Quotes about play
page 24

“Thus did the Holy Harlots unhinge the brains of man,
and when they met and clashed with the pure Mountain Maidens,
they raised their white arms high, their armpits smelled of musk,
and, as the rites decreed, both fought their verbal war:
"God swoops from mountain peeks to eat and play on earth;
we are his food and drink and even his sacred toys —
and learn, O sterile maids, we are his soft, sweet mates.
Let her now leave who fears to merge with her dread God!"
The scornful savage mouth of Krino flashed reply:
"We will not leave! We guard the innocent soul of man!
God is a spirit with pure white wings, a soul that sails,
light, disembodied, deep in our thoughts, without embrace.
It's we who keep the world in bloom with virgin souls!"”

Nikos Kazantzakis (1883–1957) Greek writer

From the Bull Ritual, Book VI, line 197
The Odyssey : A Modern Sequel (1938)

God, War, World, Fear

“Guys like Larry Bird -- he played so hard, he wants everybody else to play hard. That's not unreasonable. Any coach would want that and demand that.”

Larry Bird (1956) basketball player and coach

Magic Johnson — reported in David Steele (May 9, 1997) "Magic Says Bird Will Succeed", San Francisco Chronicle, p. B8.
About

Guy, Bird

“When you follow the straight and narrow, I tell you truth, it's the greatest high there is… When you have a mind that takes you in a thousand directions every minute. Where do you think Shakespeare got all of his characters from? … Sanity – is to bridle all those horses and hitch them to one wagon, and then you lead those horses; you don't let them pull you in every direction. And that's why you shouldn't use marijuana… Marijuana was the most destructive element in my life… Marijuana is the most dangerous of all drugs. Having said that, maybe there are some medical conditions where one of the active principles… marinol or others, could be used to alleviate pain – good, get the medication… And the reason society is pushing you into getting high is to make certain that you don't know what the politicians are doing to you… The way the Chinese were doped on opium, you're being doped on marijuana. Marijuana may be a sedative for people who have been blessed with, or shall I say cursed with? – a one-string mind… "Oh wow, look at that – now I can play with two strings."”

Michael Savage book The Savage Nation

But for people who've been given a violin for a brain, marijuana screws up your ability to play anything.
The Savage Nation
The Savage Nation (1995- ), 2013-09-24
Radio, 01:24
2013

Life, Pain, People, Truth

“The rules when the giants play are the same as when the pygmies enter the market.”

William O. Douglas (1898–1980) Associate Justice of the Supreme Court of the United States

Dissenting, Scherk v. Alberto-Culver Co., 417 U.S. 506, 526 (1974)
Judicial opinions

“I spent a lot of time teaching myself theory and harmony so I could be free to express myself on the instrument. I learned what relatives and substitutes could be played against a root of a chord, like E minor related to G, and so forth. I've also gathered all this knowledge because for ten years all I've done is play jazz, every day.”

George Benson (1943) American musician

[Denyer, Ralph, The Guitar Handbook, 2002, 115, 0-679-74275-1]

Knowledge, Learning, Time

“Government must keep the ring, and leave it for individuals to play the game.”

Leonard Trelawny Hobhouse (1864–1929) British sociologist

Source: Liberalism (1911), Chapter III, The Movement Of Theory, p. 34 .

Game

“Another friend, a child psychologist from the college, once commented that Rachel at age five showed the most reliable indicators of true giftedness in a young person: structured curiosity, empathy for others, compassion, and a fierce sense of fair play.”

Dan Simmons book Hyperion

Source: Hyperion (1989), Chapter 4 (p. 249)

Age, Sense, Personality

“They say women are more constant than men : it is the constancy of circumstance; the enterprise, the exertion required of men continually force them out of themselves, and that which was at first necessity soon becomes habit — whereas the constant round of employments in which a woman is engaged requires no fatigue of mind or body; the needle is, generally speaking, both her occupation and amusement, and this kind of work leaves the ideas full play; hence the imagination is left at liberty to dwell upon one subject, and hence habit, which is an advantage on the one side, becomes to her an additional rivet.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Other Gift Books

Women, Men, Imagination, Idea

“(When asked about his Westwood experiences) Westwood was a fantastic place to work, with great people, great games we created, and we all really loved what we did. We were passionate about it. I have so many great memories there, and the ironic thing is I actually regret not having attended more of the fun company functions and parties while I was instead playing club gigs with bands with the mentality of trying to get signed or discovered. Granted thats the kind of thing you try for when you're young, but it took awhile to sink in, that my real future and career was already under my nose. Lots of funny stuff happened. Office pranks, fun extra content we created, certain personalities that always made you laugh. Just all of life's experiences along the way whether it was staying in an awful hotel on a business trip, or trying to set-up an embarrassed co-worker with a date, it's all great stuff you can laugh about later. When Westwood closed it was truly the end of an era, but in a way it has been resurrected at Petroglyph where I am now. Half the company are old Westwood employees and although it's a different time in the industry, we are all thankful to still be working together and making the best games we can.”

Frank Klepacki (1974) American musician, video game music composer and sound director

Gameplay magazine

Love, Life, People, Way

“Sometimes, I ask one, two, or more people just to sit in the audience and to listen to me with concentration as I play. It’s stimulating for me, and I try to build up a situation like that in a recital with a live audience. This helps me to play in a way that electrifies people.”

Burkard Schliessmann classical pianist

Talkings on the audience and studio recordings

People, Way, Help

“I've been to Sarajevo a few times and have got to know a lot of people there who put on plays during the siege. I wanted to share in that because I knew it was important to them... I began to see something of what was going on there in terms of actually keeping up people's spirit to resist - the resistance that causes change - even in the worst imaginable circumstances. And I realized that it paralleled the same spirit that existed during the Holocaust and in the gulag. Theater and poetry were what helped people stay alive and want to go on living. That experience changed me, because I realized that if, as actors or writers or directors or designers, we can keep the will to resist alive in as many people as possible, then that's what we are about, and that's what we can do. It's more and more important because of the terrible things that are happening in our cities and the political and economic agendas that various governments have.”

Vanessa Redgrave (1937) English actress

Shawn, Wallace (April 1997), “Mission: possible - interview with actress Vanessa Redgrave” http://www.findarticles.com/p/articles/mi_m1285/is_n4_v27/ai_19382618, Interview.

People, Imagination, Change, Time

“Sokolnikov: "I am saying what we thought at that time. We figured that we had certain chances. Where did we see them? We saw them in the play of international contradictions. We considered that, let us say, complete sway in the Soviet Union could never be established by German Fascism because it would encounter the objections of other imperialist rivals, that certain international conflicts might occur, that we could rely on other forces which would not be interested in strengthening Fascism"”

Grigori Sokolnikov (1888–1939) Soviet diplomat

Dialogue between state prosecutor Andrey Vyshinsky and Sokolnikov during his trial. Quote from Harpal Brar's Trotskyism or Leninism?, pp. 270.

Chance, Time

“In the beginning was the Word,' and you must not be tempted with a script just because you have a great part. You want a great role to play, but the whole - the whole - must be good. It'll never succeed if it's just the role you like.”

Bette Davis (1908–1989) film and television actress from the United States

Louise Sweeney (December 28, 1987) "Bette Davis: On the heels of a new honor and a new film, a screen legend looks back over her 60-year career", Christian Science Monitor, p. 19.

Parting

“He has been named respectively, Jehovah, Allah, Brahma, Father in Heaven, Order of Heaven, First Cause, Supreme Being, Chance. Each name corresponds to a system of thought derived from the experiences of those who have used it…. He has been conceived as the foundation of the metaphysical situation with its ultimate activity. If this conception be adhered to, there can be no alternative except to discern in Him the origin of all evil as well as of all good. He is then the supreme author of the play, and to him must therefore be ascribed its shortcomings as well as its success.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: 1920s, Science and the Modern World (1925), Ch. 11: "God"

Evil, Chance, Success

“The ceremony took only a minute or so because Archie insisted on getting it over with quickly before anyone knew what was going on. The less drama, the better. Don't let Obie and Carter build it up. Thus, before any protest could be made, Archie had shot out his hand and pulled a marble from the box. White. Obie's jaw dropped in surprise. Things were moving too fast. He'd wanted Archie to squirm; he'd wanted the audience to realize what was going on here. He'd wanted to prolong the ceremony, to get as much of the drama and suspense out of the situation as possible. Archie's hand shot out again and it was too late for Obie to prevent the action. He drew in his breath. The marble was hidden in Archie's closed fist. He held the fist out, toward the audience. Archie held his back stiff. The marble had to be white. He hadn't come this far to be denied at the last moment. He let a smile play over his lips as he faced the audience, gambling everything in his show of confidence. He opened his palm and held up the marble for all to see. White.”

Robert Cormier book The Chocolate War

Source: The Chocolate War (1974), p. 245-246

Smile, Confidence, Box

“I believe that here we are in full agreement on the tremendous role that faith schools can play in Scottish society. And they do so by endowing our children with a strong moral foundation. A positive and distinctive identity. A keen sense of personal responsibility and the common good. A strong commitment to charity - the true meaning of which is helping others.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Cardinal Winning Lecture (February 2, 2008)

Children, School, Faith, Sense

“The eyes of all America are upon us, as we play our part in posterity will bless or curse us.”

Henry Knox (1750–1806) Continental Army and US Army general, US Secretary of War

Knox on the Declaration of Independence. Reported in David McCullough, 1776 (2005), p. 83.

Parting

“Foundational to our exceptional nation’s sacred private property rights, a business must have freedom to locate where it wishes. In a free market, if a business makes a mistake (including a marketing mistake that perhaps Carrier executives made), threatening to move elsewhere claiming efficiency’s sake, then the market’s invisible hand punishes. Thankfully, that same hand rewards, based on good business decisions. But this time-tested truth assumes we’re operating on a level playing field. When government steps in arbitrarily with individual subsidies, favoring one business over others, it sets inconsistent, unfair, illogical precedent. Meanwhile, the invisible hand that best orchestrates a free people’s free enterprise system gets amputated. Then, special interests creep in and manipulate markets. Republicans oppose this, remember? Instead, we support competition on a level playing field, remember? Because we know special interest crony capitalism is one big fail.”

Sarah Palin (1964) American politician

2016, But… Wait… The Good Guys Won’t Win With More Crony Capitalism (December 2, 2016)

People, Truth, Business, Support

“Many people think there are no transitional species because the only fossil forms they’re aware of at all are a handful of plastic pieces in a prehistoric play set. They’ve no idea how rich the fossil record is! We know of several hundred species just within dinosaurs, to say nothing of the thousands of examples of each of hundreds more taxa apart from that. Experts estimate that all the collective genera still roaming around now only amount to about 1% of all the species that have ever lived. Practically everything there ever was ain’t no more. Every species living today has definite relatives both extant and extinct, and evident in the fossil record. And in one sense, all of them, even the things still alive, count as transitional species.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"9th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=Qfoje7jVJpU, Youtube (May 8, 2008) Youtube, Foundational Falsehoods of Creationism

People, Idea, Thinking, Sense

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

Love, Life, Happiness, Books

“Our first play in 1981 was Jean Genet’s The Balcony, a prophetic choice, set in Paris in turmoil, just as London was being torched during the Brixton riots, an explosion of racial tensions that had been simmering for some time. I insisted on casting a Caribbean actress to play the lead, Irma the Madam of the Brothel.”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

The South African Interview (August 8, 2011)

Time

“Work and play are an artificial pair of opposites, because the best kind of play contains an element of work, and the most productive kind of work must include something of the spirit of play.”

Sydney J. Harris (1917–1986) American journalist

Pieces of Eight (1982)

“I tried practicing for a few weeks and ended up playing too fast.”

Paul Desmond (1924–1977) American jazz musician

About the value of practice
Unsourced

“Then to the King's Theatre, where we saw Midsummer's Night's Dream, which I had never seen before, nor shall ever again, for it is the most insipid ridiculous play that ever I saw in my life.”

Samuel Pepys (1633–1703) English naval administrator and member of parliament

September 29, 1662
Diary

Life, Dreams, Night

“The struggle for existence in a universe we did not choose, and the burden of being a member of the only race which values objective, verifiable truth as an end in itself, makes us sometimes long for escape from reality -- in some cases through a literature of the fantastic, of marvelous dream worlds, of free-ranging fantasy. But we must not confuse that necessary escape with what is real. Permit me to suggest to the reader that it is a waste of his time and energy to play with fantasies that lack the literary and aesthetic charm of poetry and imaginative prose fiction.”

Revilo P. Oliver (1908–1994) American philologist

"Orage and New Age Consciousness", private letter, February 1977, published on National Vanguard http://www.nationalvanguard.org/story.php?id=6657 (October 25, 2005) 1970s

Truth, World, Dreams, Imagination

“I started [following a vegan diet] for health reasons. I was diagnosed with an autoimmune disease, and I wanted to maintain my performance on the court. Once I started I fell in love with the concept of fueling your body in the best way possible. Not only does it help me on the court, but I feel like I’m doing the right thing for me. … I literally couldn’t play tennis anymore, so it really changed my life. Because it was starting to take away what I loved, I had to make some changes, I had to change my life. Thankfully, I was able to find something that helped me get back to doing what I loved. … It changed the pace that I live at. It changed everything.”

Venus Williams (1980) American tennis player

"This Drastic Diet Change Helped Venus Williams Fight Her Autoimmune Condition", interview with Health (12 January 2017) http://www.health.com/nutrition/venus-williams-raw-vegan-diet.

Love, Life, Health, Disease

“How I regret not having told César Franck of my profound admiration for him and his music. After playing he Sonata for violin for the first time, I nearly wept over certain phrases. The beauty of it overwhelmed me.”

Pierre Monteux (1875–1964) French conductor

Quoted in Monteux, Doris G (1965). It's All in the Music: The Life and Work of Pierre Monteux. New York: Farrar, Straus and Giroux. OCLC 604146, p. 196

Beauty, Music, Time

“Donald Trump is a phony, a fraud. His promises are as worthless as a degree from Trump University. He's playing the American public for suckers: He gets a free ride to the White House and all we get is a lousy hat. His domestic policies would lead to recession. His foreign policies would make America and the world less safe. He has neither the temperament nor the judgment to be president. And his personal qualities would mean that America would cease to be a shining city on a hill.”

Mitt Romney (1947) American businessman and politician

2016, Remarks on Donald Trump and the 2016 race

World, Fraud, Universe, Housing

“In practice, the writer or scholar who aspires to that public position which defines intellectuals and distinguishes them from mere scribblers has always had to choose between being the apologist for rulers or an advisor to the people; the tragedy of the twentieth century is that these two functions have ceased to exist independently of one another, and intellectuals like Sartre who thought they were fulfilling one role were inevitably drawn to play both. If their successors, in France or elsewhere, are truly to put this past behind them, it will not be enough to recognize past mistakes. It will also be necessary to accept that entailed in the very meaning for modern society of the term intellectual are a number of roles that writers and scholars today may no longer wish to fulfill; indeed, a refusal to occupy the post of the (engaged) intellectual may be the most positive of the steps modern thinkers can take in any serious effort to come to terms with their own responsibility for our common recent past.”

Tony Judt (1948–2010) British historian

Source: Past Imperfect: French Intellectuals, 1944-1956 (1992), p. 319

People, Effort, Past

“You never see your dog running nonstop around and around in a circle for an hour. If he did, you'd think there was something wrong with him. Instead, he'll chase something, roll around, sprint, rest, mix things up. Animal play has a purpose, and it's not hard to surmise that human play should as well.”

Erwan Le Corre (1971)

Bill Katovsky (2012). 1,001 Pearls of Runners' Wisdom: Advice and Inspiration for the Open Road, Skyhorse Publishing.

Dogs, Thinking, Animals

“Prokofiev’s playing of lyrical music is especially noteworthy. His phrasing can be exquisitely beautiful in its dynamic molding (second theme of the Andante assaifrom Sonata No. 4; the middle section of Vision fugitive, op. 22, no. 11), and his polyphonic voicing can be clear and expressive”

Boris Berman (1948) Russian/American musician

Sonatina pastorale, op. 59, no. 3
Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev the pianist

Beauty, Music

“A play is a world, with its own inhabitants and its own laws and its values.”

William Saroyan The Time of Your Life

The Time of Your Life (1939)

World, Law

“He just wanted to play robot, for God's sake. Was that so wrong?”

John Green book An Abundance of Katherines

Colin Singleton, p. 20
An Abundance of Katherines (2006)

God

“Roger: No, not anyone in the band. No, not really. We don't get that. There was one time where we played a show and we were playing at Sunlight Convention Center or something and they just had no idea what they were doing security wise. Kids were dancing and stuff and kicking stuff on the stage and this security guy had no idea on what to do so he just pushes this kid right off the stage and he just falls and breaks his leg in like a second! There's been some stories like that. Faulty employees, I called it. (laughs) You have no idea what to expect. Sometimes we'll play a college show and we'll just show up and start doing our thing and security's like stop, no moshing, no crowd surfing, no circle pits or whatever. Well, why did you have us play here? Don't you know that's what we do? Haven't you ever heard of us before? That's what we do! We get people excited, get them running around! They're going to jump around! That's what we're trying to do!! (laughs) Get some energy flowing between us.”

Roger Manganelli (1973) American musician

People, Guy, Idea, Time

“I thought about it for a moment. I hated wetbacks, and was tired of their culture being shoved down my throat in L. A., where I lived. I mean, really, how would Mexico feel if Americans illegally lived in their country and then insisted on celebrating the Fourth of July? I looked at Candy and the goods she would offer me if I played along. “All right! First round on me!””

Bethany Kennedy Scanlon (1975)

"Michael Collins", in Searching for Liberty, Grace and Destiny (2007)

Hate, Feeling, Country

“One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.”

Edward Albee (1928–2016) American playwright

On his play Tiny Alice, in National Observer (5 April 1965)

Understanding, Sense

“The construction of an economic model, or of any model or theory for that matter (or the writing of a novel, a short story, or a play) consists of snatching from the enormous and complex mass of facts called reality, a few simple, easily-managed key points which, when put together in some cunning way, become for certain purposes a substitute for reality itself.”

Evsey Domar (1914–1997) American economist

Essays in the Theory of Economic Growth (1957)

Way, Reality

“If we don't play God, who will?”

James D. Watson (1928) American molecular biologist, geneticist, and zoologist.

The Lives to Come: The Genetic Revolution and Human Possibilities (1996)

God

“I am prepared to retire (from playing) today…and coach the national team. Maybe it's time to bring in new blood, people who understand today's players, their psyche. If they ask me, I'll do it. It's an honour to coach the national team.”

Eyal Berkovic (1972) Israeli footballer and manager

When asked about what the IFA should do after Avraham Grant did not qualify the national team for the World Cup in 2006. [Berkovic ready to coach national side, Eurosport, 23 October 2005, http://www.eurosport.com/football/world-cup-2006-qualifying2/2004/sport_sto781152.shtml, 27 March, 2007]

People, Understanding, Time

“If it is permissible to write plays that are not intended to be seen, I should like to see who can prevent me from writing a book no one can read.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

F 1
Aphorisms (1765-1799), Notebook F (1776-1779)

Books, Reading

“Take the case of a famous problem which plays a great part in the history of Greek geometry, the doubling of the cube, or its equivalent, the finding of two mean proportionals in continued proportion between two given straight lines. …if all the recorded solutions are collected together, it is much easier to see the relations, amounting in some cases to substantial identity, between them, and to get a comprehensive view of the history of the problem. I have therefore dealt with this problem in a separate section of the chapter devoted to 'Special Problems,' and I have followed the same course with the other famous problems of squaring the circle and trisecting any angle.”

Thomas Little Heath (1861–1940) British civil servant and academic

A History of Greek Mathematics (1921) Vol. 1. From Thales to Euclid

History, Problem, Parting

“If we want to be free, the women of the 21st century need to stop playing the game. We need to end our wary efforts to believe that our bodies are acceptable and begin to know, with a clear and billiant certainty, that our persons are powerful.”

Laurie Penny book Meat Market: Female Flesh Under Capitalism

Conclusion
Meat Market: Female Flesh Under Capitalism (2010)

Women, Game, Effort, Personality

“Usually, so far as improvement in the people's economic conditions is concerned, humanitarians simply play the role of the busybody.”

Vilfredo Pareto book Manual of Political Economy

page 301.
Manual of Political Economy

People

“I learned to play the piano on my mother's knee - that was before we got a piano.”

Victor Borge (1909–2000) Danish and US-American comedian and musician

From the obit in the Boston Globe.
Quotations from Borge's performances
Source: Richard Dyer, "Laughter Was at the Heart of Victor Borge's Many Talents", Boston Globe, 29 December 2000

Learning

“Oh! somewhere in this favored land the sun is shining bright,
The band is playing somewhere, and somewhere hearts are light,
And somewhere men are laughing and somewhere children shout;
But there is no joy in Mudville — mighty Casey has "struck out."”

Ernest Thayer Casey at the Bat

Source: Casey at the Bat, Lines 49-52.

Men, Children, Light, Sun

“To read fiction means to play a game by which we give sense to the immensity of things that happened, are happening, or will happen in the actual world. By reading narrative, we escape the anxiety that attacks us when we try to say something true about the world. This is the consoling function of narrative — the reason people tell stories, and have told stories from the beginning of time.”

Umberto Eco book Six Walks in the Fictional Woods

Six Walks in the Fictional Woods (1994) Chapter Four: "Possible Woods"

People, World, Game, Sense

“One day you will come to Montauk and see your dad playing the piano
And see your other dad wearing glasses
Hope that you will want to stay for a while
Don’t worry I know you’ll have to go”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

Montauk
Song lyrics, Out of the Game (2012)

Hope

“These were great fans when I first play here, and they are still great. These fans never boo. They become frustrated because the Dodgers used to bring up some of the better minor-league players from here, but they never boo. Now, they are happy to have a big league team, and they are willing to wait five years, like the Mets' fans did, for the team to begin winning. But the thing that amazes me more than the players not being booed is the umpires. They never hear it from the fans, either, no matter if it does seem to be a bad call.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

On revisiting Montreal, 15 years later; as quoted in "Sports Beat: Expo Fans OK -- Clemente" https://news.google.com/newspapers?id=Mc8yAAAAIBAJ&sjid=DZYEAAAAIBAJ&pg=7275%2C865101 by Bill Christine, in The Pittsburgh Press (Friday, July 18, 1969), p. 22 Baseball-related, <big><big>1960s</big></big>, <big>1969</big>

Happiness, Waiting

“I will continue to work for the advancement of freedoms in Egypt and the Arab world until I drop dead. … Education itself — which can and should play an important role in the apprenticeship of tolerance and respect for other people — sometimes encourages identitarian closure, or even extremist behaviour … It is therefore vital to ensure that education does not encourage rejection of other people or identitarian closure, but that on the contrary it encourages knowledge and respect for other cultures, other religions and other ways of being and living.”

Boutros Boutros-Ghali (1922–2016) 6th Secretary-General of the United Nations

Quoted in "Boutros Boutros-Ghali: The world is his oyster" by Gamal Nkrumah in Al-Ahram weekly No. 777 (10 - 18 January 2006)
2000s

People, World, Education, Religion

“I strongly disagree with the President's characterization today of NAFTA as a "success", and with his call on Congress to pass CAFTA this year. These comments are out of touch with American businesses and workers who have been forced to compete on an uneven playing field for years under bad deals like NAFTA.”

Russ Feingold (1953) Wisconsin politician; three-term U.S. Senator

[U.S. Senator Russ Feingold On the President's Remarks Today Regarding Trade (press release), http://feingold.senate.gov/~feingold/statements/05/03/2005323A53.html, feingold.senate.gov, 20 August 2018, https://web.archive.org/web/20080412072321/http://feingold.senate.gov/~feingold/statements/05/03/2005323A53.html, April 12, 2008, March 23, 2005]
2005

Business, Success

“We played a gig in the Swiss Alps at a snowboarding convention. Red Bull-this energy sports-fuel drink-sponsored the whole thing. It has some ingredient believed to be bull-testicle extract. We went way off our tour route, had to take two planes and missed a night's sleep. We got up there and there's no snow-it's all mud. You couldn't walk. You'd step and then be up to your knee in mud. So you had several thousand disgruntled snowboarders tanked up to the max on bull-testicle extract. Of course, for some reason, these strapping brutes were made to wait out in the mid and the rain before coming into the tent for the show. When we get up to play, I see this forty-foot gap between us and the audience-they still managed to nail us with empty cans of Red Bull. After a few songs, I wasn't really playing my guitar, I was using it to bay cans back into the crowd of disgruntled sports enthusiasts. It felt like we were A Flock of Seagulls opening for Napalm Death.”

Beck (1970) American Musician (b.1970)

Rolling Stone magazine, 1996

Death, Way, Drink, Sport

“I clearly see you a tapeworm, but not a cobra, not a cobra at all…no good at the flute! (…) I’ll go applaud you when you finally become a true monster, when you’ll have paid them, the witches, what you have to, their price, so they transmute you, blossom you, into a true phenomenon. Into a tapeworm that plays the flute.”

Louis-ferdinand Céline (1894–1961) French writer

To the Fidgeting Lunatic
in Albert Paraz, Le Gala des Vaches, Éditions de l’Élan, Paris, 1948 ; À l'agité du bocal, et autres textes de L.-F. Céline, l'Herne / Carnets de l'Herne ISBN 9782851976567 2006, 85 p. ; To the Fidgeting Lunatic (Céline on Sartre), translation by Constantin Rigas.

“Feynman was not a theorist's theorist, but a physicist's physicist and a teacher's teacher. Feynman's theoretical concepts opened up research opportunities for experimenters, and his approach to physics dignified the role played by their work.”

Valentine Telegdi (1922–2006) American physicist

[Physics Today, A Lowbrow's View of Feynman, 42, 2, 1989, 10.1063/1.881197] (p. 85)

Teachers

“Genius is play, and man's capacity for achieving genius is infinite, and many may achieve genius only through play.”

William Saroyan (1908–1981) American writer

Three Times Three (1936)

“I had a dream I had an awesome dream:
People in the park playing games in the dark.
And what they played was a masquerade.
And from behind of walls of doubt a voice was crying out.

Say you, say me.
Say it for always, that's the way it should be.
Say you, say me.
Say it together, naturally.”

Lionel Richie (1949) American singer-songwriter, musician, record producer and actor

Say You, Say Me.
Song lyrics, Dancing on the Ceiling (1986)

People, Dreams, Way, Game

“The preface to the French edition of that work contains the following passage: "To me the French edition of my work is not a mere translation, but a transcription of ideas into a language in which it should have been written in the first place… I proudly acknowledge… my master. His words are among the most brilliant recollections of my youth; his piercing wisdom and potent prose have inspired my efforts of a riper age. To the memory of Henri Poincaré, the intellectual giant who was the first to recognize the role which the idiosyncrasies of the race play in the evolution of scientific ideas, I dedicate this book.”

Tobias Dantzig (1884–1956) American mathematician

Preface
Henri Poincaré, Critic of Crisis: Reflections on His Universe of Discourse (1954)

Wisdom, Books, Youth, Age

“Weak withering age no rigid law forbids,
With frugal nectar, smooth and slow with balm,
The sapless habit daily to bedew,
And give the hesitating wheels of life
Gliblier to play.”

John Armstrong (1709–1779) British poet

Book II, line 484.
The Art of Preserving Health (1744)

Life, Age, Law

“To search for unasked questions, plus questions to put to already acquired but unsought answers, it is vital to give full play to the imagination. That is the way to create truly original science.”

Edward O. Wilson (1929) American biologist

Source: Letters to a Young Scientist (2013), chapter 16, "Searching for New Worlds on Earth", page 177.

Way, Imagination, Search, Question

“—On the dedication page of the rebellion, we see the words “To Clementine”. A fine sentiment, miscellaneous organ music next, and, turning several pages, massed orange flags at the head of the column. This will not be easy, but neither will it be hard. Good will is everywhere, and the lighthearted song of the gondoliers is heard in the distance.
—Yes, success is everything. Morally important as well as useful in a practical way.
—What have the rebels captured thus far? One zoo, not our best zoo, and a cemetery. The rebels have entered the cages of the tamer animals and are playing with them, gently.
—Things can get better, and in my opinion will.
—Their Graves Registration procedures are scrupulous—accurate and fair.
—There’s more to it than playing guitars and clapping along. Although that frequently gets people in the mood.
—Their methods are direct, not subtle. Dissolution, leaching, sandblasting, cracking and melting of fireproof doors, condemnation, water damage, slide presentations, clamps and buckles.
—And skepticism, although absolutely necessary, leads to not very much.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“The Crisis”, opening
Great Days (1979)

People, Music, Way, Mood

“Our so-called Society people, instead of going in for sport, persist in holding conversations in their drawing rooms, generally in a foreign tongue. They engage nurse maids, personal maids and governesses of all nationalities except Italian. They play poker and bridge with the accompanying drinks, certainly not Italian brands!”

Achille Starace (1889–1945) Italian Fascist general

About disloyal people in Italian society. Quoted in "Activist on Society" - Time Magazine - August 5, 1935.

People, Drink, Sport, Drawing

“[about the Chicago Cubs being swept by the L. A. Dodgers in the 2008 NLDS]: How about next year, we only let the Cubs play using steroids?”

Jay Leno (1950) American comedian, actor, writer, producer, voice actor and television host

Monologue, 7 October, 2008
The Tonight Show

“I am tired of playing in a shadow Everything I do they compare to Paul Waner. I am not Paul Waner's shadow. I try not to let it bother me, but I get tired of the things some people say. They call me a showboat because I make basket catches. They don't call Willie Mays a showboat, do they? They say I'm a hypochondriac, too. When I have trouble with my back, they say it's in my mind. In Houston last year, right before the end of the season, I was still in the race for the batting title and Murtaugh told me to do everything possible to win it. One time I was being intentionally walked and I swung at one of the pitches. Then I wasn't a team player any more. People said I was out for myself.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Roberto's Not Happy; Clemente in Waner's Shadow" https://www.newspapers.com/newspage/15674492/ by Sandy Padwe (NEA), in The Indiana Gazette (July 2, 1964), p. 16 Baseball-related, <big><big>1960s</big></big>, <big>1964</big>

People, Time, Season

“I had gone to hear the winner of that year's drum and bugle corps competition. That band played a chord that made every hair on my body stand up. I've been in front of great symphony orchestras, and the greatest bands, but I've never had my hair stand up quite like that. That's when I decided to write for the bugles.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Voicing With a Heart" by Ernie Rideout, in Keyboard (August 2000)

“If a woman has her PhD in physics, has mastered quantum theory, plays flawless Chopin, was once a cheerleader, and is now married to a man who plays baseball, she will forever be "former cheerleader married to star athlete."”

Maryanne Ellison Simmons (1949) American printmaker

The Waiting Room http://books.google.com/books?id=rhzwAAAAMAAJ&q=%22If+a+woman+has+her+Ph+D+in+physics+has+mastered+quantum+theory+plays+flawless+Chopin+was+once+a+cheerleader+and+is+now+married+to+a+man+who+plays+baseball+she+will+forever+be+former+cheerleader+married+to+star+athlete%22&pg=PA24#v=onepage magazine (May 1982)

Star

“In a way, … growing up like this with Harry makes it easier to act in each of the films, because I've been through all the stuff that he's going through, like the hormones, relatively recently. So it's quite fresh in my mind. And then I suppose it's been made easier by the fact I've been playing Harry Potter since I was 12. You get to know the character so well that it makes it easier to act in the long run.”

Daniel Radcliffe (1989) English actor

On character Harry Potter

Way

“I sat for hours cross-legged, and cross-tempered, upon my silks meditating upon the queer freaks chance plays upon us poor devils of mortals.”

Edgar Rice Burroughs book A Princess of Mars

Source: A Princess of Mars (1917), Chapter 14

Chance

“I play myself all the time… on camera and off. What else can I do?”

Harry Dean Stanton (1926–2017) American actor, musician, and singer

HBO: Big Love - Interviews - Harry Dean Stanton http://www.hbo.com/biglove/interviews/harry_dean_stanton.html

Time

“Mr. Sandburg possesses a powerful imagination, which plays over and about his realistic themes and constantly ennobles them. …strikes, and factories, and slaughter-houses, and railroad trains, all take on a lyric quality under his touch. …When Carl Sandburg left college, he was no longer an unskilled labourer, working with his hands. He was a thinking man, with a brain charged with ideas and emotions, determined to do his part in bringing about the millennium. For Carl Sandburg… is a revolutionary; he must push the world to where he is convinced it ought to be. …again and again, he deserts the seer's mountain peak for the demagogue's soap-box. …Mr. Sandburg is like a man striving to batter down a jail with balls of brightly coloured glass. …Whether constant preoccupation with disease is a healthy form of literature, whether it acts as a curative, is open to question. But we can surely say that to be curative the disease must be treated unsentimentally and truly. Mr. Sandburg has aimed at doing this, has striven hard to do it. For this, one honours him above his fellows. For this, and the spirit of beauty which pervades his work.”

Amy Lowell (1874–1925) US writer

"Edgar Lee Masters and Carl Sandburg," Tendencies in Modern American Poetry http://books.google.com/books?id=UgZaAAAAMAAJ (1917).

World, Disease, Beauty, Imagination

“I always wanted to have Mike Mazurki play Hammer… too bad he couldn't act.”

Mickey Spillane (1918–2006) American writer

Crime Time interview (2001)

“The philosopher does not just ‘play’ with metaphors: his play is of a ‘formidable seriousness’, for it is designed to oppose modernity’s hatred for art, to obliterate precisely the opposition between play and seriousness, dream and reality.”

Sarah Kofman (1934–1994) philosopher from France

Source: Nietzsche et la métaphore (1972), p. 18

Dreams, Art, Reality

“But once we bring historical time into the argument, it is not so easy to present the free play of the market as an ideal mechanism for maximizingwelfare and securing social justice.”

Joan Robinson (1903–1983) English economist

Source: Economic Heresies (1971), Chapter IV, Increasing and Diminishing Returns, p. 63

Justice, Time

“The ground breaking production of the company, and the point at which the cross-cultural casting began to bite, was Brecht’s anti-war play Mother Courage. Just one comment in a review by critic Malcolm Hay jolted us into the realisation that we were making history: Why is an Indian actor playing the Pastor?”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

The South African Interview (August 8, 2011)

War, History, Courage

“On the need to respond to the crisis in Greece, and broaching the subject of the Truman Doctrine ("it must be the policy of the United States to support free people who are resisting attempted subjugation by armed minorities or outside pressures.") with Congress: "In the past eighteen months, I said, Soviet pressure on the Straits, on Iran, and on northern Greece had brought the Balkans to the point where a highly possible Soviet breakthrough might open three continents to Soviet penetration. Like apples in a barrel infected by one rotten one, the corruption of Greece would infect Iran and all to the east. It would also carry infection to Africa through Asia Minor and Egypt, and to Europe through Italy and France, already threatened by the strongest domestic Communist parties in Western Europe. The Soviet Union was playing one of the greatest gambles in history at minimal cost. It did not need to will all the possibilities. Even one or two offered immense gains. We and we alone were in a position to break up the play. These were the stakes that British withdrawal from the eastern Mediterranean offered to an eager and ruthless opponent."”

Dean Acheson book Present at the Creation: My Years in the State Department

Present at the Creation: My Years in the State Department (1969), Truman Doctrine, Cold War

People, History, Support, Past

“I really don't know what to say about this without sounding hypercritical. First of all, the style of playing is so tremendously behind the beat, it gets to the point that I feel he's in opposition to his rhythm section, and I can't get a nice swing out of the thing. The pianist is tremendously heavy-handed, which I think gets in the way of what he's trying to do, so I feel that in some spots he's stumbling, instead of having the feeling that the man is executing what he wants to play. The whole thing strikes me as a sort of comme-ci-comme-ca performance of a like tune. Two stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing Dodo Marmarosa's recording of "Mellow Mood," https://www.youtube.com/watch?v=xieUt3PqGJ0 from the album Dodo's Back!; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe

Way, Feeling, Star, Thinking

“I did not say that I wanted to stay over here. I still want to play for Pakistan and my state side there – my priority is with Pakistan for as long as they need me in Test cricket. In fact I am always there for them in any form of the game – Pakistan has given me the name to be playing cricket in England. If ever Pakistan didn’t select me for three to four years in a row in any form of cricket then, and only then, would I think about coming over here.”

Danish Kaneria (1980) Pakistani cricketer

Kaneria pledging his loyalty to Pakistan while rejecting a claim from an English-newspaper that he was interested in switching nationalities from Pakistani to English to further his career. 1 http://kaneria.bigstarcricket.com/bs/players/kaneria/article_4165.shtml

Game, Thinking

“Those who are excluded from meaningful work are, by and large, excluded from meaningful play.”

David Riesman (1909–2002) American Sociologist

“The Themes of Work and Play,” p. 333
Individualism Reconsidered (1954)

“It is the thesis of this book that society can only be understood through a study of the messages and the communication facilities which belong to it; and that in the future development of these messages and communication facilities, messages between man and machines, between machines and man, and between machine and machine, are destined to play an ever-increasing part”

Norbert Wiener book The Human Use of Human Beings

Source: The Human Use of Human Beings (1950), p. 16

Books, Communication, Study, Future

“As Ralph Ellison wrote more than 35 years ago, 'Why is it so often true that when critics confront the American as Negro, they suddenly drop their advanced critical armament and revert with an air of confident superiority to quite primitive modes of analysis?' Those matters accomplished by whites are routinely subjected to sophisticated modes of analysis. But the when the selfsame matters are accomplished by blacks, the opaque racial prism of analysis precludes such sophistication, and all is seen in black and white. And some who would not venture onto the more sophisticated analytical turf are quite content to play in the minor leagues of primitive harping. The more things change, the more they remain the same.”

Clarence Thomas (1948) Associate Justice of the Supreme Court of the United States

1990s, I Am a Man, a Black Man, an American (1998)

Confidence, Change

“I got my first real six-string,
Bought it at the five-and-dime.
Played it till my fingers bled,
It was the summer of '69Me and some guys from school
Had a band and we tried real hard.
Jimmy quit and Jody got married;
I shoulda known we'd never get far.Oh, when I look back now,
That summer seemed to last forever.
And if I had the choice,
Yeah - I'd always wanna be there.
Those were the best days of my life.”

Bryan Adams (1959) Canadian singer-songwriter

Summer of '69
Song lyrics, Reckless (1984)

Life, School, Guy, Summer

“Watch him. But don't try to imitate. Only VVS can play them.”

V. V. S. Laxman (1974) former Indian cricketer

Source: John Wright to young batsman on VVS Laxman. http://www.scrolldroll.com/quotes-about-vvs-laxman-that-show-he-is-truly-very-very-special/

“…the turns of the screw that Sophocles administered throughout the play [Oedipus Tyrannos] must have been received with sharp pain… because these cocky, princely, Oedipal Greeks were being made to feel acutely the limitations of human society—in which no political leader, no matter how gifted or courageous, can remain a savior forever, in which every man must come to know that he is no hero but essentially a flawed and luckless figure and that "the pains we inflict upon ourselves hurt most of all."”

Thomas Cahill (1940) American scholar and writer

Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch.IV The Politician and the Playwright: How to Rule

Pain, Feeling, Courage, Hurt

“Would we have played with our lives for nothing but worldly gain?
If our people had run after earth's goods and gold,
Need they have smashed idols, and not idols sold?…
Fake gods that men had made, who did break and shatter?
Who routed infidel armies and destroyed them with bloody slaughter?
Who put out and made cold the sacred flame in Iran?”

Muhammad Iqbál (1877–1938) Urdu poet and leader of the Pakistan Movement

Shikwa. https://archive.org/details/ShikwaJawabIShikwaIqbalsDialogueWithAllahTrKhushwantSinghIqbal Shikwa & Jawab Shikwa : The complaint and the answer : the human grievance and the divine response

Men, God, People

“Why prattle we like children at their play,
Spending thus idle breath, enough to freight
An able vessel of the primer rate?
Our tongues are voluble, and store of words
Invention on all arguments affords,
Scatter'd on fresh occasions here and there,
And what thou say'st thou shalt from others hear.
Let us no longer vainly thus contend,
Like fenceless women, railing to no end.”

John Ogilby (1600–1676) Scottish academic

Book XX
Homer His Iliads Translated (1660)

Women, Children

“An epigram is only a wisecrack that's played at Carnegie Hall.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

As quoted in Coronet Magazine (September 1968).

“Vedanta teaches that consciousness is singular, all happenings are played out in one universal consciousness and there is no multiplicity of selves.”

Erwin Schrödinger (1887–1961) Austrian physicist

Source: My View of the World (1951), Chapter 5

Universe

“…the position of the body significantly influences the emotions and sensations during the desired stage of hypnotism; also, whatever the passion which one wants to express by the attitude of the patient, when the muscles necessary to this expression are brought into play, the passion itself bursts forth suddenly and the whole organism responds accordingly. The upright body, the expanded chest, the contracted extensors, all that suggests the feeling of self-esteem, self-determination, resolve and unconquerable pride. As soon as one decreases the contraction of these muscles, that gives to the patient a depressed attitude, with a sunken chest, the expression of the features changes in a very manifest way, the voice and the whole manner of being of the individual now express humility, abasement and pity.”

James Braid (1795–1860) Scottish surgeon, hypnotist, and hypnotherapist

Original Philosophy of Hypnotism The International College of Hypnosis & Hypnotherapy

Way, Feeling, Passion, Change

“Youth is fair, a graceful stag,
Leaping, playing in a park.
Age is gray, a toothless hag,
Stumbling in the dark.”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

Sewing the Wedding Gown, 1906. Nine One-Act Plays from Yiddish. Translated by Bessie F. White, Boston, John W. Luce & Co., 1932, p. 127.

Youth, Age

“WTO (the World Trade Organization) is trying to impose equality of trade in an unequal world, but for developing countries like Fiji there is no level playing field, just a slippery slope.”

Laisenia Qarase (1941) Prime Minister of Fiji

Address to the 18th Australia-Fiji Business Forum, Shangri-La Fijian Resort, Sydney, Australia, 17 October 2005 (excerpts)

World, Country

“You can play the piano with the white keys only or you can play it with only the black keys. But for harmony you must use the black and the white keys.”

Ernest Debrah (1947–2016) Ghanian politician

On the Economic Partnership Agreement (EPA), in Will Ross, " Africans wary of Europe's trade offer http://news.bbc.co.uk/2/hi/africa/7134407.stm", BBC (8 December, 2007).

“Cheap superconductors imply maglev trains everywhere. Computers could get big again, with RAM/ROM rising by powers of forty and fifty, if superconductors shed the heat.
Laser handguns against superconducting armor. I'm not predicting; I just love playing with superconductors.”

Larry Niven (1938) American writer

Space.com interview (2000)

Love, Training

“Many of the symbols, word-plays and secret patterns with which the novel abounds seem to be used out of sheer ebullience, as though the author was playing some sort of game with himself and did not much care whether he was observed or not. Chinese devotees of the novel often continue to read and reread it throughout their lives and to discover more of these little private jokes each time they read it.”

David Hawkes (sinologist) (1923–2009) British sinologist

Source: Preface to The Golden Days, 1973, p. 45

Secret, Game, Time, Reading

“Corporations are neither physical nor metaphysical phenomena. They are socioeconomic ploys — legally enacted game-playing — agreed upon only between overwhelmingly powerful socioeconomic individuals and by them imposed upon human society and its all unwitting members.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

From 1980s onwards, Grunch of Giants (1983)

Game

“It is a peculiar role in many respects, when you see the play Dracula seems to be constantly on the stage. A casual glance would indicate that he speaks as many lines as Hamlet. Yet, as a matter of fact, the number of ‘sides’ is small. The professor really has a great many more. But, if Count Dracula is not particularly chatty, he presents other difficulties. I find that it requires time and meditation to catch the mood of the character; each performance must be approached with some care. The result is that one doesn’t weary of the part.”

Béla Lugosi (1882–1956) Hungarian actor

IN THE WORLD OF SCREEN & STAGE The Oakland Tribune, Oakland, California https://beladraculalugosi.wordpress.com/1930-2/ (July 6, 1930)

Mood, Time, Parting

“Roger: See.. that's a tough question 'cause I went to a lot of really small shows for bands that nobody knew who they really were 'cause that's the kind of thing that I grew up on - was like going to clubs and stuff. The first like real, real concert that I went to was U2 at the Orange Bowl in Miami for the Joshua Tree Tour. I think it was in '87? Something like that. Yeah… I think that was it. We were way up in the nosebleeds and Bono was like this big! (Roger shows thumb and index finger really close) (all laugh) But, that's what I thought a concert was at that point - really huge. Everything else was more like a rehearsal or you know.. club shows. Like oh, that's nothing - 500 kids. It doesn't seem that weird. I've played in front of 500 kids at my piano recitals and I didn't think it was a big deal.”

Roger Manganelli (1973) American musician

Way, Question, Thinking, Tree

“I told Robben, that Ukraine will play Holland in the Euro-2012 final, and that they don't stand a chance”

Anatoliy Tymoshchuk (1979) Ukrainian footballer

http://www.sports.ru/football/139897638.html] (2012)

Chance

“A secret is a strange thing. There are three kinds of secrets. One is the sort everyone knows about, the sort you need at least two people for. One to keep it. One to never know. The second is a harder kind of secret: one you keep from yourself. Every day, thousands of confessions are kept from their would-be confessors, none of these people knowing that their never-admitted secrets all boil down to the same three words: I am afraid. And then there is the third kind of secret, the most hidden kind. A secret no one knows about. Perhaps it was known once, but was taken to the grave. Or maybe it is a useless mystery, arcane and lonely, unfound because no one ever looked for it. Sometimes, some rare times, a secret stays undiscovered because it is something too big for the mind to hold. It is too strange, too vast, too terrifying to contemplate. All of us have secrets in our lives. We’re keepers or keptfrom, players or played. Secrets and cockroaches — that’s what will be left at the end of it all.”

Maggie Stiefvater (1981) American writer

The Raven Cycle Series, The Dream Thieves (2013)

People, Secret, Time

“Each of us, within the limits of our resources, is set to be an actor, in having a lead role in one's own life, but above all by committing to others…a profound truth [is] that everyone has a role to play in society beyond their own fate.”

Henri of Luxembourg (1955) Grand Duke (head of state) of the Grand Duchy of Luxembourg

Jidderee vun eis ass, an der Mooss vun sengen Mëttelen, dozou opgeruff selwer Akteur ze sinn, an dem e säi Liewen an d’Hand hëlt, mee och an dem en sech fir déi aner engagéiert...eng profund Wourecht, an zwar dass Jiddereen an der Gesellschaft eng Roll ze spillen huet, déi säin eegent Schicksal iwwertrëfft. Christmas message http://www.monarchie.lu/fr/actualites/discours/2014/12/discours-noel-lu/index.html (25 December 2014) Society

Life, Fate, Truth

“The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.”

Helen Hayes (1900–1993) actress

Source: On Reflection (1968), Ch. 4

Star, Housing

“Therefore, the only thing that is not up for grabs is no change. It is fair to say that it is all to play for, except in ruling out no change.”

Rhodri Morgan (1939–2017) British politician

Record of Proceedings http://www.wales.gov.uk/cms/2/ChamberSession/380313AC00046B17000028C300000000/N0000000000000000000000000037726.html#_Toc120595420, National Assembly for Wales, 15 November 2005. Morgan won the "Foot in Mouth" award for a second time for this statement, which refers to changes in policing arrangements in Wales.

Change

“Thank you. How-DY! Whoops, wrong opera house. How do you like the play, Mr. Lincoln? Duck!”

Robin Williams (1951–2014) American actor and stand-up comedian

A Night at the Met (1986)

Housing

Quotes about play page 24

Quotes about play
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