Quotes about ray
A collection of quotes on the topic of ray, light, lighting, likeness.
Quotes about ray

The New Marvel in Photography (1896)
Context: Having discovered the existence of a new kind of rays, I of course began to investigate what they would do. … It soon appeared from tests that the rays had penetrative power to a degree hitherto unknown. They penetrated paper, wood, and cloth with ease; and the thickness of the substance made no perceptible difference, within reasonable limits. … The rays passed through all the metals tested, with a facility varying, roughly speaking, with the density of the metal. These phenomena I have discussed carefully in my report to the Würzburg society, and you will find all the technical results therein stated.

“The powers of the mind are like the rays of the sun when they are concentrated they illumine.”
Pearls of Wisdom

Corot's description of the beginning of a day in Switzerland, Château de Gruyères, 1857; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963
1850s

W. W. Rouse Ball, A Short Account of the History of Mathematics (1893, 1925)

“For as children tremble and fear everything in the blind darkness, so we in the light sometimes fear what is no more to be feared than the things that children in the dark hold in terror and imagine will come true. This terror, therefore, and darkness of mind must be dispelled not by the rays of the sun and glittering shafts of daylight, but by the aspect and law of nature.”
Nam veluti pueri trepidant atque omnia caecis
in tenebris metuunt, sic nos in luce timemus
interdum, nilo quae sunt metuenda magis quam
quae pueri in tenebris pavitant finguntque futura.
hunc igitur terrorem animi tenebrasque necessest
non radii solis neque lucida tela diei
discutiant sed naturae species ratioque.
Book II, lines 55–61 (tr. Rouse)
De Rerum Natura (On the Nature of Things)

"Love Itself"
Ten New Songs (2001)
Context: p>The light came through the window,
Straight from the sun above,
And so inside my little room
There plunged the rays of Love.In streams of light I clearly saw
The dust you seldom see,
Out of which the Nameless makes
A Name for one like me.</p

Statement of April 1961, as quoted in Warrior of Light : The Life of Nicholas Roerich : Artist, Himalayan explorer and visionary (2002) by Colleen Messina, p. 46

Quoted in 'Tesla, 75, Predicts New Power Source', New York Times (5 Jul 1931), Section 2, 1.

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective

Do mamy lecim do mamy! Cóż to, mamo nie znasz Józia? Ja to Józio ja ten samy. A to moja siostra Rózia. My teraz w raju latamy, Tam nam lepiej niż u mamy. Patrz jakie główki w promieniu, Ubiór z jutrzenki światełka, A na oboim ramieniu Jak u motylków skrzydełka, w raju wszystkiego dostatek, Co dzień to inna zabawka, gdzie stąpim wypływa trawka, gdzie dotkniem rozkwita kwiatek. Lecz choć wszystkiego dostatek dręczy nad nuda i trwoga. Ach mamo dla twoich dziatek zamknięta do nieba droga!
Part two.
Dziady (Forefathers' Eve) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_fore.htm

Royal Institution Lecture (April 30, 1897) as quoted by Edmund Taylor Whittaker, A History of the Theories of Aether and Electricity from the Age of Descartes to the Close of the Nineteenth Century http://books.google.com/books?id=CGJDAAAAIAAJ (1910).
Quotes eat me

Query 2
Opticks (1704)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 591.

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective

The Notebooks of Leonardo da Vinci (1883), VII On the Proportions and on the Movements of the Human Figure

The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings

Query 21
Opticks (1704)

Query 4
Opticks (1704)

Query 1
Opticks (1704)

"Hypothesis explaining the Properties of Light" (1675)

The Notebooks of Leonardo da Vinci (1883), VI Perspective of Colour and Aerial Perspective

"Hypothesis explaining the Properties of Light" (1675)

Asked to comment on the 20th anniversary of the cocaine-overdose death of Len Bias,

Diamonds, Unapologetic (2012). Cowritten with Benjamin Levin, Mikkel Eriksen and Tor Hermansen.
Songs

Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 7, Chapter 4, verse 15, purport. Vedabase http://www.vedabase.com/en/sb/7/4/15
Quotes from Books: Loving God, Quotes from Books: Regression of Science

Query 13
Opticks (1704)

"On Light And Other High Frequency Phenomena" A lecture delivered before the Franklin Institute, Philadelphia (24 February 1893), and before the National Electric Light Association, St. Louis (1 March 1893), published in The Electrical review (9 June 1893), p. Page 683; also in The Inventions, Researches And Writings of Nikola Tesla (1894)

“Sky—what a scowl of cloud
Till, near and far,
Ray on ray split the shroud:
Splendid, a star!”
The two Poets of Croisic.
Bartlett's Familiar Quotations, 10th ed. (1919)

Query 20
Opticks (1704)
“Choppa knock yo face off, black shades Ray Charles”
Cashed Out
Official Mix tapes, Dedication 4 (2012)
After being inducted into the International Boxing Hall of Fame. http://news.bbc.co.uk/1/hi/northern_ireland/4160837.stm

“I have harnessed the cosmic rays and caused them to operate a motive device.”
Brooklyn Eagle (10 July 1931)

Letter from Oliver Cowder to W.W. Phelps (Letter I), (September 7, 1834). Published in Latter Day Saints' Messenger and Advocate, Vol. I. No. 1. Kirtland, Ohio, October, 1834. Published in Letters by Oliver Cowdery to W.W. Phelps on the Rise of the Church of Jesus Christ of Latter-day Saints, Liverpool, 1844.

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

“No ray of Light can shine
if severed from its source.
Without my inner Light
I lose my course.”
The Cherubinic Wanderer

"Cathode rays" http://web.lemoyne.edu/~GIUNTA/thomson1897.html Philosophical Magazine, 44, 293 (1897).
Quotes eat me

Query 3
Opticks (1704)
Context: Are not the Rays of Light in passing by the edges and sides of Bodies, bent several times backwards and forwards, with a motion like that of an Eel? And do not the three Fringes of colour'd Light... arise from three such bendings?

“This is our mission: to cast a ray of light and pass on.”
Source: The Discovery of the Child (1948), Ch. 8 : The Exercises, p. 141
Variant translation:
This then is the first duty of an educator: to stir up life but leave it free to develop.
Context: This is our mission: to cast a ray of light and pass on. I compare the effects of these first lessons the impressions of a solitary wanderer who is walking serene and happy in a shady grove, meditating; that is leaving his inner thought free to wander. Suddenly a church bell pealing out nearby recalls to himself; then he feels more keenly that peaceful bliss which had already been born, though dormant, within him.
To stimulate life, leaving it free, however, to unfold itself, that is the first duty of the educator.
For such a delicate mission great art is required to suggest the right moment and to limit intervention, last one should disturb or lead astray rather than help the soul which is coming to life and which will live by virtue of it's own efforts.
This art must accompany the scientific method, because the simplicity of our lessons bears a great resemblance to experiments in experimental psychology.

“So from my chastened soul beneath thy ray
Old love is born anew.”
Remembrance.
Context: As all the perfumes of the vanished day
Rise from the earth still moistened with the dew
So from my chastened soul beneath thy ray
Old love is born anew.

Light (1919), Ch. XVI - De Profundis Clamavi
Context: Men have gone towards each other because of that ray of light which each of them contains; and light resembles light. It reveals that the isolated man, too free in the open expanses, is doomed to adversity as if he were a captive, in spite of appearances; and that men must come together that they may be stronger, that they may be more peaceful, and even that they may be able to live.
For men are made to live their life in its depth, and also in all its length. Stronger than the elements and keener than all terrors are the hunger to last long, the passion to possess one's days to the very end and to make the best of them. It is not only a right; it is a virtue.

The New Marvel in Photography (1896)
Context: I was working with a Crookes tube covered by a shield of black cardboard. A piece of barium platino-cyanide paper lay on the bench there. I had been passing a current through the tube, and I noticed a peculiar black line across the paper. … The effect was one which could only be produced, in ordinary parlance, by the passage of light. No light could come from the tube, because the shield which covered it was impervious to any light known, even that of the electric arc. … I did not think; I investigated. I assumed that the effect must have come from the tube, since its character indicated that it could come from nowhere else. I tested it. In a few minutes there was no doubt about it. Rays were coming from the tube which had a luminescent effect upon the paper. I tried it successfully at greater and greater distances, even at two metres. It seemed at first a new kind of invisible light. It was clearly something new, something unrecorded.

“Shadow is not the absence of light, merely the obstruction of the luminous rays by an opaque body.”
The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade
Context: Shadow is not the absence of light, merely the obstruction of the luminous rays by an opaque body. Shadow is of the nature of darkness. Light is of the nature of a luminous body; one conceals and the other reveals. They are always associated and inseparable from all objects. But shadow is a more powerful agent than light, for it can impede and entirely deprive bodies of their light, while light can never entirely expel shadow from a body, that is from an opaque body.

"Cathode rays" http://web.lemoyne.edu/~GIUNTA/thomson1897.html Philosophical Magazine, 44, 293 (1897).
Source: The Esoteric Tradition (1935), Chapter 16

Par l’art seulement, nous pouvons sortir de nous, savoir ce que voit un autre de cet univers qui n’est pas le même que le nôtre et dont les paysages nous seraient restés aussi inconnus que ceux qu’il peut y avoir dans la lune. Grâce à l’art, au lieu de voir un seul monde, le nôtre, nous le voyons se multiplier, et autant qu’il y a d’artistes originaux, autant nous avons de mondes à notre disposition, plus différents les uns des autres que ceux qui roulent dans l’infini et qui, bien des siècles après qu’est éteint le foyer dont il émanait, qu’il s’appelât Rembrandt ou Vermeer, nous envoient encore leur rayon spécial.<p>Ce travail de l’artiste, de chercher à apercevoir sous la matière, sous de l’expérience, sous des mots, quelque chose de différent, c’est exactement le travail inverse de celui que, à chaque minute, quand nous vivons détourné de nous-même, l’amour-propre, la passion, l’intelligence, et l’habitude aussi accomplissent en nous, quand elles amassent au-dessus de nos impressions vraies, pour nous les cacher entièrement, les nomenclatures, les buts pratiques que nous appelons faussement la vie.
Source: In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol. VII: The Past Recaptured (1927), Ch. III: "An Afternoon Party at the House of the Princesse de Guermantes"

St. 14
Elegy Written in a Country Churchyard http://www.thomasgray.org/cgi-bin/display.cgi?text=elcc (written 1750, publ. 1751)
Source: An Elegy Written In A Country Churchyard
Source: Demon in My View

“What did dead mean, Ray wondered. It meant lost, it meant frozen, it meant
gone.”
Source: The Lovely Bones

“Unlike Ray Porter, his love is fearless and without reservation.”
Source: Shopgirl

Source: Old Christmas: From the Sketch Book of Washington Irving

Source: He's Just Not That Into You: The No-Excuses Truth to Understanding Guys

Khwaja Mas'ud bin Sa'd bin Salman:Diwan-i-Salman in Elliot and Dowson, History of India as told by its own Historians, Vol. IV, pp. 518 ff.

Già la notte oscura
Avea tutti del giorno i raggj spenti;
E con l'oblío d'ogni nojosa cura
Ponea tregua alle lagrime, ai lamenti.
Canto III, stanza 71 (tr. Wickert)
Gerusalemme Liberata (1581)

Quote reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895). p. 366.
Dictionary of Burning Words of Brilliant Writers (1895)

This summer the roses are blue; the wood is of glass. The earth, draped in its verdant cloak, makes as little impression upon me as a ghost. It is living and ceasing to live which are imaginary solutions. Existence is elsewhere.
The last sentences of the Surrealist Manifesto, 1924
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)
Jewish War

Vincent Arthur Smith, The Oxford History of India: From the Earliest Times to the End of 1911 (Clarendon Press, 1920), 241-2. as quoted in Spencer, Robert (2018). The history of Jihad: From Muhammad to ISIS.

"Devonshire Street W.1" line 1, from A Few Late Chrysanthemums (1954).
Poetry

Shams Siraj Afif cited in Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 12