Quotes about play
page 23

Statius photo

“Sweet semblance of the children who have forsaken me, Archemorus, solace of my lost estate and country, pride of my servitude, what guilty gods took your life, my joy, whom but now in parting I left at play, crushing the grasses as you hastened in your forward crawl? Ah, where is your starry face? Where your words unfinished in constricted sounds, and laughs and gurgles that only I could understand? How often would I talk to you of Lemnos and the Argo and lull you to sleep with my long tale of woe!”
O mihi desertae natorum dulcis imago, Archemore, o rerum et patriae solamen ademptae seruitiique decus, qui te, mea gaudia, sontes extinxere dei, modo quem digressa reliqui lascivum et prono uexantem gramina cursu? heu ubi siderei vultus? ubi verba ligatis imperfecta sonis risusque et murmura soli intellecta mihi? quotiens tibi Lemnon et Argo sueta loqui et longa somnum suadere querela!

Source: Thebaid, Book V, Line 608

Pauline Kael photo
Viktor Schauberger photo
Muhammad photo
Harold Pinter photo

“Each play was, for me, 'a different kind of failure.' And that fact, I suppose, sent me on to write the next one.”

Harold Pinter (1930–2008) playwright from England

15
Writing for the Theatre (1962)

Roger Manganelli photo
Siegbert Tarrasch photo

“In tournaments it is not enough to be a connoisseur of chess; one must also play well.”

Siegbert Tarrasch (1862–1934) German chess player, chess writer, and chess theoretician

As quoted in "The Bright Side of Chess" (1952) by Irving Chernev, p. 107

Roger Waters photo
Warren Farrell photo
Tom Clancy photo
Joseph Gordon-Levitt photo
David Edgar photo

“When I heard I was up for it, obviously I wanted to win. It's really an honour. I love playing for my country.”

David Edgar (1987) Canadian soccer player

After being named Canadian youth soccer player of the year. [February 1, 2007, http://www.cbc.ca/sports/soccer/story/2007/02/01/david-edgar.html, David Edgar wins youth soccer award, Sporting Life, 2007-03-11]

Madonna photo
Paul Robeson photo
A. P. Herbert photo
Gloria Estefan photo
Tony Benn photo

“We have been in recess since July, and during that time there have been a fuel crisis, a Danish no vote, the collapse of the Euro and a war in the middle east, but what is our business tomorrow? The Insolvency Bill [Lords]. It ought be called the Bankruptcy Bill [Commons], because we play no role.”

Tony Benn (1925–2014) British Labour Party politician

Speech in the House of Commons (23 October 2000) http://hansard.millbanksystems.com/commons/2000/oct/23/election-of-speaker, cited in Adam Tomkins, "What is Parliament for?" in Bamforth N. and Leyland P. (eds.), Public Law in a Multi-Layered Constitution, Oxford, Hart, 2003, p. 53.
2000s

Tom Robbins photo
John D. Carmack photo
Howie Rose photo

“Streit, Okposo, Tavares, Moulson and Hunter… Hunter for Moulson, it hopped over his stick, Moulson got it back, couldn't control, then THEY SCORE! It's Tavares! John Tavares picked up the loose puck, and fires home his first National Hockey League goal! A power play goal, and the Islanders lead it 2 to 1! How about THAT for fast hands?”

Howie Rose (1954) American sports announcer

October 3, 2009 - Pittsburgh Penguins at New York Islanders, the season and home-ice opener for the Islanders, and the debut of the Isles' first overall draft pick in the 2009 NHL Draft, John Tavares. Mark Eaton of the defending Stanley Cup Champion Penguins was penalized 2 minutes for hooking. Rose set up this 2nd period power play for the Isles.
2009

Nick Hornby photo
Richard Rodríguez photo

“Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.”

Richard Rodríguez (1944) American journalist and essayist

Darling: A Spiritual Autobiography (2013)
Variant: Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.

Alexander Ovechkin photo

“I don't think about (being) the face of the NHL - I just enjoy my time right now. Playing in the NHL was my dream come true and I'm playing with great players. I feel trust and I'm happy because I'm having the time of my life.”

Alexander Ovechkin (1985) Russian ice hockey player

Kevin McGran (October 28, 2006) "'Having the time of my life' - Capitals' Alexander Ovechkin says he loves to deliver hits and isn't averse to taking a few, either Rangers' Lundqvist's experiencing problems keeping the puck out this season, by Kevin McGran", The Toronto Star, p. E05.

Jacques Ellul photo
Neil Diamond photo

“Shilo when I was young,
I used to call your name.
When no one else would come,
Shilo you always came and we'd play.”

Neil Diamond (1941) American singer-songwriter

Shiloh
Song lyrics, Just for You (1967)

Stuart Hall photo
Derek Jeter photo

“It's the same game, I don't care where you are playing, Minnesota, Kansas City or New York, it's the same game.”

Derek Jeter (1974) American baseball player

Reported in Tom Verducci, " Derek Jeter: In his own words http://sportsillustrated.cnn.com/2009/magazine/specials/sportsman/2009/11/30/jeter.interview/index.html", Sports Illustrated (November 30, 2009).
2000s, 2009

Willie Mays photo

“I'm not a mathematician, but I've been hanging around with some of them long enough to know how the game is played.”

Brian Hayes (scientist) (1900) American scientist, columnist and author

Variant: I'm not a gambling person, but I've been around long enough and I know how to play it.
Source: Group Theory in the Bedroom (2008), Chapter 12, Group Theory In The Bedroom, p. 232

“Earlier fundamental work of Whitehead, Russell, Wittgenstein, Carnap, Whorf, etc., as well as my own attempt to use this earlier thinking as an epistemological base for psychiatric theory, led to a series of generalizations: That human verbal communication can operate and always does operate at many contrasting levels of abstraction. These range in two directions from the seemingly simple denotative level (“The cat is on the mat”). One range or set of these more abstract levels includes those explicit or implicit messages where the subject of discourse is the language. We will call these metalinguistic (for example, “The verbal sound ‘cat’ stands for any member of such and such class of objects”, or “The word, ‘cat’ has no fur and cannot scratch”). The other set of levels of abstraction we will call metacommunicative (e. g., “My telling you where to find the cat was friendly”, or “This is play”). In these, the subject of discourse is the relationship between the speakers. It will be noted that the vast majority of both metalinguistic and metacommunicative messages remain implicit; and also that, especially in the psychiatric interview, there occurs a further class of implicit messages about how metacommunicative messages of friendship and hostility are to be interpreted.”

Gregory Bateson (1904–1980) English anthropologist, social scientist, linguist, visual anthropologist, semiotician and cyberneticist

Gregory Bateson (1955) " A theory of play and fantasy http://sashabarab.com/syllabi/games_learning/bateson.pdf". In: Psychiatric research reports, 1955. pp. 177-178] as cited in: S.P. Arpaia (2011) " Paradoxes, circularity and learning processes http://www2.units.it/episteme/L&PS_Vol9No1/L&PS_Vol9No1_2011_18b_Arpaia.pdf". In: L&PS – Logic & Philosophy of Science, Vol. IX, No. 1, 2011, pp. 207-222

Halle Berry photo
Billy Joel photo
Robert T. Kiyosaki photo

“It’s bad advice, he believes, “because if you want your child to have a financially secure future, they can’t play by the old set of rules. It’s just too risky.””

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

“Masculine process has at its foundation externalization. The young boy is focused away from his inner and personal self and into achievement, performance, competition, success, emotional control (being "cool"), autonomy (not being dependent or needy), fearlessness, action, and an ethic that only values time spent in doing. Anything else is suspect and viewed as lazy, worthless, time-wasting, or meaningless.Externalization, or the process of being pushed outside of oneself, amplifies and eventually becomes disconnection. Personal relationships are then objectified and founded on the role another can play in his life. Relationships are based on doing and are therefore fairly readily interchangeable with anyone else who can do.Disconnection leads men to the experience of being loners, where it's "lonely at the top," and freedom, space, and "doing one's thing," are the rationalized values. Disconnection transforms a man into someone who has everything he wanted externally, but has nothing that is bonded or connected on a personal level. He is "out of touch," so he doesn't know why he's unhappy, and may conclude that the cause of his malaise is that he needs "more." He sets out to get it, but when he gets it he feels deader and more isolated than ever.The end stage of this journey of masculine process is personal oblivion, which can occur early in his life or may not appear full blown until he's an older man, depending on how extreme his externalized process is. At this point, personal connection becomes impossible. He doesn't know he rationalizes his personal emptiness with cynical philosophies and escapes painful awareness through non-relationships he can control by buying. In the end state of oblivion, he is beyond personal reach and can only relate in abstract, depersonalized, intellectualized ways. The only way he is "loved" is in return for providing or taking care of others.”

Herb Goldberg (1937–2019) American psychologist

The Personal Journey of Masculinity: From Externalization to Disconnection to Oblivion, pp. 10–11
What Men Still Don't Know About Women, Relationships, and Love (2007)

John Kenneth Galbraith photo
Elvis Costello photo
L. Ron Hubbard photo
Nikos Kazantzakis photo
Roberto Clemente photo

“I have had two lives: when I was born in Puerto Rico in 1935 [sic] and when I came to play baseball in Pittsburgh in 1955. I have two loves: my family – my mother, my father and my wife and three sons – and my fans.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Addressing reporters at post-game press conference on Roberto Clemente Day, as quoted in "Roberto Clemente's a Man of 2 Lives ... and 2 Loves" https://news.google.com/newspapers?id=zbYcAAAAIBAJ&sjid=NWYEAAAAIBAJ&pg=2327%2C2876682 by the Associated Press, in The Sarasota Herald-Tribune (July 26, 1970)
Other, <big><big>1970s</big></big>, <big>1970</big>

Simone de Beauvoir photo
Gloria Estefan photo

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Ted Ginn, Jr. photo

“You have to be patient. I want to be the possession receiver, the go-to guy. When it's time for a big play, they can come to me.”

Ted Ginn, Jr. (1985) American football wide receiver, kick returner

[Drape, Joe, Friendship Forged in Youth Fuels Touchdowns at Ohio State, D3, New York Times, 2006-09-23, 2007-01-23]

Thomas Szasz photo
John Gay photo
Cassie Scerbo photo

“…Once you entomb mathematics in an artificial language à la Hilbert, once you set up a completely formal axiomatic system, then you can forget that it has any meaning and just look at it as a game that you play with marks on paper that enable you to deduce theorems from axioms. You can forget about the meaning of the game, the game of mathematical reasoning, it's just combinatorial play with symbols! There are certain rules, and you can study these rules and forget that they have any meaning!”

Gregory Chaitin (1947) Argentinian mathematician and computer scientist

1999 Lecture—"A Century of Controversy over the Foundations of Mathematics" at U. Massachusetts at Lowell, quoted in [2012, Conversations with a Mathematician: Math, Art, Science and the Limits of Reason, Springer, https://books.google.com/books?id=DczTBwAAQBAJ&pg=PA15] p. 15

Lee Ritenour photo
Shiva Ayyadurai photo
Arthur Schopenhauer photo
Philip Sidney photo

“With a tale forsooth he cometh unto you, with a tale which holdeth children from play, and old men from the chimney corner.”

Philip Sidney (1554–1586) English diplomat

Page 95.
An Apology of Poetry, or The Defence of Poesy (1595)

KatieJane Garside photo
Mike Patton photo
Robert Crumb photo
Pauline Kael photo

“At the movies, we are gradually being conditioned to accept violence as a sensual pleasure. The directors used to say they were showing us its real face and how ugly it was in order to sensitize us to its horrors. You don't have to be very keen to see that they are now in fact desensitizing us. They are saying that everyone is brutal, and the heroes must be as brutal as the villains or they turn into fools. There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counterbalance: the freedom of the press to say that there's anything conceivably damaging in these films — the freedom to analyze their implications. If we don't use this critical freedom, we are implicitly saying that no brutality is too much for us — that only squares and people who believe in censorship are concerned with brutality. Actually, those who believe in censorship are primarily concerned with sex, and they generally worry about violence only when it's eroticized. This means that practically no one raises the issue of the possible cumulative effects of movie brutality. Yet surely, when night after night atrocities are served up to us as entertainment, it's worth some anxiety. We become clockwork oranges if we accept all this pop culture without asking what's in it. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?”

"Stanley Strangelove" (January 1972) http://www.visual-memory.co.uk/amk/doc/0051.html, review of A Clockwork Orange
Deeper into Movies (1973)

George W. Bush photo

“I got some hands I didn't want to play.”

George W. Bush (1946) 43rd President of the United States

2010s, 2011, Q&A with Former President George W. Bush (January 2011)

Anne Sexton photo
Chuck Palahniuk photo

“Sure, everybody wants to play God, but for me it's a full-time job.”

Source: Lullaby (2002), Chapter 20

Michael T. Flynn photo

“One night at Socko and a year of probation were no comparison to the punishment at home. My rehabilitation was one of the fastest in adolescent history. I had it coming, and it taught me that moral rehab is possible. I behaved during my term of probation and stopped all of my criminal activity. But I would always retain my strong impulse to challenge authority and to think and act on my own whenever possible. There is room for such types in America, even in the disciplined confines of the United States Army. I’m a big believer in the value of unconventional men and women. They are the innovators and risk takers. Apple, one of the world’s most creative and successful high-tech companies, lives by the vision of transformation through exception. “Here’s to the crazy ones,” Apple’s campaign says. “The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They’re not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can’t do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.” If you talk to my colleagues, they’ll tell you that I’m cut from the same cloth. My military biography starts badly. I was a miserable dropout in my freshman year of college (1.2 GPA), enlisted in a delayed-entry Marine Corps program, went to work as a lifeguard at a local beach, and then came the first of several miracles: an Army ROTC scholarship. Little did I know that my rebellious activities, such as skipping class and sundry other mistakes, would lead me to playing basketball (which I was very good at) with an ROTC instructor who saw something in me. Not only that, he took surprising initiative.”

Michael T. Flynn (1958) 25th United States National Security Advisor

Introduction
The Field of Fight: How We Can Win the Global War Against Radical Islam and Its Allies (2016)

Sienna Guillory photo

“Everything I've done in the last few years has been grim and gritty and traumatic. I've played floozies, psychopaths, assassins, crackheads…. It's nice to do something with a lighter touch, something that makes you laugh but has a serious point to make. I get to wear a lot of great clothes as well.”

Sienna Guillory (1975) British actress

Take a Girl Like You Cast and Credits http://www.pbs.org/wgbh/masterpiece/takeagirl/credits.html. pbs.org. 2000.
Guillory speaks about her role in the television film, w:Take a Girl Like You.

Algernon Charles Swinburne photo
June Vincent photo
Joe Strummer photo

“What I like about playing America is you can be pretty sure you're not going to get hit with a full can of beer when you're singing and I really enjoy that!”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

Interview with Howard Petruziello for the New York Hangover on March 2000 Petruziello, Howard, Drinking with Joe Strummer, New York Hangover, 2000, March http://www.nyhangover.com/issues/0300/text/Strummer300.htm,

Kate Bush photo
Gary Gygax photo
Yogi Berra photo
Malcolm Muggeridge photo

“I think there are three possible scenarios for the future of Chinese writing, in all of which the government plays a major role. In the first, and at present apparently the least likely scenario, the government abandons its hostility to an expanded role for Pinyin and instead fosters a climate of digraphia and biliteracy in which those who can do so become literate in both characters and Pinyin, and those who cannot are at least literate in Pinyin. This is essentially a reversion to the Latinization movement of the 1930s and 1940s, when Mao Zedong and other high Communist Party officials like Xu Teli, the commissioner of education in Yan'an, lent their prestigious support to the New Writing. Such a change within the governing bureaucracy would in all likelihood result in an explosion of activity that might end in Pinyin ascendancy in use over characters in less than a generation.
In the second scenario the government adopts a policy of benign indifference that involves abandoning its hostility toward Pinyin but without actively supporting it, leaving it up to the rival protagonists of the two systems to contest for supremacy among themselves. This is likely to result in a somewhat longer struggle.
In the third scenario the government continues its present policy of repression, resulting in a much more protracted struggle (though surely not as long as the fascinating parallel struggle between Latin and Italian in Italy, where it took 500 [! ] years after Dante’s start in 1292 for academics, the last holdouts, to finally abandon their long resistance and start using Italian in university lectures).47 In this long struggle, PCs and mobile phones and other innovations still to come will undoubtedly allow more and more advocates of writing reform to escape the stranglehold of officialdom, to the point where (in a century or so?) characters are finally relegated to the status of Latin in the West.
My own view is that this is actually the least likely scenario, the most probable one being that the Chinese pragmatism that has manifested itself so strongly in economics will extend further into writing, and that, perhaps sooner rather than later, given the success of the promotion of Mandarin, some influential Party bureaucrats will finally arrive at the conclusion that the "some day in the future" anticipated by Mao has arrived, and that wholehearted Party support should now be unleashed for his anticipated "basic reform."”

John DeFrancis (1911–2009) American linguist

In any case it is basically all a matter of time. And the decisive factor that will seal the ultimate fate of Chinese characters is the new reality, noted by a perceptive observer, that "the PC is mightier than the Pen."
"The Prospects for Chinese Writing Reform" (2006, p. 20-21) http://sino-platonic.org/complete/spp171_chinese_writing_reform.pdf
"The Prospects for Chinese Writing Reform" (2006)

Al Sharpton photo
50 Cent photo

“I've got the sickest vendetta when it comes to the cheddar… You play with my paper, you're going to meet my Beretta… She looks good, but I know she's after my cheddar.”

50 Cent (1975) American rapper, actor, businessman, investor and television producer

Wanksta
Song lyrics, No Mercy, No Fear (2002)

Erica Jong photo

“Never follow a dog act. You know you're on the skids when you play yourself in the movie version of your life.”

Erica Jong (1942) Novelist, poet, memoirist, critic

Erica Jong's father (a musician, songwriter and later business man), his two pieces of advice for her. Given in the Times Literary Supplement, 7 October 1994, page 44.
Other

Jon Kitna photo

“I've been playing since fifth grade. I've never played more poorly than I did today. I've never been more disappointed in myself.”

Jon Kitna (1972) American football quarterback

Remarks after losing to the Pittsburgh Steelers http://scores.espn.go.com/nfl/recap?gameId=221013004 13 October 2002.

Andy Murray photo

“Another one goes, and I'm so underwhelmed that I can't even be bothered to use the obligatory exclamation mark after 'wicket'. All it took was the most rudimentary wicket-to-wicket hustle from Reekers, who is something of a corpulent Ian Austin, and Haq was cleaned up as he played miserably around his pads.”

Rob Smyth (1977) English/Irish rugby league player

Cricket World Cup 2007; Group A: Scotland v Netherlands; Over-by-over: Scotland innings http://sport.guardian.co.uk/cricketworldcup2007/story/0,,2040562,00.html (22 March 2007)

Graham Greene photo
Mahela Jayawardene photo
Matthew Hayden photo
Yehudi Menuhin photo
Tom Cruise photo
Prince photo

“Do I believe in God? Do I believe in me?
Some people wanna die so they can be free
(I said) Life is just a game, we're all just the same…do you wanna play?”

Prince (1958–2016) American pop, songwriter, musician and actor

Controversy
Song lyrics, Controversy (1981)

Henry James photo
Revilo P. Oliver photo
George S. Patton photo
Michael Savage photo

“I intend to make this day forward the first day of the rest of my life. We can change our lives. You say, 'Well, what's wrong with your life, Michael?' Well, it's not that there's anything wrong with my life, but it's not what I want it to be. I don't feel that I'm inspiring people in the way I want to inspire them. You see, you can inspire through hate; you can inspire through love, hope, humor – the positives. I look at the history of the world, and I look at the world today, and I realize that if we don't inspire each other through positive attributes – love, hope and humor – we're gonna descend into the barbarism of the Left and the barbarism of ISIS. You like me to be hard, you like me to be tough, you like me to give you the breaking news, you like me to be cynical, you like me to analytical, you like me to give you stuff that you don't hear anywhere else – I get that. But there's a limit to that. There's a lot of area beyond all that.I think of Christmas. Christianity is the religion of peace. Christianity is the true religion of peace. 'Turn the other cheek.' 'Do unto others as you would have them do unto you.' These are messages that come from Christianity. What can you do in an age of deceit and lies and terror? You can go to church again. However un-needing you think you really are, you know in your heart that there's something missing in you. You know that you crave something greater. Because the human being is not a dog. We are unique creatures. And we need something different than the bear, the dog, the snake and the eagle. What is that thing that we need? It's that 'thing' called God.The media has promulgated the idea, and promoted the idea, that we only need food and fornication. And so when people are empty that's what they seek. And when they are really empty, what happens? They become drug addicts. They start with marijuana, they end up with heroin, crack, you name it. As God has been driven out of America, drugs have entered America. What does an empty soul look to do? An empty soul looks to fill itself. Just as an empty vessel needs to be filled with a liquid to be complete, an empty human being needs to fill itself to be complete. And how does it fill itself? I know, again, many of you will laugh because you're cynical; it's through those things I'm talking about – inspiration. Do you think a musician can play one day without inspiration from somewhere? The greatest artists in the history of the world were not drug-addicts. They were usually God-addicts. Look at the greatest art in history, you'll find most of them were super religious people, who literally saw God in their living room, and they took the power of God and that was transmitted through the paintbrush, or through that piece of marble. How could a man like Rodin take a piece of inert stone, and inside that stone see the essence of the human form, and sculpt from that block of inert stone, a marble, the portrait of a human being that looks so real – a hundred years later I go and look at them in the museum, and literally inside that carved eye I can see the person; how is that possible? How? It's a different show than I've ever done in my 21 years, because each day to me – I must tell you – I see as my last day, my last day on Earth.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

The Savage Nation (1995- ), 2015

Ronald Dworkin photo
Ted Nugent photo