Quotes about play
page 22

“I've seen the demonstrations on the Internet about how you can find another person using a Zune and give them a song they can play three times. It takes forever. By the time you've gone through all that, the girl's got up and left! You're much better off to take one of your earbuds out and put it in her ear. Then you're connected with about two feet of headphone cable.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

When asked whether he was concerned over Microsoft Zune's wireless capability, as a product competing with Apple's iPod, as quoted in Newsweek (14 October 2006)
2000s

Girl, Time, Personality

“It was a remarkable time of my life. I don’t think anyone except the few people who have played James Bond can tell you how strange and special it is and how much your life changes. I have no regrets about doing it at all.”

Timothy Dalton (1944) British actor of stage, film and television

On playing Bond. [Timothy Dalton Reflects On 007, 2007-02-19, http://www.mi6.co.uk/sections/articles/dalton_hot_fuzz.php3?t=&s=, MI6 - The Home of James Bond, 2007-02-21]
Attributed

Life, People, Thinking, Change

“There are moments in life where the question of knowing whether one might think otherwise than one thinks and perceive otherwise than one sees is indispensable if one is to continue to observe or reflect… What is philosophy today… if it does not consist in, instead of legitimizing what we already know, undertaking to know how and how far it might be possible to think otherwise?… The ‘essay’ —which must be understood as a transforming test of oneself in the play of truth and not as a simplifying appropriation of someone else for the purpose of communication—is the living body of philosophy, if, at least, philosophy is today still what it was once, that is to say, an askesis, an exercise of the self, in thought.”

Michel Foucault (1926–1984) French philosopher

Il y a des moments dans la vie où la question de savoir si on peut penser autrement qu’on ne pense et percevoir autrement qu’on ne voit est indispensable pour continuer à regarder ou à réfléchir… Qu’est-ce donc que la philosophie aujourd’hui… si elle ne consiste pas, au lieu de légitimer ce qu’on sait déjà, à entreprendre de savoir comment et jusqu’où il serait possible de penser autrement ?… L’ « essai »—qu’il faut entendre comme épreuve modificatrice de soi-même dans le jeu de la vérité et non comme appropriation simplificatrice d’autrui à des fins de communication—est le corps vivant de la philosophie, si du moins celle-ci est encore maintenant ce qu’elle était autrefois, c’est-à-dire une « ascèse », un exercice de soi, dans la pensée.
Vol. II : L’usage des plaisirs p. 15-16.
History of Sexuality (1976–1984)

Life, Truth, Exercises, Communication

“Each night the Amir visits a particular wife, or mahal, and receives a very warm welcome from her and from the slaves (i. e. slave girls), who (are) dressed specially for the occasion… If it is the hot weather, they… rub his body with pounded sandalwood and rosewater. Fans are kept going steadily. Some of the slaves chafe the master’s hand and feet, some sit and sing, or play music and dance, or provide other recreation, the wife sitting near him all the time. Then if one of the pretty slave girls takes his fancy, he calls her to him and enjoys her, his wife not daring to show any signs of displeasure, but dissembling, though she will take it out on the slave girls later on.”

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Francisco Pelsaert, Pelsaert, Francisco, Jahangir’s India, trs. by W.H. Moreland and P. Geyl, Cambridge, 1925. Quoted from Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 12.
Jahangir’s India

Music, Girl, Singing, Time

“It's difficult for me to know where to start with rugby. I come from a fanatically rugby-conscious Welsh miner's family, know so much about it, have read so much about it, have heard with delight so many massive lies and stupendous exaggerations about it and have contributed my own fair share, and five of my six brothers played it, one with some distinction… it's difficu1t for me to know where to start so I’ll begin with the end. The last shall be first, as it is said, so I'll tell you about the last match I ever played in…I had played the game representatively from the age of ten until those who employed me in my profession, which is that of actor, insisted that I was a bad insurance risk against certain dread teams in dead-end valleys who would have little respect, no respect, or outright disrespect for what I was pleased to call my face. What if I were unfortunate enough to be on the deck in the middle of a loose maul…they murmured in dollar accents?”

Richard Burton (1925–1984) Welsh actor

In Richard Burton’s Last Match From Take the Ball and Run – A Rugby Anthology by Godfrey Smith http://wesclark.com/rrr/burton.html, Wesclark, 1953.

Age, Family, Game, Reading

“But perhaps they were thrown off by my playing style, which was intuitive-and perhaps a little influenced by Vodka. I ran away with the match early. The result was overwhelmingly in my favour: four wins, five draws and only one loss –an annihilation. The Russians were stunned. I was pretty surprised myself.”

Viswanathan Anand (1969) Indian chess player

On his match against Alexey Dreev held at Chennai in 1991. page=291.
Reimagining India: Unlocking the Potential of Asia’s Next Superpower

Loss, Drawing

“"When challenged, Wilt could do almost anything he wanted. In 1961 a new star named Walt Bellamy came into the league. Bellamy was 6-foot-11, and was scoring 30 points a game. First time they played against each other, they met at half court. Bellamy said, 'Hello, Mr. Chamberlain. I'm Walter Bellamy.' Chamberlain reached for Bellamy's hand and said, "Hello, Walter. You won't get a shot off in the first half." Wilt then blocked Bellamy's first nine shots. At the start of the second half Wilt said to Bellamy, 'Okay, Walter. Now you can play.'"”

Wilt Chamberlain (1936–1999) basketball player

http://www.philadelphiaweekly.com/view.php?id=9389 Blocking

Game, Star, Time

“Every play which is produced—and for that matter, every book that is published, every picture which is exhibited, every film which is turned—is subjected to the Board of Censors… Romantic love in even its purest phases is not thought to be a fitting subject for consideration of citizens of a communist state;... the sex play is unknown in modern Russia… There remains as the ubiquitous theme for plays: revolution, with all the patriotic and nationalistic connotations which have grown up around it; heroism, sacrifice for the nation and class; consciousness of solidarity with one’s fellow proletarians; common suffering; great adventures with new ideas; great prospects for future machine age which is to be a sort of Russian-communist Americanism.”

Dorothy Thompson (1893–1961) American journalist and radio broadcaster

Source: "The New Russia" 1928, pp. 27-28

Love, Books, Age, Sex

“Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they're all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.”

Ritchie Blackmore (1945) British guitarist and songwriter

Ritchie Blackmore, in: Guitar Player. Vol. 7. (1973). p. 235:
Answer to the question Does listening to solos performed on other instruments than the guitar help the beginning guitarist develop a personal style?

Help

“We are more likely to love our work when we see it as play.”

Lynda Gratton (1953) Business theorist

The Shift: The Future of Work Is Already Here, 2011

Love

“Only a dad with a tired face,
Coming home from the daily race,
Bringing little of gold or fame
To show how well he has played the game;
But glad in his heart that his own rejoice
To see him come and to hear his voice.”

Edgar Guest (1881–1959) American writer

Only a Dad, stanza 1, p. 43.
A Heap o' Livin' (1916)

Home, Game, Heart

“…in Palau I seemed to be the perfect princess, this time I was competitive and sometimes the bad guy. I played competitively both times. I think there is a happy medium to me. I'm not perfect or horrible. I've always had to work hard for everything I've gotten in life. I went in to bust my butt and I hope people can respect me for that. I played the game the way it was designed to be played…”

Stephenie LaGrossa (1978) American television personality

"I Played the Game the Way It Was Designed to Be Played": An Interview with Survivor: Guatemala's Stephenie http://www.realitynewsonline.com/cgi-bin/ae.pl?mode=1&article=article5924.art&page=1, Reality News Online, 12 December 2005.

Life, Happiness, People, Hope

“I want to play either in Europe or in Spain.”

Alon Mizrahi (1971) Israeli footballer

In an interview to the Sports Channel.

“Most of the time I sit down with my guitar or at the piano, and I play for awhile until I get a new riff or groove that I like a lot. Then I'll concentrate on building around that line of thought by adding words and textures. At first I'm only trying to please myself, and hopefully what I like will appeal to others.”

Jackie DeShannon (1941) American singer-songwriter

Swingin' Chicks of the 60s http://www.swinginchicks.com/jackie_deshannon.htm (September 2000)

Time

“Oh, I think it was like when, you know, Cupid throws an arrow and hits you. First, there was this Mexican band, dressed up with bows and arrows. They were playing some funky weird music,, I didn't know it yet, but it was like Lee Perry, George Clinton, and Sun Ra mixed up, Mexican funky.”

Carlos Santana (1947) Mexican and American rock musician

On his first musical memory.http://findarticles.com/p/articles/mi_m0GER/is_2000_Summer/ai_63500762

Music, Thinking, Sun

“In the beginning I used to make one terrible play a game. Then I got so I'd make one a week and finally I'd pull a bad one about once a month. Now, I'm trying to keep it down to one a season.”

Lou Gehrig (1903–1941) American baseball player

SPORT Magazine's All-Time All Stars (Quentin Reynolds)

Game, Season

“A lot of the old movie stars couldn't act their way out of a box of wet tissue paper, but they were successful because they had distinctive personalities. They were predictable brands of breakfast cereal: on Wednesdays we had Quaker Oats and Gary Cooper; on Fridays we had Wheaties and Clark Gable. They were off-the-shelf products you expected always to be the same, actors and actresses with likable personalities who played themselves more or less the same role the same way every time out.”

Marlon Brando (1924–2004) American screen and stage actor

Way, Star, Time, Success

“The musicians had played on the deck as the ship went down. They had forfeited their lives for the sake of others. They had played the tunes of hymns to induce a spirit of peace and calm. They were heroic.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 13

Peace

“We have to prepare for what life could become in 40 years. We need to outline what is possible and what is impossible with the non-renewable resources of the Earth. What role will technological improvement play? Taking all this into account, what kind of life can we produce in the best way for 10 billion people? That's a problem that needs to be solved.”

Jacques-Yves Cousteau (1910–1997) French naval officer, explorer, conservationist, filmmaker, innovator, scientist, photographer, author and …

Interview (March 1996)

Life, People, Way, Problem

“I'm learning to play piano. And also the musical saw.”

Rachel Trachtenburg (1993) American musician

On learning to play new instruments ( Teen Vogue http://www.slideshowplayers.com/press/Teenvogue_feb07.html)

Music, Learning

“Mind alone is maya at play.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

“The very early days of Pink Floyd were magical. We played small auditoriums for entranced audiences, and there was a wonderful sense of communion. We got overpowered by the weight of success and numbers — not just the money but the size of the audience. I became very disenchanted. I had to make the choice of staying on the treadmill or making the braver decision to travel a more difficult path alone.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

USA Today, 1999
Philosophy

Money, Travel, Decision, Sense

“If this guy prints more money between now and the election, I dunno what y'all would do to him in Iowa but we would treat him pretty ugly, down in Texas. I mean, printing more money to play politics at this particular time in American history is almost treacherous—or treasonous in my opinion.”

Rick Perry (1950) 14th and current United States Secretary of Energy

2011-08-16
Perry: We'd Lynch Ben Bernanke In Texas
Andrew
Sullivan
The Dish
The Daily Beast
http://andrewsullivan.thedailybeast.com/2011/08/perry-wed-lynch-ben-bernanke-in-texas.html
2011

Money, Guy, History, Time

“You always said the cards would never do you wrong.
The trick you said was never play the game too long.
A gambler's share.
The only risk that you would take.
The only loss you could forsake
The only bluff you couldn't fake.”

Bob Seger (1945) American singer-songwriter

Still the Same.
Song lyrics, Stranger in Town (1978)

Game, Loss

“I do like movies that take a toll on the audience. I want to work the subconscious. I want to involve you in ways in which you might not necessarily want to get involved. I want to play off those things that you're expecting to get when the lights go down and the 20th Century Fox logo comes up. There's an audience expectation and I'm interested in how movies play with--and off--that expectation. That's what I'm interested in.”

David Fincher (1962) American film director

Fightin Words (1999)

Way, Light

“We have dancing … from soon after sundown until a few minutes after nine o’clock…. Occasionally the boys who play the female partners in the dances exercise their ingenuity in dressing to look as girlish as possible. In the absence of lady duds they use leaves, and the leaf-clad beauties often look very pretty and always odd enough.”

Rutherford B. Hayes (1822–1893) American politician, 19th President of the United States (in office from 1877 to 1881)

Letter to Sophia Birchard Hayes (10 July 1862)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)

Beauty, Exercises, Boy, Dance

“When confronted on the street by the police, a common emotion for a person to feel is fear. There is nothing wrong with this. In fact, it's quite healthy, but do not show it to the cop. If the cop realizes you are afraid of him, he will take full advantage of the situation and play on your fear. This doesn't mean act belligerently, and, for God's sake, do not be a high school or college lawyer, and explain to the cop what he can and cannot do. He can do anything, he's got the gun.”

William Powell (author) book The Anarchist Cookbook

"Postscript", p. 154.
The Anarchist Cookbook (1971)

God, Fear, School, Feeling

“I'd never show up a pitcher by standing in the batters box and watching how far the ball goes like a lot of players do now. But it made me feel good to know I could hit a ball longer than anyone else. It tickled the hell out of me. It was like playing in a golf tournament and hearing all the ohhs and ahhs when you hit a good drive. I mean, every time I swung at it I was trying to hit it longer than the time before. I'm sure that was why I struck out so much, but I'd get a kick out of it. Poor Casey would get so mad. He'd say, "Hey butcher boy, just make contact."”

Mickey Mantle (1931–1995) Professional baseball player

But he couldn't get me to change. In fact, Whitey told me just last year that I'd shut my eyes just before I lunged. As quoted in "IT'S OUTTA HEEERRE!!!: A New Generation of Sluggers Invites Tape-Measure Comparisons" http://articles.latimes.com/1986-07-21/sports/sp-26487_1_home-run.

Feeling, Boy, Hell, Change

“I got my apprenticeship, with the Young Concert Artists Trust, playing all these warhorses in Raymond Gubbay concerts. Some are not for me anymore, but I'd still play the Grieg at the drop of a hat; it's so fresh. I'm very careful to keep on playing a lot of mainstream repertoire. I'm not into being the court jester who just does the wacky stuff. Making the connections and taking people down new paths is what I enjoy.”

Joanna MacGregor (1959) British musician

The Times, 15/12/1998
Musician's life

People

“We should have a State in which we could live and breathe as free men and which we could develop according to our own lights and culture and where principles of Islamic social justice could find free play.”

Muhammad Ali Jinnah (1876–1948) Founder and 1st Governor General of Pakistan

Address to Civil, Naval, Military and Air Force Officers of Pakistan Government, Karachi (11 October 1947)

Men, Justice, Light

“The style of how we play is very important. But it is omelettes and eggs. No eggs - no omelettes! It depends on the quality of the eggs. In the supermarket you have class one, two or class three eggs and some are more expensive than others and some give you better omelettes. So when the class one eggs are in Waitrose and you cannot go there, you have a problem.”

José Mourinho (1963) Portuguese association football player and manager

http://news.bbc.co.uk/sport2/hi/funny_old_game/7004282.stm Chelsea FC

Problem, Dependency

“"You can't play anything on a horn that Louis hasn't played." and "I love Pops" (Louis' nickname) … Louis has been through all kinds of styles. That's good tuba, by the way. You know you can't play anything on a horn that Louis hasn't played — I mean even modern. I love his approach to the trumpet; he never sounds bad. He plays on the beat — with feeling. That's another phrase for swing. I also love the way he sings.”

Miles Davis (1926–1991) American jazz musician

In the Jazz Review with Nat Hentoff (1958); also in , and in many other books https://www.google.com/search?tbm=bks&hl=en&q=%22play+anything+on+a+horn%22+miles+davis On Louis Armstrong in a Playboy magazine interview. 1950s

Love, Way, Feeling, Singing

“I am struck by the incredible role played by the interplay of chance events with intentional choices. While the turning points themselves are indeed often fortuitous, how we respond to them is anything but so. It is this very quality of how we respond systematically to chance events that is crucial.”

N. R. Narayana Murthy (1946) Indian businessman

Life lessons from Narayana Murthy (2013)

Chance

“There, up on deck, standing in the very entrance to his cabin and silhouetted dimly against the snow, was the figure of a man with shaven head and bare feet, wrapped in a large cape made of crimson felt. The figure knelt down and bowed to Jia Zheng, who did not recognize the features and hurried out on deck, intending to raise him up and ask him his name. The man bowed four times, and now stood upright, pressing his palms together in monkish greeting. Jia Zheng was about to reciprocate with a respectful bow of the head when he looked into the man's eyes and with a sudden shock recognized him as Bao-yu.
'Are you not my son?' he asked.
The man was silent and an expression that seemed to contain both joy and sorrow played on his face. Jia Zheng asked again:
'If you are Bao-yu, why are you dressed like this? And what brings you to this place?'
Before Bao-yu could reply two other men appeared on the deck, a Buddhist monk and a Taoist, and holding him between them they said:
'Come, your earthly karma is complete. Tarry no longer.'
The three of them mounted the bank and strode off into the snow. Jia Zheng went chasing after them along the slippery track, but although he could spy them ahead of him, somehow they always remained just out of reach.”

John Minford (1946) New Zealand sinologist

Source: Translations, The Story of the Stone, Vol. 5: 'The Dreamer Wakes' (1986), Chapter 120

Men, Appearance, Time, Joy

“One of the great tests of a band, of course, was its manner of playing "God Save the King." … The English did it with effortless superiority, as though to say "We have frequently played this air in the presence of the King-Emperor and have reason to believe that he was perfectly satisfied." The American band gave an impression that every man was treacherously muttering the words of "My Country 'Tis of Thee" into his instrument; which was, of course, intolerable. I have probably misjudged this band, for like most children I was a patriotic bigot.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

I Remember Creatore (1948) Reminiscences on Giuseppe Creatore and his band http://cylinders.library.ucsb.edu/search.php?queryType=%40attr+1%3D1016+&query=Creatore

God, Children, Country

“The classic rationalists did not consider the members of an organization as human beings, but just as cogs in the machine. For them, workers were only hands. The human relations approach has shown how incomplete this rationale was. It has also made it possible to consider workers as creatures of feeling, who are moved by the impact of the so-called rational decisions taken above then, and will react to them. A human being, however, does not have only a hand a heart. He also had a head, which means that he is free to play his own game.”

Michel Crozier (1922–2013) French sociologist

Source: The Bureaucratic Phenomenon, 1954, p. 149.

Feeling, Game, Decision, Heart

“More and more film scores are being recorded the way television scores are recorded. The performers are not shown any footage. I personally don't like working that way because if you do not allow the members of the orchestra to see footage on a big screen, they will tend to perform as if they are in a concert hall. They will try not to stand out. They will try to perform as members of an orchestra. What is needed when scoring a movie such as GODZILLA VS. MECHAGODZILLA is playing that is much more aggressive. No matter how much you explain the character of Godzilla to the performers and urge them to play aggressively, they still will play as if they are in a concert hall. However, if you show the performers footage of Godzilla, their playing will dramatically change. That is why I insisted on being allowed to show footage to the performers before I agreed to score GODZILLA VS. GHIDRAH.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview II" http://www.davmil.org/www.kaijuconversations.com/ifukub2.htm, Kaiju Conversations (December 1993)

Way, Change, Personality

“Dmitry confessed once that he learned English hoping to play in England one day.”

Dmitri Bulykin (1979) Russian association football player

(Yuri Zavarzin, former owner of FC Dynamo)<ref> Мартин ГАШЕК ПОЧЕМУ БЫ БРАТУ-ДОМИНАТОРУ ТАКЖЕ НЕ ПОИГРАТЬ В "ДИНАМО"?! http://footbik.narod.ru/RF2004/obz_kom/obzorDYNAMO2.htm

Hope, Learning

“Lyra has a part to play in all this, and a major one. The irony is that she must do it all without realizing what she's doing. She can be helped, though, and if my plan with the Tokay had succeeded, she would have been safe for a little longer. I would have liked to spare her a journey to the North.”

Philip Pullman His Dark Materials trilogy

The Master to the Librarian, in Ch. 2 : The Idea of North
His Dark Materials, The Golden Compass (1995)

Help, Parting

“If you told me I was going to live to 240, I would take 10 years off and try and act. I don't have that kind of time, so I'd much rather stick to playing guitar.”

John Mayer (1977) guitarist and singer/songwriter

On why he has no plans to go into acting any time soon AP (2006). "John Mayer looks for magic, sneakers" http://edition.cnn.com/2006/SHOWBIZ/Music/09/20/qa.johnmayer.ap/ CNN.com (accessed September 22, 2006)

Time

“Democracy has failed to dampen the right/left ideological schism, which is historically rooted in the early years of separate state creation. And neither the right nor the left is fully able to provide a convincing alternative vision of how democracy in Korean society can robustly develop and thereby enhance its quality. The rightists/conservatives, who continue to retain their predominant power and influence over the state and civil society, still cling to an old-fashioned, outmoded black-and-white ideology derived from the Cold War period. That ideology can no longer provide a political vision and values and norms pertinent to the post-Cold War era as well as a democratized, highly modernized and globalized social environment. Thereby they have failed to play a leading role in enhancing autonomy of civil society vis-à-vis the state, respecting rule of law, and contributing to bringing social integration and inclusiveness.
On the other hand, the leftists have disappointed many people who expected that the entirely new generations which appeared on the political center stage in the course of democratization could play a decisive role in changing Korean politics. In recent years we have witnessed a growing disillusionment with the radical discourses and ideas as well as with their inability to develop a new type of party politics, deal with the socio-economic problems and provide a certain substantive model for ethical life.”

Choi Jang-jip (1943) South Korean political scientist

"The Fragility of Liberalism and its Political Consequences in Democratized Korea" (2009)

Life, War, People, Law

“I lay under the buckthorn tree. My soul was enchanted. I looked up through its leaves. The sun was coloring them a briljant yellow. They stood out from their delicate red stems, laughing at the sky.
And the sky was deep blue with one small cloud. And the blue was a glorious contrast to the yellow of the leaves. And the wind came and played with them, turning them over so that I could see their shiny upper surfaces. And the wind came down to me, too, bringing me armfuls of sweet fragrance.
The buckthorn was in blossom and that was the prettiest thing about it. Its scenty filled the soft air and covered me in a dream, tenderly, ans sang to my soul a tale of times before I ever was, and of times when I shall be no more..”

Paula Modersohn-Becker (1876–1907) German artist

from her Journal, in Lilleon, June 1898; as quoted in Paula Modersohn-Becker – The Letters and Journals, ed: Günther Busch & Lotten von Reinken; (transl, A. Wensinger & C. Hoey; Taplinger); Publishing Company, New York, 1983, p. 105
1898

Dreams, Color, Soul, Tree

“Sure, sure I wanted out of this game. But I don't care what these writers say. My neck was wrenched about two weeks ago and I aggravated it when I continued to play. But I didn't want to miss any games when we are trying to win the pennant. We caught the Mets and we came here tonight leading them, and I think I had something to do with it. Like I say, I don't care what these writers think. They never believe me when I say I hurt. One time before, they wrote so much about me just imagining my back was hurting me that the manager decided to have me checked over by a specialist. I never did see the report, but Danny said he had been assured my complaint was legitimate, and that he was sorry there had been a misunderstanding. I couldn't know what he meant, but after that he never failed to ask about my back before he put my name in the lineup for the second game of doubleheaders.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "All-Star Case of Roberto Clemente" by Sam Lacy, in The Baltimore Afro-American (July 21, 1970)
Baseball-related, <big><big>1970s</big></big>, <big>1970</big>

Imagination, Game, Thinking, Time

“Unpredictable events, or the coincidence of vital events happening side by side, play their part in history. In the emerging of the United States of America, the South American nations, South Africa, Canada and Australia the unforeseen mixture of events was especially powerful in the final decades of the 18th century. Many of those events pirouetted around the fortunes of France, whose influence was as decisive when it was losing as when it was winning wars.”

Geoffrey Blainey book A Short History of the World

A Short History of the World (2000)

War, History, Decision, Parting

“Plowboy: You truly feel that all the major changes in history have been caused by science and technology?
Asimov: Those that have proved permanent—the ones that affected every facet of life and made certain that mankind could never go back again—were always brought about by science and technology. In fact, the same twin "movers" were even behind the other "solely" historical changes. Why, for instance, did Martin Luther succeed, whereas other important rebels against the medieval church—like John Huss—fail? Well, Luther was successful because printing had been developed by the time he advanced his cause. So his good earthy writings were put into pamphlets and spread so far and wide that the church officials couldn't have stopped the Protestant Reformation even if they had burned Luther at the stake.
Plowboy: Today the world is changing faster than it has at any other time in history. Do you then feel that science—and scientists—are especially important now?
Asimov: I do think so, and as a result it's my opinion that anyone who can possibly introduce science to the nonscientist should do so. After all, we don't want scientists to become a priesthood. We don't want society's technological thinkers to know something that nobody else knows—to "bring down the law from Mt. Sinai"—because such a situation would lead to public fear of science and scientists. And fear, as you know, can be dangerous.
Plowboy: But scientific knowledge is becoming so incredibly vast and specialized these days that it's difficult for any individual to keep up with it all.
Asimov: Well, I don't expect everybody to be a scientist or to understand every new development. After all, there are very few Americans who know enough about football to be a referee or to call the plays … but many, many people understand the sport well enough to follow the game. It's not important that the average citizen understand science so completely that he or she could actually become involved in research, but it is very important that people be able to "follow the game" well enough to have some intelligent opinions on policy.
Every subject of worldwide importance—each question upon which the life and death of humanity depends—involves science, and people are not going to be able to exercise their democratic right to direct government policy in such areas if they don't understand what the decisions are all about.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Mother Earth News interview (1980)

Life, Death, People, World

“…Morphy was stronger than anyone he played with, including Anderssen”

Paul Morphy (1837–1884) American chess player

Wilhelm Steinitz, International Chess Magazine 1885.
About

“What the Divine wants is for man to embody Him here, in the individual and in the collectivity… to realise God in life. The old system of yoga could not harmonise or unify Spirit and life; it dismissed the world as Maya or a transient play of God. The result has been a diminution of life-power and the decline of India. The Gita says, utsideyur ime loka na kuryam karma cedaham ["These peoples would crumble to pieces if I did not do actions," 3.24]. Truly 'these peoples' of India have gone to ruin. What kind of spiritual perfection is it if a few Sannyasins, Bairagis and Saddhus attain realisation and liberation, if a few Bhaktas dance in a frenzy of love, god-intoxication and Ananda, and an entire race, devoid of life, devoid of intelligence, sinks to the depths of extreme tamas?… But now the time has come to take hold of the substance instead of extending the shadow. We have to awaken the true soul of India and in its image fashion all works…. I believe that the main cause of India's weakness is not subjection, nor poverty, nor a lack of spirituality or Dharma, but a diminution of thought-power, the spread of ignorance in the motherland of Knowledge. Everywhere I see an inability or unwillingness to think… incapacity of thought or 'thought-phobia'…. The mediaeval period was a night, a time of victory for the man of ignorance; the modern world is a time of victory for the man of knowledge. It is the one who can fathom and learn the truth of the world by thinking more, searching more, labouring more, who will gain more Shakti. Look at Europe, and you will see two things: a wide limitless sea of thought and the play of a huge and rapid, yet disciplined force. The whole Shakti of Europe lies there. It is by virtue of this Shakti that she has been able to swallow the world, like our Tapaswins of old, whose might held even the gods of the universe in awe, suspense and subjection. People say that Europe is rushing into the jaws of destruction. I do not think so. All these revolutions, all these upsettings are the initial stages of a new creation….. We, however, are not worshippers of Shakti; we are worshippers of the easy way…. Our civilisation has become ossified, our Dharma a bigotry of externals, our spirituality a faint glimmer of light or a momentary wave of intoxication. So long as this state of things lasts, any permanent resurgence of India is impossible…. We have abandoned the sadhana of Shakti and so the Shakti has abandoned us…. You say what is needed is emotional excitement, to fill the country with enthusiasm. We did all that in the political field during the Swadeshi period; but all we did now lies in the dust…. Therefore I no longer wish to make emotional excitement, feeling and mental enthusiasm the base. I want to make a vast and heroic equality the foundation of my yoga; in all the activities of the being, of the adhar [vessel] based on that equality, I want a complete, firm and unshakable Shakti; over that ocean of Shakti I want the vast radiation of the sun of Knowledge and in that luminous vastness an established ecstasy of infinite love and bliss and oneness. I do not want tens of thousands of disciples; it will be enough if I can get as instruments of God a hundred complete men free from petty egoism. I have no faith in the customary trade of guru. I do not want to be a guru. What I want is that a few, awakened at my touch or at that of another, will manifest from within their sleeping divinity and realise the divine life. It is such men who will raise this country.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

April, 1920, Letter to Barin Ghose, Sri Aurobindo's brother, Translated from Bengali
India's Rebirth

Love, Life, Men, God

“My name was out there in the public arena for people to make assumptions on why I missed a drugs test. That stigma is something that may never go away. I go out there and play for the fans and for my family and for myself and to have that taken away from me in such a way was disheartening and something that really did shock me. I'm man enough to admit that I did cry.”

Rio Ferdinand (1978) English association football player

quoted in Rio Ferdinand player profile, Times Online, 2007-01-22 http://www.timesonline.co.uk/article/0,,291-379094,00.html,

People, Family, Way, Cry

“I remember those days hanging out
At the village green
Engineer boots, leather jackets
And tight blue jeans
Drop a dime in the box play the
Song about New Orleans
Cold beer, hot lights
My sweet romantic teenage nights.”

Billy Joel (1949) American singer-songwriter and pianist

Scenes from an Italian Restaurant.
Song lyrics, The Stranger (1977)

Beer, Light, Night, Box

“In 16th-century Italy there lived Lodovico Gonzaga, a 16-year old seminarist who was very fond of playing ball. Once a certain priest passing by wondered if for a future priest the youth was too keen on his pursuit and asked him:"What would you do if you learned that in half an hour the end of the world was coming?" To which Lodovico replied: "I'd play on." According to the Russian thinker Georgy Fedotov, the importance of culture lies in precisely that: we go on playing ball on the verge of Doomsday…”

Vladimir Barsky (1866–1936) Russian film director

Chromaticism, trans. Romela Kohanovskaya (1996, , Introduction, p. ix

Youth, World, Learning, Future

“Every kid around the world who plays soccer wants to be Pelé. I have a great responsibility to show them not just how to be like a soccer player, but how to be like a man.”

Pelé (1940–2022) Brazilian association football player

Quoted in "SI Flashback: Soccer's greatest genius" Sports Illustrated, (1 June 1999)

World

“Someone finally understood all the “hell” that I’d been through since a child when I’d first tried to understand language. And yet in other forms of communications, like painting, sculpture, music, math, problem-solving, and chess, I’d been very good. In fact, in high school, once I learned how to play chess, I’d play lightning-fast, intuitively seeing all these different possibilities at the same time, and I’d won well over a hundred chess games without losing a single game. And that included beating some of our faculty members who thought that they were very good at chess.”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

School, Music, Game, Communication

“They call me the Joan of Arc in the family, and they're always saying, 'Mother's off on another one of her things. She's off fighting the world. She's off tilting at her windmills. But once they came to see the play, I think they understood what all those months [of study and rehearsal] had been about. I sat down with them at one point and told them I'd never finished anything in my life, although I'd started an awful lot of things. I said whether the play was a success or a failure didn't make any difference. What was important was that I finished it, because that element of not finishing projects is a failure in my character. And I think they understood that.”

Pat Carroll (actress) (1927) American actress

"Pat Carroll; Gertrude Stein was never a bore" (January 8, 1981)

Life, World, Family, Failure

“I'm really lucky to play under the leadership of MSD.”

MS Dhoni (1981) Indian cricket player

Michael Hussey https://www.scoopwhoop.com/sports/dhoni-quotes/#.ttnzmcqgv

“This is my ball park. Every game is played in daylight and I can see the ball good. And I can reach the stands in any direction. I hope I'm never traded but if I am, I wish it would be to the Cubs. I know I do well there in 77 games.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

Discussing Wrigley Field (where he was currently hitting .693 for the season, with 9 hits in 13 AB, with 3 home runs and 9 RBI); as quoted in "Feast Then Famine For Pirates: Split Means Lost Ground In Race" https://news.google.com/newspapers?id=o2scAAAAIBAJ&sjid=Fk8EAAAAIBAJ&pg=4554%2C1706304 by Lester J. Biederman, in The Pittsburgh Press (Friday, July 7, 1961), p. 26. To access article, drag image from right to left, bringing relevant headline immediately into view, displayed on its side; continue dragging until you reach the fifth paragraph from the end. Baseball-related, <big><big>1960s</big></big>, <big>1961</big>

Hope, Game

“It was fun yet challenging to play the dual roles. I'm a really nice guy, and the character [of Dubious] is egocentric and hard-edged, so I had to pull out the negative aspects of me to attribute to the role.”

Carson Grant (1950) American actor

Davis, Leesa, "Who Got the Part: Carson Grant", Backstage, November 9, 2006, p. 18.
About his film role in "Dear J" printed in 2006 Backstage

Guy

“I am deeply sensitive to the spell of nationalism. I can play about thirty Bohemian folk songs… on my mouth-organ. My oldest friend, who is Czech and a patriot, cannot bear to hear me play them because he says I do it in such a schmalzy way, 'crying into the mouth organ'. I do not think I could have written the book on nationalism which I did write, were I not capable of crying, with the help of a little alcohol, over folk songs, which happen to be my favourite form of music.”

Ernest Gellner (1925–1995) Czech anthropologist, philosopher and sociologist

"Reply to Critics" in The Social Philosophy of Ernest Gellner

Alcohol, Books, Music, Way

“That game, just the brutal simplicity. It’s amazing as a game designer you want to have the latest graphics, and you want the Chicago Symphony playing your background music, and you want Harrison Ford and Matt Damon as your starring characters. But if you have an incredibly addictive game, you don’t need any of that crap. You just need blocks.”

Eugene Jarvis (1955) American game designer and game programmer

"Newcity Chicago," April 2008, on the arcade game "Tetris"

Music, Game, Star

“Just as other information should be available to those who want to learn and understand, program source code is the only means for programmers to learn the art from their predecessors. It would be unthinkable for playwrights not to allow other playwrights to read their plays, but only be present at theater performances where they would be barred even from taking notes. Likewise, any good author is well read, as every child who learns to write will read hundreds of times more than it writes. Programmers, however, are expected to invent the alphabet and learn to write long novels all on their own. Programming cannot grow and learn unless the next generation of programmers have access to the knowledge and information gathered by other programmers before them.”

Erik Naggum (1965–2009) Norwegian computer programmer

" Programming http://naggum.no/erik/programming.html", cited in the preface of Physically Based Rendering (2004) by Matt Pharr and Greg Humphreys.

Art, Understanding, Knowledge, Learning

“Once upon a time…
When the cold wind that blows,
when the cold wind that blows in my heart,
it was a summer breeze and she would meet me in Chinatown,
for opium and tea
and she always brought me flowers
but I spared you those old ballads
All those songs I couldn’t play
But every giro day she’d dress me like a lady boy
And take me high out of the way
Don’t let the horse chase the new deal away, no
If we make love in the morning
I see your eyes look like two marbles in your head”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"Lady Don't Fall Backwards"
Lyrics and poetry

Love, Making love, Way, Boy

“The world's a stage on which all parts are played.”

Thomas Middleton (1580–1627) English playwright and poet

A Game of Chess (1624), Act v. Sc. 1. Compare: "All the world ’s a stage, And all the men and women merely players", Shakespeare, As You Like It, Act ii. Sc. 7.; "The world ’s a theatre, the earth a stage, Which God and Nature do with actors fill", Thomas Heywood, Apology for Actors (1612).

World, Parting

“The movie stars six teenage characters who have been marketed on TV and in toy stores. They have names, but no discernible personalities. None of them ever says anything more interesting than "You guys!" As teenagers, they are skilled in-line skaters and karate fighters, but they don't get their real powers until they turn into faceless clones in Power Rangers uniforms with plastic masks and helmets. Is that the message? Faceless conformity is the way to success? Certainly the Rangers are not individuals in or out of uniform, but I wonder if they don't represent a triumph of merchandising over creativity. Children's heroes have traditionally been individualistic and eccentric. The Rangers are not, properly speaking, even characters. They are color-coded products… Paging through the movie's press kit, I came across this quote attributed to Amy Jo Johnson, who plays Kimberly, the Pink Power Ranger: " `Mighty Morphin Power Rangers™: The Movie' is a mix between Star Wars and The Wizard of Oz. " I wonder if Amy Jo actually said "TM" when she was delivering that wonderfully fresh and spontaneous quote, which is so much more involved than anything she says in the movie. More to the point, I wonder if she has ever seen "Star Wars" or "The Wizard of Oz."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/mighty-morphin-power-rangers-the-movie-1995 of Mighty Morphin' Power Rangers: The Movie (30 June 1995) Reviews, Half-star reviews

War, Children, Color, Way

“Though pleased to see the dolphins play,
I mind my compass and my way.”

Matthew Green (1696–1737) British writer

The Spleen (1737)

Way

“People seem to find it hard to believe, but I'm a very serious person. It wasn't luck that I became a ballplayer. I never wanted to be anything else and I never considered anything else and I worked my tail off for it. To say that I don't have any worries or nerves is the opposite of the truth. I worry about not being able to get around on the fast ball any more, I worry about getting hurt and having to quit playing before my time. I worry about the bowling alley I own with Phil Rizzuto making money. I worry about keeping Carm happy so she won't be sorry she married me, about the kids growing up good, and about keeping out of trouble with God. I worry a lot. I'm nobody's mascot, either. Sure, I like to get along with people and I hope I've made friends, but that's different.”

Yogi Berra (1925–2015) American baseball player, manager, coach

From Yogi: The Autobiography of a Professional Baseball Player; reproduced in "Berra Dispels Li'l Abner Myth."

Money, God, Happiness, People

“For the moment, the jazz is playing; there is no melody, just notes, a myriad of tiny tremors. The notes know no rest, an inflexible order gives birth to them then destroys them, without ever leaving them the chance to recuperate and exist for themselves…. I would like to hold them back, but I know that, if I succeeded in stopping one, there would only remain in my hand a corrupt and languishing sound. I must accept their death; I must even want that death: I know of few more bitter or intense impressions.”

Jean Paul Sartre book Nausea

Nausea (1938)

Death, Birth, Chance

“Well, he wrote a book -- well, maybe here I'm being political -- he wrote a book about the tyrants of South America, and then he had several stanzas against the United States. Now he knows that that's rubbish. And he had not a word against Perón. Because he had a law suit in Buenos Aires, that was explained to me afterwards, and he didn't care to risk anything. And so, when he was supposed to be writing at the top of his voice, full of noble indignation, he had not a word to say against Perón. And he was married to an Argentine lady, he knew that many of his friends had been sent to jail. He knew all about the state of our country, but not a word against him. At the same time, he was speaking against the United States, knowing the whole thing was a lie, no? But, of course, that doesn't mean anything against his poetry. Neruda is a very fine poet, a great poet in fact. And when they gave Miguel de Asturias the Nobel Prize, I said that it should have been given to Neruda! Now when I was in Chile, and we were on different political sides, I think he did the best thing to do. He went on a holiday during the three or four days I was there so there was no occasion for our meeting. But I think he was acting politely, no? Because he knew that people would be playing him up against me, no? I mean, I was an Argentine, poet, he was a Chilean poet, he's on the side of the Communists, I'm against them. So I felt he was behaving very wisely in avoiding a meeting that would have been quite uncomfortable for both of us.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Page 96.
Conversations with Jorge Luis Borges (1968)

People, Lie, Books, Law

“[When asked how he's keeping his 12-year marriage to wife Jill fresh] Hookers, drugs. We’re playing the field right now.”

Harry Connick, Jr. (1967) American singer, conductor, pianist, actor, and composer

ExtraTV interview, November 2006 http://extratv.warnerbros.com/2006/11/happily_ever_after_catherine_a.html

Marriage

“The individual, by means of the discipline imposed on him by sport, not only plays and finds relaxation from the various compulsions to which he is subjected, but without knowing it trains himself for new compulsions. … Training in sports makes of the individual an efficient piece of apparatus which is henceforth unacquainted with anything but the harsh joys of exploiting his body and winning.”

Jacques Ellul book The Technological Society

Source: The Technological Society (1954), p. 383

Sport, Joy, Training

“All important things in art since Ur of the Chaldea's, since Tel Halaf and Crete, have always originated from the deepest feeling about the mystery of Being. Self-realization is the urge of all objective spirits. It is this Ego for which I am searching in my life and in my art. Art is creative for the sake of realization, not for amusement, for transfiguration, not for the sake of play. It is the quest of our Ego that drives us along the eternal and never-ending journey we must all make.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

1930s, On my Painting (1938)

Life, Art, Feeling, Search

“The worst form anger can take is that of a parent who feels her or his chance for “winning my child” is enhanced by “ruining my ex.” The law has given the most vindictive parent an invitation to play the “abuse” card. This is the “Great Temptation.””

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Father and Child Reunion (2001), p. 199.

Law, Feeling, Parent, Chance

“King Lear is undoubtedly the greatest play ever written by Shakespeare — or anybody else for that matter. Hamlet is certainly great, but it doesn't contain as many elements of humanity as we see in Lear.”

Paul Scofield (1922–2008) English actor

Quoted in Royah Nikkhah, "Scofield's Lear voted the greatest Shakespeare performance" http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2004/08/22/nbard22.xml, Telegraph.co.uk (2004-08-22)

“The gang serves lies, the passionate
Man plays his part; the cold passion for truth
Hunts in no pack.”

Robinson Jeffers (1887–1962) American poet

"Be Angry At The Sun" (1941)

Truth, Passion, Parting

“What a childhood I had. Once on my birthday my ol' man gave me a bat. The first day I played with it, it flew away.”

Rodney Dangerfield (1921–2004) American actor and comedian

Source: It's Not Easy Bein' Me: A Lifetime of No Respect But Plenty of Sex and Drugs (2004), p. 7

Birthday, Childhood

“I do not contest that this top-down instrumental use for pure politics was being made to some degree; but to reduce the entire process of cultural evolution to a matter of politics betrays a profound misunderstanding. This view disregards the intrinsic appeal of the Sanskrit tradition, including for non-elites, and the various roles it played in the cultures it touched. In particular, to dismiss the entire symbolic discourse of Sanskrit as 'mystifying' is to apply a reductive Marxism that cannot account for sacredness in the lives of people.”

Rajiv Malhotra book The Battle for Sanskrit

The Battle for Sanskrit (2016)

People

“During life, a spirit is held to the body by his semi-material envelope, or perispirit. Death is the destruction of the body only, but not of this second envelope, which separates itself from the body when the play of organic life ceases in the latter. Observation shows us that the separation of the perispirit from the body is not suddenly completed at the moment of death, but is only effected gradually, and more or less slowly in different individuals. In some cases it is effected so quickly that the perispirit is entirely separated from the body within a few hours of the death of the latter but in other cases, and especially in the case of those whose life has been grossly material and sensual, this deliverance is much less rapid, and sometimes takes days, weeks, and even months, for its accomplishment. This delay does not imply the slightest persistence of vitality in the body, nor any possibility of its return to life, but is simply the result of a certain affinity between the body and the spirit which affinity is always more or less tenacious in proportion to the preponderance of materiality in the affections of the spirit during his earthly life.”

Allan Kardec (1804–1869) systematizer of Spiritism

Source: The Spirits' Book, p. 116.

Life, Death

“I treat all film roles one way: very seriously," exclaims Pleasence. "I never play anything tongue-in-cheek, though at times it might appear that way. I'm a professional actor who has no particular approach to acting. I get the part, I read the script. If I decide to do it, I learn the lines. People expecting a longwinded explanation on my approach will be disappointed. I have no theory about acting. There is no method, there is no way. I just do it.”

Donald Pleasence (1919–1995) British actor

INTERVIEW BY MARC SHAPIRO https://www.pleasence.com/articles/MADMAN.HTML (February 1989)

People, Disappointment, Way, Learning

“Tragedy has been and will always be with us. Somewhere right now, evil people are planning evil things. All of us will do everything meaningful, everything we can do to prevent it, but each horrible act can’t become an axe for opportunists to cleave the very Bill of Rights that binds us. America must stop this predictable pattern of reaction. When an isolated terrible event occurs, our phones ring demanding that the NRA explain the inexplicable. Why us? Because their story needs a villain. … That is not our role in American society and we will not be forced to play it. … Now, if you disagree that’s your right, I respect that, but we will not relinquish it, or be silenced about it, or be told ‘do not come here, you are unwelcome in your own land.”

Charlton Heston (1923–2008) American actor

NRA annual meeting closing remarks http://www.nrawinningteam.com/meeting99/hestsp2.html, Denver, Colorado, 1999-05-01; referring to the complaints that some had that the NRA should not proceed to have its scheduled convention in Denver out of sensitivity to the fact that the Columbine shootings had occurred near the convention site; used on The Daily Show with Jon Stewart (Aug. 19, 2010) http://www.thedailyshow.com/watch/thu-august-19-2010/extremist-makeover---homeland-edition as reasoning why a proposed mosque near the site of the September 11th terrorist attacks must be allowed to be built.

People, Silence, Evil

“When you're Singapore and your existence depends on performance — extraordinary performance, better than your competitors — when that performance disappears because the system on which it's been based becomes eroded, then you've lost everything… I try to tell the younger generation that and they say the old man is playing the same record, we've heard it all before. I happen to know how we got here and I know how we can unscramble it.”

Lee Kuan Yew (1923–2015) First Prime Minister of Singapore

On one election result in Singapore, in Straits Times (26 June 2008), and "Opposition would ruin Singapore: Lee Kuan Yew" in AFP report at Google News (26 June 2008) http://web.archive.org/web/20080630100140/http://afp.google.com/article/ALeqM5hO5GOaqrgGNspmaeLjs7LFRH6Fsw 2000s

Dependency

“Play on, mortal. Every god falls at a mortal’s hands. Such is the only end to immortality.”

Steven Erikson book Gardens of the Moon

Source: Gardens of the Moon (1999), Chapter 7 (p. 208)

God

“The predictions of physical theories for the most part concern situations where initial conditions can be precisely specified. If such initial conditions are not found in nature, they can be arranged. Such arrangements are considerably easier to realize with inanimate than with animate matter, because the properties of animate matter are much more sensitive to being tampered with than inanimate matter. In particular, living tissue in vitro may behave quite differently than in situ. Controlled biological experiments are, of course, possible, but they are more difficult and their scope is more limited than that of physical experiments. For this reason, biology has had to depend to a greater extent than physics on theories of larger speculative scope, in which reasoning by imaginative analogy plays a more important role.”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

Anatol Rapoport (1956) "The Search for Simplicity"
1950s

Imagination, Nature, Animals, Parting

“That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox…”

Stanisław Lem book Solaris

Source: Solaris (1961), Ch. 14: "The Old Mimoid", p. 204 [elipsis in original]

“I'm a firm believer in that you play the way you practice.”

Larry Bird (1956) basketball player and coach

Michael Marot (May 24, 2000) "Pacers Notebook/Pacers Make Turnaround", The Journal Gazette, p. 2B.

Way

“I love Bach, I listened to him for 25 years, all my life, so I never get tired of Bach. And to learn Bach and play it is such a joy, even if no one ever hears it, just to play it sitting alone at home it makes you feel good, it's like a form of meditation. You can play it over and over and never get tired of it, it's a miracle. Bach I think is the greatest of all western musicians. Probably most people come to that conclusion.”

Shawn Lane (1963–2003) American musician

laughs
Richard Hallebeek's interview with Shawn Lane (2001)

Love, Life, People, Feeling

“There is abundant evidence in Stoppard’s plays to show that he is as capable of emotion as anybody. In Enter A Free Man Linda is a finely tuned moral invention whose equivalents we might well miss in the later plays, if we really thought they should be there. The mainspring of Rosencrantz and Guildenstern Are Dead is the perception—surely a compassionate one—that the fact of their deaths mattering so little to Hamlet was something which ought to have mattered to Shakespeare.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Tom Stoppard: Count Zero Splits the Infinite'
Essays and reviews, At the Pillars of Hercules (1979)

Death, Dead

“I have seen the mystics play there
Once or twice but I knew they had a reason
Enchantment plays it's cards all right
Hand in hand with the working of the seasons Legends can be now and forever
Teaching us to love for goodness sake
Legends can be now and forever
Loved by the sun, loved by the sun”

Jon Anderson (1944) English singer

Lyrics of " Loved by the Sun http://www.youtube.com/watch?v=40eZABP5eJs", written for the "Unicorn Theme" by Tangerine Dream, on the soundtrack of the film Legend (1986).

Love, Sun, Season

“The modern world inherits the Christian view in which salvation is played out in history. In Christian myth human events follow a design known only to God; the history of humankind is an ongoing story of redemption. This is an idea that informs virtually all of western thought – not least when it is intensely hostile to religion. From Christianity onwards, human salvation would be understood (at least in the west) as involving movement through time. All modern philosophies in which history is seen as a process of human emancipation – whether through revolutionary change or incremental improvement – are garbled versions of this Christian narrative, itself a garbled version of the original message of Jesus.”

John Gray (1948) British philosopher

The Faith of Puppets: The Revelation of Philip K. Dick (p. 60)
The Soul of the Marionette: A Short Enquiry into Human Freedom (2015)

God, Hostility, World, Religion

“"Sixty years ago Catholics played a prominent, prestigious, and irreplaceable part in American literary culture…They included established fiction writers--Flannery O'Connor, Katherine Anne Porter, Walker Percy, J. F. Powers, Ernest Hemingway, Paul Horgan, Jack Kerouac, Julien Green, Pietro di Donato, Hisaye Yamamoto, Edwin O'Connor, Henry Morton Robinson, and Caroline Gordon. (Sociologist Father Andrew Greeley had yet to try his formidable hand at fiction.)…also science fiction and detective writers such as Anthony Boucher, Donald Westlake, August Delerth, and Walter Miller, Jr."…in American poetry…Allen Tate, Robert Lowell, Robert Fitzgerald, Kenneth Rexroth, John Berryman, Isabella Gardner, Phyllis McGinley, Claude McKay, Dunstan Thompson, John Frederick Nims, Brother Antoninus (William Everson), Thomas Merton, Josephine Jacobsen, and the Berrigan brothers, Ted and Daniel…. There were even Catholic haiku poets, notably Raymond Roseliep and Nick Virgilio" (15-16).”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991), The Catholic Writer Today (2013)

Science, Parting

“[T]he Famous Rules which the French call, Des Trois Unités, or, The Three Unities, which ought to be observ'd in every Regular Play; namely, of Time, Place, and Action.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Essay of Dramatick Poesie (1668) Full text online http://andromeda.rutgers.edu/~jlynch/Texts/drampoet.html.

Time

“I can’t say ANYTHING. Everyone knows pretty much who I’m playing.”

Jessica Chastain (1977) American actress

On her role in Interstellar (2014)
Vulture interview (2014)

“Aristotle (De Anima, I. 1) makes in the first place the general remark that it appears as if the soul must, on the one hand, be regarded in its freedom as independent and as separable from the body, since in thinking it is independent; and, on the other hand, since in the emotions it appears to be united with the body and not separate, it must also be looked on as being inseparable from it; for the emotions show themselves as materialized Notions (λόγοι έννοια), as material modes of what is spiritual. With this a twofold method of considering the soul, also known to Aristotle, comes into play, namely the purely rational or logical view, on the one hand, and, on the other hand, the physical or physiological; these we still see practiced side by side. According to the one view, anger, for instance, is looked on as an eager desire for retaliation or the like; according to the other view it is the surging upward of the heartblood and the warm element in man. The former is the rational, the latter the material view of anger; just as one man may define a house as a shelter against wind, rain, and other destructive agencies, while another defines it as consisting of wood and stone; that is to say, the former gives the determination and the form, or the purpose of the thing, while the latter specifies the material it is made of, and its necessary conditions.”

Georg Wilhelm Friedrich Hegel book Lectures on the Philosophy of History

Georg Wilhelm Friedrich Hegel, Lectures on the Philosophy of History Vol 2 1837 translated by ES Haldane and Francis H. Simson first translated 1894 p. 181
Lectures on the Philosophy of History (1832), Volume 2

Soul, Thinking, Freedom, Appearance