Quotes about radio
page 3

Andrew Tobias photo
Ann Coulter photo

“The only thing I'll say in defense of basically the entire conservative media is that, except for a few talk radio hosts, my twitter feed, I guess Brietbart, and Daily Caller is everyone seems to dislike Richard Spencer. He is you know our equivalent of Black Lives Matter. Apparently you know a gay showboater who just wants lots of media attention.”

Ann Coulter (1961) author, political commentator

Ann Coulter: Charlottesville Ralliers Could Have Been ‘Little Old Ladies’ Listening To ‘Civil War Buffs’
2017-08-17
Right Wing Watch
http://www.rightwingwatch.org/post/ann-coulter-charlottesville-ralliers-could-have-been-little-old-ladies-listening-to-civil-war-buffs/
2017

Leo Igwe photo
Rudolf Karl Bultmann photo

“We cannot use electric lights and radios and, in the event of illness, avail ourselves of modern medical and clinical means and at the same time believe in the spirit and wonder world of the New Testament.”

Rudolf Karl Bultmann (1884–1976) German theologian

Man kann nicht elektrisches Licht und Radioapparat benutzen, in Krankheitsfällen moderne medizinische und klinische Mittel in Anspruch nehmen und gleichzeitig an die Geister-und Wunderwelt des Neuen Testaments glauben.
Source: New Testament and Mythology and Other Basic Writings (1941), p. 4

Paul Keating photo

“John Howard turned the prime ministership into something like a state police minister. He's at the scene of every crime, twice a day on radio, the guy did no thinking.”

Paul Keating (1944) Australian politician, 24th Prime Minister of Australia

Referring to former Prime Minister of Australia John Howard, 7.30 Report, August 6, 2008. 7.30 Report Interview http://www.abc.net.au/7.30/content/2008/s2326431.htm

Olof Palme photo
Noam Chomsky photo
Amanda Lear photo
Isidore Isou photo

“Radio through television becomes a species of Cinema. Why shouldn't Cinema, in turn, become a species of radio?”

Isidore Isou (1925–2007) Romanian-born French poet, film critic and visual artist

Venom and Eternity (1951), Danielle's Monologue

Fritz Sauckel photo
Hunter S. Thompson photo
Klaus Kinski photo
Edward R. Murrow photo

““Rumors that the sun is out at Santa Ynez are without foundation,” the radio said.”

December “NOT IN OUR STARS“
The Sheep Look Up (1972)

Roger Raveel photo

“The cosmic also keeps me busy, more than the other 'Nieuwe Vizie' ['New Vison'-artists]. For me it means the feeling of forces in nature like electricity, radio, radar, and of forces that one only suspects, and has not been able yet to track down scientifically.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Het kosmische houdt ook mij, wel het meest van De Nieuwe Vizie [-kunstenaars] bezig: het betekent voor mij een aanvoelen van krachten in de natuur als elektriciteit, radio, radar, en van krachten die men slechts vermoedt en wetenschappelijk nog niet heeft kunnen achterhalen.
Quote of Raveel 1974, in the article 'Roger Raveel en zijn keuze uit het Museum voor Schone Kunsten in Gent' http://www.tento.be/sites/default/files/tijdschrift/pdf/OKV1975/Roger%20Raveel%20en%20zijn%20keuze%20uit%20het%20Museum%20voor%20Schone%20Kunsten%20in%20Gent.pdf, ed. Ludo Bekkers; in Dutch art-magazine 'Openbaar Kunstbezit', January-March 1975, p. 13
1970's

Michael Savage photo

“Trains, planes, cars, rockets, telescopes, tires, telephones, radios, television, electricity, atomic energy, computers, and fax machines. All miracles made possible by the minds and spirits of men with names like Ampere, Bell, Caselli, Edison, Ohm, Faraday, Einstein, Cohen, Teller, Shockley, Hertz, Marconi, Morse, Popov, Ford, Volta, Michelin, Dunlop, Watt, Diesel, Galileo, and other "dead white males." … The great majority of advancements past and present have been brought about by the genius and inventiveness of that most "despicable" of colors and genders, the dreaded white male, or, to be exact, by specific, individual white males. This is not to discredit the many contributions coming from nonwhites, but fact is fact. Our most important and consequential inventions have come almost exclusively from white males. … If you eliminate, suppress, or debase the while male, you kill the goose that laid the golden egg. If you ace him out with "affirmative" action, exile him from the family, teach him that he's a blight on mankind, then bon voyage to our society. We will devolve into a Third World cesspool. Where has there ever before in history been a group of human beings who have brought about the likes of the Magna Carta, the U. S. Constitution, and the countless life-saving and life-improving inventions that we now enjoy? … Does this mean we should sit back and let ourselves be governed by someone just because he's a white male? Of course, it doesn't. It means simply that we shouldn't suppress anyone, including white males. Let our God-given gifts run free in a free and just society, free from the oppression and tyranny of social engineers. If anyone has gifts beyond our own—be he a white male or other—be grateful. Maybe we have gifts that in some small way can contribute something of value as well. One way or another, we're all in the same boat. Few of us have truly outstanding gifts. And most of us have to humbly accept that there are others around who are more gifted than we are. In a Democratic society, it's not for Big Brother to decide who shall thrive and who shall struggle in the hive.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

Source: The Savage Nation: Saving America from the Liberal Assault on Our Borders, Language and Culture (2003), pp. 136–138; "White Male Inventions" http://www.dadi.org/ms_dwm.htm (December 15, 1999)

Richard Nixon photo

“I leave you gentleman now. You will now write it; you will interpret it; that's your right. But as I leave you I want you to know…. just think how much you're going to be missing. You don't have Nixon to kick around any more, because, gentlemen, this is my last press conference, and I hope that what I have said today will at least make television, radio, the press recognize that they have a right and a responsibility, if they're against a candidate give him the shaft, but also recognize if they give him the shaft, put one lonely reporter on the campaign who'll report what the candidate says now and then. Thank you, gentlemen, and good day.”

Press conference after losing the election for Governor of California (November 7, 1962) http://www.youtube.com/watch?v=_RMSb-tS_OM; most reports used an official "Transcript of Nixon's News Conference on His Defeat by Brown in Race for Governor of California", as published in "The New York Times" (November 8, 1962), p. 18, also used in RN : The Memoirs of Richard Nixon (1978) and most published accounts which ended "You don't have Nixon to kick around any more because, gentlemen, this is my last press conference and it will be one in which I have welcomed the opportunity to test wits with you."
1960s

James Comey photo
John Cage photo
Jeremy Corbyn photo
Patrick Modiano photo
E. B. White photo
Georges Duhamel photo

“When I say, “Beware of the radio if you want to improve your mind,” … I am warning the public against their worst enemy, conformity.”

Georges Duhamel (1884–1966) French writer

Source: Défense des Lettres [In Defense of Letters] (1937), p. 42

Draft:Udit Narayan photo

“I was blessed with a good voice but not a good life. We didn't have a radio at home, but when I'd hear Mohammad Rafi's voice emit from a neighbour's radio, I'd be mesmerised. I'd sing for 25 paise at small village fairs.”

Draft:Udit Narayan (1955) Playback singer

http://timesofindia.indiatimes.com/entertainment/hindi/music/news/Id-sing-for-25-paise-at-small-village-fairs-Udit-Narayan/articleshow/27070827.cms

Katie Melua photo

“…after all we don't want the radio star to kill video.”

Katie Melua (1984) British singer-songwriter

About the decline of the music video.
[Katie Melua, Katie comes of age, http://www.katiemelua.com/blogs2007.html, Official blog, 2007-05-29]

Bill Bryson photo

“I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.”

Bill Bryson (1951) American author

Source: The Life And Times of the Thunderbolt Kid (2006), p. 36

Albert Speer photo
Pat Paulsen photo
John Cage photo

“David Tudor and I went to Hilversum in Holland to make a recording for the Dutch radio. We arrived at the studio early and there was some delay. To pass the time, we chatted with the engineer who was to work with us. He asked me what kind of music he was about to record. Since he was a Dutchman I said, 'It may remind you of the work of Mondrian.' When the session was finished and the three of us were leaving the studio, I asked the engineer what he thought of the music we had played. He said, 'It reminded me of the work of Mondrian.”

John Cage (1912–1992) American avant-garde composer

Quote from 'Lecture on Nothing', (c. 1949), in 'Silence: lectures and writings by John Cage; Publisher Middletown, Conn. Wesleyan University Press, June 1961, p. 127
this lecture had been prepared some years earlier, but was not printed until 1959, when it appeared in 'It Is', ed. Philip Pavia
1950s

Merrick Garland photo

“For myself the balance came from always driving my children to school. So that every day we had that first half-hour, 45 minutes of nothing but uninterrupted time. Sometimes it was just a bunch of sarcasm. Sometimes it was just listening to the radio. But sometimes it was real explanation of what the kids were thinking what they were worried about.”

Merrick Garland (1952) American judge

[Merrick Garland, https://www.youtube.com/watch?v=7U1a8pYMJDM, March 18, 2016, Life Lessons Learned, DC Circuit Court Judge Panel, JRCLS International Law Conference, February 15, 2013, Georgetown University Law Center]; also excerpted quote in:
[March 18, 2016, The Quotable Merrick Garland: A Collection of Writings and Remarks, http://www.nationallawjournal.com/home/id=1202752327128/The-Quotable-Merrick-Garland-A-Collection-of-Writings-and-Remarks, Zoe Tillman, The National Law Journal, March 16, 2016, 0162-7325]
DC Circuit Court Judge Panel, JRCLS International Law Conference (2013)

José Mourinho photo
Ingmar Bergman photo

“Winter Light — suppose we discuss that now?… The film is closely connected with a particular piece of music: Stravinski's A Psalm Symphony. I heard it on the radio one morning during Easter, and it struck me I'd like to make a film about a solitary church on the plains of Uppland. Someone goes into the church, locks himself in, goes up to the altar, and says: 'God, I'm staying here until in one way or another You've proved to me You exist. This is going to be the end either of You or of me!' Originally the film was to have been about the days and nights lived through by this solitary person in the locked church, getting hungrier and hungrier, thirstier and thirstier, more and more expectant, more and more filled with his own experiences, his visions, his dreams, mixing up dream and reality, while he's involved in this strange, shadowy wrestling match with God.
We were staying out on Toro, in the Stockholm archipelago. It was the first summer I'd had the sea all around me. I wandered about on the shore and went indoors and wrote, and went out again. The drama turned into something else; into something altogether tangible, something perfectly real, elementary and self-evident.
The film is based on something I'd actually experienced. Something a clergyman up in Dalarna told me: the story of the suicide, the fisherman Persson. One day the clergyman had tried to talk to him; the next, Persson had hanged himself. For the clergyman it was a personal catastrophe.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jonas Sima interview <!-- pages 173-174 -->
Bergman on Bergman (1970)

Tom Petty photo
Derryn Hinch photo

“Recently, I was evicted of contempt of court over my online editorial about (bleep). I was sentenced to pay a $100,000 fine, or go to jail for 50 days. I believe this was the highest personal fine ever issued in Australia. Other websites, newspapers, and radio stations were not charged for similar or even more controversial material. Yet the judge attacked me for portraying myself as a scapegoat — a whipping boy — and he punished me accordingly. Now it is true, I have prior convictions. In 1987, I was fined $15,000 and jailed for exposing a paedophile priest Michael Glennon. Glennon had already been to jail for raping a 10-year-old girl, but was still running a camp for kids in country Victoria. And he was still a Catholic priest. He eventually went to jail, and he died behind bars several weeks ago. And to be honest, I feel good about that — he was an evil, evil man. I also spent five months under house arrest in 2011 for breaching court suppression orders, revealing the names of two serial sex offenders at a rally outside Victoria's Parliament House. About 4000 other people also shouted their names. That one cost me my radio job at 3AW. And I was fined and did 250 hours of community service for naming a judge who ruled that a man could not be charged for raping his wife under a 300-year-old British law. In Victoria, that law has since been changed. Now, here we go again. I have made a decision not taken lightly. On principle, I will not pay the $100,000 fine, which was due today. Instead, I'll go to jail. I'll go to jail for 50 days; to draw attention to all the suspended sentences for crimes of violence and child pornography; for the obscenely short sentences given to king hit killers; to draw attention to my campaign for a national register of convicted sex offenders. Already, 30,000 of you have signed up. I'm happy to serve just 50 days of the many years that the convicted paedophile ex-magistrate should be serving. That pervert, Simon Cooper, wasn't even put on the sex offenders register. If my going to jail draws attention to the judges and magistrates, out of touch with community expectations and your safety, then every one of my 50 days behind bars will be worth it. And so I'll go to jail.”

Derryn Hinch (1944) New Zealand–Australian media personality

Today Tonight, 16 January 2014.

Ursula K. Le Guin photo
Ann Coulter photo
Hariprasad Chaurasia photo
Robert Mitchum photo
Marshall McLuhan photo

“World War I a railway war of centralization and encirclement. World War II a radio war of decentralization concluded by the Bomb. World War III a TV guerrilla war with no divisions between civil and military fronts.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 152

Claude Lévi-Strauss photo
Van Morrison photo
David Allen photo

“Good ideas are infinitely available. We've just limited our availablitly to them. The music's not in the radio.”

David Allen (1945) American productivity consultant and author

3 December 2009 https://twitter.com/gtdguy/status/6297004027
Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

Fran Lebowitz photo
Dylan Moran photo
James Howard Kunstler photo
Fernand Léger photo
S. I. Hayakawa photo
Mortimer J. Adler photo
Roger Manganelli photo
Billy Joel photo
Jeremy Clarkson photo
Prince photo

“At this point, I wouldn't want to jinx it by meeting him. His arrangements are incredible. I just send him a tape, we talk on the phone, and he sends me the finished orchestra tracks. Hear that? I'm gonna get that chord on the radio!”

Prince (1958–2016) American pop, songwriter, musician and actor

Discussing his then nearly decade-and-a-half-long working relationship with arranger Clare Fischer (whom he'd never met, nor ever would meet, face to face), as quoted in the January 2000 issue of Keyboard Magazine, reprinted in Keyboard Presents Synth Gods https://books.google.com/books?id=BMucfBTXvMgC&pg=PA97&dq=%22I+wouldn't+want+to+jinx+it%22+%22that+chord+on+the+radio%22&hl=en&sa=X&ei=w2acVdevKIKYyASn3oCoBg&ved=0CBQQ6AEwAA#v=onepage&q&f=false (2011), edited by Ernie Rideout, p. 97

Bobby Sands photo

“The days were long and lonely. The sudden and total deprivation of such basic human necessities as exercise and fresh air, association with other people, my own clothes and things like newspapers, radio, cigarettes books and a host of other things, made my life very hard.”

Bobby Sands (1954–1981) Irish volunteer of the Provisional Irish Republican Army

On his experience in solitary confinement in prison, in An Phoblacht/Republican News (1978), under the pseudonym "Marcella."
Other writings

Elaine Paige photo
Morrissey photo
Lee Kuan Yew photo
Peter F. Drucker photo
Toby Keith photo

“How do you like me now?
How do you like me now,
Now that I'm on my way?
Do you still think I'm crazy,
Standin here today?
I couldn't make you love me.
But I always dreamed about living in your radio.
How do you like me now?”

Toby Keith (1961) American country music singer and actor

How Do You Like Me Now?!, written with Chuck Cannon
Song lyrics, How Do You Like Me Now?! (1999)

Maxwell D. Taylor photo
Henry Hazlitt photo
Abby Sunderland photo

“Unable to make radio contact with this second plane I felt my chances were fading fast. Dropping the radio mic, I sprinted up to the deck... and saw a huge ship bearing down on me!”

Abby Sunderland (1993) Camera Assistant, Inspirational Speaker and Sailor

Source: Unsinkable: A Young Woman's Courageous Battle on the High Seas (2011), p. 186

Nancy Bird Walton photo
Paul Harvey photo

“Join me later today for this "Rest of the Story" story … over this ABC Radio Network station.”

Paul Harvey (1918–2009) American broadcaster

Regular tag lines

Jack White photo
Chuck Palahniuk photo
Jared Diamond photo
Edward R. Murrow photo
Richard Stallman photo
Bill Downs photo

“As Al Franken has demonstrated, liberals give lousy talk radio.”

L. Neil Smith (1946) American writer

"The Pot and the Kettle" http://www.ncc-1776.org/tle2010/tle562-20100321-02.html 21 March 2010.

Amanda Lear photo
Vangelis photo

“We are living in a cultural dark age of musical pollution. You put the radio on, and five minutes later you need an aspirin.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

2005

Bill O'Reilly photo
Harry Chapin photo
Yuval Noah Harari photo
April Winchell photo

“[Referring to the radio station program director]: "I'll get him to call me some day, even if it means spilling cheese all over my brassiere at KFI, by gawd."”

April Winchell (1960) American voice actor and writer

KFI-Los Angeles radio broadcast, January 28, 2001, 10:00 p.m. hour.

Howard Dean photo
Aaron Sorkin photo
Andy Warhol photo
Janeane Garofalo photo
Sarah Dessen photo
Tom Petty photo
Henry Hazlitt photo
Lee De Forest photo
Tadamichi Kuribayashi photo

“By conducting a media fast - turning off the television, radio, and computer - we stop the influx of poison that keeps us buying and desiring more.”

The Divine Commodity: Discovering A Faith Beyond Consumer Christianity (2009, Zondervan)

Alija Izetbegović photo
Chuck Palahniuk photo
Bill Maher photo
Helen Reddy photo