Quotes about poetry
page 7

Eugen Drewermann photo
Georges Braque photo
Robert Frost photo
Halldór Laxness photo
Tom Robbins photo

“Poetry offers the fairest hope of restoring our lost unity of mind.”

Richard M. Weaver (1910–1963) American scholar

“The Power of the Word,” p. 53.
Language is Sermonic (1970)

Sorley MacLean photo

“My obsession was the preservation of the Gaelic language so that there would be people left in the world who could hear its great songs as they really were. No poetry could be translated, still less could song poetry, and the great language of Gaelic song made me fanatical about the beauty of the Gaelic language and its astonishing ability to indicate shades and positions of emphasis with natural inversions and the use of particles.”

Sorley MacLean (1911–1996) Scottish poet

Sorley MacLean, 1982, quoted in Krause, Corinna. Eadar Dà Chànan: Self-Translation, the Bilingual Edition and Modern Scottish Gaelic Poetry https://www.era.lib.ed.ac.uk/bitstream/handle/1842/3453/Krause2007.pdf?sequence=1&isAllowed=y
Letters and interviews

“Poetry cannot report the event, it must be the event, lived through in a form that can speak about itself while remaining wholly itself.”

Balachandra Rajan (1920–2009) Indian writer

The Overwhelming Question ' University of Toronto Press 1976

Florence Earle Coates photo
Dana Gioia photo
Philippe Starck photo
Georges Seurat photo

“They [the visitors in his studio, praising his work] see poetry in what I have done. No, I apply my method and that is all there is to it.”

Georges Seurat (1859–1891) French painter

as quoted in Post-Impressionism, From Van Gogh to Gauguin, John Rewald, Museum of Modern Art, New York, 1956, p. 86
undated quotes

S. H. Raza photo
Stephen Fry photo
Camille Paglia photo
Francis Jeffrey, Lord Jeffrey photo
Christopher Hitchens photo
Samuel Taylor Coleridge photo
Caterina Davinio photo
Joan Miró photo
John Betjeman photo
Ai Weiwei photo

“Human life without some form of poetry is not human life but animal existence.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"The Obscurity of the Poet", p. 16
Poetry and the Age (1953)

Peter Ladefoged photo

“I wanted to find out why Shelley could write better-sounding poetry than I.”

Peter Ladefoged (1925–2006) British phonetician

Los Angeles Times (1970); on why he chose to pursue phonetics.

Karl Wilhelm Friedrich Schlegel photo

“The romantic poetry is a progressive universal poetry.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Die romantische Poesie ist eine progressive Universalpoesie.
Progressive Universalpoesie (1798); in the German language, particularly in the Romantic schools, "Poesie" means both poetry as genre and faculty and the source of creativity to form poetry.

Eugen Drewermann photo
Sorley MacLean photo

“I believe Mull had much to do with my poetry: its physical beauty, so different from Skye’s, with the terrible imprint of the clearances on it, made it almost intolerable for a Gael.”

Sorley MacLean (1911–1996) Scottish poet

Sorley MacLean, The Sorley MacLean Trust http://www.sorleymaclean.org/english/from_skye.htm
Letters and interviews

Maria Mitchell photo
E.M. Forster photo
Rumi photo

“This poetry. I never know what I'm going to say.
I don't plan it.
When I'm outside the saying of it,
I get very quiet and rarely speak at all.”

Rumi (1207–1273) Iranian poet

"Who says words with my mouth?" in Ch. 1 : The Tavern, p. 2
Disputed, The Essential Rumi (1995)

Alexander McCall Smith photo
Wallace Stevens photo
Johann Gottlieb Fichte photo
Georg Christoph Lichtenberg photo
Ada Lovelace photo

“Our family are an alternate stratification of poetry and mathematics.”

Ada Lovelace (1815–1852) English mathematician, considered the first computer programmer

In a letter to Andrew Crosse, as quoted in Eugen Kölbing's Englische Studien, Volume 19 https://archive.org/stream/englischestudien19leipuoft#page/156/mode/1up (1894), Leipzig; O.R. Reisland, "Byron's Daughter", p. 156.

Gaston Bachelard photo
S. H. Raza photo
H. Havelock Ellis photo

“Thinking in its lower grades is comparable to paper money, and in its higher forms it is a kind of poetry.”

H. Havelock Ellis (1859–1939) British physician, writer, and social reformer

Source: The Dance of Life http://www.gutenberg.net.au/ebooks03/0300671.txt (1923), Ch. 3

Matthew Arnold photo

“The best poetry will be found to have a power of forming, sustaining, and delighting us, as nothing else can.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

The Study of Poetry
Essays in Criticism, second series (1888)

John Denham photo
John Betjeman photo

“Hymns are the poetry of the people.”

John Betjeman (1906–1984) English poet, writer and broadcaster

Radio Talk: BBC Radio (4 July 1975)

Eugène Delacroix photo
Florence Earle Coates photo
Thornton Wilder photo
Thomas Carlyle photo
Harold Innis photo
Lima Barreto photo
Dana Gioia photo
Samuel Palmer photo

“Rural poetry is the pleasure ground of those who live in cities.”

Samuel Palmer (1805–1881) British landscape painter, etcher and printmaker

Introduction to Palmer's translation of Virgil's Eclogues

Johann Wolfgang von Goethe photo
Karel Appel photo
Vanna Bonta photo

“Poetry achieves its pinnacle when it is the perfection and mastery of expression (creation, perception) as Art (arrangement).”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

Charles Bernstein photo

“You can't make poetry simply by avoiding clichés.”

Theodore Roethke (1908–1963) American poet

Poetry and Craft (1965)

Gloria Estefan photo
Xi Murong photo
Edward Hirsch photo

“There is no true poetry unconcious inspiration.”

Edward Hirsch (1950)

How to Read a Poem And Fall in Love with Poetry (1998)

Anthony Ashley-Cooper, 3rd Earl of Shaftesbury photo
Henry Adams photo

“The Roman de la Rose is the end of true mediæval poetry […] Our age calls it false taste, and no doubt our age is right;— every age is right by its own standards as long as its standards amuse it.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Adams specifies that he refers "only to the Roman of William of Lorris, which dates from the death of Queen Blanche and of all good things, about 1250". He describes the rather cynical continuation by Jean de Meung, about 1300, as "beyond our horizon".
Mont Saint Michel and Chartres (1904)

Ani DiFranco photo
Dana Gioia photo
Edward Bulwer-Lytton photo

“You speak
As one who fed on poetry.”

Act i, Scene vi.
Richelieu (1839)

Jorge Luis Borges photo

“Well, he wrote a book -- well, maybe here I'm being political -- he wrote a book about the tyrants of South America, and then he had several stanzas against the United States. Now he knows that that's rubbish. And he had not a word against Perón. Because he had a law suit in Buenos Aires, that was explained to me afterwards, and he didn't care to risk anything. And so, when he was supposed to be writing at the top of his voice, full of noble indignation, he had not a word to say against Perón. And he was married to an Argentine lady, he knew that many of his friends had been sent to jail. He knew all about the state of our country, but not a word against him. At the same time, he was speaking against the United States, knowing the whole thing was a lie, no? But, of course, that doesn't mean anything against his poetry. Neruda is a very fine poet, a great poet in fact. And when they gave Miguel de Asturias the Nobel Prize, I said that it should have been given to Neruda! Now when I was in Chile, and we were on different political sides, I think he did the best thing to do. He went on a holiday during the three or four days I was there so there was no occasion for our meeting. But I think he was acting politely, no? Because he knew that people would be playing him up against me, no? I mean, I was an Argentine, poet, he was a Chilean poet, he's on the side of the Communists, I'm against them. So I felt he was behaving very wisely in avoiding a meeting that would have been quite uncomfortable for both of us.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Page 96.
Conversations with Jorge Luis Borges (1968)

Paul Fort photo

“Poetry is the vision in a man's soul which he translates as best he can with all the means at his disposal.”

Paul Fort (1872–1960) French Poet

Preface to Some Imagist Poets, Constable, 1916

Guru Govind Singh photo
John Updike photo
Letitia Elizabeth Landon photo
Philip Schaff photo

“Luther's Qualifications. Luther had a rare combination of gifts for a Bible translator: familiarity with the original languages, perfect mastery over the vernacular, faith in the revealed word of God, enthusiasm for the gospel, unction of the Holy Spirit. A good translation must be both true and free, faithful and idiomatic, so as to read like an original work. This is the case with Luther's version. Besides, he had already acquired such fame and authority that his version at once commanded universal attention.
His knowledge of Greek and Hebrew was only moderate, but sufficient to enable him to form an independent judgment. What he lacked in scholarship was supplied by his intuitive genius and the help of Melanchthon. In the German tongue he had no rival. He created, as it were, or gave shape and form to the modern High German. He combined the official language of the government with that of the common people. He listened, as he says, to the speech of the mother at home, the children in the street, the men and women in the market, the butcher and various tradesmen in their shops, and, "looked them on the mouth," in pursuit of the most intelligible terms. His genius for poetry and music enabled him to reproduce the rhythm and melody, the parallelism and symmetry, of Hebrew poetry and prose. His crowning qualification was his intuitive insight and spiritual sympathy with the contents of the Bible.
A good translation, he says, requires "a truly devout, faithful, diligent, Christian, learned, experienced, and practiced heart."”

Philip Schaff (1819–1893) American Calvinist theologian

Luther's competence as a Bible translator

Ernest Flagg photo
Robert Pinsky photo

“It is the nature of poetry to emphasize that the physical sounds of words come from a particular body, one at a time, in a particular order.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

Poetry and the World, Ecco Press,1988

Henry Wadsworth Longfellow photo

“Poetry is most convincing when its elements have been lived.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

Dana Gioia photo

“Poetry may be written on paper, but it’s an oral art. A good poem satisfies the ear. It creates a story or picture that grabs you.”

John Hollander (1929–2013) American poet

Quoted in 'Venerable Poets :Words to Pop Music beat 'by Cynthia Wolfe Boyton.

Henry Adams photo
William Soutar photo

“What is this poetry? A mortal mind
Made visible; a caged bird?
Nay more:it is a spiritleft behind
Nailed by the piercing word.”

William Soutar (1898–1943) British poet

On a poem, XC Brief Words, The Moray Press, Edinburgh 1935.

“My fossils, ferns and porcelain (i. e. my hobbies) are an island of sanity in a mad world, an island found by others of my profession who devote a quiet hour to their postmarks, butterflies, stamps or poetry. My palaeontology was a sure restoration of equanimity after the frustrations of working for and with some politicians.”

Claud William Wright (1917–2010) British paleontologist

Shovelton, Patrick (2010). Claud Wright: Senior civil servant who was also a leading expert in geology, palaeontology and archaeology — Obituary http://www.independent.co.uk/news/obituaries/claud-wright-senior-civil-servant-who-was-also-a-leading-expert-in-geology-palaeontology-and-archaeology-1917829.html, The Independent, Monday, 8 March 2010.

Carl Gustav Jacob Jacobi photo

“History knew a midnight, which we may estimate at about the year 1000 A. D., when the human race lost the arts and sciences even to the memory. The last twilight of paganism was gone, and yet the new day had not begun. Whatever was left of culture in the world was found only in the Saracens, and a Pope eager to learn studied in disguise in their unversities, and so became the wonder of the West. At last Christendom, tired of praying to the dead bones of the martyrs, flocked to the tomb of the Saviour Himself, only to find for a second time that the grave was empty and that Christ was risen from the dead. Then mankind too rose from the dead. It returned to the activities and the business of life; there was a feverish revival in the arts and in the crafts. The cities flourished, a new citizenry was founded. Cimabue rediscovered the extinct art of painting; Dante, that of poetry. Then it was, also, that great courageous spirits like Abelard and Saint Thomas Aquinas dared to introduce into Catholicism the concepts of Aristotelian logic, and thus founded scholastic philosophy. But when the Church took the sciences under her wing, she demanded that the forms in which they moved be subjected to the same unconditioned faith in authority as were her own laws. And so it happened that scholasticism, far from freeing the human spirit, enchained it for many centuries to come, until the very possibility of free scientific research came to be doubted. At last, however, here too daylight broke, and mankind, reassured, determined to take advantage of its gifts and to create a knowledge of nature based on independent thought. The dawn of the day in history is know as the Renaissance or the Revival of Learning.”

Carl Gustav Jacob Jacobi (1804–1851) German mathematician

"Über Descartes Leben und seine Methode die Vernunft Richtig zu Leiten und die Wahrheit in den Wissenschaften zu Suchen," "About Descartes' Life and Method of Reason.." (Jan 3, 1846) C. G. J. Jacobi's Gesammelte werke Vol. 7 https://books.google.com/books?id=_09tAAAAMAAJ&pg=PA309 p.309, as quoted by Tobias Dantzig, Number: The Language of Science (1930).

Helen Garner photo

“Crap,' said Janet. 'He was a whinger and he wrote it down. That's not poetry.”

Page 78.
Cosmo Cosmolino (1992)

Letitia Elizabeth Landon photo

“Poetry is to prose as dancing is to walking.”

John Wain (1925–1994) British writer

Talk on BBC Radio, 13 January 1976
Quoted in "The Penguin Dictionary of Twentieth-Century Quotations", J M & M J Cohen (1996) p. 389 ISBN 0-14-051165-2

Wallace Stevens photo

“Poetry is a search for the inexplicable.”

Wallace Stevens (1879–1955) American poet

Opus Posthumous (1955), Adagia

John Constable photo
Dana Gioia photo

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Robert Pinsky photo

“I am very interested in memorization which is the process of incorporating a poem, so, I would say the kind of poetry I write is the kind that emphasises the physical qualities of the words.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

WPFW-FM inteview with Grace Cavalieri 1995/96 season

Gloria Estefan photo

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008