Quotes about poetry
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“She is one of the most brilliant poets ever and has inspired thousands to write poetry on the level of the Vogons and cause widespread fear of such good poetry.”

Minnie Haskins (1875–1957) British poet and sociologist

Fear

“The new vision of man and politics was never taken by its founders to be splendid. Naked man, gripped by fear or industriously laboring to provide the wherewithal for survival, is not an apt subject for poetry. They self-consciously chose low but solid ground. Civil societies dedicated to the end of self-preservation cannot be expected to provide fertile soil for the heroic and inspired. They do not require or encourage the noble. What rules and sets the standards of respectability and emulation is not virtue or wisdom. The recognition of the humdrum and prosaic character of life was intended to play a central role in the success of real politics. And the understanding of human nature which makes this whole project feasible, if believed in, clearly forms a world in which the higher motives have no place. One who holds the “economic” view of man cannot consistently believe in the dignity of man or in the special status of art and science. The success of the enterprise depends precisely on this simplification of man. And if there is a solution to the human problems, there is no tragedy. There was no expectation that, after the bodily needs are taken care of, man would have a spiritual renaissance—and this for two reasons: (1) men will always be mortal, which means that there can be no end to the desire for immortality and to the quest for means to achieve it; and (2) the premise of the whole undertaking is that man’s natural primary concern is preservation and prosperity; the regimes founded on nature take man as he is naturally and will make him ever more natural. If his motives were to change, the machinery that makes modern government work would collapse.”

Allan Bloom (1930–1992) American philosopher, classicist, and academician

“Commerce and Culture,” p. 284.
Giants and Dwarfs (1990)

Life, Wisdom, Men, World

“Poetry belongs to the real things—to the realm of the ideal which is "the only real."”

Florence Earle Coates (1850–1927) American writer and poet

On poetry

“In the best painting as in authentic poetry one is aware of moral pressures exerted.. choices are important, moral pressure exists to make right and wrong choices.”

Stanley Kunitz (1905–2006) poet

Unsourced

Painting

“Man as he came from the hand of his Maker was poetic in both mind and body, but the gross heathenism of civilization has generally destroyed Nature, and poetry, and all that is spiritual.”

John Muir (1838–1914) Scottish-born American naturalist and author

letter to J.B. McChesney http://digitalcollections.pacific.edu/cdm/compoundobject/collection/muirletters/id/12909/rec/84 (19 September 1871) <br class="br">1870s

Nature

“Blok was probably the greatest Russian poet since Pushkin; although internationally less well known than Rilke and Valéry, he is of their stature and importance. He revolutionized Russian versification by making use of a purely accentual technique. He knew, as so few now know, that only the poetry of suffering – whether it is a poetry of joy or not – can be great. His own poetry, for which he burnt himself out, demonstrates this.”

Alexander Blok (1880–1921) poet

Martin Seymour-Smith Guide to Modern World Literature (London: Hodder and Stoughton, 1975) vol. 4, p. 225.
Criticism

Suffering, Joy

“Everything is complicated; if that were not so, life and poetry and everything else would be a bore.”

Wallace Stevens (1879–1955) American poet

Letter (19 December 1935) as published in Letters of Wallace Stevens (1966) edited by Holly Stevens, (No. 336)

Life

““Modern” poetry is, essentially, an extension of romanticism; it is what romantic poetry wishes or finds it necessary to become. It is the end product of romanticism, all past and no future; it is impossible to go further by any extrapolation of the process by which we have arrived, and certainly it is impossible to remain where we are—who could endure a century of transition?”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

transition [sic] was the avant-garde English-language magazine published in Paris 1927–1938; “A Note on Poetry”, p. 48
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Past, Future

“Poetry is a transfusion of the ephemeral blood that sustains the universal heartbeat within human society.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

Universe

“The public want actresses, because they think all actresses bad. They don't want music or poetry because they know that both are good. So actors and actresses thrive and poets and composers starve.”

George Bernard Shaw (1856–1950) Irish playwright

1900s, Love Among the Artists (1900)

Music, Thinking

“Haiku can be the antidote against the kind of poetry dominated by egos and battling personalities.”

William J. Higginson (1938–2008) American writer

Personality

“Poetry is the key to the hieroglyphics of Nature.”

David Hare (1947) British writer

Augustus William Hare and Julius Charles Hare Guesses at Truth (London: Macmillan, ([1827-48] 1867) p. 296.
Misattributed

Nature

“If from poetry we expect a succession of signals for the release of miscellaneous private emotion we are likely to find Tears, Idle Tears valuable.”

Raymond Williams (1921–1988) philosopher

Reading and Criticism (1950)

Tear, Success

“We deny that poetry is fiction; its merit and its power lie alike in its truth:”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Truth, Lie

“Poetry operates by raising our curiosity, engaging the mind by degrees to take an interest in the event, keeping that event suspended, and surprising at last with an unexpected catastrophe. The painter's art is more confined, and has nothing that corresponds with, or perhaps is equivalent to, this power and advantage of leading the mind on, till attention is totally engaged. What is done by Painting, must be done at one blow; curiosity has received at once all the satisfaction it can ever have.”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Discourse no. 8, delivered on December 10, 1778; vol. 1, p. 247.
Discourses on Art

Art, Painting

“Sound poetry is a fusion of music and literature.”

Dick Higgins (1938–1998) English composer and poet

The Origin of Happenings (1976)
Variant: Concrete poetry is a fusion of visual art and poetry.

Music, Literature

“I do not know of anything in modern poetry as violently hostile to contemporary life as was the poetry of T. S. Eliot, which so perfectly fitted the mood of the young people between the two wars. I also find much more benevolence towards humanity in younger historians than there was in Spengler or in Toynbee. Still, it is not difficult to sense the disgust of the intellectuals at the new prosperous working class, 'with their eyes glued to the television screen,' who have become indifferent to radical ideas.”

Dennis Gabor (1900–1979) Nobel Prize-winning physicist and inventor of holography

Source: Inventing the Future (1963), p. 18

Life, Hostility, War, People

“In Russia - Poets are considered a danger to the political system and are sent into Asylums.
What a compliment to the Russian People
that poetry could move them so.
In NZ Poets are not considered a danger.
No one reads poetry
Poets aren't sent to Asylums but they are considered mad nonetheless”

Tim Shadbolt (1947) New Zealand politician

From the introduction to "Concrete Reality"

People, Reading, Madness

“The favourite volume whose reading we commend, is inevitably connected with ourselves — it must bring to our image those lonely hours when the recurrence of an image has such influence — it invests that image with the associations of poetry and fiction, and thus redeems it from the common-place of ordinary life. There is also the sympathy of taste — and how much may be inferred from a passage pencilled originally for no other eyes but our own. Then, too, a book is the prettiest stepping stone to a correspondence; it seems such a simple thing to write a note of thanks, and so natural to add some slight remark on the author; and how often is the criticism of an author's sentiments but the expression of our own!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

Life, Books, Nature, Reading

“Ugliness in poetry they may find clever and interesting. But it is only beauty that "snatches the breath and fills the eyes with tears."”

Florence Earle Coates (1850–1927) American writer and poet

On poetry

Beauty, Tear

“A central concept called into question by net-poetry is the relation with reality. Does it make sense to define "virtual" reality as what actually reaches us through the Internet? How the artist relates to it, how he or she perceives and represents it and how a net-poet should "sing" it? The relationship with reality mediated by the Internet is a network of contacts in itself, it is ontologically a "connective" image of reality, which gradually outlines and qualify itself, both as reality and as representation.”

Caterina Davinio (1957) Italian writer

Source: Virtual Mercury House. Planetary & Interplanetary Events, p. 132

Question, Reality, Sense, Singing

“If Poverty be a Title to Poetry, I am sure nobody can dispute mine. I own myself of the Company of Beggars; and I make one at their Weekly Festivals at St. Giles's. I have a small Yearly Salary for my Catches, and am welcome to a Dinner there whenever I please, which is more than most Poets can say.”

John Gay (1685–1732) English poet and playwright

"Beggar", Introduction
The Beggar's Opera (1728)

“She said to Constance, parodying a line of poetry that attracted her, "In the United States, there one feels free." But she spoiled it by continuing, "Except from the Americans—but every pearl has its oyster."”

Randall Jarrell book Pictures from an Institution

Source: Pictures from an Institution (1954) [novel], Ch. 4, p. 181

Feeling

“Hello my Country
I once came to tell everyone your story
Your passion was my poetry
And your past my most potent glory
Your promise was my prayer
Your hypocrisy my nightmare
And your problems fill my present
Are we both going somewhere?”

Harry Chapin (1942–1981) American musician

There Only Was One Choice
Song lyrics, Dance Band on the Titanic (1977)

Problem, Passion, Past, Country

“I never saw more perfect loveliness.
It ask'd, it had no aid from dress: her robe
Was white, and simply gather'd in such folds
As suit a statue: neck and arms were bare;
The black hair was unbound, and like a veil
Hung even to her feet; she held a lute,
And, as she paced the ancient gallery, waked
A few wild chords, and murmur'd low sweet words,
But scarcely audible, as if she thought
Rather than spoke:—the night, the solitude,
Fill'd the young Pythoness with poetry.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

A History of the Lyre
The Venetian Bracelet (1829)

Solitude, Perfection, Night

“… poets are sensitive to the challenge 'What is the moral justification of poetry?' because they are conscious of the intrinsic goodness of poetry. Goody-goody humanitarian causes draw them easily into membership by making them wince at the notion of all the injustices prevalent in the world of physical consciousness. Let it be declared as clearly as possible that the goodness of poetry is not moral goodness, the goodness of temporal action, but the goodness of thought, the loving exercise of the will in the pursuit of truth.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

Laura Riding and Robert Graves from "Poetry and Politics", reprinted in The Common Asphodel (London: Hamish Hamilton, 1949)

Love, Truth, World, Exercises

“The Gettysburg speech was at once the shortest and the most famous oration in American history… But let us not forget that it is poetry, not logic; beauty, not sense. Think of the argument in it! Put it into the cold words of everyday! The doctrine is simply this: that the Union soldiers who died at Gettysburg sacrificed their lives to the cause of self-determination – "that government of the people, by the people, for the people, should not perish from the earth". It is difficult to imagine anything more untrue. The Union soldiers in the battle actually fought against self-determination; it was the Confederates who fought for the right of their people to govern themselves.”

H.L. Mencken (1880–1956) American journalist and writer

Source: 1920s, Prejudices, Third Series (1922), Ch. 8

People, Beauty, Imagination, History

“[Alvine] ’Tis one of those bright fictions that have made
The name of Greece only another word
For love and poetry; with a green earth—
Groves of the graceful myrtle — summer skies,
Whose stars are mirror'd in ten thousand streams—
Winds that move but in perfume and in music,
And, more than all, the gift of woman's beauty.
What marvel that the earth, the sky, the sea,
Were filled with all those fine imaginings
That love creates, and that the lyre preserves!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Bacchus and Ariadne from The London Literary Gazette (2nd November 1822) Dramatic Scene - II.
The Vow of the Peacock (1835)

Love, Beauty, Music, Imagination

“Architecture is treated as crystallisation; sculpture, as the organic modelling of the material in its sensuous and spatial totality; painting, as the coloured surface and line; while in music, space, as such, passes into the point of time possessed of content within itself, until finally the external medium is in poetry depressed into complete insignificance.”

Georg Wilhelm Friedrich Hegel book Lectures on Aesthetics

Die Architektur ist dann die Kristallisation, die Skulptur die organische Figuration der Materie in ihrer sinnlich-räumlichen Totalität; die Malerei die gefärbte Fläche und Linie; während in der Musik der Raum überhaupt zu dem in sich erfüllten Punkt der Zeit übergeht; bis das äußere Material endlich in der Poesie ganz zur Wertlosigkeit herabgesetzt ist. <br class="br"> Part III https://www.marxists.org/reference/archive/hegel/works/ae/ch03.htm <br class="br">Lectures on Aesthetics (1835)

Music, Time, Painting

“Prose uses the medium of language whilst poetry serves language and explores it.”

Michael Schmidt (poet) (1947) American poet

The Great Modern Poets, London, 2006

“"I reject and disown all my pre-2011 writings and effusions, with the exception of my Greek translations, the poetry included in the published collection One Exquisite Silence ".”

David Myatt (1950) British writer

Source: Disclaimer (2013) http://davidmyatt.wordpress.com/about/disclaimer-2/

Silence

“The most beautiful conception of immortality of which I know, and certainly one that by contrast shows the utter vulgarity of Christian ideas, is set forth in Pindar's second Olympian: after three or six lives in which a man has lived with strict justice and perfect integrity, he passes beyond the tower of Cronus to the fair realm that cannot be reached by land or sea, where gentle breezes from a placid ocean blow forever on the fields of asphodel. For a description, see Pindar. If the beauty of great poetry can commend a religion, here you have it.”

Revilo P. Oliver (1908–1994) American philologist

"Afterthoughts on Afterlife", Instauration magazine (August 1980)
1970s, 1980s

Religion, Justice, Beauty, Idea

“Poetry is creative expression; Prose is constructive expression. … by creative I mean original. In Poetry the words are born or reborn in the act of thinking. … There is no time interval between the words and the thought when a real poet writes, both of them happen together, and both the thought and the word are Poetry.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

English Prose Style (1928)
Literary Quotes

Thinking, Time

“Abstract reason, formerly the servant of practical human reasons, has everywhere become its master, and denies poetry any excuse for existence.
Though philosophers like to define poetry as irrational fancy, for us it is practical, humorous, reasonable way of being ourselves. Of never acquiescing in a fraud; of never accepting the secondary-rate in poetry, painting, music, love, friends. Of safeguarding our poetic institutions against the encroachments of mechanized, insensate, inhumane, abstract rationality.”

Robert Graves (1895–1985) English poet and novelist

"The Case for Xanthippe" in The Crane Bag (1969).
General sources

Love, Music, Way, Fraud

“I speak it to our shame; the cause no grand
Poets adorn our country, is the small
Encouragement to such: for how can he
esteem, that understands not poetry?”

Luís de Camões (1524–1580) Portuguese poet

Sem vergonha o não digo, que a razão
De algum não ser por versos excelente,
É não se ver prezado o verso e rima,
Porque quem não sabe arte, não na estima.
Stanza 97, lines 5–8 (tr. Richard Fanshawe)
Epic poetry, Os Lusíadas (1572), Canto V

Understanding, Country

“The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout.
Another, more fundamental statement in poetry, is made through the images themselves — those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.”

Muriel Rukeyser (1913–1980) poet and political activist

Source: The Life of Poetry (1949), p. 31

Music, Idea, Time

“A poet knows war without objective war in the world; it was conflict at the root of his mind that impelled him to the masking of these conflicts in the apparent resolution and order of works of art. In a dialectical sense, all poetry is war.”

Richard Eberhart (1904–2005) American poet

The War Poets

War, World, Art, Sense

“Friends on pipa, poetry and drinking all of them cast me away. When I see the snow, the moon or blossoms, I long for you deeply.”

Bai Juyi (772–846) Chinese poet of the Tang Dynasty

「寄殷律協」[citation needed]
Unsourced

Drink

“I am very driven when it comes to poetry, a complete obsessive of the truth be told.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

Truth

“Myriads of daisies have shone forth in flower
Near the lark's nest, and in their natural hour
Have passed away; less happy than the one
That by the unwilling ploughshare died to prove
The tender charm of poetry and love.”

William Wordsworth (1770–1850) English Romantic poet

Poems Composed or Suggested During a Tour in the Summer of 1833, "There!" said a Stripling, l. 10 (1833).

Love, Happiness, Flowers, Nature

“Poetry in America is no longer a dirty word. While it is still far from the center of the culture, it is moving slowly inward from the margins. I believe more and more people are shedding their outmoded notions of poetry as an exotic hobby--the result of bad teaching and worse public image problems--and coming to the realization that poetry is about their lives. Poetry is about them.”

Billy Collins (1941) American poet

Interview with Kritya: In the Name of Poetry

People, Problem

“A friend came over to the house
a few days ago and read one of my poems.
He came back today and asked to read the
same poem over again. After he finished
reading it, he said, "It makes me want to write poetry."”

Richard Brautigan (1935–1984) American novelist, poet, and short story writer

"Hey! This Is What It's All About"
The Pill Versus the Springhill Mining Disaster

Reading, Housing

“Poetry, like life, states that the very self of a thing is its relations, its having-to-do-with other things. Whatever is in the world, whatever person, has meaning because it or he has to do with the whole universe: immeasurable and crowded reality. The technique of poetry aims for the intensification of a thing through showing the likeness of what is in that thing to something else--to everything else, as different.”

Eli Siegel (1902–1978) Latvian-American poet, philosopher

Preface, Hot Afternoons Have Been in Montana: Poems, 1957

Life, World, Reality, Universe

“poetry and every other art was and is and forever will be strictly and distinctly a question of individuality…. poetry is being, not doing…. if poetry is your goal, you've got to forget all about punishments and all about rewards and all about selfstyled obligations and duties and responsibilities...”

E.E. Cummings (1894–1962) American poet

"i & their son: Nonlecture Two"
i : six nonlectures (1953)

Art, Question, Forgetting

“Language is the archives of history … Language is fossil poetry.”

Ralph Waldo Emerson Music

1840s, Essays: Second Series (1844), The Poet

History

“He is unpardonable, therefore, who cannot distinguish one from the other; but lays on history the paint of poetry, its flattery, fable, and hyperbole: it is just as ridiculous as it would be to clothe one of our robust wrestlers, who is as hard as an oak, in fine purple, or some such meretricious garb, and put paint on his cheeks; how would such ornaments debase and degrade him!”

Lucian (120) ancient Greek writer

How to Write History

History, Painting, Clothes

“It is time to create something new. It is time to strip poetry of meaningless tatters of form, and to clothe her in new, suitable garments.”

John Gould Fletcher (1886–1950) American writer

Preface to Irradiations; Sand and Spray, 1915

Time, Clothes

“The authentic British poetry of the second world war was not a poetry of protest, still less was it inspired by patriotic enthusiasm”

Vernon Scannell (1922–2007) British boxer and poet

Introductory Essay 'Setting the Scene'
Not Without Glory, 1976

War, World

“Fancy demanding feeling from poetry! That's not the main thing at all. Radiant words, words of light, full of rhythm and music, that's poetry.”

Théophile Gautier Paris

Demander à la poésie du sentimentalisme…ce n'est pas ça. Des mots rayonnants, des mots de lumière…avec un rythme et une musique, voilà ce que c'est, la poésie.
Remark, June 22, 1863, reported in the Journal des Goncourts (Paris: Bibliothèque-Charpentier, 1888) vol. 2, p. 123, (ellipses in the original); Arnold Hauser (trans. Stanley Godman and Arnold Hauser) The Social History of Art (London: Routledge & Kegan Paul, 1951) vol. 2, p. 684.

Music, Feeling, Light

“Poetry has been to me something more than amusement, it has been a cheering companion when I had no other to fly to, a delightful solace.”

Henry Kirke White (1785–1806) English poet

Letter to Capel Loft, 10 September 1805.
Letters

Flying

“There's a reason for poetry… Poetry is a very nonlinear use of language, where the meaning is more than just the sum of the parts. And science requires that it be nothing more than the sum of the parts. And just the fact that there's stuff to explain out there that's more than the sum of the parts means that the traditional approach, just characterizing the parts and the relations, is not going to be adequate for capturing the essence of many systems that you would like to be able to do. That's not to say that there isn't a way to do it in a more scientific way than poetry, but I just like the feeling that culturally there's going to be more of something like poetry in the future of science.”

Christopher Langton (1949) American computer scientist

Christopher Langton, as quoted by John Horgan, The End of Science (1996) p. 201.

Way, Feeling, Science, Future

“No doubt my poetry errs on the side of oddness. I hope in time to have a more balanced and Miltonic style. But as air, melody, is what strikes me most of all in music, and design in painting, so design, pattern, or what I am in the habit of calling inscape is what I above all aim at in poetry. Now it is the virtue of design, pattern, or inscape to be distinctive, and it is the vice of distinctiveness to become queer. This vice I cannot have escaped.”

Gerard Manley Hopkins (1844–1889) English poet

Letter to Robert Bridges (15 February 1879)
Letters, etc

Hope, Music, Time, Painting

“There would be dreamers of dreams and seers of visions and hearers of voices; readers of the entrails of beasts and interpreters of the flight of birds; there would be burning bushes and stone tablets on mountain-tops, and inspired words dictated to aged disciples on lonely islands. There would arise special castes of men and women, learned in these sacred matters; and these priestly castes would naturally emphasize the importance of their calling, would hold themselves aloof from the common herd, endowed with special powers and entitled to special privileges. They would interpret the oracles in ways favorable to themselves and their order; they would proclaim themselves friends and confidants of the god, walking with him in the night-time, receiving his messengers and angels, acting as his deputies in forgiving offenses, in dealing punishments and in receiving gifts. They would become makers of laws and moral codes. They would wear special costumes to distinguish them, they would go through elaborate ceremonies to impress their followers, employing all sensuous effects, architecture and sculpture and painting, music and poetry and dancing, candles and incense and bells and gongs.”

Upton Sinclair book The Profits of Religion

Book One : The Church of the Conquerors, "The Priestly Lie"
The Profits of Religion (1918)

Women, Men, God, Age

“The divorce of poetry and music was first reflected by the printed page.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 227

Music

“All poetry is an affair of the body, that is, to be real, it must affect the body.”

Remy de Gourmont (1858–1915) French writer

Le Problème du Style (1902)

“Poetry is the language in which man explores his own amazement… says heaven and earth in one word… speaks of himself and his predicament as though for the first time. It has the virtue of being able to say twice as much as prose in half the time, and the drawback, if you do not give it your full attention, of seeming to say half as much in twice the time.”

Christopher Fry (1907–2005) British writer

Time, New York, April 3, 1950

Time

“Poetry is the art of uniting pleasure with truth, by calling imagination to the help of reason.”

Samuel Johnson (1709–1784) English writer

The Life of Milton
Lives of the English Poets (1779–81)

Pleasure, Truth, Art, Imagination

“Good judgement is through good drawing – from the nervous system to the sensory of the brain it is the combination of eurythmics, euphony and poetry, and when the good draughtsman draws, the muses come to dance. Then the imagination is given full play, and design happens. They then become the Muses.”

David Bomberg (1890–1957) painter

"The Bomberg Papers", An Anthology From X (Oxford University Press, 1988), p. 90.

Imagination, Dance, Drawing

“He who writes poetry is not a poet. He whose poetry has become his life, and who has made his life his poetry — it is he who is a poet.”

Subramanya Bharathi (1882–1921) Tamil poet

English translation originally from "Subramaniya Bharathi" at Tamilnation.org, also quoted in "Colliding worlds of tradition and revolution" in The Hindu (13 December 2009) http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/colliding-worlds-of-tradition-and-revolution/article662079.ece

Life

“Mathematics is one of the essential emanations of the human spirit, a thing to be valued in and for itself, like art or poetry.”

Oswald Veblen (1880–1960) American mathematician

Bulletin of the American Mathematical Society, Volume 30 (1924), p. 289.

Art, Mathematics

“My picture [A Boat Passing a Lock, 1823-6] is liked at the [Royal] Academy, indeed it forms a decided feature and its light can not be put out. Because it is the light of nature — the Mother of all that is valuable in poetry — painting or anything else… my execution annoys most of them and all the scholastic ones – perhaps the scarifies I make for 'lightness' and 'brightness' is too much but these things are the essence of Landscape.”

John Constable (1776–1837) English Romantic painter

Letter to Rev. John Fisher, 1824, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 288
1820s

Nature, Light, Painting

“My idea is to bring happiness, respect, vision. poetry, surrealism and magic [to design]. We have to replace beauty, which is a cultural concept, with goodness, which is a humanist concept.”

Philippe Starck (1949) French architect and industrial designer

Starck as cited in: David Barlex (2007) Design & technology. p. 33

Happiness, Beauty, Idea

“The vanity of the passing world and love are the two fundamental and heart-penetrating notes of true poetry. And they are two notes of which neither can be sounded without causing the other to vibrate. The feeling of the vanity of the passing world kindles love in us, the only thing that triumphs over the vain and transitory, the only thing that fills life again and eternalizes it.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), III : The Hunger of Immortality

Love, Life, World, Feeling

“Poetry is one of the destinies of speech…. One would say that the poetic image, in its newness, opens a future to language.”

Gaston Bachelard (1884–1962) French writer and philosopher

Introduction, sect. 2
La poétique de la rêverie (The Poetics of Reverie) (1960)

Future

“Perhaps the editor may be accused of nationality, when he says, that, taking the total merits of this work together, he prefers it to the early exertions of even the Italian muse, to the melancholy sublimity of Dante, and the amorous quaintness of Petrarca…Here indeed the reader will find few of the graces of fine poetry, little of the attic dress of the muse; but here are life and spirit, and ease and plain sense, and pictures of real manners, and perpetual incident and entertainment. The language is remarkably good for the time, and far superior in neatness and elegance even to that of Gawin Douglass, who wrote more than a century after.”

John Barbour (1316–1395) Scottish poet

John Pinkerton, in his edition of The Bruce (London: G. Nicol, 1790) vol. 1, p. x.
Criticism

Life, Sense, Time

“Poetry is a religion without hope. The poet exhausts himself in its service, knowing that, in the long run, a masterpiece is nothing but the performance of a trained dog on very shaky ground.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988), On Invisibility

Religion, Dogs, Hope, Training

“Science Fiction Gods; Do they take much of an interest in us? I doubt it. How much entertainment does an ant's nest provide you with?
'Adepticus Sir, that bunch of Ornithoids on Artoc 4 that you asked me to observe, well they've just trashed their planet.'
'Oh that is a pity Initiatus Jones. What was it this time, ecological screw up or nuclear winter?'
'Worse than that sir, i looks lke they were mucking around with vacuum energy without having first invented the Mobius sphere.'
'Ah yes, the old classic mistake, we loose a few like that.'
'Could we not have tipped them off about it Sir?'
'I'm afraid not Jones, stupidity must remain its own reward, it's regrettable but there you are. Did you salvage anything?'
'They composed some fairly good poetry a couple of centuries ago, and some rather fine cloud sculptures fairly recently, I've logged some records in the archives.'
'Splendid Jones, I'll peruse them this evening. What about those Apes on Sol 3, how are they getting on?'
'Quit a bit of warfare as usual Sir, mostly based on chemical explosives these days, but with the occasional use of plutonium. Many of them have developed a belief in a big bang theory, and they reckon that they have the maths to prove it.'
'Really? Smith in anthropology will probably find that hilarious, I'm sure she would appreciate the data. It was one of her old Stomping grounds you know?'
'No I didnt know that Sir'
'It was a long time ago Jones, and a bit of a fiasco actually, she gave them a piece of her mind about some of their barbaric behavior which then abruptly became worse. Ever since then they have been obsessed with the number plate on her craft, it read 'JHVH'. The department gave her a desk job after that.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 107-108

God, Stupidity, Behavior, Science

“She had a kind of genius for picking the wrong man. She always looked for poetry and passion and sensitivity, the whole romantic kitchen, whereas I lived by a simpler diet, prose and pudding. I don’t expect attractive men to have attractive souls.”

John Fowles book Daniel Martin

Daniel Martin (1977)

Men, Soul, Passion

“And round the walls were Pictures : some calm scenes
Of Earth's green loveliness, and some whose hues
Were caught from faces in whose smile our life
Is one of Paradise; and Statues, whose white grace
Is as a dream of poetry.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1823

Life, Smile, Dreams

“Poetry teaches the enormous force of a few words, and, in proportion to the inspiration, checks loquacity.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Parnassus, Preface (1874)

“Poetry Fetter'd. Fetters the Human Race. Nations are Destroy'd, or Flourish, in proportion as Their Poetry, Painting, and Music are Destroy'd or Flourish!”

William Blake (1757–1827) English Romantic poet and artist

To the Public, plate 3 (the last paragraph)
1800s, Jerusalem The Emanation of The Giant Albion (c. 1803–1820)

Music, Painting

“The so-called obscurity of modernist literature has, of course, a lot to do with the new stress on exegesis. When the overt meaning of a work can no longer be taken for granted, criticism is forced — or seems forced — to undertake the explication of the text of the work before doing anything else. But experience has shown us by now that the drift and shape of an "obscure" poem or novel can be grasped for the purposes of art without being "worked out." Part of the triumph of modernist poetry is, indeed, to have demonstrated the great extent to which verse can do without explicit meaning and yet not sacrifice anything essential to its effect as art. Here, as before, successful art can be depended upon to explain itself.”

Clement Greenberg (1909–1994) American writer and artist

"T.S. Eliot: A Book Review" (1950/1956), p. 244
1960s, Art and Culture: Critical Essays, (1961)

Art, Literature, Success, Parting

“Human process music using both absolute and relational processing… we attend to the actual pitches and duration we hear in music, as well as their relative values. This dual mode of processing is rare among species… These modes of processing and the brain mechanisms that gave rise to them were necessary for the development of language, music, poetry, and art.”

Daniel Levitin book The World in Six Songs

The World in Six Songs (2008)

Art, Music

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Life, Death, Pain, People

“The first indication of one's status as a nature poet is that one does not invoke language right off when talking about poetry.”

Don McKay (1942) Canadian poet

Baler Twine

Nature

“What humiliation, what disgrace for us all, that it should be necessary for one man to exhort other men not to be inhuman and irrational towards their fellow-creatures! Do they recognise, then, no mind, no soul in them — have they not feeling, pleasure in existence, do they not suffer pain? Do their voices of joy and sorrow indeed fail to speak to the human heart and conscience — so that they can murder the jubilant lark, in the first joy of his spring-time, who ought to warm their hearts with sympathy, from delight in bloodshed or for their ‘sport,’ or with a horrible insensibility and recklessness only to practise their aim in shooting! Is there no soul manifest in the eyes of the living or dying animal — no expression of suffering in the eye of a deer or stag hunted to death — nothing which accuses them of murder before the avenging Eternal Justice? …. Are the souls of all other animals but man mortal, or are they essential in their organisation? Does the world-idea (Welt-Idee) pertain to them also — the soul of nature — a particle of the Divine Spirit? I know not; but I feel, and every reasonable man feels like me, it is in miserable, intolerable contradiction with our human nature, with our conscience, with our reason, with all our talk of humanity, destiny, nobility; it is in frightful (himmelschreinder) contradiction with our poetry and philosophy, with our nature and with our (pretended) love of nature, with our religion, with our teachings about benevolent design — that we bring into existence merely to kill, to maintain our own life by the destruction of other life. …. It is a frightful wrong that other species are tortured, worried, flayed, and devoured by us, in spite of the fact that we are not obliged to this by necessity; while in sinning against the defenceless and helpless, just claimants as they are upon our reasonable conscience and upon our compassion, we succeed only in brutalising ourselves. This, besides, is quite certain, that man has no real pity and compassion for his own species, so long as he is pitiless towards other races of beings.”

Bogumil Goltz (1801–1870) German humorist and satirist

Das Menschendasein in seinen weltewigen Zügen und Zeichen (1850); as quoted in The Ethics of Diet: A Catena of Authorities Deprecatory of the Practice of Flesh-eating https://archive.org/stream/ethicsofdietcate00will/ethicsofdietcate00will#page/n3/mode/2up by Howard Williams (London: F. Pitman, 1883), pp. 287-286.

Love, Life, Death, Men

“Women have been discouraged from genres such as sculpture that require studio training or expensive materials. But in philosophy, mathematics, and poetry, the only materials are pen and paper. Male conspiracy cannot explain all female failures. I am convinced that, even without restrictions, there still would have been no female Pascal, Milton, or Kant. Genius is not checked by social obstacles: it will overcome. Men's egotism, so disgusting in the talentless, is the source of their greatness as a sex. […] Even now, with all vocations open, I marvel at the rarity of the woman driven by artistic or intellectual obsession, that self-mutilating derangement of social relationship which, in its alternate forms of crime and ideation, is the disgrace and glory of the human species.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 653

Women, Men, Sex, Mathematics

“When I originally started writing, I expected that probably very few people would read my poetry because in those days people didn’t read poetry much anyway.”

John Ashbery (1927–2017) poet from the United States

Source: Paris Review Interview (1983)

People, Reading

“Poetry is a subset of a Cosmos, which in itself, is a poem.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Cosmos as a Poem (2010)

“There is a sentimental poetry, and it will have to be exposed (not censored. certainly; for to omit criticism of it would deprive us of our fairest chance to combat the sentimental rhetoric of the student’s environment).”

Richard M. Weaver (1910–1963) American scholar

“The Power of the Word,” p. 52.
Language is Sermonic (1970)

Chance

“For the educated man, there is a moment of his early acquaintanceship with Dante when he realizes that all he has slowly taught himself to enjoy in poetry is everything that Dante has grown out of.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Ibid.
Essays and reviews, At the Pillars of Hercules (1979)

Education

“The one stream of poetry which is continually flowing is slang.”

G. K. Chesterton book The Defendant

"A Defence of Slang"
The Defendant (1901)

“Well, I think it is accidental. It’s just something I started doing naturally and it had a lot to do with reading. I think that Dylan Thomas, his prose and poetry, was a big influence on me. Just his use of words… He would use so many odd words: like these three- and four-syllable words that you just don’t normally hear. And they’re not used in a manner that sets the text apart from the reader. Rather they’re drawing the reader in. It’s entirely based on the alliteration of the word itself—onomatopoeia and things like that. I feel like a lot of the words I use don’t stick out in the song because they keep the feel of the song in mind. The rhythm—that’s the primary thing. They’re put in there for rhythm and alliteration as much as they are for meaning. And as long as they are not used extraneously, they’re real lightning rods for people listening to the lyrics. If the words are really helping out the rhythm of the song then all they’re going to do is draw the listener in even more”

Colin Meloy (1974) American musician

On his songwriting technique. Interview with Colin Meloy, 2004-06 http://www.believermag.com/issues/200406/?read=interview_meloy,

People, Feeling, Nature, Thinking

“I would say that poetry for most people is like the Christmas tree that is kept in the attic and is taken down in its appropriate season.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

People, Tree, Christmas, Season

“The central idea of poetry is the idea of guessing right, like a child.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

Ch I: The Victorian Compromise and Its Enemies (p. 24)
The Victorian Age in Literature (1913)

Idea

“Compose aloud: poetry is a sound.”

Basil Bunting (1900–1985) Poet

I SUGGEST Advice to Young Poets

“Farewell, thou child of my right hand, and joy!
My sin was too much hope of thee, loved boy.
Seven years thou wert lent to me, and I thee pay,
Exacted by thy fate, on the just day.
O, could I lose all father now. For why
Will man lament the state he should envy?
To have soon 'scaped world's and flesh's rage,
And, if no other misery, yet age!
Rest in soft peace, and, asked, say here doth lie
Ben Jonson his best piece of poetry:
For whose sake, henceforth, all his vows be such,
As what he loves may never like too much.”

Ben Jonson (1572–1637) English writer

XLV, On My First Son, lines 1-12
The Works of Ben Jonson, First Folio (1616), Epigrams

Love, Fate, Lie, Age

“Freud is completely unscientific. It's a cross between vision, poetry and deceit.”

Jerzy Vetulani (1936–2017) Polish scientist

Vetulani, Jerzy (11 May 2012): Neurobiologia i religia https://www.youtube.com/watch?v=Hn559bvUzRE, lecture. Copernicus Center for Interdisciplinary Studies (in Polish).

“From 'What Happened to Auden'
His later manner leaves your neck-hair flat,
Not standing up as Housman said it should
When poetry has been achieved. For that,
In old age Auden simply grew too good.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Poems and song lyrics

Age