Quotes about play
page 23

“But my father he didn’t read moon, he didn’t speak moon, and he didn’t write moon. So there was no letter found next to his body in the garage when he chose to leave this place on purpose without saying where he was goin’ or why. There are still days you can catch me tape-recording eternal silence and playing it backwards for an empty room just so I can listen to his dying wish. Shh.”

Buddy Wakefield (1974) American poet

Human the Death Dance
Poetry

Silence, Reading

“Sweet semblance of the children who have forsaken me, Archemorus, solace of my lost estate and country, pride of my servitude, what guilty gods took your life, my joy, whom but now in parting I left at play, crushing the grasses as you hastened in your forward crawl? Ah, where is your starry face? Where your words unfinished in constricted sounds, and laughs and gurgles that only I could understand? How often would I talk to you of Lemnos and the Argo and lull you to sleep with my long tale of woe!”
O mihi desertae natorum dulcis imago, Archemore, o rerum et patriae solamen ademptae seruitiique decus, qui te, mea gaudia, sontes extinxere dei, modo quem digressa reliqui lascivum et prono uexantem gramina cursu? heu ubi siderei vultus? ubi verba ligatis imperfecta sonis risusque et murmura soli intellecta mihi? quotiens tibi Lemnon et Argo sueta loqui et longa somnum suadere querela!

Statius book Thebaid

Source: Thebaid, Book V, Line 608

Life, God, Children, Understanding

“Apparently, Lillian Hellman couldn't shake off the predatory Hubbards after "The Little Foxes"; she wrote this play about the same family, setting it back 30 years earlier in their dark history. The Hubbards, who are supposed to be rising Southern capitalists, are the greatest collection of ghouls since "The Old Dark House" of 1932. Hellman must combine witchcraft with stagecraft — who else could keep a plot in motion with lost documents, wills, poisonings, and pistols, and still be considered a social thinker?”

Pauline Kael (1919–2001) American film critic

"Another Part of the Forest," p. 30.
5001 Nights at the Movies (1982)

Family, History, Housing

“…As time passed I began to play a game with water's secret powers; I surrendered my so-called free consciousness and allowed the water to take possession of it for a while. Little by little this game turned into a profoundly earnest endeavour, because I realised that one could detach one's own consciousness from the body and attach it to that of the water. When my own consciousness was eventually returned to me, then the water's most deeply concealed psyche often revealed the most extraordinary things to me. As a result of this investigation, a researcher was born who could dispatch his consciousness on a voyage of discovery, as it were. In this way I was able to experience things that had escaped other people's notice, because they were unaware that a human being is able to send forth his free consciousness into those places the eyes cannot see. By practising this blindfolded vision, I eventually developed a bond with mysterious Nature, whose essential being I then slowly learnt to perceive and understand…”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Callum Coats: Living Energies - Viktor Schauberger's brilliant work with Natural Energies Explained (2002)

People, Secret, Way, Game

“Narrated Umm Khalid: I (the daughter of Khalid ibn Said) went to Allah’s Messenger with my father and I was wearing a yellow shirt. Allah’s Messenger said, "Sanah, Sanah!" (`Abdullah, the narrator, said that sanah meant "good" in the Ethiopian language). I then started playing with the seal of prophethood (between the Prophet’s shoulders) and my father rebuked me harshly for that. Allah’s Messenger said, "Leave her."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

The Prophet, then, invoked Allah to grant her a long life thrice.
Al-Bukhari [citation needed]
Sunni Hadith

Life, Daughters

“Each play was, for me, 'a different kind of failure.' And that fact, I suppose, sent me on to write the next one.”

Harold Pinter (1930–2008) playwright from England

15
Writing for the Theatre (1962)

Failure

“Manson's the man who's responsible for "killing the Sixties." He really knew how to play up the whole "most dangerous man alive" thing when at the time, the most dangerous man alive was Richard Nixon.”

John Roecker (1966) American film director

Time

“Roger: We will be hanging out for an extended amount of time in Europe. From November 1st until the end of our lives, it’s a very long tour. We’re playing the Fest on Halloween, which is my birthday in Florida – in Gainesville. We’re playing the Fest, my other band, Rehasher, is playing the Fest and we’re just going to be taking a little bit of time to breathe in January and probably be out on the road again pretty soon in the states. We’re doing some international stuff Australia, Japan, South America – that’s going on but nothing going on in the states quite yet.”

Roger Manganelli (1973) American musician

Birthday, Time

“Boys are scolded even for their violent fantasies- for the violent stories they want to hear, the violent books they want to read, the violent games they want to play. Male "demonism" is punished, pathologized, and stigmatized from cradle to campus. Even the good guys are treated like bad guys for ganging up, for being "xenophobic," patriotic, or too exclusive. Video games, fighting sports, and movies are decried for being "too violent." Football is deemed "too dangerous" by many overprotective parents. Everyone is supposed to agree that violence is never the answer- unless that violence comes from the cutting edge of the State's ax.”

Jack Donovan (1974) American activist, editor and writer

Pg 105
The Way of Men (2012)

Books, Guy, Game, Boy

“In tournaments it is not enough to be a connoisseur of chess; one must also play well.”

Siegbert Tarrasch (1862–1934) German chess player, chess writer, and chess theoretician

As quoted in "The Bright Side of Chess" (1952) by Irving Chernev, p. 107

“"I was quite happy standing there thundering about, playing whatever I could - that's "fun". And I see young bands occasionally now doing the same thing. I think it's called "thrash" now. It's the same thing: It's just kids who can't play, pissing about. It's terrific. That's all we were doing. I mean, Dave could play a little bit, but none of the rest of us could."”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Musician, December 1992
Music

Happiness, Thinking

“Any guy who’s played team sports has practiced a skill I call “team sport empathy”: he’s practiced focusing on anticipating the other team’s moves. That means figuring out their way of looking at the situation.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Women Can't Hear What Men Don't Say (2000), p. 32.

Way, Guy, Sport

“"Rainbow Six" was sort of a spinoff of one my books, which did pretty well. … Interestingly enough, I never play the games. I just sort of — it's more fun for me to help formulate them than it is to play them.”

Tom Clancy (1947–2013) American author

2000s, Larry King Live (2000)

Books, Game, Help

“[It's a] really smart, faithful adaptation of the book. The book is such a tight page-turner… The character I play is an extreme guy… He's a killer. He wants to be Jesse James. He grew up watching cowboy and Indian movies and wants to be that. Then he meets Mickey Rourke's character, who's named The Black Bird and he wants to partner up with him and be a criminal and kill people. He's a psychotic and very bad guy… The thing about him is, he's not the bad killer, the kind of guy that sits and stews and then has these rageful outbursts. He is this extreme extrovert who never shuts up and tells you ridiculously tall tales about himself and mythologizes everything… Hyperactive, hyper, hyper guy wearing cowboy boots.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

IGN, March 30, 2006 - about his role in Killshot

People, Books, Faith, Guy

“When I heard I was up for it, obviously I wanted to win. It's really an honour. I love playing for my country.”

David Edgar (1987) Canadian soccer player

After being named Canadian youth soccer player of the year. [February 1, 2007, http://www.cbc.ca/sports/soccer/story/2007/02/01/david-edgar.html, David Edgar wins youth soccer award, Sporting Life, 2007-03-11]

Love, Country

“I wanted to be a boy when I was growing up because I was in love with all of the male dancers I knew and they were all gay. And I thought, Well, if I was a boy, they'd love me. So I got into role-playing then. That's where it began. I remember when I was still in high school, I had cut my hair off really short, and I was totally anorexic - I had no boobs - and I would dress like a boy and go to gay clubs and my goal was to trick men into thinking I was a boy.”

Madonna (1958) American singer, songwriter, and actress

Ray Of Light, The Guardian, 1999-12-01 http://www.theguardian.com/theobserver/1999/dec/12/life1.lifemagazine1,

Love, Men, School, Boy

“In the early days of my carer as an actor, I shared what was then the prevailing attitude of Negro performers — that the content and form of a play or a film scenario was of little importance to us. What mattered was was the opportunity, which came so seldom to our folks … Later I came to understand that the Negro artist could not view the matter simply in terms of of his individual interests, and that he had a responsibility to his people who rightfully resented the traditional stereotyped portrayals of Negros on stage and screen.”

Paul Robeson book Here I Stand

Paul Robeson : Here I Stand (1958), p. 124

People, Understanding

“The Englishman never enjoys himself except for a noble purpose. He does not play cricket because it is a good game, but because it creates good citizens. He does not love motor-races for their own sake, but for the advantages they bring to the engineering firms of his country. And it is common knowledge that the devoted persons who conduct and regularly attend horse-races do not do so because they like it, but for the benefit of the breed of the English horse.”

A. P. Herbert book Uncommon Law

"Is Fox-Hunting Fun?"
Uncommon Law (1935)

Love, Game, Knowledge, Horse

“Emilio and I like projects to breathe and grow. We started with a concept -- write songs, make demos, then let the guest stars listen to them and then afffect the writing process. For Jose Feliciano, I had written a chorus and a bit of a melody. He started playing the chorus and ad-libbing. I went, "This is the [stuff]! Forget my melody!" Carlos Santana worked just the other way. He wanted me to record a plished take singing first, so his playing could recreate my emotion. I got goose bumps [writing "90 Millas"]. Like in "Esperando," which is addressed to Cubans on the island. Those of us in America, we're like the bogeyman, but I wanted Cubans at home to know: Whatever happened doesn't matter. The future is for us to heal. Adn also: because we're here, we latched onto any part of our culture. Yes and no [this is a political record]. Politics is life, so yes. but it's not specific. Saying that 90 miles haven't divided us sends a message about freedom for Cuba -- and for everyone.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Life, Way, Home, Star

“We have been in recess since July, and during that time there have been a fuel crisis, a Danish no vote, the collapse of the Euro and a war in the middle east, but what is our business tomorrow? The Insolvency Bill [Lords]. It ought be called the Bankruptcy Bill [Commons], because we play no role.”

Tony Benn (1925–2014) British Labour Party politician

Speech in the House of Commons (23 October 2000) http://hansard.millbanksystems.com/commons/2000/oct/23/election-of-speaker, cited in Adam Tomkins, "What is Parliament for?" in Bamforth N. and Leyland P. (eds.), Public Law in a Multi-Layered Constitution, Oxford, Hart, 2003, p. 53. 2000s

War, Business, Time

“Night, when tangos play on the nurse's radio and rat poison sings its own hot song behind the cellar door. Night, when the long snake feeds, when the black sedan cruises the pleasure districts, when neon flickers "Free at Last" in a dozen lost languages, and shapes left over from childhood move furtively behind the moon-dizzy boughs of the fir.”

Tom Robbins Half Asleep in Frog Pajamas

Half Asleep in Frog Pajamas (1994)

Pleasure, Singing, Childhood, Night

“Advances in technology won’t be as significant as they have been in the past, most games won’t be materially improved by simulating every drop of water in the pond you are wading through. More resources can be profitably spent to make the creation process easier. How things will play out with respect to connectivity and where the data resides and processing takes place is still a very interesting question. The overlap and convergence between desktop computers, consoles, laptops, handheld gaming devices, and cell phones is also interesting. It is all still quite exciting.”

John D. Carmack (1970) American computer programmer, engineer, and businessman

Quoted in Brad Cook, "John Carmack: Making the Magic Happen" http://www.apple.com/games/articles/2009/02/johncarmack/ Apple.com

Game, Question, Water, Past

“Streit, Okposo, Tavares, Moulson and Hunter… Hunter for Moulson, it hopped over his stick, Moulson got it back, couldn't control, then THEY SCORE! It's Tavares! John Tavares picked up the loose puck, and fires home his first National Hockey League goal! A power play goal, and the Islanders lead it 2 to 1! How about THAT for fast hands?”

Howie Rose (1954) American sports announcer

October 3, 2009 - Pittsburgh Penguins at New York Islanders, the season and home-ice opener for the Islanders, and the debut of the Isles' first overall draft pick in the 2009 NHL Draft, John Tavares. Mark Eaton of the defending Stanley Cup Champion Penguins was penalized 2 minutes for hooking. Rose set up this 2nd period power play for the Isles.
2009

Home, Hockey

“And after tea, we play Junior Scrabble. We are the ideal nuclear family. We eat together, we play improving board games instead of watching television, we smile alot. I fear that at any moment I may kill somebody.”

Nick Hornby book How to Be Good

How to Be Good (2001)

Fear, Family, Smile, Game

“Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.”

Richard Rodríguez (1944) American journalist and essayist

Darling: A Spiritual Autobiography (2013)
Variant: Something funny I have noticed—perhaps you have noticed it, too. You know what futurists and online-ists and cut-out-the-middle-man-ists and Davos-ists and deconstructionists of every stripe want for themselves? They want exactly what they tell you you no longer need, you pathetic, overweight, disembodied Kindle reader. They want white linen tablecloths on trestle tables in the middle of vineyards on soft blowy afternoons. (You can click your bottle of wine online. Cheaper.) They want to go shopping on Saturday afternoons on the Avenue Victor Hugo; they want the pages of their New York Times all kind of greasy from croissant crumbs and butter at a café table in Aspen; they want to see their names in hard copy in the “New Establishment” issue of Vanity Fair; they want a nineteenth-century bookshop; they want to see the plays in London; they want to float down the Nile in a felucca; they want five-star bricks and mortar and Do Not Disturb signs and views of the park. And in order to reserve these things for themselves they will plug up your eyes and your ears and your mouth, and if they can figure out a way to pump episodes of The Simpsons through the darkening corridors of your brain as you expire (ADD TO SHOPPING CART), they will do it.

Way, Star, Wine, Time

“In using the terms play and playfulness, I do not intend to suggest any lack of seriousness; quite the contrary. Anyone who has watched children, or adults, at play will recognize that there is no contradiction between play and seriousness, and that some forms of play induce a measure of grave concentration not so readily called forth by work.”

Richard Hofstadter (1916–1970) American historian

Source: Anti-Intellectualism in American Life (1974), p. 30

Children

“I don't think about (being) the face of the NHL - I just enjoy my time right now. Playing in the NHL was my dream come true and I'm playing with great players. I feel trust and I'm happy because I'm having the time of my life.”

Alexander Ovechkin (1985) Russian ice hockey player

Kevin McGran (October 28, 2006) "'Having the time of my life' - Capitals' Alexander Ovechkin says he loves to deliver hits and isn't averse to taking a few, either Rangers' Lundqvist's experiencing problems keeping the puck out this season, by Kevin McGran", The Toronto Star, p. E05.

Life, Happiness, Dreams, Feeling

“Thought based on images can be neither abstract nor critical. … again in this case intellectuals have worked out theories to justify the inevitable. For unconsciously, they could not avoid being subjected to the enormous weight of billions of images (just like other people). Yet consciously, they were well aware that maintaining the demands of critical and independent thought involves a complete break with the rest of humankind. This would make it impossible for them to play their role as genuine intellectuals. They must think like everyone else if they expect to be at all believed by the masses. Thus their conscious and unconscious minds agree in taking them down the path of thought that involves images, evidence, and emotivity.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 214
The Humiliation of the Word (1981)

People, Thinking

“Shilo when I was young,
I used to call your name.
When no one else would come,
Shilo you always came and we'd play.”

Neil Diamond (1941) American singer-songwriter

Shiloh
Song lyrics, Just for You (1967)

“Hall: Zimbabwe. Zimbabwe is a wonderful country - I've been there umpteen times and it is being brought to extinction by Mugabe. The average life expectancy is 33, so if you are not dying from Aids, malnutrition, starvation, deprivation or stagnation, don your flannels, black up, play leather on willow. Mugabe as captain and witch doctor, imagine him out at Lord's casting a tincture of bats' tongues and gorillas' gonads.”

Stuart Hall (1929–2014) sociologist and cultural theorist

BBC Fighting Talk (2005)

Life, Imagination, Time, Country

“It's the same game, I don't care where you are playing, Minnesota, Kansas City or New York, it's the same game.”

Derek Jeter (1974) American baseball player

Reported in Tom Verducci, " Derek Jeter: In his own words http://sportsillustrated.cnn.com/2009/magazine/specials/sportsman/2009/11/30/jeter.interview/index.html", Sports Illustrated (November 30, 2009). 2000s, 2009

Game

“I would say the main thing in any young kid's life is education. Even if a guy is prejudiced, he can be educated to understand why he is prejudiced. Education plays a great role in all life, whether you're black or white. You've got to go to high school, you've got to go to college. When you come out of college or high school, you can play sports. If you ever get hurt, they can't take that brain away from you, you've got that.”

Willie Mays (1931) Baseball player

Academy of Achievement Interview (1996)

Life, Education, School, Guy

“I'm not a mathematician, but I've been hanging around with some of them long enough to know how the game is played.”

Brian Hayes (scientist) (1900) American scientist, columnist and author

Variant: I'm not a gambling person, but I've been around long enough and I know how to play it.
Source: Group Theory in the Bedroom (2008), Chapter 12, Group Theory In The Bedroom, p. 232

Game

“Earlier fundamental work of Whitehead, Russell, Wittgenstein, Carnap, Whorf, etc., as well as my own attempt to use this earlier thinking as an epistemological base for psychiatric theory, led to a series of generalizations: That human verbal communication can operate and always does operate at many contrasting levels of abstraction. These range in two directions from the seemingly simple denotative level (“The cat is on the mat”). One range or set of these more abstract levels includes those explicit or implicit messages where the subject of discourse is the language. We will call these metalinguistic (for example, “The verbal sound ‘cat’ stands for any member of such and such class of objects”, or “The word, ‘cat’ has no fur and cannot scratch”). The other set of levels of abstraction we will call metacommunicative (e. g., “My telling you where to ﬁnd the cat was friendly”, or “This is play”). In these, the subject of discourse is the relationship between the speakers. It will be noted that the vast majority of both metalinguistic and metacommunicative messages remain implicit; and also that, especially in the psychiatric interview, there occurs a further class of implicit messages about how metacommunicative messages of friendship and hostility are to be interpreted.”

Gregory Bateson (1904–1980) English anthropologist, social scientist, linguist, visual anthropologist, semiotician and cyberneticist

Gregory Bateson (1955) " A theory of play and fantasy http://sashabarab.com/syllabi/games_learning/bateson.pdf". In: Psychiatric research reports, 1955. pp. 177-178] as cited in: S.P. Arpaia (2011) " Paradoxes, circularity and learning processes http://www2.units.it/episteme/L&PS_Vol9No1/L&PS_Vol9No1_2011_18b_Arpaia.pdf". In: L&PS – Logic & Philosophy of Science, Vol. IX, No. 1, 2011, pp. 207-222

Friendship, Hostility, Communication, Cats

“In a technocracy, tools play a central role in the thought-world of the culture. Everything must give way, in some degree, to their development. The social and symbolic worlds become increasingly subject to the requirements of that development. Tools are not integrated into the culture; they attack the culture. They bid to become the culture. As a consequence, tradition, social mores, myth, politics, ritual, and religion have to fight for their lives…”

Neil Postman (1931–2003) American writer and academic

Technopoly: the Surrender of Culture to Technology (1992)

World, Religion, Way, Fight

“I never even think about the physicality of roles, until honestly I get the gig and I think, 'OK, now what do I have to do in this one?' Like, I approach it thinking more about the character -- do I respond to it? Is it something I think I can play? Does it seem like it'll be fun?”

Halle Berry (1966) American actress

Betsy Pickle (November 21, 2003) "Berry's tough break - Actress stretches to physical max in 'Gothika'", The Knoxville News-Sentinel, p. 12.

Thinking

“They say that no one's gonna play this on the radio
They said the melancholy blues were dead and gone
But only songs like these
Played in minor keys
Keep those memories holding on.”

Billy Joel (1949) American singer-songwriter and pianist

Baby Grand.
Song lyrics, The Bridge (1986)

Memory, Dead

“It’s bad advice, he believes, “because if you want your child to have a financially secure future, they can’t play by the old set of rules. It’s just too risky.””

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Future

“Masculine process has at its foundation externalization. The young boy is focused away from his inner and personal self and into achievement, performance, competition, success, emotional control (being "cool"), autonomy (not being dependent or needy), fearlessness, action, and an ethic that only values time spent in doing. Anything else is suspect and viewed as lazy, worthless, time-wasting, or meaningless.Externalization, or the process of being pushed outside of oneself, amplifies and eventually becomes disconnection. Personal relationships are then objectified and founded on the role another can play in his life. Relationships are based on doing and are therefore fairly readily interchangeable with anyone else who can do.Disconnection leads men to the experience of being loners, where it's "lonely at the top," and freedom, space, and "doing one's thing," are the rationalized values. Disconnection transforms a man into someone who has everything he wanted externally, but has nothing that is bonded or connected on a personal level. He is "out of touch," so he doesn't know why he's unhappy, and may conclude that the cause of his malaise is that he needs "more." He sets out to get it, but when he gets it he feels deader and more isolated than ever.The end stage of this journey of masculine process is personal oblivion, which can occur early in his life or may not appear full blown until he's an older man, depending on how extreme his externalized process is. At this point, personal connection becomes impossible. He doesn't know he rationalizes his personal emptiness with cynical philosophies and escapes painful awareness through non-relationships he can control by buying. In the end state of oblivion, he is beyond personal reach and can only relate in abstract, depersonalized, intellectualized ways. The only way he is "loved" is in return for providing or taking care of others.”

Herb Goldberg (1937–2019) American psychologist

The Personal Journey of Masculinity: From Externalization to Disconnection to Oblivion, pp. 10–11
What Men Still Don't Know About Women, Relationships, and Love (2007)

Love, Life, Men, Pain

“The decisive weakness in neoclassical and neo-Keynesian economics is not the error in the assumptions by which it elides the problem of power. The capacity for erroneous belief is very great, especially where it coincides with convenience. Rather, in eliding power — in making economics a nonpolitical subject — neoclassical theory destroys its relation to the real world. In that world, power is decisive in what happens. And the problems of that world are increasing both in number and in the depth of their social affliction. In consequence, neoclassical and neo-Keynesian economics is relegating its players to the social sidelines where they either call no plays or use the wrong ones. To change the metaphor, they manipulate levers to which no machinery is attached.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

Power and the Useful Economist (1973)

World, Error, Problem, Decision

“It remains to mention some of the ways in which people have spoken misleadingly of logical form. One of the commonest of these is to talk of ' the logical form' of a statement; as if a statement could never have more than one kind of formal power; as if statements could, in respect of their formal powers, be grouped in mutually exclusive classes, like animals at a zoo in respect of their species. But to say that a statement is of some one logical form is simply to point to a certain general class of, e. g., valid inferences, in which the statement can play a certain role. It is not to exclude the possibility of there being other general classes of valid inferences in which the statement can play a certain role.”

P. F. Strawson (1919–2006) British philosopher

Source: Introduction to Logical Theory (1952), p. 53 as cited in: Ian Hacking (1975) Why Does Language Matter to Philosophy?, p. 83.

People, Way, Animals

“I can't actually play any instrument properly. I can't read music. And here's the New York Times calling me the new George Gershwin. It was so ridiculous, really embarrassing. It was embarrassing to watch these people fall into the trap of their own critical conceits.”

Elvis Costello (1954) English singer-songwriter

Musician (March 1986)

People, Music, Time, Reading

“Despite the amount of suffering, pain, misery, sorrow and travail which can exist in life, the reason for existence is the same reason as one has to play a game — interest, contest, activity and possession. The truth of this assertion is established by an observation of the elements of games and then applying these elements to life itself.”

L. Ron Hubbard (1911–1986) American science fiction author, philosopher, cult leader, and the founder of the Church of Scientology

Scientology : The Fundamentals of Thought (1973).
Scientology Bulletins

Life, Pain, Truth, Game

“I heard the bells from the future churches, the children playing and laughing in the schoolyards … and here was an almond tree in bloom before me: I must reach out and cut a flowering branch. For, by believing passionately in something which still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired, whatever we have not irrigated with our blood to such a degree that it becomes strong enough to stride across the somber threshold of nonexistence.”

Nikos Kazantzakis book Report to Greco

Source: Report to Greco (1965), p. 434; in a few publications since 2008 part of this has been misattributed to Franz Kafka: "By believing passionately in something which still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired."

Children, Flowers, Tree, Strong

“[Aphrodite] set out, and after searching up and down Olympus for her boy, found him far away in the fruit-laden orchard of Zeus. With him was Ganymede, whose beauty had so captivated Zeus that he took him up to heaven to live with the immortals. The two lads, who had much in common, were playing with golden knuckle-bones. Eros, the greedy boy, was standing there with a whole handful of them clutched to his breast and a happy flush mantling his cheeks. Near by sat Ganymede, hunched up, silent and disconsolate, with only two left. He threw these for what they were worth in quick succession and was furious when Eros laughed. Of course he lost them both immediately – they joined the rest. So he went off in despair with empty hands and did not notice the goddess's approach. Aphrodite came up to her boy, took his chin in her hand, and said: 'Why this triumphant smile, you rascal?”

Apollonius of Rhodes book Argonautica

I do believe you won the game unfairly by cheating a beginner…
Argonautica (3rd century BC), Book III. Jason and Medea

Happiness, Smile, Beauty, Search

“I have had two lives: when I was born in Puerto Rico in 1935 [sic] and when I came to play baseball in Pittsburgh in 1955. I have two loves: my family – my mother, my father and my wife and three sons – and my fans.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Addressing reporters at post-game press conference on Roberto Clemente Day, as quoted in "Roberto Clemente's a Man of 2 Lives ... and 2 Loves" https://news.google.com/newspapers?id=zbYcAAAAIBAJ&sjid=NWYEAAAAIBAJ&pg=2327%2C2876682 by the Associated Press, in The Sarasota Herald-Tribune (July 26, 1970) Other, <big><big>1970s</big></big>, <big>1970</big>

Love, Family

“When Sartre and I met not only did our backgrounds fuse, but also our solidity, our individual conviction that we were what we were made to be. In that framework we could not become rivals. Then, as the relationship between Sartre and me grew, I became convinced that I was irreplaceable in his life, and he in mine. In other words, we were totally secure in the knowledge that our relationship was also totally solid, again preordained, though, of course, we would have laughed at that word then. When you have such security it's easy not to be jealous. But had I thought that another woman played the same role as I did in Sartre's life, of course, I would have been jealous.”

Simone de Beauvoir (1908–1986) French writer, intellectual, existentialist philosopher, political activist, feminist, and social theorist

Interview by John Gerassi in Society (January-February 1976) http://www.marxists.org/reference/subject/ethics/de-beauvoir/1976/interview.htm General sources

Life, Knowledge

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

World, Family, Music, Home

“You have to be patient. I want to be the possession receiver, the go-to guy. When it's time for a big play, they can come to me.”

Ted Ginn, Jr. (1985) American football wide receiver, kick returner

[Drape, Joe, Friendship Forged in Youth Fuels Touchdowns at Ohio State, D3, New York Times, 2006-09-23, 2007-01-23]

Guy, Time

“It becomes logical to ask where the idea originates that the rules of the game of life ought to be such that those who are weak, disabled or ill should be helped?
One answer is obvious: this is the game typically played in childhood. Every one of us was, at one time, a weak and helpless child, cared for by adults: without such help we would not have survived and become adults.
Another, almost equally obvious answer is that the prescription of a help-giving attitude toward the weak is embodied in the dominant religions of Western man.
Judaism, and especially Christianity, teach these rules by means of parable and prohibition, example and exhortation, and by every other means available to their representatives.”

Thomas Szasz (1920–2012) Hungarian psychiatrist

Source: The Myth of Mental Illness: Foundations of a Theory of Personal Conduct (1961), Chapter 10: The Ethics of Helplessness and Helpfulness.

Life, Religion, Game, Idea

“As we live by the Muses, it is but a Gratitude in us to encourage Poetical Merit wherever we find it. The Muses, contrary to all other Ladies, pay no Distinction to Dress, and never partially mistake the Pertness of Embroidery for Wit, nor the Modesty of Want for Dulness. Be the Author who he will, we push his Play as far as it will go. So (though you are in Want) I wish you success heartily.”

John Gay (1685–1732) English poet and playwright

"Player", Introduction
The Beggar's Opera (1728)

Success, Gratitude

“If there's anything that I can tell people that are being bullied, it's that the bullies are really the ones that are hurting. Playing Lauren Tanner made me realize that she was evil because she was harboring so much pain from her childhood. And if there's anything I would tell anyone who is being bullied, it's to just let it go. Bullies are the insecure ones and the ones who are trying to get a rise out of you to make themselves feel better.”

Cassie Scerbo (1990) American actress, singer and dancer

Interview: "Sharknado" Star Cassie Scerbo Talks Being a Fanboy Favorite and Her Upcoming Music http://amp.uk.complex.com/pop-culture/2013/07/interview-sharknado-star-cassie-scerbo (July 24, 2013)

Pain, People, Feeling, Evil

“…Once you entomb mathematics in an artificial language à la Hilbert, once you set up a completely formal axiomatic system, then you can forget that it has any meaning and just look at it as a game that you play with marks on paper that enable you to deduce theorems from axioms. You can forget about the meaning of the game, the game of mathematical reasoning, it's just combinatorial play with symbols! There are certain rules, and you can study these rules and forget that they have any meaning!”

Gregory Chaitin (1947) Argentinian mathematician and computer scientist

1999 Lecture—"A Century of Controversy over the Foundations of Mathematics" at U. Massachusetts at Lowell, quoted in [2012, Conversations with a Mathematician: Math, Art, Science and the Limits of Reason, Springer, https://books.google.com/books?id=DczTBwAAQBAJ&pg=PA15] p. 15

Game, Mathematics, Study, Forgetting

“I wasn't a fan of the gameplay in Postal 2, I loved the message that the company was trying to put out. Because you can play Postal 2 in the most violent and graphic way, but you can also play it without hurting a single person. I don't know anyone who's played it like that, but I like that the people who made Postal are saying you can get through this game without any violence.”

Michael Simms (software developer) (1973) Video game programmer

Quoted in Graham Morrison, "Bringing Windows games to Linux" http://www.techradar.com/news/gaming/bringing-windows-games-to-linux-622659?artc_pg=1 TechRadar UK (2009-08-10)

Love, People, Way, Game

“I'm constantly thinking melodies. Now, to add interest to those melodies, obviously you have to know what things can be superimposed over a chord, and I will think of extended arpeggios and the upper estensions. If I'm playing very vertically, I will invariably start to include certaing passing notes which imply certain scales -- like a melodic minor scale against a C minor chord, or diminished scales, something like that. But I'm not thinking of a scale at that specific moment. I'm thinking of the notes as surrounding that chord -- because I know how each of the twelve notes in music sound against a C minor seventh, for instance.”

Lee Ritenour (1952) American jazz guitarist, session musician, and composer

[Denyer, Ralph, The Guitar Handbook, 2002, 114, 0-679-74275-1]

Music, Thinking

“I was fortunate that my parents were bright, loving people who did everything they could to help me. I’m glad I was able to play baseball and soccer. I’m gratified that I was a smart boy who went to MIT. But looking back, I know there was anger and dislocation. I’m glad I’ve been able to overcome that, as many other immigrant kids have as well. But some haven’t. Some have dysfunctional and destructive families. Some are bitter. Some are blamers. Some are just crazy – call them sociopaths if you prefer — and their alienation has brought out the worst in them. Instead of filing a lawsuit when they felt wronged, as I have done, they bought guns. This is the nation we live in.”

Shiva Ayyadurai (1963) inventor

Immigrant Violence in America, A Big Problem http://vashiva.com/immigrant-violence-in-america-big-problem/ (July 6, 2016)

Love, People, Family, Boy

“Leisure is permissible, we understand, because it costs money; idleness is not, because it doesn’t. Leisure is focused; whatever thinking it requires is absorbed by a certain task: sinking that putt, making that cast, watching that flat-screen TV. Idleness is unconstrained, anarchic. Leisure—particularly if it involves some kind of high-priced technology—is as American as a Fourth of July barbecue. Idleness, on the other hand, has a bad attitude. It doesn’t shave; it’s not a member of the team; it doesn’t play well with others. It thinks too much, as my high school coach used to say. So it has to be ostracized.”

Mark Slouka (1958) author

Quitting the paint factory: On the virtues of idleness

Money, School, Understanding, Thinking

“Whoever heard me assert that the grey cat playing just now in the yard is the same one that did jumps and tricks there five hundred years ago will think whatever he likes of me, but it is a stranger form of madness to imagine that the present-day cat is fundamentally an entirely different one.”

Arthur Schopenhauer book The World as Will and Representation

Quoted by Jorge Luis Borges in his essay "A History of Eternity"
The World as Will and Representation (1819; 1844; 1859)

Imagination, Cats, Thinking, Madness

“With a tale forsooth he cometh unto you, with a tale which holdeth children from play, and old men from the chimney corner.”

Philip Sidney (1554–1586) English diplomat

Page 95.
An Apology of Poetry, or The Defence of Poesy (1595)

Men, Children

“I know what turns me on, and it's that fine line, that point where you're falling off the edge of a cliff, where your stomach turns, [and] I'm always trying to find that point in music. You rarely hit it, and again, that's the joy of playing live, because there you can be just at that point where you've lost balance. I'm always walking between polarities, trying to find the opposing sides.”

KatieJane Garside (1968) English singer

On creative aspirations, Drowned in Sound http://drownedinsound.com/in_depth/4562-i-want-to-have-a-past (2002)

Music, Joy

“It is not worth to play a production almost so well as it had been played once. It is worth to play such kind of it, which had not been played ever and that production will be played by you the best.”

Róbert Puzsér (1974) hungarian publicist

Quotes from him, Csillag születik (talent show between 2011-2012)

“Trey Spruance didn't want to tour for ages. And Dean Menta has always been our guitar-roadie during Angel Dust, and I remember him playing fantastically during soundchecks. During each gig, he was watching from the side of the stage, seeing Big Jim play stuff that he could play better.”

Mike Patton (1968) American singer

"Dangerous Jokers" - (Nieuwe Revu, 17-24 May 1995)

Age, Angels

“The fine art world and the commercial art industry are both all about money. It's hard to say which is more contemptible: the fine art world with its double talk and pretensions to the cultural high ground, or the world of commercial art trying to sell to the largest mass market it can reach. A serious artist really shouldn't be too deeply involved in either of these worlds. It's best to be on the fringe of them. In general, if you want to be a success and make the money, you have to play the game. It's no different in the fine art world, it's just a slightly different game. Essentially, you're marketing an illusion. It's much easier to lie to humans and trick them than to tell them the truth. They'd much rather be bamboozled than be told the truth, because the way to trick them is to flatter them and tell them what they want to hear, to reinforce their existing illusions. They don't want to know the truth. Truth is a bring-down, a bummer, or it's just too complicated, too much mental work to grasp.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 297

Money, Truth, Lie, World

“At the movies, we are gradually being conditioned to accept violence as a sensual pleasure. The directors used to say they were showing us its real face and how ugly it was in order to sensitize us to its horrors. You don't have to be very keen to see that they are now in fact desensitizing us. They are saying that everyone is brutal, and the heroes must be as brutal as the villains or they turn into fools. There seems to be an assumption that if you're offended by movie brutality, you are somehow playing into the hands of the people who want censorship. But this would deny those of us who don't believe in censorship the use of the only counterbalance: the freedom of the press to say that there's anything conceivably damaging in these films — the freedom to analyze their implications. If we don't use this critical freedom, we are implicitly saying that no brutality is too much for us — that only squares and people who believe in censorship are concerned with brutality. Actually, those who believe in censorship are primarily concerned with sex, and they generally worry about violence only when it's eroticized. This means that practically no one raises the issue of the possible cumulative effects of movie brutality. Yet surely, when night after night atrocities are served up to us as entertainment, it's worth some anxiety. We become clockwork oranges if we accept all this pop culture without asking what's in it. How can people go on talking about the dazzling brilliance of movies and not notice that the directors are sucking up to the thugs in the audience?”

Pauline Kael book Deeper into Movies

"Stanley Strangelove" (January 1972) http://www.visual-memory.co.uk/amk/doc/0051.html, review of A Clockwork Orange Deeper into Movies (1973)

People, Pleasure, Fools, Sex

“I got some hands I didn't want to play.”

George W. Bush (1946) 43rd President of the United States

2010s, 2011, Q&A with Former President George W. Bush (January 2011)

“What can I do with this memory?
Shake the bones out of it?
Defoliate the smile?
Stub out the chin with cigarettes?
Take the face of the man I love
and squeeze my foot into it,
when all the while my heart is making a museum?
I love you the way the oboe plays.
I love you the way skinny dipping makes my body feel.
I love you the way a ripe artichoke tastes.
Yet I fear you,
as one in the desert fears the sun.”

Anne Sexton (1928–1974) poet from the United States

"Waking Alone" from The Divorce Papers
45 Mercy Street (1976)

Love, Fear, Smile, Way

“Sure, everybody wants to play God, but for me it's a full-time job.”

Chuck Palahniuk book Lullaby

Source: Lullaby (2002), Chapter 20

God, Time

“One night at Socko and a year of probation were no comparison to the punishment at home. My rehabilitation was one of the fastest in adolescent history. I had it coming, and it taught me that moral rehab is possible. I behaved during my term of probation and stopped all of my criminal activity. But I would always retain my strong impulse to challenge authority and to think and act on my own whenever possible. There is room for such types in America, even in the disciplined confines of the United States Army. I’m a big believer in the value of unconventional men and women. They are the innovators and risk takers. Apple, one of the world’s most creative and successful high-tech companies, lives by the vision of transformation through exception. “Here’s to the crazy ones,” Apple’s campaign says. “The misfits. The rebels. The troublemakers. The round pegs in the square holes. The ones who see things differently. They’re not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can’t do is ignore them. Because they change things. They push the human race forward. And while some may see them as the crazy ones, we see genius. Because the people who are crazy enough to think they can change the world, are the ones who do.” If you talk to my colleagues, they’ll tell you that I’m cut from the same cloth. My military biography starts badly. I was a miserable dropout in my freshman year of college (1.2 GPA), enlisted in a delayed-entry Marine Corps program, went to work as a lifeguard at a local beach, and then came the first of several miracles: an Army ROTC scholarship. Little did I know that my rebellious activities, such as skipping class and sundry other mistakes, would lead me to playing basketball (which I was very good at) with an ROTC instructor who saw something in me. Not only that, he took surprising initiative.”

Michael T. Flynn (1958) 25th United States National Security Advisor

Introduction
The Field of Fight: How We Can Win the Global War Against Radical Islam and Its Allies (2016)

Women, Men, People, World

“Everything I've done in the last few years has been grim and gritty and traumatic. I've played floozies, psychopaths, assassins, crackheads…. It's nice to do something with a lighter touch, something that makes you laugh but has a serious point to make. I get to wear a lot of great clothes as well.”

Sienna Guillory (1975) British actress

Take a Girl Like You Cast and Credits http://www.pbs.org/wgbh/masterpiece/takeagirl/credits.html. pbs.org. 2000. Guillory speaks about her role in the television film, w:Take a Girl Like You.

Clothes

“I. But he hears not. Now, my warrior guests,
I drink to the onward passage of his soul
Death. Had my hand turned coward or played me false,
This man that is my hand, and less than I
And less than he bloodguilty, this my death
Had been my husband's: now he has left it me.
[Drinks]
How innocent are all but he and I
No time is mine to tell you. Truth shall tell.
I pardon thee, my husband: pardon me. [Dies]”

Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic

Rosamund, Act 5, Scene 1.
Rosamund, Queen of the Lombards (1899)

Death, Truth, Soul, Drink

“Off screen, I was friends with people I was nasty to in pictures. Judy Canova and I were friends. There’s a terrific line in ‘WAC From Walla Walla’ where she’s trying to pick out a shade of lipstick. I walk by and say ‘window shade.’ [Laughs] Judy played the star bit to the hilt! She had an entourage that followed her around. One woman held an umbrella over Judy’s head to keep the sun off her.”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

People, Star, Sun

“What I like about playing America is you can be pretty sure you're not going to get hit with a full can of beer when you're singing and I really enjoy that!”

Joe Strummer (1952–2002) British musician, singer, actor and songwriter

Interview with Howard Petruziello for the New York Hangover on March 2000 Petruziello, Howard, Drinking with Joe Strummer, New York Hangover, 2000, March http://www.nyhangover.com/issues/0300/text/Strummer300.htm,

Beer, Singing

“…no matter whether it was day, evening, or weekend, because she was an FBI agent, Nicole had to be fit and ready for duty at all times. She rarely drank more than a single glass of wine in the evening, and she carried her Glock to dinner, to the grocery store, and to her kid’s third-grade play”

Lis Wiehl (1961) American legal scholar

Source: Heart of Ice A Triple Threat Novel with April Henry (Thomas Nelson), pp. 10, 11

Wine, Time

“You were playing in the snow
You were banging on the doors
You climbed up on the roof
Roof of the world
You were pulling up the rhododendrons
Loping down the mountain They want to know you
They will hunt you down
Then they will kill you
Run away, run away… We found your footprints in the snow
We brushed them all away… You're the wild man.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, 50 Words for Snow (2011)

World, Mountain

“The books I write because I want to read them, the games because I want to play them, and stories I tell because I find them exciting personally.”

Gary Gygax (1938–2008) American writer and game designer

GameSpy interview, Pt. 2 (16 August 2004)

Books, Game, Reading, Personality

“Sometimes I think there must be two Yogi Berras. There is the one who grew up on the Hill in St, Louis, who's been playing ball for the Yankees for fourteen years, has a beautiful wife named Carmen and three boys, Larry, Timmy, and Dale, and lives in a nice house in Montclair, N. J. That's me. Then there's the one you read about in the papers who is a kind of a comic-strip character, like Li'l Abner or Joe Palooka. […] I don't know that Yogi at all, because he doesn't exist.”

Yogi Berra (1925–2015) American baseball player, manager, coach

From Yogi: The Autobiography of a Professional Baseball Player (February 1961) by Berra with Ed Fitzgerald; reproduced in "Berra Dispels Li'l Abner Myth" by Berra and Fitzgerald, in The Boston Globe (Saturday, July 2, 1961), p. A1.

Beauty, Boy, Thinking, Reading

“A scene that has often come into my mind, both sleeping and waking — I am standing in the wings of a theatre waiting for my cue to go onstage. As I stand there I can hear the play proceeding, and suddenly it dawns on me that the lines I have learnt are not in this play at all, but belong to quite a different one. Panic seizes me; I wonder frenziedly what should I do. Then I get my cue. Stumbling, falling over the unfamiliar scenery, I make my way onto the stage, and then look for guidance to the prompter, whose head I can just see rising out of the floor-boards. Alas he only signals helplessly to me and I realise of course that his script is different from mine. I begin to speak my lines, but they are incomprehensible to the other actors and abhorrent to the audience, who begin to hiss and shout: “Get off the stage!”, “Let the play go on!”, “You’re interrupting!””

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

I am paralysed and can think of nothing to do but to go on standing there and speaking my lines that don’t fit. The only lines I know.
Chronicles of Wasted Time: The Green Stick (1972)

Way, Thinking, Sleep, Waiting

“I think there are three possible scenarios for the future of Chinese writing, in all of which the government plays a major role. In the first, and at present apparently the least likely scenario, the government abandons its hostility to an expanded role for Pinyin and instead fosters a climate of digraphia and biliteracy in which those who can do so become literate in both characters and Pinyin, and those who cannot are at least literate in Pinyin. This is essentially a reversion to the Latinization movement of the 1930s and 1940s, when Mao Zedong and other high Communist Party officials like Xu Teli, the commissioner of education in Yan'an, lent their prestigious support to the New Writing. Such a change within the governing bureaucracy would in all likelihood result in an explosion of activity that might end in Pinyin ascendancy in use over characters in less than a generation.
In the second scenario the government adopts a policy of benign indifference that involves abandoning its hostility toward Pinyin but without actively supporting it, leaving it up to the rival protagonists of the two systems to contest for supremacy among themselves. This is likely to result in a somewhat longer struggle.
In the third scenario the government continues its present policy of repression, resulting in a much more protracted struggle (though surely not as long as the fascinating parallel struggle between Latin and Italian in Italy, where it took 500 [! ] years after Dante’s start in 1292 for academics, the last holdouts, to finally abandon their long resistance and start using Italian in university lectures).47 In this long struggle, PCs and mobile phones and other innovations still to come will undoubtedly allow more and more advocates of writing reform to escape the stranglehold of officialdom, to the point where (in a century or so?) characters are finally relegated to the status of Latin in the West.
My own view is that this is actually the least likely scenario, the most probable one being that the Chinese pragmatism that has manifested itself so strongly in economics will extend further into writing, and that, perhaps sooner rather than later, given the success of the promotion of Mandarin, some influential Party bureaucrats will finally arrive at the conclusion that the "some day in the future" anticipated by Mao has arrived, and that wholehearted Party support should now be unleashed for his anticipated "basic reform."”

John DeFrancis (1911–2009) American linguist

In any case it is basically all a matter of time. And the decisive factor that will seal the ultimate fate of Chinese characters is the new reality, noted by a perceptive observer, that "the PC is mightier than the Pen." "The Prospects for Chinese Writing Reform" (2006, p. 20-21) http://sino-platonic.org/complete/spp171_chinese_writing_reform.pdf "The Prospects for Chinese Writing Reform" (2006)

Hostility, Fate, Education, Support

“Mr. President, you said would we have more leverage if both parties got our votes, but we didn't come this far playing political games. It was those that earned our vote that got our vote. We got the Civil Rights Act under a Democrat. We got the Voting Rights Act under a Democrat. We got the right to organize under Democrats. Mr. President, the reason we are fighting so hard, the reason we took Florida so seriously, is our right to vote wasn't gained because of our age. Our vote was soaked in the blood of martyrs, soaked in the blood of good men, soaked in the blood of four little girls in Birmingham. This vote is sacred to us. This vote can't be bargained away. This vote can't be given away. Mr. President, in all due respect, Mr. President, read my lips: Our vote is not for sale.”

Al Sharpton (1954) American Baptist minister, civil rights activist, and television/radio talk show host

From the 2004 DNC

Men, Age, Girl, Game

“I've got the sickest vendetta when it comes to the cheddar… You play with my paper, you're going to meet my Beretta… She looks good, but I know she's after my cheddar.”

50 Cent (1975) American rapper, actor, businessman, investor and television producer

Wanksta
Song lyrics, No Mercy, No Fear (2002)

“Never follow a dog act. You know you're on the skids when you play yourself in the movie version of your life.”

Erica Jong (1942) Novelist, poet, memoirist, critic

Erica Jong's father (a musician, songwriter and later business man), his two pieces of advice for her. Given in the Times Literary Supplement, 7 October 1994, page 44.
Other

Life, Dogs

“I've been playing since fifth grade. I've never played more poorly than I did today. I've never been more disappointed in myself.”

Jon Kitna (1972) American football quarterback

Remarks after losing to the Pittsburgh Steelers http://scores.espn.go.com/nfl/recap?gameId=221013004 13 October 2002.

Disappointment

“I don't play in any tournaments to come second best.”

Andy Murray (1987) British tennis player

“Another one goes, and I'm so underwhelmed that I can't even be bothered to use the obligatory exclamation mark after 'wicket'. All it took was the most rudimentary wicket-to-wicket hustle from Reekers, who is something of a corpulent Ian Austin, and Haq was cleaned up as he played miserably around his pads.”

Rob Smyth (1977) English/Irish rugby league player

Cricket World Cup 2007; Group A: Scotland v Netherlands; Over-by-over: Scotland innings http://sport.guardian.co.uk/cricketworldcup2007/story/0,,2040562,00.html (22 March 2007)