wikipedia:Rodchenko)
India's Shakespeare: Translation, Interpretation, and Performance
Quote in Mondrian's letter to Theo van Doesburg, Amsterdam, 1915; as cited in Letters of the great artists, Richard Friedenthal, Thames and Hudson, London, 1963, p. 234 (transl. Daphne Woodward)
1910's
Calvin Mooers (1950). " Information retrieval viewed as temporal signaling http://www.mathunion.org/ICM/ICM1950.1/Main/icm1950.1.0565.0576.ocr.pdf#page=8". Proceedings of the International Congress of Mathematicians. Vol. 1, S.572-573
critic on the idea of pure Abstract art by Moore
1940 - 1955
Source: 'Unpublished notes' for 'Art and Life', 1941, HMR Archive; as quoted in Henry Moore writings and Conversations, edited by Alan Wilkinson, University of California Press, California 2002, p. 114
1860s, The Prayer of the Twenty Millions (1862)
Francis Heylighen, 1990, "Classical and non-classical representations in physics I." Cybernetics and Systems 21. p. 423; As cited by: Hieronymi, A. (2013), Understanding Systems Science: A Visual and Integrative Approach. Syst. Res.. doi: 10.1002/sres.2215
"Notes on Abstract Art" in Herbert Read's Ben Nicholson: Paintings, Reliefs, Drawings (London, 1948)
Jay Lemke (2003), "Teaching all the languages of science: Words , symbols, images and actions," p. 3; as cited in: Scott, Phil, Hilary Asoko, and John Leach. "Student conceptions and conceptual learning in science." Handbook of research on science education (2007): 31-56.
"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts
As quoted in Michael Scheuer's Non-Intervention http://non-intervention.com/1689/democrats-scourge-the-south-after-the-battle-flag-it%e2%80%99s-on-to-old-hickory/ (9 July 2015), by M. Scheuer.
2010s
Speech in Newcastle (21 May 1894), quoted in 'Mr. Morley At Newcastle', The Times (22 May 1894), p. 11.
Source: Mental images and their transformations. 1982, p. 64; as cited in: Keith K. Niall, "‘Mental rotation’, pictured rotation, and tandem rotation in depth." Acta psychologica 95.1 (1997): 31-83.
the postponement of the Soviet Congress from three-month periods to six-month periods!
Chapter Six, "The Problem of Dictatorship"
The Russian Revolution (1918)
Source: Research challenges in geovisualization (2001), p. 6-7
An Interview with Jean-Pierre Serre - Singapore Mathematical Society https://sms.math.nus.edu.sg/smsmedley/Vol-13-1/An%20interview%20with%20Jean-Pierre%20Serre(CT%20Chong%20&%20YK%20Leong).pdf
On the Hypotheses which lie at the Bases of Geometry (1873)
The Eve of the Revolution (1918)